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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D8F1D it is the complementary color #8270E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D8F1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D8F1D shade: #828F18, #93A12B, #A4B33E, #B5C551 and #C6D764

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D8F1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D8F1D shade: #7D8F1D, #6C7D0A, #5B6B00, #4A5900 and #394700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D8F1D shade: #7E901D, #90831D, #90641D, #90451D and #90271D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D8F1D shade: #7E901D, #5F901D, #40901D, #21901D and #1D9039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D8F1D shade matches the following richer shades: #7E901D, #879E0F and #91AC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D8F1D shade: #7E901D, #74822C, #6B743A, #616648 and #575856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D8F1D shade: #90641D, #90831D, #7F901D, #60901D and #42901D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D8F1D shade: #424B0F, #606E16, #7E901D, #9CB224 and #B9D42C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D8F1D shade: #7D8F1D, #1D9046 and #731D90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D8F1D shade: #7D8F1D, #1D7F90 and #901D7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D8F1D shade: #7D8F1D, #1D9046, #2F1D90 and #901D68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D8F1D shade: #7D8F1D, #1D9068, #2F1D90 and #901D46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 80 / 44

HEX #7D8F1D

RGB 125 143 29

HSL 69.47, 0.66%, 0.34%

LAB 56.18, -21.35, 53.61

 

Complementary color

CMYK 42 / 50 / 0 / 11

HEX #8270E2

RGB 130 112 226

HSL 249.47, 0.66%, 0.66%

LAB 53.84, 34.51, -55.94

 

CMYK 9 / 0 / 83 / 44

HEX #828F18

RGB 130 143 24

HSL 66.55, 0.71%, 0.33%

LAB 56.54, -19.34, 55.55

 

CMYK 9 / 0 / 73 / 37

HEX #93A12B

RGB 147 161 43

HSL 67.12, 0.58%, 0.4%

LAB 63.23, -20.25, 56.08

 

CMYK 8 / 0 / 65 / 30

HEX #A4B33E

RGB 164 179 62

HSL 67.69, 0.49%, 0.47%

LAB 69.81, -20.96, 55.75

 

CMYK 8 / 0 / 59 / 23

HEX #B5C551

RGB 181 197 81

HSL 68.28, 0.5%, 0.55%

LAB 76.28, -21.5, 54.98

 

CMYK 8 / 0 / 53 / 16

HEX #C6D764

RGB 198 215 100

HSL 68.87, 0.59%, 0.62%

LAB 82.66, -21.93, 54

 

CMYK 13 / 0 / 80 / 44

HEX #7D8F1D

RGB 125 143 29

HSL 69.47, 0.66%, 0.34%

LAB 56.18, -21.35, 53.61

 

CMYK 14 / 0 / 92 / 51

HEX #6C7D0A

RGB 108 125 10

HSL 68.87, 0.85%, 0.26%

LAB 49.35, -20.32, 52.11

 

CMYK 15 / 0 / 100 / 58

HEX #5B6B00

RGB 91 107 0

HSL 68.97, 1%, 0.21%

LAB 42.37, -18.96, 48.27

 

CMYK 17 / 0 / 100 / 65

HEX #4A5900

RGB 74 89 0

HSL 70.11, 1%, 0.17%

LAB 35.2, -17.33, 42.3

 

CMYK 20 / 0 / 100 / 72

HEX #394700

RGB 57 71 0

HSL 71.83, 1%, 0.14%

LAB 27.78, -15.66, 36.03

 

CMYK 13 / 0 / 80 / 44

HEX #7E901D

RGB 126 144 29

HSL 69.39, 0.66%, 0.34%

LAB 56.56, -21.42, 53.98

 

CMYK 0 / 9 / 80 / 44

HEX #90831D

RGB 144 131 29

HSL 53.22, 0.66%, 0.34%

LAB 54.29, -6.38, 52.5

 

CMYK 0 / 31 / 80 / 44

HEX #90641D

RGB 144 100 29

HSL 37.04, 0.66%, 0.34%

LAB 45.81, 11.24, 44.7

 

CMYK 0 / 52 / 80 / 44

HEX #90451D

RGB 144 69 29

HSL 20.87, 0.66%, 0.34%

LAB 38.33, 28.94, 37.48

 

CMYK 0 / 73 / 80 / 44

HEX #90271D

RGB 144 39 29

HSL 5.22, 0.66%, 0.34%

LAB 32.85, 43.35, 31.92

 

CMYK 13 / 0 / 80 / 44

HEX #7E901D

RGB 126 144 29

HSL 69.39, 0.66%, 0.34%

LAB 56.56, -21.42, 53.98

 

CMYK 34 / 0 / 80 / 44

HEX #5F901D

RGB 95 144 29

HSL 85.57, 0.66%, 0.34%

LAB 54.52, -34.28, 51.36

 

CMYK 56 / 0 / 80 / 44

HEX #40901D

RGB 64 144 29

HSL 101.74, 0.66%, 0.34%

LAB 53.09, -44.82, 49.5

 

CMYK 77 / 0 / 80 / 44

HEX #21901D

RGB 33 144 29

HSL 117.91, 0.66%, 0.34%

LAB 52.24, -51.8, 48.4

 

CMYK 80 / 0 / 60 / 44

HEX #1D9039

RGB 29 144 57

HSL 134.61, 0.66%, 0.34%

LAB 52.4, -49.57, 36.92

 

CMYK 13 / 0 / 80 / 44

HEX #7E901D

RGB 126 144 29

HSL 69.39, 0.66%, 0.34%

LAB 56.56, -21.42, 53.98

 

CMYK 15 / 0 / 91 / 38

HEX #879E0F

RGB 135 158 15

HSL 69.65, 0.83%, 0.34%

LAB 61.34, -24.96, 61.74

 

CMYK 16 / 0 / 99 / 33

HEX #91AC01

RGB 145 172 1

HSL 69.47, 0.99%, 0.34%

LAB 66.16, -27.75, 67.75

 

CMYK 13 / 0 / 80 / 44

HEX #7E901D

RGB 126 144 29

HSL 69.39, 0.66%, 0.34%

LAB 56.56, -21.42, 53.98

 

CMYK 11 / 0 / 66 / 49

HEX #74822C

RGB 116 130 44

HSL 69.77, 0.49%, 0.34%

LAB 51.68, -17.73, 43.24

 

CMYK 8 / 0 / 50 / 55

HEX #6B743A

RGB 107 116 58

HSL 69.31, 0.33%, 0.34%

LAB 46.87, -12.91, 30.69

 

CMYK 5 / 0 / 29 / 60

HEX #616648

RGB 97 102 72

HSL 70, 0.17%, 0.34%

LAB 42.02, -7.52, 16.36

 

CMYK 1 / 0 / 2 / 65

HEX #575856

RGB 87 88 86

HSL 90, 0.01%, 0.34%

LAB 37.26, -0.82, 1.01

 

CMYK 0 / 31 / 80 / 44

HEX #90641D

RGB 144 100 29

HSL 37.04, 0.66%, 0.34%

LAB 45.81, 11.24, 44.7

 

CMYK 0 / 9 / 80 / 44

HEX #90831D

RGB 144 131 29

HSL 53.22, 0.66%, 0.34%

LAB 54.29, -6.38, 52.5

 

CMYK 12 / 0 / 80 / 44

HEX #7F901D

RGB 127 144 29

HSL 68.87, 0.66%, 0.34%

LAB 56.63, -20.98, 54.08

 

CMYK 33 / 0 / 80 / 44

HEX #60901D

RGB 96 144 29

HSL 85.04, 0.66%, 0.34%

LAB 54.58, -33.89, 51.44

 

CMYK 54 / 0 / 80 / 44

HEX #42901D

RGB 66 144 29

HSL 100.7, 0.66%, 0.34%

LAB 53.16, -44.23, 49.6

 

CMYK 12 / 0 / 80 / 71

HEX #424B0F

RGB 66 75 15

HSL 69, 0.67%, 0.18%

LAB 29.97, -12.72, 32.43

 

CMYK 13 / 0 / 80 / 57

HEX #606E16

RGB 96 110 22

HSL 69.55, 0.67%, 0.26%

LAB 43.79, -17.48, 43.73

 

CMYK 13 / 0 / 80 / 44

HEX #7E901D

RGB 126 144 29

HSL 69.39, 0.66%, 0.34%

LAB 56.56, -21.42, 53.98

 

CMYK 12 / 0 / 80 / 30

HEX #9CB224

RGB 156 178 36

HSL 69.3, 0.66%, 0.42%

LAB 68.78, -25.18, 63.73

 

CMYK 13 / 0 / 79 / 17

HEX #B9D42C

RGB 185 212 44

HSL 69.64, 0.66%, 0.5%

LAB 80.51, -29.17, 72.74

 

CMYK 13 / 0 / 80 / 44

HEX #7D8F1D

RGB 125 143 29

HSL 69.47, 0.66%, 0.34%

LAB 56.18, -21.35, 53.61

 

CMYK 80 / 0 / 51 / 44

HEX #1D9046

RGB 29 144 70

HSL 141.39, 0.66%, 0.34%

LAB 52.56, -47.62, 30.55

 

CMYK 20 / 80 / 0 / 44

HEX #731D90

RGB 115 29 144

HSL 284.87, 0.66%, 0.34%

LAB 30.73, 53.15, -45.06

 

CMYK 13 / 0 / 80 / 44

HEX #7D8F1D

RGB 125 143 29

HSL 69.47, 0.66%, 0.34%

LAB 56.18, -21.35, 53.61

 

CMYK 80 / 12 / 0 / 44

HEX #1D7F90

RGB 29 127 144

HSL 188.87, 0.66%, 0.34%

LAB 48.83, -20.95, -17

 

CMYK 0 / 80 / 12 / 44

HEX #901D7F

RGB 144 29 127

HSL 308.87, 0.66%, 0.34%

LAB 34.68, 56.3, -27.91

 

CMYK 13 / 0 / 80 / 44

HEX #7D8F1D

RGB 125 143 29

HSL 69.47, 0.66%, 0.34%

LAB 56.18, -21.35, 53.61

 

CMYK 80 / 0 / 51 / 44

HEX #1D9046

RGB 29 144 70

HSL 141.39, 0.66%, 0.34%

LAB 52.56, -47.62, 30.55

 

CMYK 67 / 80 / 0 / 44

HEX #2F1D90

RGB 47 29 144

HSL 249.39, 0.66%, 0.34%

LAB 21.93, 42.48, -59.8

 

CMYK 0 / 80 / 28 / 44

HEX #901D68

RGB 144 29 104

HSL 320.87, 0.66%, 0.34%

LAB 33.58, 53.09, -15.09

 

CMYK 13 / 0 / 80 / 44

HEX #7D8F1D

RGB 125 143 29

HSL 69.47, 0.66%, 0.34%

LAB 56.18, -21.35, 53.61

 

CMYK 80 / 0 / 28 / 44

HEX #1D9068

RGB 29 144 104

HSL 159.13, 0.66%, 0.34%

LAB 53.18, -40.7, 12.63

 

CMYK 67 / 80 / 0 / 44

HEX #2F1D90

RGB 47 29 144

HSL 249.39, 0.66%, 0.34%

LAB 21.93, 42.48, -59.8

 

CMYK 0 / 80 / 51 / 44

HEX #901D46

RGB 144 29 70

HSL 338.61, 0.66%, 0.34%

LAB 32.37, 49.43, 5.21

 

Description

Color code: HEX #7D8F1D | qconv.com Color code: HEX #7D8F1D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 143 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 143 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 80 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 80% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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