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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D7B25 it is the complementary color #8284DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D7B25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D7B25 shade: #827B20, #938D33, #A49F46, #B5B159 and #C6C36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D7B25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D7B25 shade: #7D7B25, #6C6912, #5B5700, #4A4500 and #393300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D7B25 shade: #7E7C26, #7E6426, #7E4C26, #7E3426 and #7E2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D7B25 shade: #7E7C26, #687E26, #507E26, #387E26 and #267E2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D7B25 shade matches the following richer shades: #7E7C26, #8B8818 and #98950B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D7B25 shade: #7E7C26, #706F33, #636240, #56564D and #49495A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D7B25 shade: #7E4C26, #7E6326, #7E7B26, #697E26 and #527E26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D7B25 shade: #3E3D13, #5E5C1C, #7E7C26, #9D9B2F and #BDBA39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D7B25 shade: #7D7B25, #267E34 and #57267E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D7B25 shade: #7D7B25, #267E7B and #7B267E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D7B25 shade: #7D7B25, #267E34, #26287E and #7E266F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D7B25 shade: #7D7B25, #267E4F, #26287E and #7E2655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

Complementary color

CMYK 40 / 39 / 0 / 15

HEX #8284DA

RGB 130 132 218

HSL 238.64, 0.54%, 0.68%

LAB 58.33, 20.47, -44.31

 

CMYK 0 / 5 / 75 / 49

HEX #827B20

RGB 130 123 32

HSL 55.71, 0.6%, 0.32%

LAB 50.71, -8.32, 47.62

 

CMYK 0 / 4 / 65 / 42

HEX #938D33

RGB 147 141 51

HSL 56.25, 0.48%, 0.39%

LAB 57.55, -9.32, 47.14

 

CMYK 0 / 3 / 57 / 36

HEX #A49F46

RGB 164 159 70

HSL 56.81, 0.4%, 0.46%

LAB 64.27, -10.09, 46.18

 

CMYK 0 / 2 / 51 / 29

HEX #B5B159

RGB 181 177 89

HSL 57.39, 0.38%, 0.53%

LAB 70.86, -10.71, 45.05

 

CMYK 0 / 2 / 45 / 22

HEX #C6C36C

RGB 198 195 108

HSL 58, 0.44%, 0.6%

LAB 77.35, -11.21, 43.86

 

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

CMYK 0 / 3 / 83 / 58

HEX #6C6912

RGB 108 105 18

HSL 58, 0.71%, 0.25%

LAB 43.26, -9.26, 44.97

 

CMYK 0 / 4 / 100 / 64

HEX #5B5700

RGB 91 87 0

HSL 57.36, 1%, 0.18%

LAB 36.06, -7.85, 43.61

 

CMYK 0 / 7 / 100 / 71

HEX #4A4500

RGB 74 69 0

HSL 55.95, 1%, 0.15%

LAB 28.67, -5.81, 37.4

 

CMYK 0 / 11 / 100 / 78

HEX #393300

RGB 57 51 0

HSL 53.68, 1%, 0.11%

LAB 20.97, -3.64, 29.38

 

CMYK 0 / 2 / 70 / 51

HEX #7E7C26

RGB 126 124 38

HSL 58.64, 0.54%, 0.32%

LAB 50.68, -10.39, 45.06

 

CMYK 0 / 21 / 70 / 51

HEX #7E6426

RGB 126 100 38

HSL 42.27, 0.54%, 0.32%

LAB 43.78, 3.26, 37.93

 

CMYK 0 / 40 / 70 / 51

HEX #7E4C26

RGB 126 76 38

HSL 25.91, 0.54%, 0.32%

LAB 37.38, 17.49, 30.92

 

CMYK 0 / 59 / 70 / 51

HEX #7E3426

RGB 126 52 38

HSL 9.55, 0.54%, 0.32%

LAB 31.88, 31.09, 24.56

 

CMYK 0 / 70 / 70 / 51

HEX #7E2626

RGB 126 38 38

HSL 0, 0.54%, 0.32%

LAB 29.32, 37.91, 21.47

 

CMYK 0 / 2 / 70 / 51

HEX #7E7C26

RGB 126 124 38

HSL 58.64, 0.54%, 0.32%

LAB 50.68, -10.39, 45.06

 

CMYK 17 / 0 / 70 / 51

HEX #687E26

RGB 104 126 38

HSL 75, 0.54%, 0.32%

LAB 49.5, -21.33, 43.3

 

CMYK 37 / 0 / 70 / 51

HEX #507E26

RGB 80 126 38

HSL 91.36, 0.54%, 0.32%

LAB 47.97, -31.17, 41.22

 

CMYK 56 / 0 / 70 / 51

HEX #387E26

RGB 56 126 38

HSL 107.73, 0.54%, 0.32%

LAB 46.85, -39.32, 39.69

 

CMYK 70 / 0 / 67 / 51

HEX #267E2A

RGB 38 126 42

HSL 122.73, 0.54%, 0.32%

LAB 46.31, -43.44, 37.15

 

CMYK 0 / 2 / 70 / 51

HEX #7E7C26

RGB 126 124 38

HSL 58.64, 0.54%, 0.32%

LAB 50.68, -10.39, 45.06

 

CMYK 0 / 2 / 83 / 45

HEX #8B8818

RGB 139 136 24

HSL 58.43, 0.71%, 0.32%

LAB 55.24, -11.59, 54.71

 

CMYK 0 / 2 / 93 / 40

HEX #98950B

RGB 152 149 11

HSL 58.72, 0.87%, 0.32%

LAB 60.06, -12.9, 61.96

 

CMYK 0 / 2 / 70 / 51

HEX #7E7C26

RGB 126 124 38

HSL 58.64, 0.54%, 0.32%

LAB 50.68, -10.39, 45.06

 

CMYK 0 / 1 / 54 / 56

HEX #706F33

RGB 112 111 51

HSL 59.02, 0.37%, 0.32%

LAB 45.71, -8.6, 33.12

 

CMYK 0 / 1 / 35 / 61

HEX #636240

RGB 99 98 64

HSL 58.29, 0.21%, 0.32%

LAB 40.83, -5.51, 19.54

 

CMYK 0 / 0 / 10 / 66

HEX #56564D

RGB 86 86 77

HSL 60, 0.06%, 0.32%

LAB 36.31, -1.83, 5.24

 

CMYK 19 / 19 / 0 / 65

HEX #49495A

RGB 73 73 90

HSL 240, 0.1%, 0.32%

LAB 31.62, 4.07, -10.01

 

CMYK 0 / 40 / 70 / 51

HEX #7E4C26

RGB 126 76 38

HSL 25.91, 0.54%, 0.32%

LAB 37.38, 17.49, 30.92

 

CMYK 0 / 21 / 70 / 51

HEX #7E6326

RGB 126 99 38

HSL 41.59, 0.54%, 0.32%

LAB 43.51, 3.84, 37.63

 

CMYK 0 / 2 / 70 / 51

HEX #7E7B26

RGB 126 123 38

HSL 57.95, 0.54%, 0.32%

LAB 50.38, -9.85, 44.77

 

CMYK 17 / 0 / 70 / 51

HEX #697E26

RGB 105 126 38

HSL 74.32, 0.54%, 0.32%

LAB 49.57, -20.9, 43.39

 

CMYK 35 / 0 / 70 / 51

HEX #527E26

RGB 82 126 38

HSL 90, 0.54%, 0.32%

LAB 48.08, -30.41, 41.37

 

CMYK 0 / 2 / 69 / 76

HEX #3E3D13

RGB 62 61 19

HSL 58.6, 0.53%, 0.16%

LAB 24.98, -6.07, 25.32

 

CMYK 0 / 2 / 70 / 63

HEX #5E5C1C

RGB 94 92 28

HSL 58.18, 0.54%, 0.24%

LAB 38.05, -8.06, 35.64

 

CMYK 0 / 2 / 70 / 51

HEX #7E7C26

RGB 126 124 38

HSL 58.64, 0.54%, 0.32%

LAB 50.68, -10.39, 45.06

 

CMYK 0 / 1 / 70 / 38

HEX #9D9B2F

RGB 157 155 47

HSL 58.91, 0.54%, 0.4%

LAB 62.35, -12.57, 53.99

 

CMYK 0 / 2 / 70 / 26

HEX #BDBA39

RGB 189 186 57

HSL 58.64, 0.54%, 0.48%

LAB 73.7, -14.18, 62.29

 

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

CMYK 70 / 0 / 59 / 51

HEX #267E34

RGB 38 126 52

HSL 129.55, 0.54%, 0.32%

LAB 46.42, -42.18, 32.42

 

CMYK 31 / 70 / 0 / 51

HEX #57267E

RGB 87 38 126

HSL 273.41, 0.54%, 0.32%

LAB 26.5, 39.42, -40.87

 

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

CMYK 70 / 0 / 2 / 51

HEX #267E7B

RGB 38 126 123

HSL 177.95, 0.54%, 0.32%

LAB 47.96, -26.01, -5.92

 

CMYK 2 / 70 / 0 / 51

HEX #7B267E

RGB 123 38 126

HSL 297.95, 0.54%, 0.32%

LAB 32.04, 48.05, -31.69

 

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

CMYK 70 / 0 / 59 / 51

HEX #267E34

RGB 38 126 52

HSL 129.55, 0.54%, 0.32%

LAB 46.42, -42.18, 32.42

 

CMYK 70 / 68 / 0 / 51

HEX #26287E

RGB 38 40 126

HSL 238.64, 0.54%, 0.32%

LAB 21.71, 28.76, -48.9

 

CMYK 0 / 70 / 12 / 51

HEX #7E266F

RGB 126 38 111

HSL 310.23, 0.54%, 0.32%

LAB 31.74, 46.22, -22.67

 

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

CMYK 70 / 0 / 37 / 51

HEX #267E4F

RGB 38 126 79

HSL 147.95, 0.54%, 0.32%

LAB 46.84, -37.44, 18.24

 

CMYK 70 / 68 / 0 / 51

HEX #26287E

RGB 38 40 126

HSL 238.64, 0.54%, 0.32%

LAB 21.71, 28.76, -48.9

 

CMYK 0 / 70 / 33 / 51

HEX #7E2655

RGB 126 38 85

HSL 327.95, 0.54%, 0.32%

LAB 30.59, 42.39, -7.66

 

Description

Color code: HEX #7D7B25 | qconv.com Color code: HEX #7D7B25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 123 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 123 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 70 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 70% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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