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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D6BCD it is the complementary color #829432. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D6BCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D6BCD shade: #826BC8, #937DDB, #A48FEE, #B5A1FF and #C6B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D6BCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D6BCD shade: #7D6BCD, #6C59BA, #5B47A7, #4A3594 and #392381

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D6BCD shade: #7D6BCC, #976BCC, #B16BCC, #CC6BCC and #CC6BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D6BCD shade: #7D6BCC and #6B6BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D6BCD shade matches the following richer shades: #7D6BCC, #735BDC, #684BEC and #5E3BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D6BCD shade: #7D6BCC, #877BBC, #918BAC, #9B9B9C and #A5AB8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D6BCD shade: #6B8DCC, #6B73CC, #7D6BCC, #976BCC and #B16BCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D6BCD shade: #4F3AAA, #624CC2, #7D6BCC, #988AD7 and #B3A8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D6BCD shade: #7D6BCD, #CC6BA7 and #80CC6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D6BCD shade: #7D6BCD, #CC7D6B and #6BCC7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D6BCD shade: #7D6BCD, #CC6BA7, #BACC6B and #6BCC90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D6BCD shade: #7D6BCD, #CC6B8A, #BACC6B and #6BCCAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 48 / 0 / 20

HEX #7D6BCD

RGB 125 107 205

HSL 251.02, 0.49%, 0.61%

LAB 51.02, 30.36, -48.58

 

Complementary color

CMYK 12 / 0 / 66 / 42

HEX #829432

RGB 130 148 50

HSL 71.02, 0.49%, 0.39%

LAB 58.18, -20.54, 47.81

 

CMYK 35 / 47 / 0 / 22

HEX #826BC8

RGB 130 107 200

HSL 254.84, 0.46%, 0.6%

LAB 51.19, 30.28, -45.42

 

CMYK 33 / 43 / 0 / 14

HEX #937DDB

RGB 147 125 219

HSL 254.04, 0.57%, 0.67%

LAB 58.02, 29.32, -45.27

 

CMYK 31 / 40 / 0 / 7

HEX #A48FEE

RGB 164 143 238

HSL 253.26, 0.74%, 0.75%

LAB 64.73, 28.47, -45.15

 

CMYK 29 / 37 / 0 / 0

HEX #B5A1FF

RGB 181 161 255

HSL 252.77, 1%, 0.82%

LAB 71.24, 27.2, -44.12

 

CMYK 22 / 30 / 0 / 0

HEX #C6B3FF

RGB 198 179 255

HSL 255, 1%, 0.85%

LAB 76.96, 22.08, -35.11

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCD

RGB 125 107 205

HSL 251.02, 0.49%, 0.61%

LAB 51.02, 30.36, -48.58

 

CMYK 42 / 52 / 0 / 27

HEX #6C59BA

RGB 108 89 186

HSL 251.75, 0.41%, 0.54%

LAB 44.06, 31.52, -48.83

 

CMYK 46 / 57 / 0 / 35

HEX #5B47A7

RGB 91 71 167

HSL 252.5, 0.4%, 0.47%

LAB 36.97, 32.84, -49.09

 

CMYK 50 / 64 / 0 / 42

HEX #4A3594

RGB 74 53 148

HSL 253.26, 0.47%, 0.39%

LAB 29.76, 34.32, -49.34

 

CMYK 56 / 73 / 0 / 49

HEX #392381

RGB 57 35 129

HSL 254.04, 0.57%, 0.32%

LAB 22.5, 35.86, -49.43

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCC

RGB 125 107 204

HSL 251.13, 0.49%, 0.61%

LAB 50.96, 30.08, -48.1

 

CMYK 26 / 48 / 0 / 20

HEX #976BCC

RGB 151 107 204

HSL 267.22, 0.49%, 0.61%

LAB 53.44, 36.97, -44

 

CMYK 13 / 48 / 0 / 20

HEX #B16BCC

RGB 177 107 204

HSL 283.3, 0.49%, 0.61%

LAB 56.31, 44.26, -39.29

 

CMYK 0 / 48 / 0 / 20

HEX #CC6BCC

RGB 204 107 204

HSL 300, 0.49%, 0.61%

LAB 59.63, 51.99, -33.86

 

CMYK 0 / 48 / 12 / 20

HEX #CC6BB3

RGB 204 107 179

HSL 315.46, 0.49%, 0.61%

LAB 58.61, 47.71, -21.18

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCC

RGB 125 107 204

HSL 251.13, 0.49%, 0.61%

LAB 50.96, 30.08, -48.1

 

CMYK 48 / 48 / 0 / 20

HEX #6B6BCC

RGB 107 107 204

HSL 240, 0.49%, 0.61%

LAB 49.5, 25.7, -50.52

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCC

RGB 125 107 204

HSL 251.13, 0.49%, 0.61%

LAB 50.96, 30.08, -48.1

 

CMYK 48 / 59 / 0 / 14

HEX #735BDC

RGB 115 91 220

HSL 251.16, 0.65%, 0.61%

LAB 47.36, 41.74, -63.05

 

CMYK 56 / 68 / 0 / 7

HEX #684BEC

RGB 104 75 236

HSL 250.81, 0.81%, 0.61%

LAB 44.28, 53.4, -77.17

 

CMYK 63 / 77 / 0 / 1

HEX #5E3BFD

RGB 94 59 253

HSL 250.82, 0.98%, 0.61%

LAB 42.15, 64.97, -90.24

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCC

RGB 125 107 204

HSL 251.13, 0.49%, 0.61%

LAB 50.96, 30.08, -48.1

 

CMYK 28 / 35 / 0 / 26

HEX #877BBC

RGB 135 123 188

HSL 251.08, 0.33%, 0.61%

LAB 55.02, 19.09, -32.5

 

CMYK 16 / 19 / 0 / 33

HEX #918BAC

RGB 145 139 172

HSL 250.91, 0.17%, 0.61%

LAB 59.4, 9.09, -16.55

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 4 / 0 / 18 / 33

HEX #A5AB8C

RGB 165 171 140

HSL 71.61, 0.16%, 0.61%

LAB 68.76, -7.62, 15.27

 

CMYK 48 / 31 / 0 / 20

HEX #6B8DCC

RGB 107 141 204

HSL 218.97, 0.49%, 0.61%

LAB 58.54, 5.29, -36.22

 

CMYK 48 / 44 / 0 / 20

HEX #6B73CC

RGB 107 115 204

HSL 235.05, 0.49%, 0.61%

LAB 51.55, 20.84, -47.25

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCC

RGB 125 107 204

HSL 251.13, 0.49%, 0.61%

LAB 50.96, 30.08, -48.1

 

CMYK 26 / 48 / 0 / 20

HEX #976BCC

RGB 151 107 204

HSL 267.22, 0.49%, 0.61%

LAB 53.44, 36.97, -44

 

CMYK 13 / 48 / 0 / 20

HEX #B16BCC

RGB 177 107 204

HSL 283.3, 0.49%, 0.61%

LAB 56.31, 44.26, -39.29

 

CMYK 54 / 66 / 0 / 33

HEX #4F3AAA

RGB 79 58 170

HSL 251.25, 0.49%, 0.45%

LAB 33.12, 39.08, -57.19

 

CMYK 49 / 61 / 0 / 24

HEX #624CC2

RGB 98 76 194

HSL 251.19, 0.49%, 0.53%

LAB 40.67, 39.41, -59

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCC

RGB 125 107 204

HSL 251.13, 0.49%, 0.61%

LAB 50.96, 30.08, -48.1

 

CMYK 29 / 36 / 0 / 16

HEX #988AD7

RGB 152 138 215

HSL 250.91, 0.49%, 0.69%

LAB 61.45, 22.17, -37.62

 

CMYK 20 / 25 / 0 / 12

HEX #B3A8E1

RGB 179 168 225

HSL 251.58, 0.49%, 0.77%

LAB 71.57, 15.62, -27.28

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCD

RGB 125 107 205

HSL 251.02, 0.49%, 0.61%

LAB 51.02, 30.36, -48.58

 

CMYK 0 / 48 / 18 / 20

HEX #CC6BA7

RGB 204 107 167

HSL 322.89, 0.49%, 0.61%

LAB 58.17, 45.82, -14.94

 

CMYK 37 / 0 / 48 / 20

HEX #80CC6B

RGB 128 204 107

HSL 107.01, 0.49%, 0.61%

LAB 75.35, -41.8, 40.87

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCD

RGB 125 107 205

HSL 251.02, 0.49%, 0.61%

LAB 51.02, 30.36, -48.58

 

CMYK 0 / 39 / 48 / 20

HEX #CC7D6B

RGB 204 125 107

HSL 11.13, 0.49%, 0.61%

LAB 60.4, 28.71, 22.8

 

CMYK 48 / 0 / 39 / 20

HEX #6BCC7D

RGB 107 204 125

HSL 131.13, 0.49%, 0.61%

LAB 74.69, -45.43, 30.76

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCD

RGB 125 107 205

HSL 251.02, 0.49%, 0.61%

LAB 51.02, 30.36, -48.58

 

CMYK 0 / 48 / 18 / 20

HEX #CC6BA7

RGB 204 107 167

HSL 322.89, 0.49%, 0.61%

LAB 58.17, 45.82, -14.94

 

CMYK 9 / 0 / 48 / 20

HEX #BACC6B

RGB 186 204 107

HSL 71.13, 0.49%, 0.61%

LAB 78.86, -20.64, 45.98

 

CMYK 48 / 0 / 29 / 20

HEX #6BCC90

RGB 107 204 144

HSL 142.89, 0.49%, 0.61%

LAB 75.03, -42.05, 21.27

 

CMYK 39 / 48 / 0 / 20

HEX #7D6BCD

RGB 125 107 205

HSL 251.02, 0.49%, 0.61%

LAB 51.02, 30.36, -48.58

 

CMYK 0 / 48 / 32 / 20

HEX #CC6B8A

RGB 204 107 138

HSL 340.82, 0.49%, 0.61%

LAB 57.26, 41.75, 0.54

 

CMYK 9 / 0 / 48 / 20

HEX #BACC6B

RGB 186 204 107

HSL 71.13, 0.49%, 0.61%

LAB 78.86, -20.64, 45.98

 

CMYK 48 / 0 / 15 / 20

HEX #6BCCAD

RGB 107 204 173

HSL 160.82, 0.49%, 0.61%

LAB 75.66, -36.01, 6.66

 

Description

Color code: HEX #7D6BCD | qconv.com Color code: HEX #7D6BCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 107 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 107 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 48 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 48% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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