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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D6CF14C it is the complementary color #82930E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D6CF14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D6CF14C shade: #826CEC4C, #937EFF4C, #A490FF4C, #B5A2FF4C and #C6B4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D6CF14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D6CF14C shade: #7D6CF14C, #6C5ADE4C, #5B48CB4C, #4A36B84C and #3924A54C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D6CF14C shade: #7B6AF1, #A06AF1, #C46AF1, #E96AF1 and #F16AD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D6CF14C shade: #7B6AF1 and #6A6AF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D6CF14C shade matches the following richer shades: #7B6AF1 and #715CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D6CF14C shade: #7B6AF1, #8577E4, #8F84D7, #9891CA and #A29EBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D6CF14C shade: #6AA2F1, #6A7EF1, #796AF1, #9E6AF1 and #C26AF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D6CF14C shade: #381EEA, #5A44EE, #7B6AF1, #9C8FF5 and #BEB5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D6CF14C shade: #7D6CF1, #F16AC6 and #90F16A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D6CF14C shade: #7D6CF1, #F1796A and #6AF179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D6CF14C shade: #7D6CF1, #F16AC6, #E1F16A and #6AF195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D6CF14C shade: #7D6CF1, #F16A9E, #E1F16A and #6AF1BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 17 / 0 / 2

HEX #7D6CF14C

RGBA 125 108 241 0.3

HSLA 247.67, 0.83%, 0.68%, 0.3

LABA 53.42, 40.04, -65.03, 0.3

 

Complementary color

CMYK 3 / 0 / 27 / 13

HEX #82930E4C

RGBA 130 147 14 0.3

HSLA 67.67, 0.83%, 0.32%, 0.3

LABA 57.7, -21.67, 58.82, 0.3

 

CMYK 13 / 16 / 0 / 2

HEX #826CEC4C

RGBA 130 108 236 0.3

HSLA 250.31, 0.77%, 0.67%, 0.3

LABA 53.52, 39.67, -62.06, 0.3

 

CMYK 13 / 15 / 0 / 0

HEX #937EFF4C

RGBA 147 126 255 0.3

HSLA 249.77, 1%, 0.75%, 0.3

LABA 60.2, 38.42, -61.79, 0.3

 

CMYK 11 / 13 / 0 / 0

HEX #A490FF4C

RGBA 164 144 255 0.3

HSLA 250.81, 1%, 0.78%, 0.3

LABA 65.79, 32.26, -52.79, 0.3

 

CMYK 9 / 11 / 0 / 0

HEX #B5A2FF4C

RGBA 181 162 255 0.3

HSLA 252.26, 1%, 0.82%, 0.3

LABA 71.48, 26.64, -43.75, 0.3

 

CMYK 7 / 9 / 0 / 0

HEX #C6B4FF4C

RGBA 198 180 255 0.3

HSLA 254.4, 1%, 0.85%, 0.3

LABA 77.2, 21.54, -34.73, 0.3

 

CMYK 14 / 17 / 0 / 2

HEX #7D6CF14C

RGBA 125 108 241 0.3

HSLA 247.67, 0.83%, 0.68%, 0.3

LABA 53.42, 40.04, -65.03, 0.3

 

CMYK 15 / 18 / 0 / 4

HEX #6C5ADE4C

RGBA 108 90 222 0.3

HSLA 248.18, 0.67%, 0.61%, 0.3

LABA 46.68, 41.53, -65.32, 0.3

 

CMYK 17 / 19 / 0 / 6

HEX #5B48CB4C

RGBA 91 72 203 0.3

HSLA 248.7, 0.56%, 0.54%, 0.3

LABA 39.87, 43.16, -65.56, 0.3

 

CMYK 18 / 21 / 0 / 8

HEX #4A36B84C

RGBA 74 54 184 0.3

HSLA 249.23, 0.55%, 0.47%, 0.3

LABA 33.04, 44.88, -65.66, 0.3

 

CMYK 20 / 23 / 0 / 11

HEX #3924A54C

RGBA 57 36 165 0.3

HSLA 249.77, 0.64%, 0.39%, 0.3

LABA 26.3, 46.5, -65.44, 0.3

 

CMYK 49 / 56 / 0 / 5

HEX #7B6AF1

RGB 123 106 241

HSL 247.56, 0.83%, 0.68%

LAB 52.81, 40.8, -66.03

 

CMYK 34 / 56 / 0 / 5

HEX #A06AF1

RGB 160 106 241

HSL 264, 0.83%, 0.68%

LAB 56.22, 48.88, -60.36

 

CMYK 19 / 56 / 0 / 5

HEX #C46AF1

RGB 196 106 241

HSL 280, 0.83%, 0.68%

LAB 60.24, 57.55, -53.7

 

CMYK 3 / 56 / 0 / 5

HEX #E96AF1

RGB 233 106 241

HSL 296.44, 0.83%, 0.68%

LAB 64.95, 66.82, -45.95

 

CMYK 0 / 56 / 12 / 5

HEX #F16AD5

RGB 241 106 213

HSL 312.44, 0.83%, 0.68%

LAB 64.81, 64.34, -30.49

 

CMYK 49 / 56 / 0 / 5

HEX #7B6AF1

RGB 123 106 241

HSL 247.56, 0.83%, 0.68%

LAB 52.81, 40.8, -66.03

 

CMYK 56 / 56 / 0 / 5

HEX #6A6AF1

RGB 106 106 241

HSL 240, 0.83%, 0.68%

LAB 51.52, 37.54, -68.17

 

CMYK 49 / 56 / 0 / 5

HEX #7B6AF1

RGB 123 106 241

HSL 247.56, 0.83%, 0.68%

LAB 52.81, 40.8, -66.03

 

CMYK 56 / 64 / 0 / 0

HEX #715CFE

RGB 113 92 254

HSL 247.78, 0.99%, 0.68%

LAB 49.88, 50.79, -78.05

 

CMYK 49 / 56 / 0 / 5

HEX #7B6AF1

RGB 123 106 241

HSL 247.56, 0.83%, 0.68%

LAB 52.81, 40.8, -66.03

 

CMYK 42 / 48 / 0 / 11

HEX #8577E4

RGB 133 119 228

HSL 247.71, 0.67%, 0.68%

LAB 55.87, 31.69, -53.81

 

CMYK 33 / 39 / 0 / 16

HEX #8F84D7

RGB 143 132 215

HSL 247.95, 0.51%, 0.68%

LAB 59.2, 23.12, -41.18

 

CMYK 25 / 28 / 0 / 21

HEX #9891CA

RGB 152 145 202

HSL 247.37, 0.35%, 0.68%

LAB 62.67, 14.92, -28.44

 

CMYK 14 / 16 / 0 / 26

HEX #A29EBC

RGB 162 158 188

HSL 248, 0.18%, 0.68%

LAB 66.34, 7.53, -14.94

 

CMYK 56 / 33 / 0 / 5

HEX #6AA2F1

RGB 106 162 241

HSL 215.11, 0.83%, 0.68%

LAB 65.95, 4.28, -45.14

 

CMYK 56 / 48 / 0 / 5

HEX #6A7EF1

RGB 106 126 241

HSL 231.11, 0.83%, 0.68%

LAB 56.42, 25.52, -60.27

 

CMYK 50 / 56 / 0 / 5

HEX #796AF1

RGB 121 106 241

HSL 246.67, 0.83%, 0.68%

LAB 52.65, 40.4, -66.3

 

CMYK 34 / 56 / 0 / 5

HEX #9E6AF1

RGB 158 106 241

HSL 263.11, 0.83%, 0.68%

LAB 56.02, 48.42, -60.7

 

CMYK 20 / 56 / 0 / 5

HEX #C26AF1

RGB 194 106 241

HSL 279.11, 0.83%, 0.68%

LAB 60, 57.06, -54.09

 

CMYK 76 / 87 / 0 / 8

HEX #381EEA

RGB 56 30 234

HSL 247.65, 0.83%, 0.52%

LAB 33.37, 68.61, -94.16

 

CMYK 62 / 71 / 0 / 7

HEX #5A44EE

RGB 90 68 238

HSL 247.76, 0.83%, 0.6%

LAB 41.97, 55.8, -82.13

 

CMYK 49 / 56 / 0 / 5

HEX #7B6AF1

RGB 123 106 241

HSL 247.56, 0.83%, 0.68%

LAB 52.81, 40.8, -66.03

 

CMYK 36 / 42 / 0 / 4

HEX #9C8FF5

RGB 156 143 245

HSL 247.65, 0.84%, 0.76%

LAB 64.41, 28.15, -49.55

 

CMYK 23 / 27 / 0 / 3

HEX #BEB5F8

RGB 190 181 248

HSL 248.06, 0.83%, 0.84%

LAB 76.54, 17.02, -32.04

 

CMYK 48 / 55 / 0 / 5

HEX #7D6CF1

RGB 125 108 241

HSL 247.67, 0.83%, 0.68%

LAB 53.42, 40.04, -65.03

 

CMYK 0 / 56 / 18 / 5

HEX #F16AC6

RGB 241 106 198

HSL 319.11, 0.83%, 0.68%

LAB 64.23, 62.13, -22.95

 

CMYK 40 / 0 / 56 / 5

HEX #90F16A

RGB 144 241 106

HSL 103.11, 0.83%, 0.68%

LAB 86.94, -52.4, 55.47

 

CMYK 48 / 55 / 0 / 5

HEX #7D6CF1

RGB 125 108 241

HSL 247.67, 0.83%, 0.68%

LAB 53.42, 40.04, -65.03

 

CMYK 0 / 50 / 56 / 5

HEX #F1796A

RGB 241 121 106

HSL 6.67, 0.83%, 0.68%

LAB 64.5, 44.78, 29.68

 

CMYK 56 / 0 / 50 / 5

HEX #6AF179

RGB 106 241 121

HSL 126.67, 0.83%, 0.68%

LAB 85.68, -60.96, 46.73

 

CMYK 48 / 55 / 0 / 5

HEX #7D6CF1

RGB 125 108 241

HSL 247.67, 0.83%, 0.68%

LAB 53.42, 40.04, -65.03

 

CMYK 0 / 56 / 18 / 5

HEX #F16AC6

RGB 241 106 198

HSL 319.11, 0.83%, 0.68%

LAB 64.23, 62.13, -22.95

 

CMYK 7 / 0 / 56 / 5

HEX #E1F16A

RGB 225 241 106

HSL 67.11, 0.83%, 0.68%

LAB 91.67, -23.32, 62.13

 

CMYK 56 / 0 / 38 / 5

HEX #6AF195

RGB 106 241 149

HSL 139.11, 0.83%, 0.68%

LAB 86.08, -56.68, 33.56

 

CMYK 48 / 55 / 0 / 5

HEX #7D6CF1

RGB 125 108 241

HSL 247.67, 0.83%, 0.68%

LAB 53.42, 40.04, -65.03

 

CMYK 0 / 56 / 34 / 5

HEX #F16A9E

RGB 241 106 158

HSL 336.89, 0.83%, 0.68%

LAB 62.91, 56.94, -2.14

 

CMYK 7 / 0 / 56 / 5

HEX #E1F16A

RGB 225 241 106

HSL 67.11, 0.83%, 0.68%

LAB 91.67, -23.32, 62.13

 

CMYK 56 / 0 / 22 / 5

HEX #6AF1BD

RGB 106 241 189

HSL 156.89, 0.83%, 0.68%

LAB 86.82, -48.99, 14.11

 

Description

Color code: HEX #7D6CF14C | qconv.com Color code: HEX #7D6CF14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 108 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 108 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 17 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 17% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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