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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DA2FF4C it is the complementary color #825D004C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DA2FF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DA2FF4C shade: #82A2FA4C, #93B4FF4C, #A4C6FF4C, #B5D8FF4C and #C6EAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DA2FF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DA2FF4C shade: #7DA2FF4C, #6C90EC4C, #5B7ED94C, #4A6CC64C and #395AB34C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DA2FF4C shade: #80A4FF, #8081FF, #A080FF, #C280FF and #E580FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DA2FF4C shade: #80A4FF, #8081FF and #8080FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DA2FF4C shade matches the following richer shades: #80A4FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DA2FF4C shade: #80A4FF, #8AA8F5, #94ADEA, #9EB1E0 and #A9B6D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DA2FF4C shade: #80EAFF, #80C8FF, #80A6FF, #8084FF and #9D80FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DA2FF4C shade: #2D69FF, #5686FF, #80A4FF, #A9C1FF and #D2DFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DA2FF4C shade: #7DA2FF, #F280FF and #D9FF80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DA2FF4C shade: #7DA2FF, #FF80A6 and #A6FF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DA2FF4C shade: #7DA2FF, #F280FF, #FFD980 and #8CFF80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DA2FF4C shade: #7DA2FF, #FF80E6, #FFD980 and #80FF99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 11 / 0 / 0

HEX #7DA2FF4C

RGBA 125 162 255 0.3

HSLA 222.92, 1%, 0.75%, 0.3

LABA 67.59, 12.59, -50.12, 0.3

 

Complementary color

CMYK 0 / 9 / 30 / 15

HEX #825D004C

RGBA 130 93 0 0.3

HSLA 42.92, 1%, 0.25%, 0.3

LABA 42.12, 7.91, 49.86, 0.3

 

CMYK 14 / 11 / 0 / 1

HEX #82A2FA4C

RGBA 130 162 250 0.3

HSLA 224, 0.92%, 0.75%, 0.3

LABA 67.64, 12.23, -47.3, 0.3

 

CMYK 13 / 9 / 0 / 0

HEX #93B4FF4C

RGBA 147 180 255 0.3

HSLA 221.67, 1%, 0.79%, 0.3

LABA 73.59, 7.55, -40.62, 0.3

 

CMYK 11 / 7 / 0 / 0

HEX #A4C6FF4C

RGBA 164 198 255 0.3

HSLA 217.58, 1%, 0.82%, 0.3

LABA 79.33, 2.07, -31.65, 0.3

 

CMYK 9 / 5 / 0 / 0

HEX #B5D8FF4C

RGBA 181 216 255 0.3

HSLA 211.62, 1%, 0.85%, 0.3

LABA 85.08, -2.83, -22.78, 0.3

 

CMYK 7 / 2 / 0 / 0

HEX #C6EAFF4C

RGBA 198 234 255 0.3

HSLA 202.11, 1%, 0.89%, 0.3

LABA 90.81, -7.23, -14.03, 0.3

 

CMYK 15 / 11 / 0 / 0

HEX #7DA2FF4C

RGBA 125 162 255 0.3

HSLA 222.92, 1%, 0.75%, 0.3

LABA 67.59, 12.59, -50.12, 0.3

 

CMYK 16 / 12 / 0 / 2

HEX #6C90EC4C

RGBA 108 144 236 0.3

HSLA 223.13, 0.77%, 0.67%, 0.3

LABA 60.95, 13.59, -50.28, 0.3

 

CMYK 17 / 13 / 0 / 4

HEX #5B7ED94C

RGBA 91 126 217 0.3

HSLA 223.33, 0.62%, 0.6%, 0.3

LABA 54.19, 14.79, -50.47, 0.3

 

CMYK 19 / 14 / 0 / 7

HEX #4A6CC64C

RGBA 74 108 198 0.3

HSLA 223.55, 0.52%, 0.53%, 0.3

LABA 47.31, 16.24, -50.7, 0.3

 

CMYK 20 / 15 / 0 / 9

HEX #395AB34C

RGBA 57 90 179 0.3

HSLA 223.77, 0.52%, 0.46%, 0.3

LABA 40.31, 18.05, -50.95, 0.3

 

CMYK 50 / 36 / 0 / 0

HEX #80A4FF

RGB 128 164 255

HSL 222.99, 1%, 0.75%

LAB 68.29, 12.11, -49.02

 

CMYK 50 / 49 / 0 / 0

HEX #8081FF

RGB 128 129 255

HSL 239.53, 1%, 0.75%

LAB 59.44, 32.52, -63.08

 

CMYK 37 / 50 / 0 / 0

HEX #A080FF

RGB 160 128 255

HSL 255.12, 1%, 0.75%

LAB 61.77, 40.32, -59.22

 

CMYK 24 / 50 / 0 / 0

HEX #C280FF

RGB 194 128 255

HSL 271.18, 1%, 0.75%

LAB 65.06, 48.81, -53.77

 

CMYK 10 / 50 / 0 / 0

HEX #E580FF

RGB 229 128 255

HSL 287.72, 1%, 0.75%

LAB 68.98, 58.01, -47.33

 

CMYK 50 / 36 / 0 / 0

HEX #80A4FF

RGB 128 164 255

HSL 222.99, 1%, 0.75%

LAB 68.29, 12.11, -49.02

 

CMYK 50 / 49 / 0 / 0

HEX #8081FF

RGB 128 129 255

HSL 239.53, 1%, 0.75%

LAB 59.44, 32.52, -63.08

 

CMYK 50 / 50 / 0 / 0

HEX #8080FF

RGB 128 128 255

HSL 240, 1%, 0.75%

LAB 59.2, 33.11, -63.47

 

CMYK 50 / 36 / 0 / 0

HEX #80A4FF

RGB 128 164 255

HSL 222.99, 1%, 0.75%

LAB 68.29, 12.11, -49.02

 

CMYK 50 / 36 / 0 / 0

HEX #80A4FF

RGB 128 164 255

HSL 222.99, 1%, 0.75%

LAB 68.29, 12.11, -49.02

 

CMYK 44 / 31 / 0 / 4

HEX #8AA8F5

RGB 138 168 245

HSL 223.18, 0.84%, 0.75%

LAB 69.47, 9.28, -41.68

 

CMYK 37 / 26 / 0 / 8

HEX #94ADEA

RGB 148 173 234

HSL 222.56, 0.67%, 0.75%

LAB 70.96, 6.05, -33.33

 

CMYK 29 / 21 / 0 / 12

HEX #9EB1E0

RGB 158 177 224

HSL 222.73, 0.52%, 0.75%

LAB 72.29, 4.09, -25.77

 

CMYK 21 / 15 / 0 / 16

HEX #A9B6D6

RGB 169 182 214

HSL 222.67, 0.35%, 0.75%

LAB 74.03, 2.31, -17.61

 

CMYK 50 / 8 / 0 / 0

HEX #80EAFF

RGB 128 234 255

HSL 189.92, 1%, 0.75%

LAB 87.32, -25.23, -19.63

 

CMYK 50 / 22 / 0 / 0

HEX #80C8FF

RGB 128 200 255

HSL 205.98, 1%, 0.75%

LAB 77.94, -7.85, -33.94

 

CMYK 50 / 35 / 0 / 0

HEX #80A6FF

RGB 128 166 255

HSL 222.05, 1%, 0.75%

LAB 68.81, 10.96, -48.19

 

CMYK 50 / 48 / 0 / 0

HEX #8084FF

RGB 128 132 255

HSL 238.11, 1%, 0.75%

LAB 60.17, 30.76, -61.92

 

CMYK 38 / 50 / 0 / 0

HEX #9D80FF

RGB 157 128 255

HSL 253.7, 1%, 0.75%

LAB 61.5, 39.6, -59.65

 

CMYK 82 / 59 / 0 / 0

HEX #2D69FF

RGB 45 105 255

HSL 222.86, 1%, 0.59%

LAB 49.35, 35.15, -79.62

 

CMYK 66 / 47 / 0 / 0

HEX #5686FF

RGB 86 134 255

HSL 222.96, 1%, 0.67%

LAB 58.27, 21.85, -65.09

 

CMYK 50 / 36 / 0 / 0

HEX #80A4FF

RGB 128 164 255

HSL 222.99, 1%, 0.75%

LAB 68.29, 12.11, -49.02

 

CMYK 34 / 24 / 0 / 0

HEX #A9C1FF

RGB 169 193 255

HSL 223.26, 1%, 0.83%

LAB 78.34, 6.14, -33.15

 

CMYK 18 / 13 / 0 / 0

HEX #D2DFFF

RGB 210 223 255

HSL 222.67, 1%, 0.91%

LAB 88.78, 2.07, -17

 

CMYK 51 / 36 / 0 / 0

HEX #7DA2FF

RGB 125 162 255

HSL 222.92, 1%, 0.75%

LAB 67.59, 12.59, -50.12

 

CMYK 5 / 50 / 0 / 0

HEX #F280FF

RGB 242 128 255

HSL 293.86, 1%, 0.75%

LAB 70.55, 61.47, -44.75

 

CMYK 15 / 0 / 50 / 0

HEX #D9FF80

RGB 217 255 128

HSL 77.95, 1%, 0.75%

LAB 95.09, -31.05, 56.14

 

CMYK 51 / 36 / 0 / 0

HEX #7DA2FF

RGB 125 162 255

HSL 222.92, 1%, 0.75%

LAB 67.59, 12.59, -50.12

 

CMYK 0 / 50 / 35 / 0

HEX #FF80A6

RGB 255 128 166

HSL 342.05, 1%, 0.75%

LAB 69.08, 52.06, 2.56

 

CMYK 35 / 0 / 50 / 0

HEX #A6FF80

RGB 166 255 128

HSL 102.05, 1%, 0.75%

LAB 92.21, -48.82, 52

 

CMYK 51 / 36 / 0 / 0

HEX #7DA2FF

RGB 125 162 255

HSL 222.92, 1%, 0.75%

LAB 67.59, 12.59, -50.12

 

CMYK 5 / 50 / 0 / 0

HEX #F280FF

RGB 242 128 255

HSL 293.86, 1%, 0.75%

LAB 70.55, 61.47, -44.75

 

CMYK 0 / 15 / 50 / 0

HEX #FFD980

RGB 255 217 128

HSL 42.05, 1%, 0.75%

LAB 88.18, 2.36, 48.45

 

CMYK 45 / 0 / 50 / 0

HEX #8CFF80

RGB 140 255 128

HSL 114.33, 1%, 0.75%

LAB 91.08, -56.65, 50.35

 

CMYK 51 / 36 / 0 / 0

HEX #7DA2FF

RGB 125 162 255

HSL 222.92, 1%, 0.75%

LAB 67.59, 12.59, -50.12

 

CMYK 0 / 50 / 10 / 0

HEX #FF80E6

RGB 255 128 230

HSL 311.81, 1%, 0.75%

LAB 71.15, 60.85, -29.99

 

CMYK 0 / 15 / 50 / 0

HEX #FFD980

RGB 255 217 128

HSL 42.05, 1%, 0.75%

LAB 88.18, 2.36, 48.45

 

CMYK 50 / 0 / 40 / 0

HEX #80FF99

RGB 128 255 153

HSL 131.81, 1%, 0.75%

LAB 90.97, -56.33, 38.13

 

Description

Color code: HEX #7DA2FF4C | qconv.com Color code: HEX #7DA2FF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 162 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 162 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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