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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D7DF3 it is the complementary color #82820C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D7DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D7DF3 shade: #827DEE, #938FFF, #A4A1FF, #B5B3FF and #C6C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D7DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D7DF3 shade: #7D7DF3, #6C6BE0, #5B59CD, #4A47BA and #3935A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D7DF3 shade: #7C7CF2, #9C7CF2, #BC7CF2, #DC7CF2 and #F27CE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D7DF3 shade: #7C7CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D7DF3 shade matches the following richer shades: #7C7CF2 and #7070FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D7DF3 shade: #7C7CF2, #8787E7, #9393DB, #9E9ED0 and #AAAAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D7DF3 shade: #7CBBF2, #7C9BF2, #7C7CF2, #9B7CF2 and #BB7CF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D7DF3 shade: #3030EB, #5656EF, #7C7CF2, #A2A2F6 and #C7C7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D7DF3 shade: #7D7DF3, #F27CDB and #ABF27C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D7DF3 shade: #7D7DF3, #F27C7C and #7CF27C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D7DF3 shade: #7D7DF3, #F27CDB, #F2F27C and #7CF294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D7DF3 shade: #7D7DF3, #F27CB7, #F2F27C and #7CF2B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 49 / 0 / 5

HEX #7D7DF3

RGB 125 125 243

HSL 240, 0.83%, 0.72%

LAB 57.56, 30.66, -59.49

 

Complementary color

CMYK 0 / 0 / 91 / 49

HEX #82820C

RGB 130 130 12

HSL 60, 0.83%, 0.28%

LAB 52.66, -12.84, 55.15

 

CMYK 45 / 47 / 0 / 7

HEX #827DEE

RGB 130 125 238

HSL 242.65, 0.77%, 0.71%

LAB 57.64, 30.31, -56.56

 

CMYK 42 / 44 / 0 / 0

HEX #938FFF

RGB 147 143 255

HSL 242.14, 1%, 0.78%

LAB 64.22, 28.64, -55.38

 

CMYK 36 / 37 / 0 / 0

HEX #A4A1FF

RGB 164 161 255

HSL 241.91, 1%, 0.82%

LAB 69.9, 22.62, -46.32

 

CMYK 29 / 30 / 0 / 0

HEX #B5B3FF

RGB 181 179 255

HSL 241.58, 1%, 0.85%

LAB 75.63, 17.18, -37.28

 

CMYK 22 / 23 / 0 / 0

HEX #C6C5FF

RGB 198 197 255

HSL 241.03, 1%, 0.89%

LAB 81.38, 12.27, -28.31

 

CMYK 49 / 49 / 0 / 5

HEX #7D7DF3

RGB 125 125 243

HSL 240, 0.83%, 0.72%

LAB 57.56, 30.66, -59.49

 

CMYK 52 / 52 / 0 / 12

HEX #6C6BE0

RGB 108 107 224

HSL 240.51, 0.65%, 0.65%

LAB 50.79, 32.04, -59.81

 

CMYK 56 / 57 / 0 / 20

HEX #5B59CD

RGB 91 89 205

HSL 241.03, 0.54%, 0.58%

LAB 43.91, 33.63, -60.14

 

CMYK 60 / 62 / 0 / 27

HEX #4A47BA

RGB 74 71 186

HSL 241.57, 0.45%, 0.5%

LAB 36.94, 35.48, -60.46

 

CMYK 66 / 68 / 0 / 35

HEX #3935A7

RGB 57 53 167

HSL 242.11, 0.52%, 0.43%

LAB 29.93, 37.57, -60.67

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 36 / 49 / 0 / 5

HEX #9C7CF2

RGB 156 124 242

HSL 256.27, 0.82%, 0.72%

LAB 59.79, 38.21, -55.22

 

CMYK 22 / 49 / 0 / 5

HEX #BC7CF2

RGB 188 124 242

HSL 272.54, 0.82%, 0.72%

LAB 62.94, 46.44, -50.03

 

CMYK 9 / 49 / 0 / 5

HEX #DC7CF2

RGB 220 124 242

HSL 288.81, 0.82%, 0.72%

LAB 66.55, 55.07, -44.09

 

CMYK 0 / 49 / 4 / 5

HEX #F27CE9

RGB 242 124 233

HSL 304.58, 0.82%, 0.72%

LAB 68.88, 59.54, -35.3

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 56 / 56 / 0 / 0

HEX #7070FE

RGB 112 112 254

HSL 240, 0.99%, 0.72%

LAB 54.23, 39.11, -71

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 42 / 42 / 0 / 9

HEX #8787E7

RGB 135 135 231

HSL 240, 0.67%, 0.72%

LAB 60.11, 23.63, -48.72

 

CMYK 33 / 33 / 0 / 14

HEX #9393DB

RGB 147 147 219

HSL 240, 0.5%, 0.72%

LAB 63.5, 16.59, -36.67

 

CMYK 24 / 24 / 0 / 18

HEX #9E9ED0

RGB 158 158 208

HSL 240, 0.35%, 0.72%

LAB 66.73, 10.81, -25.49

 

CMYK 13 / 13 / 0 / 23

HEX #AAAAC4

RGB 170 170 196

HSL 240, 0.18%, 0.72%

LAB 70.37, 5.24, -13.24

 

CMYK 49 / 23 / 0 / 5

HEX #7CBBF2

RGB 124 187 242

HSL 207.97, 0.82%, 0.72%

LAB 73.7, -5.46, -33.54

 

CMYK 49 / 36 / 0 / 5

HEX #7C9BF2

RGB 124 155 242

HSL 224.24, 0.82%, 0.72%

LAB 65.07, 12.52, -47

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 36 / 49 / 0 / 5

HEX #9B7CF2

RGB 155 124 242

HSL 255.76, 0.82%, 0.72%

LAB 59.7, 37.96, -55.37

 

CMYK 23 / 49 / 0 / 5

HEX #BB7CF2

RGB 187 124 242

HSL 272.03, 0.82%, 0.72%

LAB 62.84, 46.18, -50.2

 

CMYK 80 / 80 / 0 / 8

HEX #3030EB

RGB 48 48 235

HSL 240, 0.82%, 0.55%

LAB 35.48, 61.31, -91.24

 

CMYK 64 / 64 / 0 / 6

HEX #5656EF

RGB 86 86 239

HSL 240, 0.83%, 0.64%

LAB 45.45, 45.55, -76.99

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 34 / 34 / 0 / 4

HEX #A2A2F6

RGB 162 162 246

HSL 240, 0.82%, 0.8%

LAB 69.59, 19.18, -41.91

 

CMYK 20 / 20 / 0 / 2

HEX #C7C7F9

RGB 199 199 249

HSL 240, 0.81%, 0.88%

LAB 81.74, 10.15, -24.54

 

CMYK 49 / 49 / 0 / 5

HEX #7D7DF3

RGB 125 125 243

HSL 240, 0.83%, 0.72%

LAB 57.56, 30.66, -59.49

 

CMYK 0 / 49 / 10 / 5

HEX #F27CDB

RGB 242 124 219

HSL 311.69, 0.82%, 0.72%

LAB 68.32, 57.24, -28.42

 

CMYK 29 / 0 / 49 / 5

HEX #ABF27C

RGB 171 242 124

HSL 96.1, 0.82%, 0.72%

LAB 88.74, -42.05, 49.69

 

CMYK 49 / 49 / 0 / 5

HEX #7D7DF3

RGB 125 125 243

HSL 240, 0.83%, 0.72%

LAB 57.56, 30.66, -59.49

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 49 / 0 / 49 / 5

HEX #7CF27C

RGB 124 242 124

HSL 120, 0.82%, 0.72%

LAB 86.63, -56.43, 46.61

 

CMYK 49 / 49 / 0 / 5

HEX #7D7DF3

RGB 125 125 243

HSL 240, 0.83%, 0.72%

LAB 57.56, 30.66, -59.49

 

CMYK 0 / 49 / 10 / 5

HEX #F27CDB

RGB 242 124 219

HSL 311.69, 0.82%, 0.72%

LAB 68.32, 57.24, -28.42

 

CMYK 0 / 0 / 49 / 5

HEX #F2F27C

RGB 242 242 124

HSL 60, 0.82%, 0.72%

LAB 93.38, -15.65, 56.37

 

CMYK 49 / 0 / 39 / 5

HEX #7CF294

RGB 124 242 148

HSL 132.2, 0.82%, 0.72%

LAB 86.96, -52.92, 35.34

 

CMYK 49 / 49 / 0 / 5

HEX #7D7DF3

RGB 125 125 243

HSL 240, 0.83%, 0.72%

LAB 57.56, 30.66, -59.49

 

CMYK 0 / 49 / 24 / 5

HEX #F27CB7

RGB 242 124 183

HSL 330, 0.82%, 0.72%

LAB 67.06, 51.9, -10.19

 

CMYK 0 / 0 / 49 / 5

HEX #F2F27C

RGB 242 242 124

HSL 60, 0.82%, 0.72%

LAB 93.38, -15.65, 56.37

 

CMYK 49 / 0 / 24 / 5

HEX #7CF2B7

RGB 124 242 183

HSL 150, 0.82%, 0.72%

LAB 87.59, -46.64, 18.37

 

Description

Color code: HEX #7D7DF3 | qconv.com Color code: HEX #7D7DF3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 125 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 125 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 49 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 49% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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