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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D8218CE it is the complementary color #827DE7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D8218CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D8218CE shade: #828213CE, #939426CE, #A4A639CE, #B5B84CCE and #C6CA5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D8218CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D8218CE shade: #7D8218CE, #6C7005CE, #5B5E00CE, #4A4C00CE and #393A00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D8218CE shade: #7C8118, #816A18, #814D18, #813118 and #811818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D8218CE shade: #7C8118, #608118, #438118, #278118 and #188125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D8218CE shade matches the following richer shades: #7C8118 and #888E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D8218CE shade: #7C8118, #717524, #666930, #5B5C3D and #4F5049

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D8218CE shade: #814D18, #816918, #7E8118, #628118 and #458118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D8218CE shade: #393C0B, #5B5E11, #7C8118, #9EA41E and #BFC725

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D8218CE shade: #7D8218, #188130 and #5B1881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D8218CE shade: #7D8218, #187E81 and #81187E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D8218CE shade: #7D8218, #188130, #1B1881 and #811869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D8218CE shade: #7D8218, #188150, #1B1881 and #811849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 66 / 40

HEX #7D8218CE

RGBA 125 130 24 0.81

HSLA 62.83, 0.69%, 0.3%, 0.81

LABA 52.28, -14.78, 51.65, 0.81

 

Complementary color

CMYK 35 / 37 / 0 / 8

HEX #827DE7CE

RGBA 130 125 231 0.81

HSLA 242.83, 0.69%, 0.7%, 0.81

LABA 57.25, 28.29, -53.29, 0.81

 

CMYK 0 / 0 / 69 / 40

HEX #828213CE

RGBA 130 130 19 0.81

HSLA 60, 0.74%, 0.29%, 0.81

LABA 52.68, -12.66, 53.58, 0.81

 

CMYK 1 / 0 / 60 / 34

HEX #939426CE

RGBA 147 148 38 0.81

HSLA 60.55, 0.59%, 0.36%, 0.81

LABA 59.46, -13.78, 54.26, 0.81

 

CMYK 1 / 0 / 53 / 28

HEX #A4A639CE

RGBA 164 166 57 0.81

HSLA 61.1, 0.49%, 0.44%, 0.81

LABA 66.11, -14.67, 53.96, 0.81

 

CMYK 1 / 0 / 48 / 23

HEX #B5B84CCE

RGBA 181 184 76 0.81

HSLA 61.67, 0.43%, 0.51%, 0.81

LABA 72.65, -15.37, 53.17, 0.81

 

CMYK 2 / 0 / 43 / 17

HEX #C6CA5FCE

RGBA 198 202 95 0.81

HSLA 62.24, 0.5%, 0.58%, 0.81

LABA 79.08, -15.93, 52.16, 0.81

 

CMYK 3 / 0 / 66 / 40

HEX #7D8218CE

RGBA 125 130 24 0.81

HSLA 62.83, 0.69%, 0.3%, 0.81

LABA 52.28, -14.78, 51.65, 0.81

 

CMYK 3 / 0 / 77 / 45

HEX #6C7005CE

RGBA 108 112 5 0.81

HSLA 62.24, 0.91%, 0.23%, 0.81

LABA 45.34, -13.53, 49.96, 0.81

 

CMYK 3 / 0 / 81 / 51

HEX #5B5E00CE

RGBA 91 94 0 0.81

HSLA 61.91, 1%, 0.18%, 0.81

LABA 38.25, -11.86, 45.21, 0.81

 

CMYK 2 / 0 / 81 / 57

HEX #4A4C00CE

RGBA 74 76 0 0.81

HSLA 61.58, 1%, 0.15%, 0.81

LABA 30.94, -10, 39.13, 0.81

 

CMYK 1 / 0 / 81 / 63

HEX #393A00CE

RGBA 57 58 0 0.81

HSLA 61.03, 1%, 0.11%, 0.81

LABA 23.32, -8.04, 31.87, 0.81

 

CMYK 4 / 0 / 81 / 49

HEX #7C8118

RGB 124 129 24

HSL 62.86, 0.69%, 0.3%

LAB 51.9, -14.71, 51.28

 

CMYK 0 / 18 / 81 / 49

HEX #816A18

RGB 129 106 24

HSL 46.86, 0.69%, 0.3%

LAB 45.69, 0.47, 45.89

 

CMYK 0 / 40 / 81 / 49

HEX #814D18

RGB 129 77 24

HSL 30.29, 0.69%, 0.3%

LAB 37.92, 17.54, 38.68

 

CMYK 0 / 62 / 81 / 49

HEX #813118

RGB 129 49 24

HSL 14.29, 0.69%, 0.3%

LAB 31.65, 33.13, 32.58

 

CMYK 0 / 81 / 81 / 49

HEX #811818

RGB 129 24 24

HSL 0, 0.69%, 0.3%

LAB 27.81, 43.58, 28.67

 

CMYK 4 / 0 / 81 / 49

HEX #7C8118

RGB 124 129 24

HSL 62.86, 0.69%, 0.3%

LAB 51.9, -14.71, 51.28

 

CMYK 26 / 0 / 81 / 49

HEX #608118

RGB 96 129 24

HSL 78.86, 0.69%, 0.3%

LAB 49.8, -27.08, 48.61

 

CMYK 48 / 0 / 81 / 49

HEX #438118

RGB 67 129 24

HSL 95.43, 0.69%, 0.3%

LAB 48.21, -38.15, 46.55

 

CMYK 70 / 0 / 81 / 49

HEX #278118

RGB 39 129 24

HSL 111.43, 0.69%, 0.3%

LAB 47.23, -45.92, 45.29

 

CMYK 81 / 0 / 71 / 49

HEX #188125

RGB 24 129 37

HSL 127.43, 0.69%, 0.3%

LAB 47.01, -47.47, 40.05

 

CMYK 4 / 0 / 81 / 49

HEX #7C8118

RGB 124 129 24

HSL 62.86, 0.69%, 0.3%

LAB 51.9, -14.71, 51.28

 

CMYK 4 / 0 / 92 / 44

HEX #888E0B

RGB 136 142 11

HSL 62.75, 0.86%, 0.3%

LAB 56.69, -16.48, 58.74

 

CMYK 4 / 0 / 81 / 49

HEX #7C8118

RGB 124 129 24

HSL 62.86, 0.69%, 0.3%

LAB 51.9, -14.71, 51.28

 

CMYK 3 / 0 / 69 / 54

HEX #717524

RGB 113 117 36

HSL 62.96, 0.53%, 0.3%

LAB 47.44, -12.66, 42.26

 

CMYK 3 / 0 / 54 / 59

HEX #666930

RGB 102 105 48

HSL 63.16, 0.37%, 0.3%

LAB 42.98, -10.07, 31.28

 

CMYK 1 / 0 / 34 / 64

HEX #5B5C3D

RGB 91 92 61

HSL 61.94, 0.2%, 0.3%

LAB 38.23, -5.97, 17.76

 

CMYK 1 / 0 / 9 / 69

HEX #4F5049

RGB 79 80 73

HSL 68.57, 0.05%, 0.3%

LAB 33.73, -1.87, 3.98

 

CMYK 0 / 40 / 81 / 49

HEX #814D18

RGB 129 77 24

HSL 30.29, 0.69%, 0.3%

LAB 37.92, 17.54, 38.68

 

CMYK 0 / 19 / 81 / 49

HEX #816918

RGB 129 105 24

HSL 46.29, 0.69%, 0.3%

LAB 45.41, 1.05, 45.63

 

CMYK 2 / 0 / 81 / 49

HEX #7E8118

RGB 126 129 24

HSL 61.71, 0.69%, 0.3%

LAB 52.06, -13.79, 51.5

 

CMYK 24 / 0 / 81 / 49

HEX #628118

RGB 98 129 24

HSL 77.71, 0.69%, 0.3%

LAB 49.93, -26.24, 48.78

 

CMYK 47 / 0 / 81 / 49

HEX #458118

RGB 69 129 24

HSL 94.29, 0.69%, 0.3%

LAB 48.3, -37.48, 46.67

 

CMYK 5 / 0 / 82 / 76

HEX #393C0B

RGB 57 60 11

HSL 63.67, 0.69%, 0.14%

LAB 24.08, -8.61, 28.14

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 4 / 0 / 81 / 49

HEX #7C8118

RGB 124 129 24

HSL 62.86, 0.69%, 0.3%

LAB 51.9, -14.71, 51.28

 

CMYK 4 / 0 / 82 / 36

HEX #9EA41E

RGB 158 164 30

HSL 62.69, 0.69%, 0.38%

LAB 64.89, -17.54, 62.04

 

CMYK 4 / 0 / 81 / 22

HEX #BFC725

RGB 191 199 37

HSL 62.96, 0.69%, 0.46%

LAB 77.31, -20.65, 71.96

 

CMYK 4 / 0 / 82 / 49

HEX #7D8218

RGB 125 130 24

HSL 62.83, 0.69%, 0.3%

LAB 52.28, -14.78, 51.65

 

CMYK 81 / 0 / 63 / 49

HEX #188130

RGB 24 129 48

HSL 133.71, 0.69%, 0.3%

LAB 47.12, -46.2, 35.14

 

CMYK 29 / 81 / 0 / 49

HEX #5B1881

RGB 91 24 129

HSL 278.29, 0.69%, 0.3%

LAB 25.14, 47.15, -44.94

 

CMYK 4 / 0 / 82 / 49

HEX #7D8218

RGB 125 130 24

HSL 62.83, 0.69%, 0.3%

LAB 52.28, -14.78, 51.65

 

CMYK 81 / 2 / 0 / 49

HEX #187E81

RGB 24 126 129

HSL 181.71, 0.69%, 0.3%

LAB 47.88, -25.92, -9.61

 

CMYK 0 / 81 / 2 / 49

HEX #81187E

RGB 129 24 126

HSL 301.71, 0.69%, 0.3%

LAB 31.41, 54.22, -32.63

 

CMYK 4 / 0 / 82 / 49

HEX #7D8218

RGB 125 130 24

HSL 62.83, 0.69%, 0.3%

LAB 52.28, -14.78, 51.65

 

CMYK 81 / 0 / 63 / 49

HEX #188130

RGB 24 129 48

HSL 133.71, 0.69%, 0.3%

LAB 47.12, -46.2, 35.14

 

CMYK 79 / 81 / 0 / 49

HEX #1B1881

RGB 27 24 129

HSL 241.71, 0.69%, 0.3%

LAB 17.79, 38.42, -57.29

 

CMYK 0 / 81 / 19 / 49

HEX #811869

RGB 129 24 105

HSL 313.71, 0.69%, 0.3%

LAB 30.26, 50.97, -21.1

 

CMYK 4 / 0 / 82 / 49

HEX #7D8218

RGB 125 130 24

HSL 62.83, 0.69%, 0.3%

LAB 52.28, -14.78, 51.65

 

CMYK 81 / 0 / 38 / 49

HEX #188150

RGB 24 129 80

HSL 152, 0.69%, 0.3%

LAB 47.59, -40.64, 18.63

 

CMYK 79 / 81 / 0 / 49

HEX #1B1881

RGB 27 24 129

HSL 241.71, 0.69%, 0.3%

LAB 17.79, 38.42, -57.29

 

CMYK 0 / 81 / 43 / 49

HEX #811849

RGB 129 24 73

HSL 332, 0.69%, 0.3%

LAB 28.91, 46.98, -2.18

 

Description

Color code: HEX #7D8218CE | qconv.com Color code: HEX #7D8218CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 130 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 130 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 66 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 66% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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