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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D95EC it is the complementary color #826A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D95EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D95EC shade: #8295E7, #93A7FA, #A4B9FF, #B5CBFF and #C6DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D95EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D95EC shade: #7D95EC, #6C83D9, #5B71C6, #4A5FB3 and #394DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D95EC shade: #7E96EC, #847EEC, #A27EEC, #BF7EEC and #DD7EEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D95EC shade: #7E96EC and #7E7EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D95EC shade matches the following richer shades: #7E96EC and #728FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D95EC shade: #7E96EC, #8A9DE0, #96A4D4, #A2AAC8 and #AEB1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D95EC shade: #7ED0EC, #7EB3EC, #7E96EC, #847EEC and #A17EEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D95EC shade: #375BE1, #5A79E6, #7E96EC, #A2B3F1 and #C6D1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D95EC shade: #7D95EC, #EA7EEC and #C2EC7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D95EC shade: #7D95EC, #EC7E96 and #96EC7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D95EC shade: #7D95EC, #EA7EEC, #ECD47E and #80EC7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D95EC shade: #7D95EC, #EC7ECD, #ECD47E and #7EEC9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 37 / 0 / 7

HEX #7D95EC

RGB 125 149 236

HSL 227.03, 0.74%, 0.71%

LAB 63.27, 14.46, -46.54

 

Complementary color

CMYK 0 / 18 / 85 / 49

HEX #826A13

RGB 130 106 19

HSL 47.03, 0.74%, 0.29%

LAB 45.77, 0.77, 47.7

 

CMYK 44 / 35 / 0 / 9

HEX #8295E7

RGB 130 149 231

HSL 228.71, 0.68%, 0.71%

LAB 63.35, 14.21, -43.63

 

CMYK 41 / 33 / 0 / 2

HEX #93A7FA

RGB 147 167 250

HSL 228.35, 0.91%, 0.78%

LAB 70, 13.48, -43.53

 

CMYK 36 / 27 / 0 / 0

HEX #A4B9FF

RGB 164 185 255

HSL 226.15, 1%, 0.82%

LAB 75.95, 9.18, -36.87

 

CMYK 29 / 20 / 0 / 0

HEX #B5CBFF

RGB 181 203 255

HSL 222.16, 1%, 0.85%

LAB 81.71, 4.08, -27.91

 

CMYK 22 / 13 / 0 / 0

HEX #C6DDFF

RGB 198 221 255

HSL 215.79, 1%, 0.89%

LAB 87.46, -0.51, -19.07

 

CMYK 47 / 37 / 0 / 7

HEX #7D95EC

RGB 125 149 236

HSL 227.03, 0.74%, 0.71%

LAB 63.27, 14.46, -46.54

 

CMYK 50 / 40 / 0 / 15

HEX #6C83D9

RGB 108 131 217

HSL 227.34, 0.59%, 0.64%

LAB 56.52, 15.4, -46.72

 

CMYK 54 / 43 / 0 / 22

HEX #5B71C6

RGB 91 113 198

HSL 227.66, 0.48%, 0.57%

LAB 49.63, 16.53, -46.94

 

CMYK 59 / 47 / 0 / 30

HEX #4A5FB3

RGB 74 95 179

HSL 228, 0.42%, 0.5%

LAB 42.6, 17.91, -47.2

 

CMYK 64 / 52 / 0 / 37

HEX #394DA0

RGB 57 77 160

HSL 228.35, 0.47%, 0.43%

LAB 35.43, 19.64, -47.51

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 44 / 47 / 0 / 7

HEX #847EEC

RGB 132 126 236

HSL 243.27, 0.74%, 0.71%

LAB 57.93, 29.61, -54.99

 

CMYK 31 / 47 / 0 / 7

HEX #A27EEC

RGB 162 126 236

HSL 259.64, 0.74%, 0.71%

LAB 60.48, 37.07, -50.77

 

CMYK 19 / 47 / 0 / 7

HEX #BF7EEC

RGB 191 126 236

HSL 275.45, 0.74%, 0.71%

LAB 63.39, 44.86, -45.99

 

CMYK 6 / 47 / 0 / 7

HEX #DD7EEC

RGB 221 126 236

HSL 291.82, 0.74%, 0.71%

LAB 66.79, 53.2, -40.41

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 47 / 47 / 0 / 7

HEX #7E7EEC

RGB 126 126 236

HSL 240, 0.74%, 0.71%

LAB 57.48, 28.22, -55.73

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 54 / 42 / 0 / 3

HEX #728FF8

RGB 114 143 248

HSL 227.01, 0.91%, 0.71%

LAB 61.65, 19.19, -55.75

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 38 / 30 / 0 / 12

HEX #8A9DE0

RGB 138 157 224

HSL 226.74, 0.58%, 0.71%

LAB 65.67, 9.71, -36.1

 

CMYK 29 / 23 / 0 / 17

HEX #96A4D4

RGB 150 164 212

HSL 226.45, 0.42%, 0.71%

LAB 67.86, 6.01, -26.02

 

CMYK 19 / 15 / 0 / 22

HEX #A2AAC8

RGB 162 170 200

HSL 227.37, 0.26%, 0.71%

LAB 69.9, 3.52, -16.23

 

CMYK 7 / 6 / 0 / 26

HEX #AEB1BC

RGB 174 177 188

HSL 227.14, 0.09%, 0.71%

LAB 72.28, 1.1, -5.97

 

CMYK 47 / 12 / 0 / 7

HEX #7ED0EC

RGB 126 208 236

HSL 195.27, 0.74%, 0.71%

LAB 79.39, -17.74, -21.59

 

CMYK 47 / 24 / 0 / 7

HEX #7EB3EC

RGB 126 179 236

HSL 211.09, 0.74%, 0.71%

LAB 71.37, -2.34, -33.88

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 44 / 47 / 0 / 7

HEX #847EEC

RGB 132 126 236

HSL 243.27, 0.74%, 0.71%

LAB 57.93, 29.61, -54.99

 

CMYK 32 / 47 / 0 / 7

HEX #A17EEC

RGB 161 126 236

HSL 259.09, 0.74%, 0.71%

LAB 60.39, 36.81, -50.93

 

CMYK 76 / 60 / 0 / 12

HEX #375BE1

RGB 55 91 225

HSL 227.29, 0.74%, 0.55%

LAB 43.84, 33.93, -71.78

 

CMYK 61 / 47 / 0 / 10

HEX #5A79E6

RGB 90 121 230

HSL 226.71, 0.74%, 0.63%

LAB 53.56, 21.97, -58.79

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 33 / 26 / 0 / 5

HEX #A2B3F1

RGB 162 179 241

HSL 227.09, 0.74%, 0.79%

LAB 73.72, 8.37, -32.78

 

CMYK 20 / 15 / 0 / 3

HEX #C6D1F7

RGB 198 209 247

HSL 226.53, 0.75%, 0.87%

LAB 84.13, 4.06, -19.86

 

CMYK 47 / 37 / 0 / 7

HEX #7D95EC

RGB 125 149 236

HSL 227.03, 0.74%, 0.71%

LAB 63.27, 14.46, -46.54

 

CMYK 1 / 47 / 0 / 7

HEX #EA7EEC

RGB 234 126 236

HSL 298.91, 0.74%, 0.71%

LAB 68.37, 56.85, -37.83

 

CMYK 18 / 0 / 47 / 7

HEX #C2EC7E

RGB 194 236 126

HSL 82.91, 0.74%, 0.71%

LAB 88.43, -30.95, 48.67

 

CMYK 47 / 37 / 0 / 7

HEX #7D95EC

RGB 125 149 236

HSL 227.03, 0.74%, 0.71%

LAB 63.27, 14.46, -46.54

 

CMYK 0 / 47 / 36 / 7

HEX #EC7E96

RGB 236 126 150

HSL 346.91, 0.74%, 0.71%

LAB 65.71, 44.73, 6.42

 

CMYK 36 / 0 / 47 / 7

HEX #96EC7E

RGB 150 236 126

HSL 106.91, 0.74%, 0.71%

LAB 86, -46.12, 45.11

 

CMYK 47 / 37 / 0 / 7

HEX #7D95EC

RGB 125 149 236

HSL 227.03, 0.74%, 0.71%

LAB 63.27, 14.46, -46.54

 

CMYK 1 / 47 / 0 / 7

HEX #EA7EEC

RGB 234 126 236

HSL 298.91, 0.74%, 0.71%

LAB 68.37, 56.85, -37.83

 

CMYK 0 / 10 / 47 / 7

HEX #ECD47E

RGB 236 212 126

HSL 46.91, 0.74%, 0.71%

LAB 85.21, -2.86, 45.39

 

CMYK 46 / 0 / 47 / 7

HEX #80EC7E

RGB 128 236 126

HSL 118.91, 0.74%, 0.71%

LAB 85.04, -52.69, 43.71

 

CMYK 47 / 37 / 0 / 7

HEX #7D95EC

RGB 125 149 236

HSL 227.03, 0.74%, 0.71%

LAB 63.27, 14.46, -46.54

 

CMYK 0 / 47 / 13 / 7

HEX #EC7ECD

RGB 236 126 205

HSL 316.91, 0.74%, 0.71%

LAB 67.4, 52.25, -22.1

 

CMYK 0 / 10 / 47 / 7

HEX #ECD47E

RGB 236 212 126

HSL 46.91, 0.74%, 0.71%

LAB 85.21, -2.86, 45.39

 

CMYK 47 / 0 / 33 / 7

HEX #7EEC9D

RGB 126 236 157

HSL 136.91, 0.74%, 0.71%

LAB 85.43, -48.43, 28.78

 

Description

Color code: HEX #7D95EC | qconv.com Color code: HEX #7D95EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 149 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 149 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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