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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DAA36 it is the complementary color #8255C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DAA36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DAA36 shade: #82AA31, #93BC44, #A4CE57, #B5E06A and #C6F27D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DAA36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DAA36 shade: #7DAA36, #6C9823, #5B8610, #4A7400 and #396200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DAA36 shade: #7DAB36, #9DAB36, #AB9936, #AB7936 and #AB5A36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DAA36 shade: #7DAB36, #5EAB36, #3EAB36, #36AB4D and #36AB6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DAA36 shade matches the following richer shades: #7DAB36, #81BD24 and #85CF12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DAA36 shade: #7DAB36, #799848, #75865A, #71746C and #6D627E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DAA36 shade: #AB9936, #9DAB36, #7EAB36, #5FAB36 and #40AB36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DAA36 shade: #4F6C22, #668B2C, #7DAB36, #93C445 and #A5CE65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DAA36 shade: #7DAA36, #36AB7A and #A936AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DAA36 shade: #7DAA36, #367EAB and #AB367E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DAA36 shade: #7DAA36, #36AB7A, #6336AB and #AB3666

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DAA36 shade: #7DAA36, #36AB9D, #6336AB and #AB3643

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 68 / 33

HEX #7DAA36

RGB 125 170 54

HSL 83.28, 0.52%, 0.44%

LAB 64.46, -33.02, 52.61

 

Complementary color

CMYK 35 / 58 / 0 / 21

HEX #8255C9

RGB 130 85 201

HSL 263.28, 0.52%, 0.56%

LAB 46.26, 43.21, -53.88

 

CMYK 24 / 0 / 71 / 33

HEX #82AA31

RGB 130 170 49

HSL 79.83, 0.55%, 0.43%

LAB 64.74, -31.38, 54.94

 

CMYK 22 / 0 / 64 / 26

HEX #93BC44

RGB 147 188 68

HSL 80.5, 0.47%, 0.5%

LAB 71.27, -31.79, 54.44

 

CMYK 20 / 0 / 58 / 19

HEX #A4CE57

RGB 164 206 87

HSL 81.18, 0.55%, 0.57%

LAB 77.71, -32.06, 53.6

 

CMYK 19 / 0 / 53 / 12

HEX #B5E06A

RGB 181 224 106

HSL 81.86, 0.66%, 0.65%

LAB 84.06, -32.24, 52.58

 

CMYK 18 / 0 / 48 / 5

HEX #C6F27D

RGB 198 242 125

HSL 82.56, 0.82%, 0.72%

LAB 90.32, -32.36, 51.5

 

CMYK 26 / 0 / 68 / 33

HEX #7DAA36

RGB 125 170 54

HSL 83.28, 0.52%, 0.44%

LAB 64.46, -33.02, 52.61

 

CMYK 29 / 0 / 77 / 40

HEX #6C9823

RGB 108 152 35

HSL 82.56, 0.63%, 0.37%

LAB 57.81, -32.55, 52.76

 

CMYK 32 / 0 / 88 / 47

HEX #5B8610

RGB 91 134 16

HSL 81.86, 0.79%, 0.29%

LAB 51.05, -31.84, 51.79

 

CMYK 36 / 0 / 100 / 55

HEX #4A7400

RGB 74 116 0

HSL 81.72, 1%, 0.23%

LAB 44.16, -30.81, 49.13

 

CMYK 42 / 0 / 100 / 62

HEX #396200

RGB 57 98 0

HSL 85.1, 1%, 0.19%

LAB 37.12, -29.29, 43.28

 

CMYK 27 / 0 / 68 / 33

HEX #7DAB36

RGB 125 171 54

HSL 83.59, 0.52%, 0.44%

LAB 64.77, -33.48, 52.92

 

CMYK 8 / 0 / 68 / 33

HEX #9DAB36

RGB 157 171 54

HSL 67.18, 0.52%, 0.44%

LAB 66.95, -20.4, 55.85

 

CMYK 0 / 11 / 68 / 33

HEX #AB9936

RGB 171 153 54

HSL 50.77, 0.52%, 0.44%

LAB 63.1, -4.92, 52.3

 

CMYK 0 / 29 / 68 / 33

HEX #AB7936

RGB 171 121 54

HSL 34.36, 0.52%, 0.44%

LAB 54.66, 12.78, 43.37

 

CMYK 0 / 47 / 68 / 33

HEX #AB5A36

RGB 171 90 54

HSL 18.46, 0.52%, 0.44%

LAB 47.28, 30.06, 35.13

 

CMYK 27 / 0 / 68 / 33

HEX #7DAB36

RGB 125 171 54

HSL 83.59, 0.52%, 0.44%

LAB 64.77, -33.48, 52.92

 

CMYK 45 / 0 / 68 / 33

HEX #5EAB36

RGB 94 171 54

HSL 99.49, 0.52%, 0.44%

LAB 63.15, -44.56, 50.74

 

CMYK 64 / 0 / 68 / 33

HEX #3EAB36

RGB 62 171 54

HSL 115.9, 0.52%, 0.44%

LAB 62.01, -53.36, 49.18

 

CMYK 68 / 0 / 55 / 33

HEX #36AB4D

RGB 54 171 77

HSL 131.79, 0.52%, 0.44%

LAB 62.04, -52.33, 38.71

 

CMYK 68 / 0 / 37 / 33

HEX #36AB6C

RGB 54 171 108

HSL 147.69, 0.52%, 0.44%

LAB 62.5, -47.09, 23.24

 

CMYK 27 / 0 / 68 / 33

HEX #7DAB36

RGB 125 171 54

HSL 83.59, 0.52%, 0.44%

LAB 64.77, -33.48, 52.92

 

CMYK 32 / 0 / 81 / 26

HEX #81BD24

RGB 129 189 36

HSL 83.53, 0.68%, 0.44%

LAB 70.31, -41.04, 64.46

 

CMYK 36 / 0 / 91 / 19

HEX #85CF12

RGB 133 207 18

HSL 83.49, 0.84%, 0.44%

LAB 75.86, -47.76, 73.01

 

CMYK 27 / 0 / 68 / 33

HEX #7DAB36

RGB 125 171 54

HSL 83.59, 0.52%, 0.44%

LAB 64.77, -33.48, 52.92

 

CMYK 20 / 0 / 53 / 40

HEX #799848

RGB 121 152 72

HSL 83.25, 0.36%, 0.44%

LAB 58.96, -24.33, 38.2

 

CMYK 13 / 0 / 33 / 47

HEX #75865A

RGB 117 134 90

HSL 83.18, 0.2%, 0.44%

LAB 53.57, -14.3, 21.71

 

CMYK 3 / 0 / 7 / 55

HEX #71746C

RGB 113 116 108

HSL 82.5, 0.04%, 0.44%

LAB 48.37, -2.74, 4.02

 

CMYK 13 / 22 / 0 / 51

HEX #6D627E

RGB 109 98 126

HSL 263.57, 0.13%, 0.44%

LAB 43.5, 10.35, -14.03

 

CMYK 0 / 11 / 68 / 33

HEX #AB9936

RGB 171 153 54

HSL 50.77, 0.52%, 0.44%

LAB 63.1, -4.92, 52.3

 

CMYK 8 / 0 / 68 / 33

HEX #9DAB36

RGB 157 171 54

HSL 67.18, 0.52%, 0.44%

LAB 66.95, -20.4, 55.85

 

CMYK 26 / 0 / 68 / 33

HEX #7EAB36

RGB 126 171 54

HSL 83.08, 0.52%, 0.44%

LAB 64.83, -33.09, 53

 

CMYK 44 / 0 / 68 / 33

HEX #5FAB36

RGB 95 171 54

HSL 98.97, 0.52%, 0.44%

LAB 63.2, -44.23, 50.8

 

CMYK 63 / 0 / 68 / 33

HEX #40AB36

RGB 64 171 54

HSL 114.87, 0.52%, 0.44%

LAB 62.07, -52.9, 49.26

 

CMYK 27 / 0 / 69 / 58

HEX #4F6C22

RGB 79 108 34

HSL 83.51, 0.52%, 0.28%

LAB 42, -23.18, 36.67

 

CMYK 27 / 0 / 68 / 45

HEX #668B2C

RGB 102 139 44

HSL 83.37, 0.52%, 0.36%

LAB 53.46, -28.21, 44.82

 

CMYK 27 / 0 / 68 / 33

HEX #7DAB36

RGB 125 171 54

HSL 83.59, 0.52%, 0.44%

LAB 64.77, -33.48, 52.92

 

CMYK 25 / 0 / 65 / 23

HEX #93C445

RGB 147 196 69

HSL 83.15, 0.52%, 0.52%

LAB 73.62, -35.41, 56.54

 

CMYK 20 / 0 / 51 / 19

HEX #A5CE65

RGB 165 206 101

HSL 83.43, 0.52%, 0.6%

LAB 77.92, -30.34, 47.4

 

CMYK 26 / 0 / 68 / 33

HEX #7DAA36

RGB 125 170 54

HSL 83.28, 0.52%, 0.44%

LAB 64.46, -33.02, 52.61

 

CMYK 68 / 0 / 29 / 33

HEX #36AB7A

RGB 54 171 122

HSL 154.87, 0.52%, 0.44%

LAB 62.77, -44.15, 15.98

 

CMYK 1 / 68 / 0 / 33

HEX #A936AB

RGB 169 54 171

HSL 298.97, 0.52%, 0.44%

LAB 44.25, 60.79, -39.25

 

CMYK 26 / 0 / 68 / 33

HEX #7DAA36

RGB 125 170 54

HSL 83.28, 0.52%, 0.44%

LAB 64.46, -33.02, 52.61

 

CMYK 68 / 26 / 0 / 33

HEX #367EAB

RGB 54 126 171

HSL 203.08, 0.52%, 0.44%

LAB 50.27, -7.67, -30.48

 

CMYK 0 / 68 / 26 / 33

HEX #AB367E

RGB 171 54 126

HSL 323.08, 0.52%, 0.44%

LAB 42.46, 54.43, -14.86

 

CMYK 26 / 0 / 68 / 33

HEX #7DAA36

RGB 125 170 54

HSL 83.28, 0.52%, 0.44%

LAB 64.46, -33.02, 52.61

 

CMYK 68 / 0 / 29 / 33

HEX #36AB7A

RGB 54 171 122

HSL 154.87, 0.52%, 0.44%

LAB 62.77, -44.15, 15.98

 

CMYK 42 / 68 / 0 / 33

HEX #6336AB

RGB 99 54 171

HSL 263.08, 0.52%, 0.44%

LAB 34.46, 45.39, -55.51

 

CMYK 0 / 68 / 40 / 33

HEX #AB3666

RGB 171 54 102

HSL 335.38, 0.52%, 0.44%

LAB 41.62, 51.55, -1.25

 

CMYK 26 / 0 / 68 / 33

HEX #7DAA36

RGB 125 170 54

HSL 83.28, 0.52%, 0.44%

LAB 64.46, -33.02, 52.61

 

CMYK 68 / 0 / 8 / 33

HEX #36AB9D

RGB 54 171 157

HSL 172.82, 0.52%, 0.44%

LAB 63.63, -35.43, -2.24

 

CMYK 42 / 68 / 0 / 33

HEX #6336AB

RGB 99 54 171

HSL 263.08, 0.52%, 0.44%

LAB 34.46, 45.39, -55.51

 

CMYK 0 / 68 / 61 / 33

HEX #AB3643

RGB 171 54 67

HSL 353.33, 0.52%, 0.44%

LAB 40.74, 48.44, 19.42

 

Description

Color code: HEX #7DAA36 | qconv.com Color code: HEX #7DAA36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 170 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 170 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 68 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 68% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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