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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D95ED it is the complementary color #826A12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D95ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D95ED shade: #8295E8, #93A7FB, #A4B9FF, #B5CBFF and #C6DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D95ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D95ED shade: #7D95ED, #6C83DA, #5B71C7, #4A5FB4 and #394DA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D95ED shade: #7D95ED, #837DED, #A17DED, #C07DED and #DE7DED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D95ED shade: #7D95ED and #7D7DED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D95ED shade matches the following richer shades: #7D95ED and #718EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D95ED shade: #7D95ED, #899CE1, #95A3D5, #A1A9C9 and #ADB0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D95ED shade: #7DD1ED, #7DB3ED, #7D95ED, #827DED and #A07DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D95ED shade: #345AE3, #5977E8, #7D95ED, #A1B3F2 and #C5D0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D95ED shade: #7D95ED, #EB7DED and #C2ED7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D95ED shade: #7D95ED, #ED7D95 and #95ED7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D95ED shade: #7D95ED, #EB7DED, #EDD57D and #7FED7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D95ED shade: #7D95ED, #ED7DCD, #EDD57D and #7DED9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

Complementary color

CMYK 0 / 18 / 86 / 49

HEX #826A12

RGB 130 106 18

HSL 47.14, 0.76%, 0.29%

LAB 45.77, 0.74, 48

 

CMYK 44 / 36 / 0 / 9

HEX #8295E8

RGB 130 149 232

HSL 228.82, 0.69%, 0.71%

LAB 63.4, 14.5, -44.11

 

CMYK 41 / 33 / 0 / 2

HEX #93A7FB

RGB 147 167 251

HSL 228.46, 0.93%, 0.78%

LAB 70.04, 13.76, -44.01

 

CMYK 36 / 27 / 0 / 0

HEX #A4B9FF

RGB 164 185 255

HSL 226.15, 1%, 0.82%

LAB 75.95, 9.18, -36.87

 

CMYK 29 / 20 / 0 / 0

HEX #B5CBFF

RGB 181 203 255

HSL 222.16, 1%, 0.85%

LAB 81.71, 4.08, -27.91

 

CMYK 22 / 13 / 0 / 0

HEX #C6DDFF

RGB 198 221 255

HSL 215.79, 1%, 0.89%

LAB 87.46, -0.51, -19.07

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 50 / 40 / 0 / 15

HEX #6C83DA

RGB 108 131 218

HSL 227.45, 0.6%, 0.64%

LAB 56.57, 15.71, -47.2

 

CMYK 54 / 43 / 0 / 22

HEX #5B71C7

RGB 91 113 199

HSL 227.78, 0.49%, 0.57%

LAB 49.69, 16.86, -47.42

 

CMYK 59 / 47 / 0 / 29

HEX #4A5FB4

RGB 74 95 180

HSL 228.11, 0.42%, 0.5%

LAB 42.67, 18.26, -47.69

 

CMYK 65 / 52 / 0 / 37

HEX #394DA1

RGB 57 77 161

HSL 228.46, 0.48%, 0.43%

LAB 35.5, 20, -48

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 45 / 47 / 0 / 7

HEX #837DED

RGB 131 125 237

HSL 243.21, 0.76%, 0.71%

LAB 57.66, 30.25, -55.97

 

CMYK 32 / 47 / 0 / 7

HEX #A17DED

RGB 161 125 237

HSL 259.29, 0.76%, 0.71%

LAB 60.21, 37.63, -51.76

 

CMYK 19 / 47 / 0 / 7

HEX #C07DED

RGB 192 125 237

HSL 275.89, 0.76%, 0.71%

LAB 63.33, 45.88, -46.62

 

CMYK 6 / 47 / 0 / 7

HEX #DE7DED

RGB 222 125 237

HSL 291.96, 0.76%, 0.71%

LAB 66.76, 54.17, -41

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 47 / 47 / 0 / 7

HEX #7D7DED

RGB 125 125 237

HSL 240, 0.76%, 0.71%

LAB 57.21, 28.89, -56.72

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 55 / 43 / 0 / 2

HEX #718EF9

RGB 113 142 249

HSL 227.21, 0.92%, 0.71%

LAB 61.39, 19.89, -56.72

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 39 / 31 / 0 / 12

HEX #899CE1

RGB 137 156 225

HSL 227.05, 0.59%, 0.71%

LAB 65.38, 10.29, -37.11

 

CMYK 30 / 23 / 0 / 16

HEX #95A3D5

RGB 149 163 213

HSL 226.88, 0.43%, 0.71%

LAB 67.57, 6.52, -27.03

 

CMYK 20 / 16 / 0 / 21

HEX #A1A9C9

RGB 161 169 201

HSL 228, 0.27%, 0.71%

LAB 69.59, 3.98, -17.24

 

CMYK 8 / 7 / 0 / 26

HEX #ADB0BD

RGB 173 176 189

HSL 228.75, 0.11%, 0.71%

LAB 71.97, 1.5, -6.99

 

CMYK 47 / 12 / 0 / 7

HEX #7DD1ED

RGB 125 209 237

HSL 195, 0.76%, 0.71%

LAB 79.66, -18.21, -21.72

 

CMYK 47 / 24 / 0 / 7

HEX #7DB3ED

RGB 125 179 237

HSL 211.07, 0.76%, 0.71%

LAB 71.36, -2.29, -34.44

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 45 / 47 / 0 / 7

HEX #827DED

RGB 130 125 237

HSL 242.68, 0.76%, 0.71%

LAB 57.59, 30.02, -56.1

 

CMYK 32 / 47 / 0 / 7

HEX #A07DED

RGB 160 125 237

HSL 258.75, 0.76%, 0.71%

LAB 60.12, 37.37, -51.91

 

CMYK 77 / 60 / 0 / 11

HEX #345AE3

RGB 52 90 227

HSL 226.97, 0.76%, 0.55%

LAB 43.64, 34.98, -73.25

 

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 33 / 26 / 0 / 5

HEX #A1B3F2

RGB 161 179 242

HSL 226.67, 0.76%, 0.79%

LAB 73.69, 8.34, -33.37

 

CMYK 20 / 16 / 0 / 3

HEX #C5D0F7

RGB 197 208 247

HSL 226.8, 0.76%, 0.87%

LAB 83.81, 4.29, -20.36

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 1 / 47 / 0 / 7

HEX #EB7DED

RGB 235 125 237

HSL 298.93, 0.76%, 0.71%

LAB 68.35, 57.79, -38.4

 

CMYK 18 / 0 / 47 / 7

HEX #C2ED7D

RGB 194 237 125

HSL 83.04, 0.76%, 0.71%

LAB 88.69, -31.52, 49.46

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 0 / 47 / 37 / 7

HEX #ED7D95

RGB 237 125 149

HSL 347.14, 0.76%, 0.71%

LAB 65.63, 45.46, 6.87

 

CMYK 37 / 0 / 47 / 7

HEX #95ED7D

RGB 149 237 125

HSL 107.14, 0.76%, 0.71%

LAB 86.23, -46.98, 45.87

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 1 / 47 / 0 / 7

HEX #EB7DED

RGB 235 125 237

HSL 298.93, 0.76%, 0.71%

LAB 68.35, 57.79, -38.4

 

CMYK 0 / 10 / 47 / 7

HEX #EDD57D

RGB 237 213 125

HSL 47.14, 0.76%, 0.71%

LAB 85.54, -3.07, 46.3

 

CMYK 46 / 0 / 47 / 7

HEX #7FED7D

RGB 127 237 125

HSL 118.93, 0.76%, 0.71%

LAB 85.28, -53.5, 44.49

 

CMYK 47 / 37 / 0 / 7

HEX #7D95ED

RGB 125 149 237

HSL 227.14, 0.76%, 0.71%

LAB 63.32, 14.75, -47.02

 

CMYK 0 / 47 / 14 / 7

HEX #ED7DCD

RGB 237 125 205

HSL 317.14, 0.76%, 0.71%

LAB 67.34, 53.05, -22.18

 

CMYK 0 / 10 / 47 / 7

HEX #EDD57D

RGB 237 213 125

HSL 47.14, 0.76%, 0.71%

LAB 85.54, -3.07, 46.3

 

CMYK 47 / 0 / 34 / 7

HEX #7DED9D

RGB 125 237 157

HSL 137.14, 0.76%, 0.71%

LAB 85.69, -49.11, 29.11

 

Description

Color code: HEX #7D95ED | qconv.com Color code: HEX #7D95ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 149 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 149 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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