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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DAADC it is the complementary color #825523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DAADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DAADC shade: #82AAD7, #93BCEA, #A4CEFD, #B5E0FF and #C6F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DAADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DAADC shade: #7DAADC, #6C98C9, #5B86B6, #4A74A3 and #396290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DAADC shade: #7EABDD, #7E91DD, #847EDD, #9E7EDD and #B77EDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DAADC shade: #7EABDD, #7E91DD and #7E7EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DAADC shade matches the following richer shades: #7EABDD, #71AAEA and #64AAF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DAADC shade: #7EABDD, #8BACD0, #98ACC2, #A6ADB5 and #B3AEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DAADC shade: #7EDDDB, #7EC5DD, #7EACDD, #7E93DD and #837EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DAADC shade: #3D80CB, #5D96D4, #7EABDD, #9FC0E5 and #BFD5EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DAADC shade: #7DAADC, #C27EDD and #D2DD7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DAADC shade: #7DAADC, #DD7EAC and #ACDD7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DAADC shade: #7DAADC, #C27EDD, #DDAF7E and #99DD7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DAADC shade: #7DAADC, #DD7EDB, #DDAF7E and #7EDD80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 23 / 0 / 14

HEX #7DAADC

RGB 125 170 220

HSL 211.58, 0.58%, 0.68%

LAB 68.22, -2.11, -30

 

Complementary color

CMYK 0 / 35 / 73 / 49

HEX #825523

RGB 130 85 35

HSL 31.58, 0.58%, 0.32%

LAB 40.19, 13.82, 35.73

 

CMYK 40 / 21 / 0 / 16

HEX #82AAD7

RGB 130 170 215

HSL 211.76, 0.52%, 0.68%

LAB 68.32, -2.18, -27.09

 

CMYK 37 / 20 / 0 / 8

HEX #93BCEA

RGB 147 188 234

HSL 211.72, 0.67%, 0.75%

LAB 74.89, -2.47, -27.27

 

CMYK 35 / 19 / 0 / 1

HEX #A4CEFD

RGB 164 206 253

HSL 211.69, 0.96%, 0.82%

LAB 81.36, -2.72, -27.47

 

CMYK 29 / 12 / 0 / 0

HEX #B5E0FF

RGB 181 224 255

HSL 205.14, 1%, 0.85%

LAB 87.17, -7, -19.6

 

CMYK 22 / 5 / 0 / 0

HEX #C6F2FF

RGB 198 242 255

HSL 193.68, 1%, 0.89%

LAB 92.9, -11.3, -10.92

 

CMYK 43 / 23 / 0 / 14

HEX #7DAADC

RGB 125 170 220

HSL 211.58, 0.58%, 0.68%

LAB 68.22, -2.11, -30

 

CMYK 46 / 24 / 0 / 21

HEX #6C98C9

RGB 108 152 201

HSL 211.61, 0.46%, 0.61%

LAB 61.53, -1.69, -29.88

 

CMYK 50 / 26 / 0 / 29

HEX #5B86B6

RGB 91 134 182

HSL 211.65, 0.38%, 0.54%

LAB 54.71, -1.17, -29.77

 

CMYK 55 / 29 / 0 / 36

HEX #4A74A3

RGB 74 116 163

HSL 211.69, 0.38%, 0.46%

LAB 47.74, -0.52, -29.7

 

CMYK 60 / 32 / 0 / 44

HEX #396290

RGB 57 98 144

HSL 211.72, 0.43%, 0.39%

LAB 40.6, 0.34, -29.66

 

CMYK 43 / 23 / 0 / 13

HEX #7EABDD

RGB 126 171 221

HSL 211.58, 0.58%, 0.68%

LAB 68.59, -2.13, -29.98

 

CMYK 43 / 34 / 0 / 13

HEX #7E91DD

RGB 126 145 221

HSL 228, 0.58%, 0.68%

LAB 61.57, 12.67, -40.9

 

CMYK 40 / 43 / 0 / 13

HEX #847EDD

RGB 132 126 221

HSL 243.79, 0.58%, 0.68%

LAB 57.12, 25.36, -47.89

 

CMYK 29 / 43 / 0 / 13

HEX #9E7EDD

RGB 158 126 221

HSL 260.21, 0.58%, 0.68%

LAB 59.35, 32.26, -44.22

 

CMYK 17 / 43 / 0 / 13

HEX #B77EDD

RGB 183 126 221

HSL 276, 0.58%, 0.68%

LAB 61.83, 39.33, -40.15

 

CMYK 43 / 23 / 0 / 13

HEX #7EABDD

RGB 126 171 221

HSL 211.58, 0.58%, 0.68%

LAB 68.59, -2.13, -29.98

 

CMYK 43 / 34 / 0 / 13

HEX #7E91DD

RGB 126 145 221

HSL 228, 0.58%, 0.68%

LAB 61.57, 12.67, -40.9

 

CMYK 43 / 43 / 0 / 13

HEX #7E7EDD

RGB 126 126 221

HSL 240, 0.58%, 0.68%

LAB 56.66, 23.86, -48.65

 

CMYK 43 / 23 / 0 / 13

HEX #7EABDD

RGB 126 171 221

HSL 211.58, 0.58%, 0.68%

LAB 68.59, -2.13, -29.98

 

CMYK 52 / 27 / 0 / 8

HEX #71AAEA

RGB 113 170 234

HSL 211.74, 0.74%, 0.68%

LAB 68.17, -0.91, -37.81

 

CMYK 60 / 31 / 0 / 3

HEX #64AAF7

RGB 100 170 247

HSL 211.43, 0.9%, 0.68%

LAB 68.15, 0.45, -44.98

 

CMYK 43 / 23 / 0 / 13

HEX #7EABDD

RGB 126 171 221

HSL 211.58, 0.58%, 0.68%

LAB 68.59, -2.13, -29.98

 

CMYK 33 / 17 / 0 / 18

HEX #8BACD0

RGB 139 172 208

HSL 211.3, 0.42%, 0.68%

LAB 69.15, -2.64, -21.92

 

CMYK 22 / 11 / 0 / 24

HEX #98ACC2

RGB 152 172 194

HSL 211.43, 0.26%, 0.68%

LAB 69.52, -2.11, -13.55

 

CMYK 8 / 4 / 0 / 29

HEX #A6ADB5

RGB 166 173 181

HSL 212, 0.09%, 0.68%

LAB 70.41, -0.87, -4.95

 

CMYK 0 / 3 / 6 / 30

HEX #B3AEA8

RGB 179 174 168

HSL 32.73, 0.07%, 0.68%

LAB 71.34, 0.7, 3.7

 

CMYK 43 / 0 / 1 / 13

HEX #7EDDDB

RGB 126 221 219

HSL 178.74, 0.58%, 0.68%

LAB 82.52, -28.58, -7.82

 

CMYK 43 / 11 / 0 / 13

HEX #7EC5DD

RGB 126 197 221

HSL 195.16, 0.58%, 0.68%

LAB 75.82, -16.07, -18.94

 

CMYK 43 / 22 / 0 / 13

HEX #7EACDD

RGB 126 172 221

HSL 210.95, 0.58%, 0.68%

LAB 68.87, -2.69, -29.55

 

CMYK 43 / 33 / 0 / 13

HEX #7E93DD

RGB 126 147 221

HSL 226.74, 0.58%, 0.68%

LAB 62.1, 11.51, -40.07

 

CMYK 41 / 43 / 0 / 13

HEX #837EDD

RGB 131 126 221

HSL 243.16, 0.58%, 0.68%

LAB 57.04, 25.1, -48.02

 

CMYK 70 / 37 / 0 / 20

HEX #3D80CB

RGB 61 128 203

HSL 211.69, 0.58%, 0.52%

LAB 52.67, 3.5, -45.05

 

CMYK 56 / 29 / 0 / 17

HEX #5D96D4

RGB 93 150 212

HSL 211.26, 0.58%, 0.6%

LAB 60.69, -0.64, -37.4

 

CMYK 43 / 23 / 0 / 13

HEX #7EABDD

RGB 126 171 221

HSL 211.58, 0.58%, 0.68%

LAB 68.59, -2.13, -29.98

 

CMYK 31 / 16 / 0 / 10

HEX #9FC0E5

RGB 159 192 229

HSL 211.71, 0.57%, 0.76%

LAB 76.51, -2.56, -22.03

 

CMYK 20 / 11 / 0 / 7

HEX #BFD5EE

RGB 191 213 238

HSL 211.91, 0.58%, 0.84%

LAB 84.4, -2.15, -14.74

 

CMYK 43 / 23 / 0 / 14

HEX #7DAADC

RGB 125 170 220

HSL 211.58, 0.58%, 0.68%

LAB 68.22, -2.11, -30

 

CMYK 12 / 43 / 0 / 13

HEX #C27EDD

RGB 194 126 221

HSL 282.95, 0.58%, 0.68%

LAB 63.02, 42.52, -38.21

 

CMYK 5 / 0 / 43 / 13

HEX #D2DD7E

RGB 210 221 126

HSL 66.95, 0.58%, 0.68%

LAB 85.46, -17.68, 45.24

 

CMYK 43 / 23 / 0 / 14

HEX #7DAADC

RGB 125 170 220

HSL 211.58, 0.58%, 0.68%

LAB 68.22, -2.11, -30

 

CMYK 0 / 43 / 22 / 13

HEX #DD7EAC

RGB 221 126 172

HSL 330.95, 0.58%, 0.68%

LAB 64.38, 42.44, -8.25

 

CMYK 22 / 0 / 43 / 13

HEX #ACDD7E

RGB 172 221 126

HSL 90.95, 0.58%, 0.68%

LAB 82.91, -31.96, 41.49

 

CMYK 43 / 23 / 0 / 14

HEX #7DAADC

RGB 125 170 220

HSL 211.58, 0.58%, 0.68%

LAB 68.22, -2.11, -30

 

CMYK 12 / 43 / 0 / 13

HEX #C27EDD

RGB 194 126 221

HSL 282.95, 0.58%, 0.68%

LAB 63.02, 42.52, -38.21

 

CMYK 0 / 21 / 43 / 13

HEX #DDAF7E

RGB 221 175 126

HSL 30.95, 0.58%, 0.68%

LAB 74.53, 10.46, 31.48

 

CMYK 31 / 0 / 43 / 13

HEX #99DD7E

RGB 153 221 126

HSL 102.95, 0.58%, 0.68%

LAB 81.83, -38.58, 39.9

 

CMYK 43 / 23 / 0 / 14

HEX #7DAADC

RGB 125 170 220

HSL 211.58, 0.58%, 0.68%

LAB 68.22, -2.11, -30

 

CMYK 0 / 43 / 1 / 13

HEX #DD7EDB

RGB 221 126 219

HSL 301.26, 0.58%, 0.68%

LAB 66.07, 50.07, -32.11

 

CMYK 0 / 21 / 43 / 13

HEX #DDAF7E

RGB 221 175 126

HSL 30.95, 0.58%, 0.68%

LAB 74.53, 10.46, 31.48

 

CMYK 43 / 0 / 42 / 13

HEX #7EDD80

RGB 126 221 128

HSL 121.26, 0.58%, 0.68%

LAB 80.58, -46.78, 37.04

 

Description

Color code: HEX #7DAADC | qconv.com Color code: HEX #7DAADC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 170 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 170 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 23 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 23% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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