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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DA5E8 it is the complementary color #825A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DA5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DA5E8 shade: #82A5E3, #93B7F6, #A4C9FF, #B5DBFF and #C6EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DA5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DA5E8 shade: #7DA5E8, #6C93D5, #5B81C2, #4A6FAF and #395D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DA5E8 shade: #7DA5E8, #7D88E8, #8F7DE8, #AC7DE8 and #C87DE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DA5E8 shade: #7DA5E8, #7D88E8 and #7D7DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DA5E8 shade matches the following richer shades: #7DA5E8 and #71A2F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DA5E8 shade: #7DA5E8, #89A8DC, #96ABCF, #A2AEC3 and #AEB1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DA5E8 shade: #7DDFE8, #7DC3E8, #7DA6E8, #7D89E8 and #8D7DE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DA5E8 shade: #3774DC, #5A8DE2, #7DA5E8, #A0BDEE and #C3D6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DA5E8 shade: #7DA5E8, #D47DE8 and #D1E87D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DA5E8 shade: #7DA5E8, #E87DA6 and #A6E87D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DA5E8 shade: #7DA5E8, #D47DE8, #E8BF7D and #91E87D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DA5E8 shade: #7DA5E8, #E87DDC, #E8BF7D and #7DE889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

Complementary color

CMYK 0 / 31 / 82 / 49

HEX #825A17

RGB 130 90 23

HSL 37.57, 0.7%, 0.3%

LAB 41.41, 10.29, 42.41

 

CMYK 43 / 27 / 0 / 11

HEX #82A5E3

RGB 130 165 227

HSL 218.35, 0.63%, 0.7%

LAB 67.43, 3.91, -35.06

 

CMYK 40 / 26 / 0 / 4

HEX #93B7F6

RGB 147 183 246

HSL 218.18, 0.85%, 0.77%

LAB 74.01, 3.44, -35.11

 

CMYK 36 / 21 / 0 / 0

HEX #A4C9FF

RGB 164 201 255

HSL 215.6, 1%, 0.82%

LAB 80.12, 0.45, -30.44

 

CMYK 29 / 14 / 0 / 0

HEX #B5DBFF

RGB 181 219 255

HSL 209.19, 1%, 0.85%

LAB 85.86, -4.4, -21.59

 

CMYK 22 / 7 / 0 / 0

HEX #C6EDFF

RGB 198 237 255

HSL 198.95, 1%, 0.89%

LAB 91.59, -8.76, -12.86

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 49 / 31 / 0 / 16

HEX #6C93D5

RGB 108 147 213

HSL 217.71, 0.56%, 0.63%

LAB 60.66, 4.74, -37.95

 

CMYK 53 / 34 / 0 / 24

HEX #5B81C2

RGB 91 129 194

HSL 217.86, 0.46%, 0.56%

LAB 53.84, 5.53, -38

 

CMYK 58 / 37 / 0 / 31

HEX #4A6FAF

RGB 74 111 175

HSL 218.02, 0.41%, 0.49%

LAB 46.87, 6.5, -38.08

 

CMYK 63 / 40 / 0 / 39

HEX #395D9C

RGB 57 93 156

HSL 218.18, 0.46%, 0.42%

LAB 39.75, 7.75, -38.21

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 46 / 41 / 0 / 9

HEX #7D88E8

RGB 125 136 232

HSL 233.83, 0.7%, 0.7%

LAB 59.7, 20.9, -49.97

 

CMYK 38 / 46 / 0 / 9

HEX #8F7DE8

RGB 143 125 232

HSL 250.09, 0.7%, 0.7%

LAB 58.35, 31.74, -52.03

 

CMYK 26 / 46 / 0 / 9

HEX #AC7DE8

RGB 172 125 232

HSL 266.36, 0.7%, 0.7%

LAB 61.01, 39.31, -47.64

 

CMYK 14 / 46 / 0 / 9

HEX #C87DE8

RGB 200 125 232

HSL 282.06, 0.7%, 0.7%

LAB 63.98, 47.03, -42.78

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 46 / 41 / 0 / 9

HEX #7D88E8

RGB 125 136 232

HSL 233.83, 0.7%, 0.7%

LAB 59.7, 20.9, -49.97

 

CMYK 46 / 46 / 0 / 9

HEX #7D7DE8

RGB 125 125 232

HSL 240, 0.7%, 0.7%

LAB 56.93, 27.41, -54.38

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 54 / 34 / 0 / 4

HEX #71A2F4

RGB 113 162 244

HSL 217.56, 0.86%, 0.7%

LAB 66.43, 6.66, -46

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 38 / 24 / 0 / 14

HEX #89A8DC

RGB 137 168 220

HSL 217.59, 0.54%, 0.7%

LAB 68.38, 2.15, -29.7

 

CMYK 28 / 17 / 0 / 19

HEX #96ABCF

RGB 150 171 207

HSL 217.89, 0.37%, 0.7%

LAB 69.55, 0.88, -20.68

 

CMYK 17 / 11 / 0 / 24

HEX #A2AEC3

RGB 162 174 195

HSL 218.18, 0.22%, 0.7%

LAB 70.8, 0.21, -12.11

 

CMYK 5 / 3 / 0 / 28

HEX #AEB1B7

RGB 174 177 183

HSL 220, 0.06%, 0.7%

LAB 72.14, 0.11, -3.43

 

CMYK 46 / 4 / 0 / 9

HEX #7DDFE8

RGB 125 223 232

HSL 185.05, 0.7%, 0.7%

LAB 83.42, -26.51, -13.38

 

CMYK 46 / 16 / 0 / 9

HEX #7DC3E8

RGB 125 195 232

HSL 200.75, 0.7%, 0.7%

LAB 75.59, -12.31, -25.23

 

CMYK 46 / 28 / 0 / 9

HEX #7DA6E8

RGB 125 166 232

HSL 217.01, 0.7%, 0.7%

LAB 67.62, 3.53, -37.53

 

CMYK 46 / 41 / 0 / 9

HEX #7D89E8

RGB 125 137 232

HSL 233.27, 0.7%, 0.7%

LAB 59.96, 20.31, -49.57

 

CMYK 39 / 46 / 0 / 9

HEX #8D7DE8

RGB 141 125 232

HSL 248.97, 0.7%, 0.7%

LAB 58.18, 31.25, -52.31

 

CMYK 75 / 47 / 0 / 14

HEX #3774DC

RGB 55 116 220

HSL 217.82, 0.7%, 0.54%

LAB 50.06, 16.27, -58.86

 

CMYK 60 / 38 / 0 / 11

HEX #5A8DE2

RGB 90 141 226

HSL 217.5, 0.7%, 0.62%

LAB 58.71, 8.55, -48.34

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 33 / 21 / 0 / 7

HEX #A0BDEE

RGB 160 189 238

HSL 217.69, 0.7%, 0.78%

LAB 76.09, 1.56, -27.52

 

CMYK 20 / 12 / 0 / 4

HEX #C3D6F4

RGB 195 214 244

HSL 216.73, 0.69%, 0.86%

LAB 85.11, -0.15, -16.82

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 9 / 46 / 0 / 9

HEX #D47DE8

RGB 212 125 232

HSL 288.79, 0.7%, 0.7%

LAB 65.35, 50.41, -40.52

 

CMYK 10 / 0 / 46 / 9

HEX #D1E87D

RGB 209 232 125

HSL 72.9, 0.7%, 0.7%

LAB 88.33, -23.52, 49.24

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 0 / 46 / 28 / 9

HEX #E87DA6

RGB 232 125 166

HSL 337.01, 0.7%, 0.7%

LAB 65.42, 45.83, -3.16

 

CMYK 28 / 0 / 46 / 9

HEX #A6E87D

RGB 166 232 125

HSL 97.01, 0.7%, 0.7%

LAB 85.66, -39.21, 45.35

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 9 / 46 / 0 / 9

HEX #D47DE8

RGB 212 125 232

HSL 288.79, 0.7%, 0.7%

LAB 65.35, 50.41, -40.52

 

CMYK 0 / 18 / 46 / 9

HEX #E8BF7D

RGB 232 191 125

HSL 37.01, 0.7%, 0.7%

LAB 79.56, 6.32, 38.7

 

CMYK 38 / 0 / 46 / 9

HEX #91E87D

RGB 145 232 125

HSL 108.79, 0.7%, 0.7%

LAB 84.59, -46.12, 43.79

 

CMYK 46 / 29 / 0 / 9

HEX #7DA5E8

RGB 125 165 232

HSL 217.57, 0.7%, 0.7%

LAB 67.35, 4.09, -37.95

 

CMYK 0 / 46 / 5 / 9

HEX #E87DDC

RGB 232 125 220

HSL 306.73, 0.7%, 0.7%

LAB 67.27, 53.99, -30.7

 

CMYK 0 / 18 / 46 / 9

HEX #E8BF7D

RGB 232 191 125

HSL 37.01, 0.7%, 0.7%

LAB 79.56, 6.32, 38.7

 

CMYK 46 / 0 / 41 / 9

HEX #7DE889

RGB 125 232 137

HSL 126.73, 0.7%, 0.7%

LAB 83.9, -50.29, 36.84

 

Description

Color code: HEX #7DA5E8 | qconv.com Color code: HEX #7DA5E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 165 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 165 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 29 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 29% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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