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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5B66 it is the complementary color #82A499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5B66 shade: #825B61, #936D74, #A47F87, #B5919A and #C6A3AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5B66 shade: #7D5B66, #6C4953, #5B3740, #4A252D and #39131A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5B66 shade: #7C5A65, #7C5A5C and #7C5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5B66 shade: #7C5A65, #7C5A6E, #7C5A78, #785A7C and #6E5A7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5B66 shade matches the following richer shades: #7C5A65, #8E495F, #9F3759, #B02653 and #C2154D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5B66 shade: #7C5A65, #6B6B6B, #5A7D71, #488E77 and #379F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5B66 shade: #7C5A78, #7C5A6F, #7C5A65, #7C5A5C and #7C615A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5B66 shade: #4C373E, #644952, #7C5A65, #946B79 and #A5838E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5B66 shade: #7D5B66, #7C785A and #5A737C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5B66 shade: #7D5B66, #657C5A and #5A657C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5B66 shade: #7D5B66, #7C785A, #5A7C71 and #5A5F7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5B66 shade: #7D5B66, #777C5A, #5A7C71 and #605A7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 18 / 51

HEX #7D5B66

RGB 125 91 102

HSL 340.59, 0.16%, 0.42%

LAB 42.46, 15.76, -0.8

 

Complementary color

CMYK 21 / 0 / 7 / 36

HEX #82A499

RGB 130 164 153

HSL 160.59, 0.16%, 0.58%

LAB 64.64, -13.99, 1.86

 

CMYK 0 / 30 / 25 / 49

HEX #825B61

RGB 130 91 97

HSL 350.77, 0.18%, 0.43%

LAB 42.9, 16.95, 2.97

 

CMYK 0 / 26 / 21 / 42

HEX #936D74

RGB 147 109 116

HSL 348.95, 0.15%, 0.5%

LAB 49.98, 16.21, 2.02

 

CMYK 0 / 23 / 18 / 36

HEX #A47F87

RGB 164 127 135

HSL 347.03, 0.17%, 0.57%

LAB 56.9, 15.56, 1.17

 

CMYK 0 / 20 / 15 / 29

HEX #B5919A

RGB 181 145 154

HSL 345, 0.2%, 0.64%

LAB 63.68, 14.99, 0.4

 

CMYK 0 / 18 / 13 / 22

HEX #C6A3AD

RGB 198 163 173

HSL 342.86, 0.23%, 0.71%

LAB 70.33, 14.48, -0.33

 

CMYK 0 / 27 / 18 / 51

HEX #7D5B66

RGB 125 91 102

HSL 340.59, 0.16%, 0.42%

LAB 42.46, 15.76, -0.8

 

CMYK 0 / 32 / 23 / 58

HEX #6C4953

RGB 108 73 83

HSL 342.86, 0.19%, 0.35%

LAB 35.16, 16.54, 0.11

 

CMYK 0 / 40 / 30 / 64

HEX #5B3740

RGB 91 55 64

HSL 345, 0.25%, 0.29%

LAB 27.65, 17.45, 1.18

 

CMYK 0 / 50 / 39 / 71

HEX #4A252D

RGB 74 37 45

HSL 347.03, 0.33%, 0.22%

LAB 19.92, 18.51, 2.56

 

CMYK 0 / 67 / 54 / 78

HEX #39131A

RGB 57 19 26

HSL 348.95, 0.5%, 0.15%

LAB 12.03, 19.65, 4.59

 

CMYK 0 / 27 / 19 / 51

HEX #7C5A65

RGB 124 90 101

HSL 340.59, 0.16%, 0.42%

LAB 42.06, 15.79, -0.79

 

CMYK 0 / 27 / 26 / 51

HEX #7C5A5C

RGB 124 90 92

HSL 356.47, 0.16%, 0.42%

LAB 41.8, 14.3, 4.35

 

CMYK 0 / 27 / 27 / 51

HEX #7C5A5A

RGB 124 90 90

HSL 0, 0.16%, 0.42%

LAB 41.74, 13.98, 5.5

 

CMYK 0 / 27 / 19 / 51

HEX #7C5A65

RGB 124 90 101

HSL 340.59, 0.16%, 0.42%

LAB 42.06, 15.79, -0.79

 

CMYK 0 / 27 / 11 / 51

HEX #7C5A6E

RGB 124 90 110

HSL 324.71, 0.16%, 0.42%

LAB 42.34, 17.41, -5.88

 

CMYK 0 / 27 / 3 / 51

HEX #7C5A78

RGB 124 90 120

HSL 307.06, 0.16%, 0.42%

LAB 42.69, 19.35, -11.46

 

CMYK 3 / 27 / 0 / 51

HEX #785A7C

RGB 120 90 124

HSL 292.94, 0.16%, 0.42%

LAB 42.4, 18.72, -14.38

 

CMYK 11 / 27 / 0 / 51

HEX #6E5A7C

RGB 110 90 124

HSL 275.29, 0.16%, 0.42%

LAB 41.35, 15.13, -16.08

 

CMYK 0 / 27 / 19 / 51

HEX #7C5A65

RGB 124 90 101

HSL 340.59, 0.16%, 0.42%

LAB 42.06, 15.79, -0.79

 

CMYK 0 / 49 / 33 / 44

HEX #8E495F

RGB 142 73 95

HSL 340.87, 0.32%, 0.42%

LAB 40.15, 31.75, 0.41

 

CMYK 0 / 65 / 44 / 38

HEX #9F3759

RGB 159 55 89

HSL 340.38, 0.49%, 0.42%

LAB 39.28, 45.98, 3.25

 

CMYK 0 / 78 / 53 / 31

HEX #B02653

RGB 176 38 83

HSL 340.43, 0.64%, 0.42%

LAB 39.98, 56.87, 8.47

 

CMYK 0 / 89 / 60 / 24

HEX #C2154D

RGB 194 21 77

HSL 340.58, 0.8%, 0.42%

LAB 42.06, 65.12, 15.7

 

CMYK 0 / 27 / 19 / 51

HEX #7C5A65

RGB 124 90 101

HSL 340.59, 0.16%, 0.42%

LAB 42.06, 15.79, -0.79

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 28 / 0 / 10 / 51

HEX #5A7D71

RGB 90 125 113

HSL 159.43, 0.16%, 0.42%

LAB 49.54, -15.13, 2.55

 

CMYK 49 / 0 / 16 / 44

HEX #488E77

RGB 72 142 119

HSL 160.29, 0.33%, 0.42%

LAB 54.09, -27.9, 5.5

 

CMYK 65 / 0 / 21 / 38

HEX #379F7E

RGB 55 159 126

HSL 160.96, 0.49%, 0.42%

LAB 59.08, -37.88, 8.57

 

CMYK 0 / 27 / 3 / 51

HEX #7C5A78

RGB 124 90 120

HSL 307.06, 0.16%, 0.42%

LAB 42.69, 19.35, -11.46

 

CMYK 0 / 27 / 10 / 51

HEX #7C5A6F

RGB 124 90 111

HSL 322.94, 0.16%, 0.42%

LAB 42.38, 17.6, -6.44

 

CMYK 0 / 27 / 19 / 51

HEX #7C5A65

RGB 124 90 101

HSL 340.59, 0.16%, 0.42%

LAB 42.06, 15.79, -0.79

 

CMYK 0 / 27 / 26 / 51

HEX #7C5A5C

RGB 124 90 92

HSL 356.47, 0.16%, 0.42%

LAB 41.8, 14.3, 4.35

 

CMYK 0 / 22 / 27 / 51

HEX #7C615A

RGB 124 97 90

HSL 12.35, 0.16%, 0.42%

LAB 43.61, 9.79, 8.16

 

CMYK 0 / 28 / 18 / 70

HEX #4C373E

RGB 76 55 62

HSL 340, 0.16%, 0.26%

LAB 25.61, 10.64, -0.69

 

CMYK 0 / 27 / 18 / 61

HEX #644952

RGB 100 73 82

HSL 340, 0.16%, 0.34%

LAB 34.16, 13.06, -0.84

 

CMYK 0 / 27 / 19 / 51

HEX #7C5A65

RGB 124 90 101

HSL 340.59, 0.16%, 0.42%

LAB 42.06, 15.79, -0.79

 

CMYK 0 / 28 / 18 / 42

HEX #946B79

RGB 148 107 121

HSL 339.51, 0.16%, 0.5%

LAB 49.73, 18.59, -1.3

 

CMYK 0 / 21 / 14 / 35

HEX #A5838E

RGB 165 131 142

HSL 340.59, 0.16%, 0.58%

LAB 58.21, 14.84, -0.94

 

CMYK 0 / 27 / 18 / 51

HEX #7D5B66

RGB 125 91 102

HSL 340.59, 0.16%, 0.42%

LAB 42.46, 15.76, -0.8

 

CMYK 0 / 3 / 27 / 51

HEX #7C785A

RGB 124 120 90

HSL 52.94, 0.16%, 0.42%

LAB 50.04, -3.66, 17.07

 

CMYK 27 / 7 / 0 / 51

HEX #5A737C

RGB 90 115 124

HSL 195.88, 0.16%, 0.42%

LAB 46.83, -6.85, -7.95

 

CMYK 0 / 27 / 18 / 51

HEX #7D5B66

RGB 125 91 102

HSL 340.59, 0.16%, 0.42%

LAB 42.46, 15.76, -0.8

 

CMYK 19 / 0 / 27 / 51

HEX #657C5A

RGB 101 124 90

HSL 100.59, 0.16%, 0.42%

LAB 49.4, -15.22, 15.89

 

CMYK 27 / 19 / 0 / 51

HEX #5A657C

RGB 90 101 124

HSL 220.59, 0.16%, 0.42%

LAB 42.67, 1.45, -14.23

 

CMYK 0 / 27 / 18 / 51

HEX #7D5B66

RGB 125 91 102

HSL 340.59, 0.16%, 0.42%

LAB 42.46, 15.76, -0.8

 

CMYK 0 / 3 / 27 / 51

HEX #7C785A

RGB 124 120 90

HSL 52.94, 0.16%, 0.42%

LAB 50.04, -3.66, 17.07

 

CMYK 27 / 0 / 9 / 51

HEX #5A7C71

RGB 90 124 113

HSL 160.59, 0.16%, 0.42%

LAB 49.23, -14.58, 2.1

 

CMYK 27 / 23 / 0 / 51

HEX #5A5F7C

RGB 90 95 124

HSL 231.18, 0.16%, 0.42%

LAB 40.92, 5.13, -16.9

 

CMYK 0 / 27 / 18 / 51

HEX #7D5B66

RGB 125 91 102

HSL 340.59, 0.16%, 0.42%

LAB 42.46, 15.76, -0.8

 

CMYK 4 / 0 / 27 / 51

HEX #777C5A

RGB 119 124 90

HSL 68.82, 0.16%, 0.42%

LAB 50.78, -8, 17.99

 

CMYK 27 / 0 / 9 / 51

HEX #5A7C71

RGB 90 124 113

HSL 160.59, 0.16%, 0.42%

LAB 49.23, -14.58, 2.1

 

CMYK 23 / 27 / 0 / 51

HEX #605A7C

RGB 96 90 124

HSL 250.59, 0.16%, 0.42%

LAB 40.01, 10.25, -18.26

 

Description

Color code: HEX #7D5B66 | qconv.com Color code: HEX #7D5B66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 91 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 91 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 18 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 18% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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