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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D9F1F it is the complementary color #8260E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D9F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D9F1F shade: #829F1A, #93B12D, #A4C340, #B5D553 and #C6E766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D9F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D9F1F shade: #7D9F1F, #6C8D0C, #5B7B00, #4A6900 and #395700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D9F1F shade: #7C9E1F, #9E9D1F, #9E7B1F, #9E591F and #9E371F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D9F1F shade: #7C9E1F, #5A9E1F, #389E1F, #1F9E29 and #1F9E4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D9F1F shade matches the following richer shades: #7C9E1F, #83AD10 and #8ABC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D9F1F shade: #7C9E1F, #758E2E, #6E7F3E, #67704D and #5F615C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D9F1F shade: #9E7A1F, #9E9B1F, #7E9E1F, #5C9E1F and #3B9E1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D9F1F shade: #465912, #617B18, #7C9E1F, #97C026 and #ADD838

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D9F1F shade: #7D9F1F, #1F9E58 and #8B1F9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D9F1F shade: #7D9F1F, #1F7E9E and #9E1F7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D9F1F shade: #7D9F1F, #1F9E58, #3F1F9E and #9E1F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D9F1F shade: #7D9F1F, #1F9E7E, #3F1F9E and #9E1F3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 81 / 38

HEX #7D9F1F

RGB 125 159 31

HSL 75.94, 0.67%, 0.37%

LAB 61.01, -29.16, 57.38

 

Complementary color

CMYK 42 / 57 / 0 / 12

HEX #8260E0

RGB 130 96 224

HSL 255.94, 0.67%, 0.63%

LAB 50.09, 43.18, -60.84

 

CMYK 18 / 0 / 84 / 38

HEX #829F1A

RGB 130 159 26

HSL 73.08, 0.72%, 0.36%

LAB 61.32, -27.27, 59.18

 

CMYK 17 / 0 / 75 / 31

HEX #93B12D

RGB 147 177 45

HSL 73.64, 0.59%, 0.44%

LAB 67.9, -28.04, 59.86

 

CMYK 16 / 0 / 67 / 24

HEX #A4C340

RGB 164 195 64

HSL 74.2, 0.52%, 0.51%

LAB 74.38, -28.63, 59.68

 

CMYK 15 / 0 / 61 / 16

HEX #B5D553

RGB 181 213 83

HSL 74.77, 0.61%, 0.58%

LAB 80.76, -29.07, 59.04

 

CMYK 14 / 0 / 56 / 9

HEX #C6E766

RGB 198 231 102

HSL 75.35, 0.73%, 0.65%

LAB 87.05, -29.41, 58.15

 

CMYK 21 / 0 / 81 / 38

HEX #7D9F1F

RGB 125 159 31

HSL 75.94, 0.67%, 0.37%

LAB 61.01, -29.16, 57.38

 

CMYK 23 / 0 / 91 / 45

HEX #6C8D0C

RGB 108 141 12

HSL 75.35, 0.84%, 0.3%

LAB 54.31, -28.26, 55.78

 

CMYK 26 / 0 / 100 / 52

HEX #5B7B00

RGB 91 123 0

HSL 75.61, 1%, 0.24%

LAB 47.48, -27.07, 52.13

 

CMYK 30 / 0 / 100 / 59

HEX #4A6900

RGB 74 105 0

HSL 77.71, 1%, 0.21%

LAB 40.51, -25.58, 46.33

 

CMYK 34 / 0 / 100 / 66

HEX #395700

RGB 57 87 0

HSL 80.69, 1%, 0.17%

LAB 33.32, -24.06, 40.34

 

CMYK 22 / 0 / 80 / 38

HEX #7C9E1F

RGB 124 158 31

HSL 76.06, 0.67%, 0.37%

LAB 60.64, -29.09, 57.03

 

CMYK 0 / 1 / 80 / 38

HEX #9E9D1F

RGB 158 157 31

HSL 59.53, 0.67%, 0.37%

LAB 62.91, -13.89, 60.03

 

CMYK 0 / 22 / 80 / 38

HEX #9E7B1F

RGB 158 123 31

HSL 43.46, 0.67%, 0.37%

LAB 53.53, 4.63, 51.65

 

CMYK 0 / 44 / 80 / 38

HEX #9E591F

RGB 158 89 31

HSL 27.4, 0.67%, 0.37%

LAB 44.96, 23.95, 43.69

 

CMYK 0 / 65 / 80 / 38

HEX #9E371F

RGB 158 55 31

HSL 11.34, 0.67%, 0.37%

LAB 38.02, 41.57, 36.93

 

CMYK 22 / 0 / 80 / 38

HEX #7C9E1F

RGB 124 158 31

HSL 76.06, 0.67%, 0.37%

LAB 60.64, -29.09, 57.03

 

CMYK 43 / 0 / 80 / 38

HEX #5A9E1F

RGB 90 158 31

HSL 92.13, 0.67%, 0.37%

LAB 58.72, -42.08, 54.56

 

CMYK 65 / 0 / 80 / 38

HEX #389E1F

RGB 56 158 31

HSL 108.19, 0.67%, 0.37%

LAB 57.46, -51.91, 52.92

 

CMYK 80 / 0 / 74 / 38

HEX #1F9E29

RGB 31 158 41

HSL 124.72, 0.67%, 0.37%

LAB 56.98, -55.7, 48.85

 

CMYK 80 / 0 / 53 / 38

HEX #1F9E4B

RGB 31 158 75

HSL 140.79, 0.67%, 0.37%

LAB 57.32, -51.59, 33.86

 

CMYK 22 / 0 / 80 / 38

HEX #7C9E1F

RGB 124 158 31

HSL 76.06, 0.67%, 0.37%

LAB 60.64, -29.09, 57.03

 

CMYK 24 / 0 / 91 / 32

HEX #83AD10

RGB 131 173 16

HSL 76.05, 0.83%, 0.37%

LAB 65.55, -33.76, 64.88

 

CMYK 27 / 0 / 99 / 26

HEX #8ABC01

RGB 138 188 1

HSL 76.04, 0.99%, 0.37%

LAB 70.44, -38.02, 70.81

 

CMYK 22 / 0 / 80 / 38

HEX #7C9E1F

RGB 124 158 31

HSL 76.06, 0.67%, 0.37%

LAB 60.64, -29.09, 57.03

 

CMYK 18 / 0 / 68 / 44

HEX #758E2E

RGB 117 142 46

HSL 75.63, 0.51%, 0.37%

LAB 55.41, -23.32, 46.32

 

CMYK 13 / 0 / 51 / 50

HEX #6E7F3E

RGB 110 127 62

HSL 75.69, 0.34%, 0.37%

LAB 50.5, -17.11, 33

 

CMYK 8 / 0 / 31 / 56

HEX #67704D

RGB 103 112 77

HSL 75.43, 0.19%, 0.37%

LAB 45.64, -9.91, 18.37

 

CMYK 2 / 0 / 5 / 62

HEX #5F615C

RGB 95 97 92

HSL 84, 0.03%, 0.37%

LAB 40.82, -1.82, 2.57

 

CMYK 0 / 23 / 80 / 38

HEX #9E7A1F

RGB 158 122 31

HSL 42.99, 0.67%, 0.37%

LAB 53.26, 5.19, 51.4

 

CMYK 0 / 2 / 80 / 38

HEX #9E9B1F

RGB 158 155 31

HSL 58.58, 0.67%, 0.37%

LAB 62.35, -12.84, 59.53

 

CMYK 20 / 0 / 80 / 38

HEX #7E9E1F

RGB 126 158 31

HSL 75.12, 0.67%, 0.37%

LAB 60.77, -28.26, 57.2

 

CMYK 42 / 0 / 80 / 38

HEX #5C9E1F

RGB 92 158 31

HSL 91.18, 0.67%, 0.37%

LAB 58.81, -41.39, 54.68

 

CMYK 63 / 0 / 80 / 38

HEX #3B9E1F

RGB 59 158 31

HSL 106.77, 0.67%, 0.37%

LAB 57.54, -51.2, 53.03

 

CMYK 21 / 0 / 80 / 65

HEX #465912

RGB 70 89 18

HSL 76.06, 0.66%, 0.21%

LAB 34.98, -18.41, 36.18

 

CMYK 21 / 0 / 80 / 52

HEX #617B18

RGB 97 123 24

HSL 75.76, 0.67%, 0.29%

LAB 47.97, -23.68, 46.95

 

CMYK 22 / 0 / 80 / 38

HEX #7C9E1F

RGB 124 158 31

HSL 76.06, 0.67%, 0.37%

LAB 60.64, -29.09, 57.03

 

CMYK 21 / 0 / 80 / 25

HEX #97C026

RGB 151 192 38

HSL 75.97, 0.67%, 0.45%

LAB 72.51, -33.8, 66.38

 

CMYK 20 / 0 / 74 / 15

HEX #ADD838

RGB 173 216 56

HSL 76.13, 0.67%, 0.53%

LAB 80.9, -35.3, 69.21

 

CMYK 21 / 0 / 81 / 38

HEX #7D9F1F

RGB 125 159 31

HSL 75.94, 0.67%, 0.37%

LAB 61.01, -29.16, 57.38

 

CMYK 80 / 0 / 44 / 38

HEX #1F9E58

RGB 31 158 88

HSL 146.93, 0.67%, 0.37%

LAB 57.51, -49.36, 27.32

 

CMYK 12 / 80 / 0 / 38

HEX #8B1F9E

RGB 139 31 158

HSL 291.02, 0.67%, 0.37%

LAB 35.86, 59.86, -45.14

 

CMYK 21 / 0 / 81 / 38

HEX #7D9F1F

RGB 125 159 31

HSL 75.94, 0.67%, 0.37%

LAB 61.01, -29.16, 57.38

 

CMYK 80 / 20 / 0 / 38

HEX #1F7E9E

RGB 31 126 158

HSL 195.12, 0.67%, 0.37%

LAB 49.11, -15.34, -24.77

 

CMYK 0 / 80 / 20 / 38

HEX #9E1F7E

RGB 158 31 126

HSL 315.12, 0.67%, 0.37%

LAB 37.4, 58.84, -22.85

 

CMYK 21 / 0 / 81 / 38

HEX #7D9F1F

RGB 125 159 31

HSL 75.94, 0.67%, 0.37%

LAB 61.01, -29.16, 57.38

 

CMYK 80 / 0 / 44 / 38

HEX #1F9E58

RGB 31 158 88

HSL 146.93, 0.67%, 0.37%

LAB 57.51, -49.36, 27.32

 

CMYK 60 / 80 / 0 / 38

HEX #3F1F9E

RGB 63 31 158

HSL 255.12, 0.67%, 0.37%

LAB 25.28, 47.52, -62.85

 

CMYK 0 / 80 / 36 / 38

HEX #9E1F65

RGB 158 31 101

HSL 326.93, 0.67%, 0.37%

LAB 36.35, 55.75, -8.72

 

CMYK 21 / 0 / 81 / 38

HEX #7D9F1F

RGB 125 159 31

HSL 75.94, 0.67%, 0.37%

LAB 61.01, -29.16, 57.38

 

CMYK 80 / 0 / 20 / 38

HEX #1F9E7E

RGB 31 158 126

HSL 164.88, 0.67%, 0.37%

LAB 58.27, -40.9, 7.36

 

CMYK 60 / 80 / 0 / 38

HEX #3F1F9E

RGB 63 31 158

HSL 255.12, 0.67%, 0.37%

LAB 25.28, 47.52, -62.85

 

CMYK 0 / 80 / 60 / 38

HEX #9E1F3F

RGB 158 31 63

HSL 344.88, 0.67%, 0.37%

LAB 35.22, 52.33, 14.16

 

Description

Color code: HEX #7D9F1F | qconv.com Color code: HEX #7D9F1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 159 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 159 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 81 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 81% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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