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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DB4EACE it is the complementary color #824B15CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DB4EACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DB4EACE shade: #82B4E5CE, #93C6F8CE, #A4D8FFCE, #B5EAFFCE and #C6FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DB4EACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DB4EACE shade: #7DB4EACE, #6CA2D7CE, #5B90C4CE, #4A7EB1CE and #396C9ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DB4EACE shade: #7BB3EA, #7B95EA, #7F7BEA, #9D7BEA and #BB7BEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DB4EACE shade: #7BB3EA, #7B95EA and #7B7BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DB4EACE shade matches the following richer shades: #7BB3EA and #6FB3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DB4EACE shade: #7BB3EA, #88B3DD, #94B3D1, #A1B3C4 and #ADB3B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DB4EACE shade: #7BEAE4, #7BD2EA, #7BB4EA, #7B97EA and #7D7BEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DB4EACE shade: #348ADE, #589FE4, #7BB3EA, #9FC8EF and #C2DCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DB4EACE shade: #7DB4EA, #C77BEA and #E0EA7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DB4EACE shade: #7DB4EA, #EA7BB4 and #B4EA7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DB4EACE shade: #7DB4EA, #C77BEA, #EAB17B and #9EEA7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DB4EACE shade: #7DB4EA, #E87BEA, #EAB17B and #7DEA7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 19 / 0 / 7

HEX #7DB4EACE

RGBA 125 180 234 0.81

HSLA 209.72, 0.72%, 0.7%, 0.81

LABA 71.52, -3.69, -32.57, 0.81

 

Complementary color

CMYK 0 / 34 / 68 / 40

HEX #824B15CE

RGBA 130 75 21 0.81

HSLA 29.72, 0.72%, 0.3%, 0.81

LABA 37.54, 19.06, 39.7, 0.81

 

CMYK 35 / 17 / 0 / 8

HEX #82B4E5CE

RGBA 130 180 229 0.81

HSLA 209.7, 0.66%, 0.7%, 0.81

LABA 71.59, -3.86, -29.72, 0.81

 

CMYK 33 / 16 / 0 / 2

HEX #93C6F8CE

RGBA 147 198 248 0.81

HSLA 209.7, 0.88%, 0.77%, 0.81

LABA 78.09, -4.19, -29.89, 0.81

 

CMYK 29 / 12 / 0 / 0

HEX #A4D8FFCE

RGBA 164 216 255 0.81

HSLA 205.71, 1%, 0.82%, 0.81

LABA 84.08, -7.5, -24.38, 0.81

 

CMYK 24 / 7 / 0 / 0

HEX #B5EAFFCE

RGBA 181 234 255 0.81

HSLA 197.03, 1%, 0.85%, 0.81

LABA 89.81, -12.13, -15.64, 0.81

 

CMYK 18 / 1 / 0 / 0

HEX #C6FCFFCE

RGBA 198 252 255 0.81

HSLA 183.16, 1%, 0.89%, 0.81

LABA 95.52, -16.29, -7.03, 0.81

 

CMYK 38 / 19 / 0 / 7

HEX #7DB4EACE

RGBA 125 180 234 0.81

HSLA 209.72, 0.72%, 0.7%, 0.81

LABA 71.52, -3.69, -32.57, 0.81

 

CMYK 40 / 20 / 0 / 13

HEX #6CA2D7CE

RGBA 108 162 215 0.81

HSLA 209.72, 0.57%, 0.63%, 0.81

LABA 64.91, -3.22, -32.44, 0.81

 

CMYK 43 / 21 / 0 / 19

HEX #5B90C4CE

RGBA 91 144 196 0.81

HSLA 209.71, 0.47%, 0.56%, 0.81

LABA 58.19, -2.63, -32.33, 0.81

 

CMYK 47 / 23 / 0 / 25

HEX #4A7EB1CE

RGBA 74 126 177 0.81

HSLA 209.71, 0.41%, 0.49%, 0.81

LABA 51.33, -1.9, -32.24, 0.81

 

CMYK 52 / 26 / 0 / 31

HEX #396C9ECE

RGBA 57 108 158 0.81

HSLA 209.7, 0.47%, 0.42%, 0.81

LABA 44.32, -0.95, -32.16, 0.81

 

CMYK 47 / 24 / 0 / 8

HEX #7BB3EA

RGB 123 179 234

HSL 209.73, 0.73%, 0.7%

LAB 71.14, -3.62, -33.16

 

CMYK 47 / 36 / 0 / 8

HEX #7B95EA

RGB 123 149 234

HSL 225.95, 0.73%, 0.7%

LAB 63.05, 13.39, -45.8

 

CMYK 46 / 47 / 0 / 8

HEX #7F7BEA

RGB 127 123 234

HSL 242.16, 0.73%, 0.7%

LAB 56.7, 29.64, -55.85

 

CMYK 33 / 47 / 0 / 8

HEX #9D7BEA

RGB 157 123 234

HSL 258.38, 0.73%, 0.7%

LAB 59.23, 36.97, -51.68

 

CMYK 20 / 47 / 0 / 8

HEX #BB7BEA

RGB 187 123 234

HSL 274.59, 0.73%, 0.7%

LAB 62.23, 44.93, -46.73

 

CMYK 47 / 24 / 0 / 8

HEX #7BB3EA

RGB 123 179 234

HSL 209.73, 0.73%, 0.7%

LAB 71.14, -3.62, -33.16

 

CMYK 47 / 36 / 0 / 8

HEX #7B95EA

RGB 123 149 234

HSL 225.95, 0.73%, 0.7%

LAB 63.05, 13.39, -45.8

 

CMYK 47 / 47 / 0 / 8

HEX #7B7BEA

RGB 123 123 234

HSL 240, 0.73%, 0.7%

LAB 56.4, 28.73, -56.35

 

CMYK 47 / 24 / 0 / 8

HEX #7BB3EA

RGB 123 179 234

HSL 209.73, 0.73%, 0.7%

LAB 71.14, -3.62, -33.16

 

CMYK 55 / 27 / 0 / 4

HEX #6FB3F6

RGB 111 179 246

HSL 209.78, 0.88%, 0.7%

LAB 71.06, -2.73, -39.85

 

CMYK 47 / 24 / 0 / 8

HEX #7BB3EA

RGB 123 179 234

HSL 209.73, 0.73%, 0.7%

LAB 71.14, -3.62, -33.16

 

CMYK 38 / 19 / 0 / 13

HEX #88B3DD

RGB 136 179 221

HSL 209.65, 0.56%, 0.7%

LAB 71.35, -3.92, -25.7

 

CMYK 29 / 14 / 0 / 18

HEX #94B3D1

RGB 148 179 209

HSL 209.51, 0.4%, 0.7%

LAB 71.65, -3.6, -18.61

 

CMYK 18 / 9 / 0 / 23

HEX #A1B3C4

RGB 161 179 196

HSL 209.14, 0.23%, 0.7%

LAB 72.1, -2.61, -10.73

 

CMYK 6 / 3 / 0 / 28

HEX #ADB3B8

RGB 173 179 184

HSL 207.27, 0.07%, 0.7%

LAB 72.62, -1.12, -3.28

 

CMYK 47 / 0 / 3 / 8

HEX #7BEAE4

RGB 123 234 228

HSL 176.76, 0.73%, 0.7%

LAB 86.33, -33.22, -6.94

 

CMYK 47 / 10 / 0 / 8

HEX #7BD2EA

RGB 123 210 234

HSL 192.97, 0.73%, 0.7%

LAB 79.75, -19.98, -19.98

 

CMYK 47 / 23 / 0 / 8

HEX #7BB4EA

RGB 123 180 234

HSL 209.19, 0.73%, 0.7%

LAB 71.41, -4.16, -32.74

 

CMYK 47 / 35 / 0 / 8

HEX #7B97EA

RGB 123 151 234

HSL 224.86, 0.73%, 0.7%

LAB 63.58, 12.23, -44.96

 

CMYK 47 / 47 / 0 / 8

HEX #7D7BEA

RGB 125 123 234

HSL 241.08, 0.73%, 0.7%

LAB 56.55, 29.18, -56.1

 

CMYK 77 / 38 / 0 / 13

HEX #348ADE

RGB 52 138 222

HSL 209.65, 0.72%, 0.54%

LAB 56.27, 3.16, -50.06

 

CMYK 61 / 30 / 0 / 11

HEX #589FE4

RGB 88 159 228

HSL 209.57, 0.72%, 0.62%

LAB 63.73, -1.63, -41.53

 

CMYK 47 / 24 / 0 / 8

HEX #7BB3EA

RGB 123 179 234

HSL 209.73, 0.73%, 0.7%

LAB 71.14, -3.62, -33.16

 

CMYK 33 / 16 / 0 / 6

HEX #9FC8EF

RGB 159 200 239

HSL 209.25, 0.71%, 0.78%

LAB 78.99, -4.39, -23.64

 

CMYK 21 / 10 / 0 / 4

HEX #C2DCF5

RGB 194 220 245

HSL 209.41, 0.72%, 0.86%

LAB 86.63, -3.38, -15.08

 

CMYK 47 / 23 / 0 / 8

HEX #7DB4EA

RGB 125 180 234

HSL 209.72, 0.72%, 0.7%

LAB 71.52, -3.69, -32.57

 

CMYK 15 / 47 / 0 / 8

HEX #C77BEA

RGB 199 123 234

HSL 281.08, 0.73%, 0.7%

LAB 63.55, 48.22, -44.57

 

CMYK 4 / 0 / 47 / 8

HEX #E0EA7B

RGB 224 234 123

HSL 65.41, 0.73%, 0.7%

LAB 89.92, -18.89, 52.37

 

CMYK 47 / 23 / 0 / 8

HEX #7DB4EA

RGB 125 180 234

HSL 209.72, 0.72%, 0.7%

LAB 71.52, -3.69, -32.57

 

CMYK 0 / 47 / 23 / 8

HEX #EA7BB4

RGB 234 123 180

HSL 329.19, 0.73%, 0.7%

LAB 65.71, 49.4, -10.62

 

CMYK 23 / 0 / 47 / 8

HEX #B4EA7B

RGB 180 234 123

HSL 89.19, 0.73%, 0.7%

LAB 86.99, -35.44, 48.13

 

CMYK 47 / 23 / 0 / 8

HEX #7DB4EA

RGB 125 180 234

HSL 209.72, 0.72%, 0.7%

LAB 71.52, -3.69, -32.57

 

CMYK 15 / 47 / 0 / 8

HEX #C77BEA

RGB 199 123 234

HSL 281.08, 0.73%, 0.7%

LAB 63.55, 48.22, -44.57

 

CMYK 0 / 24 / 47 / 8

HEX #EAB17B

RGB 234 177 123

HSL 29.19, 0.73%, 0.7%

LAB 76.29, 14.32, 35.6

 

CMYK 32 / 0 / 47 / 8

HEX #9EEA7B

RGB 158 234 123

HSL 101.08, 0.73%, 0.7%

LAB 85.78, -43.04, 46.37

 

CMYK 47 / 23 / 0 / 8

HEX #7DB4EA

RGB 125 180 234

HSL 209.72, 0.72%, 0.7%

LAB 71.52, -3.69, -32.57

 

CMYK 1 / 47 / 0 / 8

HEX #E87BEA

RGB 232 123 234

HSL 298.92, 0.73%, 0.7%

LAB 67.47, 57.39, -38.13

 

CMYK 0 / 24 / 47 / 8

HEX #EAB17B

RGB 234 177 123

HSL 29.19, 0.73%, 0.7%

LAB 76.29, 14.32, 35.6

 

CMYK 47 / 0 / 47 / 8

HEX #7DEA7B

RGB 125 234 123

HSL 118.92, 0.73%, 0.7%

LAB 84.3, -53.12, 44.2

 

Description

Color code: HEX #7DB4EACE | qconv.com Color code: HEX #7DB4EACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 180 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 180 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 19 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 19% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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