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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5AF84C it is the complementary color #82A5074C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5AF84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5AF84C shade: #825AF34C, #936CFF4C, #A47EFF4C, #B590FF4C and #C6A2FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5AF84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5AF84C shade: #7D5AF84C, #6C48E54C, #5B36D24C, #4A24BF4C and #3912AC4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5AF84C shade: #7C59F8, #A759F8, #D259F8, #F859F3 and #F859C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5AF84C shade: #7C59F8 and #5959F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5AF84C shade matches the following richer shades: #7C59F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5AF84C shade: #7C59F8, #8467EA, #8B75DC, #9383CE and #9B91C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5AF84C shade: #598BF8, #5961F8, #7B59F8, #A659F8 and #D059F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5AF84C shade: #3E0AF4, #5D31F6, #7C59F8, #9B80FA and #BAA8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5AF84C shade: #7D5AF8, #F859B6 and #76F859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5AF84C shade: #7D5AF8, #F87B59 and #59F87B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5AF84C shade: #7D5AF8, #F859B6, #D5F859 and #59F89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5AF84C shade: #7D5AF8, #F85986, #D5F859 and #59F8CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 19 / 0 / 1

HEX #7D5AF84C

RGBA 125 90 248 0.3

HSLA 253.29, 0.92%, 0.66%, 0.3

LABA 50.04, 52.18, -74.42, 0.3

 

Complementary color

CMYK 6 / 0 / 29 / 11

HEX #82A5074C

RGBA 130 165 7 0.3

HSLA 73.29, 0.92%, 0.34%, 0.3

LABA 63.07, -30.61, 64.15, 0.3

 

CMYK 14 / 19 / 0 / 1

HEX #825AF34C

RGBA 130 90 243 0.3

HSLA 255.69, 0.86%, 0.65%, 0.3

LABA 50.13, 51.71, -71.45, 0.3

 

CMYK 13 / 17 / 0 / 0

HEX #936CFF4C

RGBA 147 108 255 0.3

HSLA 255.92, 1%, 0.71%, 0.3

LABA 56.24, 48.53, -68.16, 0.3

 

CMYK 11 / 15 / 0 / 0

HEX #A47EFF4C

RGBA 164 126 255 0.3

HSLA 257.67, 1%, 0.75%, 0.3

LABA 61.68, 42.4, -59.33, 0.3

 

CMYK 9 / 13 / 0 / 0

HEX #B590FF4C

RGBA 181 144 255 0.3

HSLA 260, 1%, 0.78%, 0.3

LABA 67.27, 36.69, -50.36, 0.3

 

CMYK 7 / 11 / 0 / 0

HEX #C6A2FF4C

RGBA 198 162 255 0.3

HSLA 263.23, 1%, 0.82%, 0.3

LABA 72.94, 31.43, -41.36, 0.3

 

CMYK 15 / 19 / 0 / 1

HEX #7D5AF84C

RGBA 125 90 248 0.3

HSLA 253.29, 0.92%, 0.66%, 0.3

LABA 50.04, 52.18, -74.42, 0.3

 

CMYK 16 / 21 / 0 / 3

HEX #6C48E54C

RGBA 108 72 229 0.3

HSLA 253.76, 0.75%, 0.59%, 0.3

LABA 43.48, 53.59, -74.5, 0.3

 

CMYK 17 / 22 / 0 / 5

HEX #5B36D24C

RGBA 91 54 210 0.3

HSLA 254.23, 0.63%, 0.52%, 0.3

LABA 36.96, 54.91, -74.37, 0.3

 

CMYK 18 / 24 / 0 / 8

HEX #4A24BF4C

RGBA 74 36 191 0.3

HSLA 254.71, 0.68%, 0.45%, 0.3

LABA 30.59, 55.86, -73.83, 0.3

 

CMYK 20 / 27 / 0 / 10

HEX #3912AC4C

RGBA 57 18 172 0.3

HSLA 255.19, 0.81%, 0.37%, 0.3

LABA 24.58, 55.9, -72.51, 0.3

 

CMYK 50 / 64 / 0 / 3

HEX #7C59F8

RGB 124 89 248

HSL 253.21, 0.92%, 0.66%

LAB 49.75, 52.55, -74.9

 

CMYK 33 / 64 / 0 / 3

HEX #A759F8

RGB 167 89 248

HSL 269.43, 0.92%, 0.66%

LAB 54.17, 60.8, -67.51

 

CMYK 15 / 64 / 0 / 3

HEX #D259F8

RGB 210 89 248

HSL 285.66, 0.92%, 0.66%

LAB 59.55, 70.02, -58.59

 

CMYK 0 / 64 / 2 / 3

HEX #F859F3

RGB 248 89 243

HSL 301.89, 0.92%, 0.66%

LAB 64.62, 77.71, -47.43

 

CMYK 0 / 64 / 19 / 3

HEX #F859C8

RGB 248 89 200

HSL 318.11, 0.92%, 0.66%

LAB 62.74, 71.41, -26.28

 

CMYK 50 / 64 / 0 / 3

HEX #7C59F8

RGB 124 89 248

HSL 253.21, 0.92%, 0.66%

LAB 49.75, 52.55, -74.9

 

CMYK 64 / 64 / 0 / 3

HEX #5959F8

RGB 89 89 248

HSL 240, 0.92%, 0.66%

LAB 47.03, 47.09, -79.44

 

CMYK 50 / 64 / 0 / 3

HEX #7C59F8

RGB 124 89 248

HSL 253.21, 0.92%, 0.66%

LAB 49.75, 52.55, -74.9

 

CMYK 50 / 64 / 0 / 3

HEX #7C59F8

RGB 124 89 248

HSL 253.21, 0.92%, 0.66%

LAB 49.75, 52.55, -74.9

 

CMYK 44 / 56 / 0 / 8

HEX #8467EA

RGB 132 103 234

HSL 253.28, 0.76%, 0.66%

LAB 52.45, 42.4, -62.66

 

CMYK 37 / 47 / 0 / 14

HEX #8B75DC

RGB 139 117 220

HSL 252.82, 0.6%, 0.66%

LAB 55.46, 32.14, -49.94

 

CMYK 29 / 36 / 0 / 19

HEX #9383CE

RGB 147 131 206

HSL 252.8, 0.43%, 0.66%

LAB 58.87, 22.51, -36.62

 

CMYK 19 / 24 / 0 / 25

HEX #9B91C0

RGB 155 145 192

HSL 252.77, 0.27%, 0.66%

LAB 62.53, 13.49, -23.02

 

CMYK 64 / 44 / 0 / 3

HEX #598BF8

RGB 89 139 248

HSL 221.13, 0.92%, 0.66%

LAB 59.31, 16.93, -59.57

 

CMYK 64 / 61 / 0 / 3

HEX #5961F8

RGB 89 97 248

HSL 236.98, 0.92%, 0.66%

LAB 48.82, 42.39, -76.52

 

CMYK 50 / 64 / 0 / 3

HEX #7B59F8

RGB 123 89 248

HSL 252.83, 0.92%, 0.66%

LAB 49.66, 52.38, -75.05

 

CMYK 33 / 64 / 0 / 3

HEX #A659F8

RGB 166 89 248

HSL 269.06, 0.92%, 0.66%

LAB 54.06, 60.6, -67.7

 

CMYK 16 / 64 / 0 / 3

HEX #D059F8

RGB 208 89 248

HSL 284.91, 0.92%, 0.66%

LAB 59.28, 69.58, -59.03

 

CMYK 75 / 96 / 0 / 4

HEX #3E0AF4

RGB 62 10 244

HSL 253.33, 0.92%, 0.5%

LAB 33.51, 75.99, -99.6

 

CMYK 62 / 80 / 0 / 4

HEX #5D31F6

RGB 93 49 246

HSL 253.4, 0.92%, 0.58%

LAB 39.88, 67.29, -90.08

 

CMYK 50 / 64 / 0 / 3

HEX #7C59F8

RGB 124 89 248

HSL 253.21, 0.92%, 0.66%

LAB 49.75, 52.55, -74.9

 

CMYK 38 / 49 / 0 / 2

HEX #9B80FA

RGB 155 128 250

HSL 253.28, 0.92%, 0.74%

LAB 61.05, 37.8, -57.63

 

CMYK 26 / 33 / 0 / 2

HEX #BAA8FB

RGB 186 168 251

HSL 253.01, 0.91%, 0.82%

LAB 73.16, 23.75, -38.92

 

CMYK 50 / 64 / 0 / 3

HEX #7D5AF8

RGB 125 90 248

HSL 253.29, 0.92%, 0.66%

LAB 50.04, 52.18, -74.42

 

CMYK 0 / 64 / 27 / 3

HEX #F859B6

RGB 248 89 182

HSL 324.91, 0.92%, 0.66%

LAB 62.07, 69.09, -17.05

 

CMYK 52 / 0 / 64 / 3

HEX #76F859

RGB 118 248 89

HSL 109.06, 0.92%, 0.66%

LAB 87.83, -64.17, 63.4

 

CMYK 50 / 64 / 0 / 3

HEX #7D5AF8

RGB 125 90 248

HSL 253.29, 0.92%, 0.66%

LAB 50.04, 52.18, -74.42

 

CMYK 0 / 50 / 64 / 3

HEX #F87B59

RGB 248 123 89

HSL 12.83, 0.92%, 0.66%

LAB 65.63, 45.22, 40.59

 

CMYK 64 / 0 / 50 / 3

HEX #59F87B

RGB 89 248 123

HSL 132.83, 0.92%, 0.66%

LAB 87.33, -66.81, 47.72

 

CMYK 50 / 64 / 0 / 3

HEX #7D5AF8

RGB 125 90 248

HSL 253.29, 0.92%, 0.66%

LAB 50.04, 52.18, -74.42

 

CMYK 0 / 64 / 27 / 3

HEX #F859B6

RGB 248 89 182

HSL 324.91, 0.92%, 0.66%

LAB 62.07, 69.09, -17.05

 

CMYK 14 / 0 / 64 / 3

HEX #D5F859

RGB 213 248 89

HSL 73.21, 0.92%, 0.66%

LAB 92.58, -32.48, 69.9

 

CMYK 64 / 0 / 38 / 3

HEX #59F89B

RGB 89 248 155

HSL 144.91, 0.92%, 0.66%

LAB 87.79, -61.74, 32.74

 

CMYK 50 / 64 / 0 / 3

HEX #7D5AF8

RGB 125 90 248

HSL 253.29, 0.92%, 0.66%

LAB 50.04, 52.18, -74.42

 

CMYK 0 / 64 / 46 / 3

HEX #F85986

RGB 248 89 134

HSL 343.02, 0.92%, 0.66%

LAB 60.62, 63.95, 8.57

 

CMYK 14 / 0 / 64 / 3

HEX #D5F859

RGB 213 248 89

HSL 73.21, 0.92%, 0.66%

LAB 92.58, -32.48, 69.9

 

CMYK 64 / 0 / 18 / 3

HEX #59F8CB

RGB 89 248 203

HSL 163.02, 0.92%, 0.66%

LAB 88.72, -51.92, 9.47

 

Description

Color code: HEX #7D5AF84C | qconv.com Color code: HEX #7D5AF84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 90 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 90 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 19 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 19% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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