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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DADE9 it is the complementary color #825216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DADE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DADE9 shade: #82ADE4, #93BFF7, #A4D1FF, #B5E3FF and #C6F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DADE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DADE9 shade: #7DADE9, #6C9BD6, #5B89C3, #4A77B0 and #39659D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DADE9 shade: #7CACE8, #7C8FE8, #867CE8, #A37CE8 and #C17CE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DADE9 shade: #7CACE8, #7C8FE8 and #7C7CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DADE9 shade matches the following richer shades: #7CACE8 and #6FABF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DADE9 shade: #7CACE8, #88ADDC, #94AFD0, #A1B0C3 and #ADB1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DADE9 shade: #7CE7E8, #7CCAE8, #7CADE8, #7C90E8 and #857CE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DADE9 shade: #357FDC, #5896E2, #7CACE8, #9FC2EE and #C2D8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DADE9 shade: #7DADE9, #CD7CE8 and #D8E87C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DADE9 shade: #7DADE9, #E87CAD and #ADE87C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DADE9 shade: #7DADE9, #CD7CE8, #E8B77C and #97E87C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DADE9 shade: #7DADE9, #E87CE3, #E8B77C and #7CE881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 26 / 0 / 9

HEX #7DADE9

RGB 125 173 233

HSL 213.33, 0.71%, 0.7%

LAB 69.56, -0.11, -35.05

 

Complementary color

CMYK 0 / 37 / 83 / 49

HEX #825216

RGB 130 82 22

HSL 33.33, 0.71%, 0.3%

LAB 39.31, 14.98, 40.89

 

CMYK 43 / 24 / 0 / 11

HEX #82ADE4

RGB 130 173 228

HSL 213.67, 0.64%, 0.7%

LAB 69.64, -0.28, -32.18

 

CMYK 40 / 23 / 0 / 3

HEX #93BFF7

RGB 147 191 247

HSL 213.6, 0.86%, 0.77%

LAB 76.18, -0.68, -32.3

 

CMYK 36 / 18 / 0 / 0

HEX #A4D1FF

RGB 164 209 255

HSL 210.33, 1%, 0.82%

LAB 82.22, -3.82, -27.21

 

CMYK 29 / 11 / 0 / 0

HEX #B5E3FF

RGB 181 227 255

HSL 202.7, 1%, 0.85%

LAB 87.96, -8.55, -18.41

 

CMYK 22 / 4 / 0 / 0

HEX #C6F5FF

RGB 198 245 255

HSL 190.53, 1%, 0.89%

LAB 93.68, -12.8, -9.75

 

CMYK 46 / 26 / 0 / 9

HEX #7DADE9

RGB 125 173 233

HSL 213.33, 0.71%, 0.7%

LAB 69.56, -0.11, -35.05

 

CMYK 50 / 28 / 0 / 16

HEX #6C9BD6

RGB 108 155 214

HSL 213.4, 0.56%, 0.63%

LAB 62.92, 0.44, -34.99

 

CMYK 53 / 30 / 0 / 24

HEX #5B89C3

RGB 91 137 195

HSL 213.46, 0.46%, 0.56%

LAB 56.14, 1.11, -34.95

 

CMYK 58 / 32 / 0 / 31

HEX #4A77B0

RGB 74 119 176

HSL 213.53, 0.41%, 0.49%

LAB 49.23, 1.95, -34.94

 

CMYK 64 / 36 / 0 / 38

HEX #39659D

RGB 57 101 157

HSL 213.6, 0.47%, 0.42%

LAB 42.17, 3.03, -34.96

 

CMYK 47 / 26 / 0 / 9

HEX #7CACE8

RGB 124 172 232

HSL 213.33, 0.7%, 0.7%

LAB 69.2, -0.08, -35.08

 

CMYK 47 / 38 / 0 / 9

HEX #7C8FE8

RGB 124 143 232

HSL 229.44, 0.7%, 0.7%

LAB 61.44, 16.55, -47.22

 

CMYK 42 / 47 / 0 / 9

HEX #867CE8

RGB 134 124 232

HSL 245.56, 0.7%, 0.7%

LAB 57.38, 30.12, -53.63

 

CMYK 30 / 47 / 0 / 9

HEX #A37CE8

RGB 163 124 232

HSL 261.67, 0.7%, 0.7%

LAB 59.91, 37.46, -49.44

 

CMYK 17 / 47 / 0 / 9

HEX #C17CE8

RGB 193 124 232

HSL 278.33, 0.7%, 0.7%

LAB 62.99, 45.61, -44.37

 

CMYK 47 / 26 / 0 / 9

HEX #7CACE8

RGB 124 172 232

HSL 213.33, 0.7%, 0.7%

LAB 69.2, -0.08, -35.08

 

CMYK 47 / 38 / 0 / 9

HEX #7C8FE8

RGB 124 143 232

HSL 229.44, 0.7%, 0.7%

LAB 61.44, 16.55, -47.22

 

CMYK 47 / 47 / 0 / 9

HEX #7C7CE8

RGB 124 124 232

HSL 240, 0.7%, 0.7%

LAB 56.61, 27.78, -54.9

 

CMYK 47 / 26 / 0 / 9

HEX #7CACE8

RGB 124 172 232

HSL 213.33, 0.7%, 0.7%

LAB 69.2, -0.08, -35.08

 

CMYK 55 / 30 / 0 / 4

HEX #6FABF5

RGB 111 171 245

HSL 213.13, 0.87%, 0.7%

LAB 68.82, 1.43, -42.8

 

CMYK 47 / 26 / 0 / 9

HEX #7CACE8

RGB 124 172 232

HSL 213.33, 0.7%, 0.7%

LAB 69.2, -0.08, -35.08

 

CMYK 38 / 21 / 0 / 14

HEX #88ADDC

RGB 136 173 220

HSL 213.57, 0.55%, 0.7%

LAB 69.67, -0.9, -27.72

 

CMYK 29 / 16 / 0 / 18

HEX #94AFD0

RGB 148 175 208

HSL 213, 0.39%, 0.7%

LAB 70.53, -1.67, -19.76

 

CMYK 17 / 10 / 0 / 24

HEX #A1B0C3

RGB 161 176 195

HSL 213.53, 0.22%, 0.7%

LAB 71.26, -1.2, -11.43

 

CMYK 5 / 3 / 0 / 28

HEX #ADB1B7

RGB 173 177 183

HSL 216, 0.06%, 0.7%

LAB 72.06, -0.24, -3.55

 

CMYK 47 / 0 / 0 / 9

HEX #7CE7E8

RGB 124 231 232

HSL 180.56, 0.7%, 0.7%

LAB 85.64, -30.59, -10.08

 

CMYK 47 / 13 / 0 / 9

HEX #7CCAE8

RGB 124 202 232

HSL 196.67, 0.7%, 0.7%

LAB 77.49, -16.19, -22.33

 

CMYK 47 / 25 / 0 / 9

HEX #7CADE8

RGB 124 173 232

HSL 212.78, 0.7%, 0.7%

LAB 69.47, -0.63, -34.66

 

CMYK 47 / 38 / 0 / 9

HEX #7C90E8

RGB 124 144 232

HSL 228.89, 0.7%, 0.7%

LAB 61.7, 15.96, -46.81

 

CMYK 43 / 47 / 0 / 9

HEX #857CE8

RGB 133 124 232

HSL 245, 0.7%, 0.7%

LAB 57.3, 29.88, -53.76

 

CMYK 76 / 42 / 0 / 14

HEX #357FDC

RGB 53 127 220

HSL 213.41, 0.7%, 0.54%

LAB 53.06, 9.2, -54.05

 

CMYK 61 / 34 / 0 / 11

HEX #5896E2

RGB 88 150 226

HSL 213.04, 0.7%, 0.62%

LAB 61.11, 2.89, -44.54

 

CMYK 47 / 26 / 0 / 9

HEX #7CACE8

RGB 124 172 232

HSL 213.33, 0.7%, 0.7%

LAB 69.2, -0.08, -35.08

 

CMYK 33 / 18 / 0 / 7

HEX #9FC2EE

RGB 159 194 238

HSL 213.42, 0.7%, 0.78%

LAB 77.36, -1.42, -25.59

 

CMYK 20 / 11 / 0 / 4

HEX #C2D8F4

RGB 194 216 244

HSL 213.6, 0.69%, 0.86%

LAB 85.56, -1.5, -16.15

 

CMYK 46 / 26 / 0 / 9

HEX #7DADE9

RGB 125 173 233

HSL 213.33, 0.71%, 0.7%

LAB 69.56, -0.11, -35.05

 

CMYK 12 / 47 / 0 / 9

HEX #CD7CE8

RGB 205 124 232

HSL 285, 0.7%, 0.7%

LAB 64.34, 48.96, -42.17

 

CMYK 7 / 0 / 47 / 9

HEX #D8E87C

RGB 216 232 124

HSL 68.89, 0.7%, 0.7%

LAB 88.81, -20.93, 50.42

 

CMYK 46 / 26 / 0 / 9

HEX #7DADE9

RGB 125 173 233

HSL 213.33, 0.71%, 0.7%

LAB 69.56, -0.11, -35.05

 

CMYK 0 / 47 / 25 / 9

HEX #E87CAD

RGB 232 124 173

HSL 332.78, 0.7%, 0.7%

LAB 65.43, 47.28, -7.11

 

CMYK 25 / 0 / 47 / 9

HEX #ADE87C

RGB 173 232 124

HSL 92.78, 0.7%, 0.7%

LAB 86.03, -36.9, 46.38

 

CMYK 46 / 26 / 0 / 9

HEX #7DADE9

RGB 125 173 233

HSL 213.33, 0.71%, 0.7%

LAB 69.56, -0.11, -35.05

 

CMYK 12 / 47 / 0 / 9

HEX #CD7CE8

RGB 205 124 232

HSL 285, 0.7%, 0.7%

LAB 64.34, 48.96, -42.17

 

CMYK 0 / 21 / 47 / 9

HEX #E8B77C

RGB 232 183 124

HSL 32.78, 0.7%, 0.7%

LAB 77.57, 10.43, 36.67

 

CMYK 35 / 0 / 47 / 9

HEX #97E87C

RGB 151 232 124

HSL 105, 0.7%, 0.7%

LAB 84.87, -44.34, 44.68

 

CMYK 46 / 26 / 0 / 9

HEX #7DADE9

RGB 125 173 233

HSL 213.33, 0.71%, 0.7%

LAB 69.56, -0.11, -35.05

 

CMYK 0 / 47 / 2 / 9

HEX #E87CE3

RGB 232 124 227

HSL 302.78, 0.7%, 0.7%

LAB 67.36, 55.68, -34.43

 

CMYK 0 / 21 / 47 / 9

HEX #E8B77C

RGB 232 183 124

HSL 32.78, 0.7%, 0.7%

LAB 77.57, 10.43, 36.67

 

CMYK 47 / 0 / 44 / 9

HEX #7CE881

RGB 124 232 129

HSL 122.78, 0.7%, 0.7%

LAB 83.75, -51.76, 40.59

 

Description

Color code: HEX #7DADE9 | qconv.com Color code: HEX #7DADE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 173 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 173 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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