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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D615F it is the complementary color #829EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D615F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D615F shade: #82615A, #93736D, #A48580, #B59793 and #C6A9A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D615F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D615F shade: #7D615F, #6C4F4C, #5B3D39, #4A2B26 and #391913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D615F shade: #7D605E and #7D5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D615F shade: #7D605E, #7D695E, #7D715E, #7D795E and #797D5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D615F shade matches the following richer shades: #7D605E, #8F514D, #A0423B, #B23229 and #C42317

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D615F shade: #7D605E, #6B7070, #5A7F82, #488E94 and #369EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D615F shade: #7D5E6D, #7D5E64, #7D605E, #7D695E and #7D715E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D615F shade: #4E3C3B, #654E4D, #7D605E, #947371 and #A58A88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D615F shade: #7D615F, #757D5E and #5E697D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D615F shade: #7D615F, #5E7D60 and #605E7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D615F shade: #7D615F, #757D5E, #5E7B7D and #665E7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D615F shade: #7D615F, #6C7D5E, #5E7B7D and #705E7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 24 / 51

HEX #7D615F

RGB 125 97 95

HSL 4, 0.14%, 0.43%

LAB 43.85, 11, 5.48

 

Complementary color

CMYK 19 / 1 / 0 / 37

HEX #829EA0

RGB 130 158 160

HSL 184, 0.14%, 0.57%

LAB 63.13, -9.25, -4.29

 

CMYK 0 / 25 / 31 / 49

HEX #82615A

RGB 130 97 90

HSL 10.5, 0.18%, 0.43%

LAB 44.28, 12.31, 9.19

 

CMYK 0 / 22 / 26 / 42

HEX #93736D

RGB 147 115 109

HSL 9.47, 0.15%, 0.5%

LAB 51.35, 11.62, 8.12

 

CMYK 0 / 19 / 22 / 36

HEX #A48580

RGB 164 133 128

HSL 8.33, 0.17%, 0.57%

LAB 58.25, 11.03, 7.16

 

CMYK 0 / 17 / 19 / 29

HEX #B59793

RGB 181 151 147

HSL 7.06, 0.19%, 0.64%

LAB 65.01, 10.51, 6.27

 

CMYK 0 / 15 / 16 / 22

HEX #C6A9A6

RGB 198 169 166

HSL 5.62, 0.22%, 0.71%

LAB 71.65, 10.05, 5.45

 

CMYK 0 / 22 / 24 / 51

HEX #7D615F

RGB 125 97 95

HSL 4, 0.14%, 0.43%

LAB 43.85, 11, 5.48

 

CMYK 0 / 27 / 30 / 58

HEX #6C4F4C

RGB 108 79 76

HSL 5.63, 0.17%, 0.36%

LAB 36.56, 11.71, 6.54

 

CMYK 0 / 33 / 37 / 64

HEX #5B3D39

RGB 91 61 57

HSL 7.06, 0.23%, 0.29%

LAB 29.05, 12.59, 7.78

 

CMYK 0 / 42 / 49 / 71

HEX #4A2B26

RGB 74 43 38

HSL 8.33, 0.32%, 0.22%

LAB 21.3, 13.71, 9.32

 

CMYK 0 / 56 / 67 / 78

HEX #391913

RGB 57 25 19

HSL 9.47, 0.5%, 0.15%

LAB 13.3, 15.15, 11.3

 

CMYK 0 / 23 / 25 / 51

HEX #7D605E

RGB 125 96 94

HSL 3.87, 0.14%, 0.43%

LAB 43.56, 11.44, 5.66

 

CMYK 0 / 25 / 25 / 51

HEX #7D5E5E

RGB 125 94 94

HSL 0, 0.14%, 0.43%

LAB 43.02, 12.63, 4.9

 

CMYK 0 / 23 / 25 / 51

HEX #7D605E

RGB 125 96 94

HSL 3.87, 0.14%, 0.43%

LAB 43.56, 11.44, 5.66

 

CMYK 0 / 16 / 25 / 51

HEX #7D695E

RGB 125 105 94

HSL 21.29, 0.14%, 0.43%

LAB 46, 6.09, 9.14

 

CMYK 0 / 10 / 25 / 51

HEX #7D715E

RGB 125 113 94

HSL 36.77, 0.14%, 0.43%

LAB 48.23, 1.4, 12.26

 

CMYK 0 / 3 / 25 / 51

HEX #7D795E

RGB 125 121 94

HSL 52.26, 0.14%, 0.43%

LAB 50.5, -3.21, 15.39

 

CMYK 3 / 0 / 25 / 51

HEX #797D5E

RGB 121 125 94

HSL 67.74, 0.14%, 0.43%

LAB 51.31, -7.12, 16.45

 

CMYK 0 / 23 / 25 / 51

HEX #7D605E

RGB 125 96 94

HSL 3.87, 0.14%, 0.43%

LAB 43.56, 11.44, 5.66

 

CMYK 0 / 43 / 46 / 44

HEX #8F514D

RGB 143 81 77

HSL 3.64, 0.3%, 0.43%

LAB 41.63, 25.42, 13.66

 

CMYK 0 / 59 / 63 / 37

HEX #A0423B

RGB 160 66 59

HSL 4.16, 0.46%, 0.43%

LAB 40.71, 38.55, 23.92

 

CMYK 0 / 72 / 77 / 30

HEX #B23229

RGB 178 50 41

HSL 3.94, 0.63%, 0.43%

LAB 41.07, 50.93, 35.74

 

CMYK 0 / 82 / 88 / 23

HEX #C42317

RGB 196 35 23

HSL 4.16, 0.79%, 0.43%

LAB 42.76, 60.62, 47.85

 

CMYK 0 / 23 / 25 / 51

HEX #7D605E

RGB 125 96 94

HSL 3.87, 0.14%, 0.43%

LAB 43.56, 11.44, 5.66

 

CMYK 4 / 0 / 0 / 56

HEX #6B7070

RGB 107 112 112

HSL 180, 0.02%, 0.43%

LAB 46.82, -1.9, -0.67

 

CMYK 31 / 2 / 0 / 49

HEX #5A7F82

RGB 90 127 130

HSL 184.5, 0.18%, 0.43%

LAB 50.65, -12.14, -5.82

 

CMYK 51 / 4 / 0 / 42

HEX #488E94

RGB 72 142 148

HSL 184.74, 0.35%, 0.43%

LAB 54.93, -20.25, -9.98

 

CMYK 67 / 4 / 0 / 35

HEX #369EA5

RGB 54 158 165

HSL 183.78, 0.51%, 0.43%

LAB 59.85, -26.88, -12.36

 

CMYK 0 / 25 / 13 / 51

HEX #7D5E6D

RGB 125 94 109

HSL 330.97, 0.14%, 0.43%

LAB 43.46, 15.22, -3.6

 

CMYK 0 / 25 / 20 / 51

HEX #7D5E64

RGB 125 94 100

HSL 348.39, 0.14%, 0.43%

LAB 43.19, 13.62, 1.49

 

CMYK 0 / 23 / 25 / 51

HEX #7D605E

RGB 125 96 94

HSL 3.87, 0.14%, 0.43%

LAB 43.56, 11.44, 5.66

 

CMYK 0 / 16 / 25 / 51

HEX #7D695E

RGB 125 105 94

HSL 21.29, 0.14%, 0.43%

LAB 46, 6.09, 9.14

 

CMYK 0 / 10 / 25 / 51

HEX #7D715E

RGB 125 113 94

HSL 36.77, 0.14%, 0.43%

LAB 48.23, 1.4, 12.26

 

CMYK 0 / 23 / 24 / 69

HEX #4E3C3B

RGB 78 60 59

HSL 3.16, 0.14%, 0.27%

LAB 27.21, 7.71, 3.63

 

CMYK 0 / 23 / 24 / 60

HEX #654E4D

RGB 101 78 77

HSL 2.5, 0.13%, 0.35%

LAB 35.5, 9.49, 4.29

 

CMYK 0 / 23 / 25 / 51

HEX #7D605E

RGB 125 96 94

HSL 3.87, 0.14%, 0.43%

LAB 43.56, 11.44, 5.66

 

CMYK 0 / 22 / 24 / 42

HEX #947371

RGB 148 115 113

HSL 3.43, 0.14%, 0.51%

LAB 51.55, 12.64, 6.08

 

CMYK 0 / 16 / 18 / 35

HEX #A58A88

RGB 165 138 136

HSL 4.14, 0.14%, 0.59%

LAB 59.85, 9.87, 4.88

 

CMYK 0 / 22 / 24 / 51

HEX #7D615F

RGB 125 97 95

HSL 4, 0.14%, 0.43%

LAB 43.85, 11, 5.48

 

CMYK 6 / 0 / 25 / 51

HEX #757D5E

RGB 117 125 94

HSL 75.48, 0.14%, 0.43%

LAB 50.99, -8.75, 15.95

 

CMYK 25 / 16 / 0 / 51

HEX #5E697D

RGB 94 105 125

HSL 218.71, 0.14%, 0.43%

LAB 44.18, 0.63, -12.51

 

CMYK 0 / 22 / 24 / 51

HEX #7D615F

RGB 125 97 95

HSL 4, 0.14%, 0.43%

LAB 43.85, 11, 5.48

 

CMYK 25 / 0 / 23 / 51

HEX #5E7D60

RGB 94 125 96

HSL 123.87, 0.14%, 0.43%

LAB 49.36, -17.3, 12.29

 

CMYK 23 / 25 / 0 / 51

HEX #605E7D

RGB 96 94 125

HSL 243.87, 0.14%, 0.43%

LAB 41.17, 8.03, -17.08

 

CMYK 0 / 22 / 24 / 51

HEX #7D615F

RGB 125 97 95

HSL 4, 0.14%, 0.43%

LAB 43.85, 11, 5.48

 

CMYK 6 / 0 / 25 / 51

HEX #757D5E

RGB 117 125 94

HSL 75.48, 0.14%, 0.43%

LAB 50.99, -8.75, 15.95

 

CMYK 25 / 2 / 0 / 51

HEX #5E7B7D

RGB 94 123 125

HSL 183.87, 0.14%, 0.43%

LAB 49.53, -9.86, -4.5

 

CMYK 18 / 25 / 0 / 51

HEX #665E7D

RGB 102 94 125

HSL 255.48, 0.14%, 0.43%

LAB 41.71, 10.09, -16.21

 

CMYK 0 / 22 / 24 / 51

HEX #7D615F

RGB 125 97 95

HSL 4, 0.14%, 0.43%

LAB 43.85, 11, 5.48

 

CMYK 14 / 0 / 25 / 51

HEX #6C7D5E

RGB 108 125 94

HSL 92.9, 0.14%, 0.43%

LAB 50.29, -12.34, 14.88

 

CMYK 25 / 2 / 0 / 51

HEX #5E7B7D

RGB 94 123 125

HSL 183.87, 0.14%, 0.43%

LAB 49.53, -9.86, -4.5

 

CMYK 10 / 25 / 0 / 51

HEX #705E7D

RGB 112 94 125

HSL 274.84, 0.14%, 0.43%

LAB 42.66, 13.63, -14.67

 

Description

Color code: HEX #7D615F | qconv.com Color code: HEX #7D615F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 97 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 97 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 24 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 24% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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