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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D843E it is the complementary color #827BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D843E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D843E shade: #828439, #93964C, #A4A85F, #B5BA72 and #C6CC85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D843E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D843E shade: #7D843E, #6C722B, #5B6018, #4A4E05 and #393C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D843E shade: #7D843E, #84783E, #84653E, #84523E and #84403E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D843E shade: #7D843E, #6A843E, #57843E, #44843E and #3E844A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D843E shade matches the following richer shades: #7D843E, #89932E, #96A31F and #A2B30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D843E shade: #7D843E, #70744E, #64645D, #57556D and #4B457D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D843E shade: #84663E, #84783E, #7D843E, #6A843E and #58843E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D843E shade: #484C24, #626831, #7D843E, #97A04B and #ACB460

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D843E shade: #7D843E, #3E8453 and #6F3E84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D843E shade: #7D843E, #3E7D84 and #843E7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D843E shade: #7D843E, #3E8453, #453E84 and #843E6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D843E shade: #7D843E, #3E8468, #453E84 and #843E5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

Complementary color

CMYK 33 / 36 / 0 / 24

HEX #827BC1

RGB 130 123 193

HSL 246, 0.36%, 0.62%

LAB 54.83, 18.93, -35.69

 

CMYK 2 / 0 / 57 / 48

HEX #828439

RGB 130 132 57

HSL 61.6, 0.4%, 0.37%

LAB 53.54, -11.57, 39.51

 

CMYK 2 / 0 / 49 / 41

HEX #93964C

RGB 147 150 76

HSL 62.43, 0.33%, 0.44%

LAB 60.37, -12.09, 38.33

 

CMYK 2 / 0 / 43 / 34

HEX #A4A85F

RGB 164 168 95

HSL 63.29, 0.3%, 0.52%

LAB 67.07, -12.49, 37.11

 

CMYK 3 / 0 / 39 / 27

HEX #B5BA72

RGB 181 186 114

HSL 64.17, 0.34%, 0.59%

LAB 73.65, -12.8, 35.91

 

CMYK 3 / 0 / 35 / 20

HEX #C6CC85

RGB 198 204 133

HSL 65.07, 0.41%, 0.66%

LAB 80.11, -13.06, 34.74

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 5 / 0 / 62 / 55

HEX #6C722B

RGB 108 114 43

HSL 65.07, 0.45%, 0.31%

LAB 46.17, -12.79, 37.58

 

CMYK 5 / 0 / 75 / 62

HEX #5B6018

RGB 91 96 24

HSL 64.17, 0.6%, 0.24%

LAB 38.99, -12.04, 38.24

 

CMYK 5 / 0 / 94 / 69

HEX #4A4E05

RGB 74 78 5

HSL 63.29, 0.88%, 0.16%

LAB 31.61, -10.95, 37.78

 

CMYK 5 / 0 / 100 / 76

HEX #393C00

RGB 57 60 0

HSL 63, 1%, 0.12%

LAB 24, -9.26, 32.55

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 0 / 9 / 53 / 48

HEX #84783E

RGB 132 120 62

HSL 49.71, 0.36%, 0.38%

LAB 50.32, -3.58, 33.23

 

CMYK 0 / 23 / 53 / 48

HEX #84653E

RGB 132 101 62

HSL 33.43, 0.36%, 0.38%

LAB 45.03, 7.39, 26.75

 

CMYK 0 / 38 / 53 / 48

HEX #84523E

RGB 132 82 62

HSL 17.14, 0.36%, 0.38%

LAB 40.06, 18.6, 20.42

 

CMYK 0 / 52 / 53 / 48

HEX #84403E

RGB 132 64 62

HSL 1.71, 0.36%, 0.38%

LAB 35.83, 28.94, 14.83

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 20 / 0 / 53 / 48

HEX #6A843E

RGB 106 132 62

HSL 82.29, 0.36%, 0.38%

LAB 51.74, -21.4, 34.42

 

CMYK 34 / 0 / 53 / 48

HEX #57843E

RGB 87 132 62

HSL 98.57, 0.36%, 0.38%

LAB 50.54, -28.87, 32.7

 

CMYK 48 / 0 / 53 / 48

HEX #44843E

RGB 68 132 62

HSL 114.86, 0.36%, 0.38%

LAB 49.59, -35.39, 31.32

 

CMYK 53 / 0 / 44 / 48

HEX #3E844A

RGB 62 132 74

HSL 130.29, 0.36%, 0.38%

LAB 49.52, -35.31, 24.73

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 7 / 0 / 69 / 42

HEX #89932E

RGB 137 147 46

HSL 65.94, 0.52%, 0.38%

LAB 58.4, -17.25, 49.88

 

CMYK 8 / 0 / 81 / 36

HEX #96A31F

RGB 150 163 31

HSL 65.91, 0.68%, 0.38%

LAB 63.98, -20.49, 60.72

 

CMYK 9 / 0 / 92 / 30

HEX #A2B30F

RGB 162 179 15

HSL 66.22, 0.85%, 0.38%

LAB 69.44, -23.7, 69.04

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 3 / 0 / 33 / 55

HEX #70744E

RGB 112 116 78

HSL 66.32, 0.2%, 0.38%

LAB 47.61, -8.21, 20.54

 

CMYK 0 / 0 / 7 / 61

HEX #64645D

RGB 100 100 93

HSL 60, 0.04%, 0.38%

LAB 42.18, -1.41, 3.96

 

CMYK 20 / 22 / 0 / 57

HEX #57556D

RGB 87 85 109

HSL 245, 0.12%, 0.38%

LAB 37.17, 6.4, -13.44

 

CMYK 40 / 45 / 0 / 51

HEX #4B457D

RGB 75 69 125

HSL 246.43, 0.29%, 0.38%

LAB 32.33, 17.28, -31

 

CMYK 0 / 23 / 53 / 48

HEX #84663E

RGB 132 102 62

HSL 34.29, 0.36%, 0.38%

LAB 45.3, 6.8, 27.09

 

CMYK 0 / 9 / 53 / 48

HEX #84783E

RGB 132 120 62

HSL 49.71, 0.36%, 0.38%

LAB 50.32, -3.58, 33.23

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 20 / 0 / 53 / 48

HEX #6A843E

RGB 106 132 62

HSL 82.29, 0.36%, 0.38%

LAB 51.74, -21.4, 34.42

 

CMYK 33 / 0 / 53 / 48

HEX #58843E

RGB 88 132 62

HSL 97.71, 0.36%, 0.38%

LAB 50.6, -28.5, 32.78

 

CMYK 5 / 0 / 53 / 70

HEX #484C24

RGB 72 76 36

HSL 66, 0.36%, 0.22%

LAB 31.05, -8.54, 23.07

 

CMYK 6 / 0 / 53 / 59

HEX #626831

RGB 98 104 49

HSL 66.55, 0.36%, 0.3%

LAB 42.34, -11.22, 29.9

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 6 / 0 / 53 / 37

HEX #97A04B

RGB 151 160 75

HSL 66.35, 0.36%, 0.46%

LAB 63.53, -15.74, 42.65

 

CMYK 4 / 0 / 47 / 29

HEX #ACB460

RGB 172 180 96

HSL 65.71, 0.36%, 0.54%

LAB 71.05, -15.31, 41.64

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 53 / 0 / 37 / 48

HEX #3E8453

RGB 62 132 83

HSL 138, 0.36%, 0.38%

LAB 49.68, -33.67, 19.91

 

CMYK 16 / 53 / 0 / 48

HEX #6F3E84

RGB 111 62 132

HSL 282, 0.36%, 0.38%

LAB 34.98, 34.12, -30.88

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 53 / 5 / 0 / 48

HEX #3E7D84

RGB 62 125 132

HSL 186, 0.36%, 0.38%

LAB 48.71, -18.13, -10.03

 

CMYK 0 / 53 / 5 / 48

HEX #843E7D

RGB 132 62 125

HSL 306, 0.36%, 0.38%

LAB 37.54, 39.07, -22.34

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 53 / 0 / 37 / 48

HEX #3E8453

RGB 62 132 83

HSL 138, 0.36%, 0.38%

LAB 49.68, -33.67, 19.91

 

CMYK 48 / 53 / 0 / 48

HEX #453E84

RGB 69 62 132

HSL 246, 0.36%, 0.38%

LAB 30.34, 22.45, -38.55

 

CMYK 0 / 53 / 16 / 48

HEX #843E6F

RGB 132 62 111

HSL 318, 0.36%, 0.38%

LAB 36.93, 36.6, -14.57

 

CMYK 5 / 0 / 53 / 48

HEX #7D843E

RGB 125 132 62

HSL 66, 0.36%, 0.38%

LAB 53.18, -13.31, 36.48

 

CMYK 53 / 0 / 21 / 48

HEX #3E8468

RGB 62 132 104

HSL 156, 0.36%, 0.38%

LAB 50.13, -29.17, 8.47

 

CMYK 48 / 53 / 0 / 48

HEX #453E84

RGB 69 62 132

HSL 246, 0.36%, 0.38%

LAB 30.34, 22.45, -38.55

 

CMYK 0 / 53 / 32 / 48

HEX #843E5A

RGB 132 62 90

HSL 336, 0.36%, 0.38%

LAB 36.16, 33.36, -2.48

 

Description

Color code: HEX #7D843E | qconv.com Color code: HEX #7D843E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 132 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 132 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 53 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 53% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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