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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D75F5 it is the complementary color #828A0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D75F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D75F5 shade: #8275F0, #9387FF, #A499FF, #B5ABFF and #C6BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D75F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D75F5 shade: #7D75F5, #6C63E2, #5B51CF, #4A3FBC and #392DA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D75F5 shade: #7D75F5, #A075F5, #C275F5, #E475F5 and #F575E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D75F5 shade: #7D75F5 and #7575F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D75F5 shade matches the following richer shades: #7D75F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D75F5 shade: #7D75F5, #8881E9, #928DDD, #9D99D1 and #A7A5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D75F5 shade: #75B3F5, #7591F5, #7C75F5, #9E75F5 and #C075F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D75F5 shade: #3529EF, #594FF2, #7D75F5, #A29CF8 and #C6C2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D75F5 shade: #7D75F5, #F575D5 and #A2F575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D75F5 shade: #7D75F5, #F57C75 and #75F57C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D75F5 shade: #7D75F5, #F575D5, #EEF575 and #75F595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D75F5 shade: #7D75F5, #F575AF, #EEF575 and #75F5BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

Complementary color

CMYK 6 / 0 / 93 / 46

HEX #828A0A

RGB 130 138 10

HSL 63.75, 0.86%, 0.29%

LAB 55.02, -17.12, 57.38

 

CMYK 46 / 51 / 0 / 6

HEX #8275F0

RGB 130 117 240

HSL 246.34, 0.8%, 0.7%

LAB 55.85, 35.58, -60.55

 

CMYK 42 / 47 / 0 / 0

HEX #9387FF

RGB 147 135 255

HSL 246, 1%, 0.76%

LAB 62.3, 33.25, -58.44

 

CMYK 36 / 40 / 0 / 0

HEX #A499FF

RGB 164 153 255

HSL 246.47, 1%, 0.8%

LAB 67.94, 27.15, -49.39

 

CMYK 29 / 33 / 0 / 0

HEX #B5ABFF

RGB 181 171 255

HSL 247.14, 1%, 0.84%

LAB 73.66, 21.62, -40.34

 

CMYK 22 / 26 / 0 / 0

HEX #C6BDFF

RGB 198 189 255

HSL 248.18, 1%, 0.87%

LAB 79.4, 16.61, -31.35

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 52 / 56 / 0 / 11

HEX #6C63E2

RGB 108 99 226

HSL 244.25, 0.69%, 0.64%

LAB 49.01, 37.44, -63.8

 

CMYK 56 / 61 / 0 / 19

HEX #5B51CF

RGB 91 81 207

HSL 244.76, 0.57%, 0.56%

LAB 42.18, 39.11, -64.11

 

CMYK 61 / 66 / 0 / 26

HEX #4A3FBC

RGB 74 63 188

HSL 245.28, 0.5%, 0.49%

LAB 35.29, 40.97, -64.34

 

CMYK 66 / 73 / 0 / 34

HEX #392DA9

RGB 57 45 169

HSL 245.81, 0.58%, 0.42%

LAB 28.41, 42.94, -64.37

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 35 / 52 / 0 / 4

HEX #A075F5

RGB 160 117 245

HSL 260.16, 0.86%, 0.71%

LAB 58.78, 43.88, -58.48

 

CMYK 21 / 52 / 0 / 4

HEX #C275F5

RGB 194 117 245

HSL 276.09, 0.86%, 0.71%

LAB 62.33, 52.35, -52.62

 

CMYK 7 / 52 / 0 / 4

HEX #E475F5

RGB 228 117 245

HSL 292.03, 0.86%, 0.71%

LAB 66.37, 61.19, -45.96

 

CMYK 0 / 52 / 7 / 4

HEX #F575E3

RGB 245 117 227

HSL 308.44, 0.86%, 0.71%

LAB 67.78, 62.67, -33.65

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 52 / 52 / 0 / 4

HEX #7575F5

RGB 117 117 245

HSL 240, 0.86%, 0.71%

LAB 55.17, 34.33, -64.47

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 42 / 45 / 0 / 9

HEX #8881E9

RGB 136 129 233

HSL 244.04, 0.7%, 0.71%

LAB 58.81, 27.96, -51.9

 

CMYK 34 / 36 / 0 / 13

HEX #928DDD

RGB 146 141 221

HSL 243.75, 0.54%, 0.71%

LAB 61.98, 20.3, -40.16

 

CMYK 25 / 27 / 0 / 18

HEX #9D99D1

RGB 157 153 209

HSL 244.29, 0.38%, 0.71%

LAB 65.4, 13.58, -28.1

 

CMYK 15 / 16 / 0 / 23

HEX #A7A5C5

RGB 167 165 197

HSL 243.75, 0.22%, 0.71%

LAB 68.86, 7.23, -16.09

 

CMYK 52 / 27 / 0 / 4

HEX #75B3F5

RGB 117 179 245

HSL 210.94, 0.86%, 0.71%

LAB 71.29, -1.76, -38.92

 

CMYK 52 / 41 / 0 / 4

HEX #7591F5

RGB 117 145 245

HSL 226.88, 0.86%, 0.71%

LAB 62.19, 17.71, -53.24

 

CMYK 49 / 52 / 0 / 4

HEX #7C75F5

RGB 124 117 245

HSL 243.28, 0.86%, 0.71%

LAB 55.69, 35.76, -63.61

 

CMYK 36 / 52 / 0 / 4

HEX #9E75F5

RGB 158 117 245

HSL 259.22, 0.86%, 0.71%

LAB 58.59, 43.4, -58.8

 

CMYK 22 / 52 / 0 / 4

HEX #C075F5

RGB 192 117 245

HSL 275.16, 0.86%, 0.71%

LAB 62.1, 51.84, -52.99

 

CMYK 78 / 83 / 0 / 6

HEX #3529EF

RGB 53 41 239

HSL 243.64, 0.86%, 0.55%

LAB 35.15, 65.8, -94.05

 

CMYK 63 / 67 / 0 / 5

HEX #594FF2

RGB 89 79 242

HSL 243.68, 0.86%, 0.63%

LAB 44.41, 50.91, -80.37

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 35 / 37 / 0 / 3

HEX #A29CF8

RGB 162 156 248

HSL 243.91, 0.87%, 0.79%

LAB 68.19, 23.1, -45.2

 

CMYK 21 / 22 / 0 / 2

HEX #C6C2FA

RGB 198 194 250

HSL 244.29, 0.85%, 0.87%

LAB 80.46, 12.77, -27.05

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 0 / 52 / 13 / 4

HEX #F575D5

RGB 245 117 213

HSL 315, 0.86%, 0.71%

LAB 67.23, 60.48, -26.72

 

CMYK 34 / 0 / 52 / 4

HEX #A2F575

RGB 162 245 117

HSL 98.91, 0.86%, 0.71%

LAB 89.05, -47.13, 53.2

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 0 / 49 / 52 / 4

HEX #F57C75

RGB 245 124 117

HSL 3.28, 0.86%, 0.71%

LAB 65.84, 45.64, 25.41

 

CMYK 52 / 0 / 49 / 4

HEX #75F57C

RGB 117 245 124

HSL 123.28, 0.86%, 0.71%

LAB 87.26, -59.4, 47.34

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 0 / 52 / 13 / 4

HEX #F575D5

RGB 245 117 213

HSL 315, 0.86%, 0.71%

LAB 67.23, 60.48, -26.72

 

CMYK 3 / 0 / 52 / 4

HEX #EEF575

RGB 238 245 117

HSL 63.28, 0.86%, 0.71%

LAB 93.78, -19.26, 59.95

 

CMYK 52 / 0 / 39 / 4

HEX #75F595

RGB 117 245 149

HSL 135, 0.86%, 0.71%

LAB 87.61, -55.71, 35.64

 

CMYK 49 / 52 / 0 / 4

HEX #7D75F5

RGB 125 117 245

HSL 243.75, 0.86%, 0.71%

LAB 55.76, 35.97, -63.49

 

CMYK 0 / 52 / 29 / 4

HEX #F575AF

RGB 245 117 175

HSL 332.81, 0.86%, 0.71%

LAB 65.93, 55.16, -7.31

 

CMYK 3 / 0 / 52 / 4

HEX #EEF575

RGB 238 245 117

HSL 63.28, 0.86%, 0.71%

LAB 93.78, -19.26, 59.95

 

CMYK 52 / 0 / 24 / 4

HEX #75F5BB

RGB 117 245 187

HSL 152.81, 0.86%, 0.71%

LAB 88.29, -48.73, 17.26

 

Description

Color code: HEX #7D75F5 | qconv.com Color code: HEX #7D75F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 117 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 117 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 52 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 52% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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