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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D89EE it is the complementary color #827611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D89EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D89EE shade: #8289E9, #939BFC, #A4ADFF, #B5BFFF and #C6D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D89EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D89EE shade: #7D89EE, #6C77DB, #5B65C8, #4A53B5 and #3941A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D89EE shade: #7C88EE, #8F7CEE, #AD7CEE, #CC7CEE and #EB7CEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D89EE shade: #7C88EE and #7C7CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D89EE shade matches the following richer shades: #7C88EE and #707FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D89EE shade: #7C88EE, #8892E2, #949BD6, #A0A4CA and #ACAEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D89EE shade: #7CC6EE, #7CA8EE, #7C89EE, #8D7CEE and #AC7CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D89EE shade: #3346E5, #5867E9, #7C88EE, #A1A9F3 and #C5CAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D89EE shade: #7D89EE, #EE7CE5 and #B7EE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D89EE shade: #7D89EE, #EE7C89 and #89EE7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D89EE shade: #7D89EE, #EE7CE5, #EEE17C and #7CEE86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D89EE shade: #7D89EE, #EE7CC2, #EEE17C and #7CEEA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 42 / 0 / 7

HEX #7D89EE

RGB 125 137 238

HSL 233.63, 0.77%, 0.71%

LAB 60.27, 22.09, -52.4

 

Complementary color

CMYK 0 / 9 / 87 / 49

HEX #827611

RGB 130 118 17

HSL 53.63, 0.77%, 0.29%

LAB 49.18, -6.12, 51.16

 

CMYK 44 / 41 / 0 / 9

HEX #8289E9

RGB 130 137 233

HSL 235.92, 0.7%, 0.71%

LAB 60.36, 21.8, -49.47

 

CMYK 42 / 38 / 0 / 1

HEX #939BFC

RGB 147 155 252

HSL 235.43, 0.95%, 0.78%

LAB 67.03, 20.89, -49.28

 

CMYK 36 / 32 / 0 / 0

HEX #A4ADFF

RGB 164 173 255

HSL 234.07, 1%, 0.82%

LAB 72.89, 15.86, -41.63

 

CMYK 29 / 25 / 0 / 0

HEX #B5BFFF

RGB 181 191 255

HSL 231.89, 1%, 0.85%

LAB 78.64, 10.58, -32.62

 

CMYK 22 / 18 / 0 / 0

HEX #C6D1FF

RGB 198 209 255

HSL 228.42, 1%, 0.89%

LAB 84.39, 5.83, -23.71

 

CMYK 47 / 42 / 0 / 7

HEX #7D89EE

RGB 125 137 238

HSL 233.63, 0.77%, 0.71%

LAB 60.27, 22.09, -52.4

 

CMYK 51 / 46 / 0 / 14

HEX #6C77DB

RGB 108 119 219

HSL 234.05, 0.61%, 0.64%

LAB 53.49, 23.25, -52.66

 

CMYK 55 / 50 / 0 / 22

HEX #5B65C8

RGB 91 101 200

HSL 234.5, 0.5%, 0.57%

LAB 46.58, 24.61, -52.96

 

CMYK 59 / 54 / 0 / 29

HEX #4A53B5

RGB 74 83 181

HSL 234.95, 0.42%, 0.5%

LAB 39.54, 26.25, -53.3

 

CMYK 65 / 60 / 0 / 36

HEX #3941A2

RGB 57 65 162

HSL 235.43, 0.48%, 0.43%

LAB 32.39, 28.25, -53.64

 

CMYK 48 / 43 / 0 / 7

HEX #7C88EE

RGB 124 136 238

HSL 233.68, 0.77%, 0.71%

LAB 59.95, 22.45, -52.91

 

CMYK 40 / 48 / 0 / 7

HEX #8F7CEE

RGB 143 124 238

HSL 250, 0.77%, 0.71%

LAB 58.44, 33.96, -55.23

 

CMYK 27 / 48 / 0 / 7

HEX #AD7CEE

RGB 173 124 238

HSL 265.79, 0.77%, 0.71%

LAB 61.2, 41.56, -50.68

 

CMYK 14 / 48 / 0 / 7

HEX #CC7CEE

RGB 204 124 238

HSL 282.11, 0.77%, 0.71%

LAB 64.5, 49.9, -45.24

 

CMYK 1 / 48 / 0 / 7

HEX #EB7CEE

RGB 235 124 238

HSL 298.42, 0.77%, 0.71%

LAB 68.2, 58.45, -39.17

 

CMYK 48 / 43 / 0 / 7

HEX #7C88EE

RGB 124 136 238

HSL 233.68, 0.77%, 0.71%

LAB 59.95, 22.45, -52.91

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CEE

RGB 124 124 238

HSL 240, 0.77%, 0.71%

LAB 56.95, 29.55, -57.69

 

CMYK 48 / 43 / 0 / 7

HEX #7C88EE

RGB 124 136 238

HSL 233.68, 0.77%, 0.71%

LAB 59.95, 22.45, -52.91

 

CMYK 55 / 49 / 0 / 2

HEX #707FFA

RGB 112 127 250

HSL 233.48, 0.93%, 0.71%

LAB 57.58, 28.94, -63.37

 

CMYK 48 / 43 / 0 / 7

HEX #7C88EE

RGB 124 136 238

HSL 233.68, 0.77%, 0.71%

LAB 59.95, 22.45, -52.91

 

CMYK 40 / 35 / 0 / 11

HEX #8892E2

RGB 136 146 226

HSL 233.33, 0.61%, 0.71%

LAB 62.75, 16.07, -41.79

 

CMYK 31 / 28 / 0 / 16

HEX #949BD6

RGB 148 155 214

HSL 233.64, 0.45%, 0.71%

LAB 65.43, 11.01, -30.89

 

CMYK 21 / 19 / 0 / 21

HEX #A0A4CA

RGB 160 164 202

HSL 234.29, 0.28%, 0.71%

LAB 68.23, 6.66, -19.86

 

CMYK 9 / 8 / 0 / 25

HEX #ACAEBE

RGB 172 174 190

HSL 233.33, 0.12%, 0.71%

LAB 71.39, 2.46, -8.4

 

CMYK 48 / 17 / 0 / 7

HEX #7CC6EE

RGB 124 198 238

HSL 201.05, 0.77%, 0.71%

LAB 76.59, -12.47, -26.94

 

CMYK 48 / 29 / 0 / 7

HEX #7CA8EE

RGB 124 168 238

HSL 216.84, 0.77%, 0.71%

LAB 68.36, 3.9, -39.66

 

CMYK 48 / 42 / 0 / 7

HEX #7C89EE

RGB 124 137 238

HSL 233.16, 0.77%, 0.71%

LAB 60.2, 21.86, -52.51

 

CMYK 41 / 48 / 0 / 7

HEX #8D7CEE

RGB 141 124 238

HSL 248.95, 0.77%, 0.71%

LAB 58.27, 33.48, -55.5

 

CMYK 28 / 48 / 0 / 7

HEX #AC7CEE

RGB 172 124 238

HSL 265.26, 0.77%, 0.71%

LAB 61.1, 41.29, -50.84

 

CMYK 78 / 69 / 0 / 10

HEX #3346E5

RGB 51 70 229

HSL 233.6, 0.77%, 0.55%

LAB 39.14, 47.84, -81.77

 

CMYK 62 / 56 / 0 / 9

HEX #5867E9

RGB 88 103 233

HSL 233.79, 0.77%, 0.63%

LAB 49.08, 33.67, -67.7

 

CMYK 48 / 43 / 0 / 7

HEX #7C88EE

RGB 124 136 238

HSL 233.68, 0.77%, 0.71%

LAB 59.95, 22.45, -52.91

 

CMYK 34 / 30 / 0 / 5

HEX #A1A9F3

RGB 161 169 243

HSL 234.15, 0.77%, 0.79%

LAB 71.16, 14.18, -37.84

 

CMYK 20 / 18 / 0 / 3

HEX #C5CAF7

RGB 197 202 247

HSL 234, 0.76%, 0.87%

LAB 82.29, 7.49, -22.67

 

CMYK 47 / 42 / 0 / 7

HEX #7D89EE

RGB 125 137 238

HSL 233.63, 0.77%, 0.71%

LAB 60.27, 22.09, -52.4

 

CMYK 0 / 48 / 4 / 7

HEX #EE7CE5

RGB 238 124 229

HSL 304.74, 0.77%, 0.71%

LAB 68.2, 57.73, -34.18

 

CMYK 23 / 0 / 48 / 7

HEX #B7EE7C

RGB 183 238 124

HSL 88.95, 0.77%, 0.71%

LAB 88.29, -36.08, 49.29

 

CMYK 47 / 42 / 0 / 7

HEX #7D89EE

RGB 125 137 238

HSL 233.63, 0.77%, 0.71%

LAB 60.27, 22.09, -52.4

 

CMYK 0 / 48 / 42 / 7

HEX #EE7C89

RGB 238 124 137

HSL 353.16, 0.77%, 0.71%

LAB 65.28, 45, 13.21

 

CMYK 42 / 0 / 48 / 7

HEX #89EE7C

RGB 137 238 124

HSL 113.16, 0.77%, 0.71%

LAB 85.97, -51.18, 45.91

 

CMYK 47 / 42 / 0 / 7

HEX #7D89EE

RGB 125 137 238

HSL 233.63, 0.77%, 0.71%

LAB 60.27, 22.09, -52.4

 

CMYK 0 / 48 / 4 / 7

HEX #EE7CE5

RGB 238 124 229

HSL 304.74, 0.77%, 0.71%

LAB 68.2, 57.73, -34.18

 

CMYK 0 / 5 / 48 / 7

HEX #EEE17C

RGB 238 225 124

HSL 53.16, 0.77%, 0.71%

LAB 88.68, -8.83, 50.65

 

CMYK 48 / 0 / 44 / 7

HEX #7CEE86

RGB 124 238 134

HSL 125.26, 0.77%, 0.71%

LAB 85.58, -53.45, 40.47

 

CMYK 47 / 42 / 0 / 7

HEX #7D89EE

RGB 125 137 238

HSL 233.63, 0.77%, 0.71%

LAB 60.27, 22.09, -52.4

 

CMYK 0 / 48 / 18 / 7

HEX #EE7CC2

RGB 238 124 194

HSL 323.16, 0.77%, 0.71%

LAB 66.89, 52.19, -16.68

 

CMYK 0 / 5 / 48 / 7

HEX #EEE17C

RGB 238 225 124

HSL 53.16, 0.77%, 0.71%

LAB 88.68, -8.83, 50.65

 

CMYK 48 / 0 / 29 / 7

HEX #7CEEA8

RGB 124 238 168

HSL 143.16, 0.77%, 0.71%

LAB 86.14, -47.81, 24.1

 

Description

Color code: HEX #7D89EE | qconv.com Color code: HEX #7D89EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 137 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 137 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 42 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 42% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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