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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5A5000 it is the complementary color #82A5AF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5A5000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5A5000 shade: #825A4B00, #936C5E00, #A47E7100, #B5908400 and #C6A29700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5A5000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5A5000 shade: #7D5A5000, #6C483D00, #5B362A00, #4A241700 and #39120400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5A5000 shade: #7C5A50 and #7C5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5A5000 shade: #7C5A50, #7C6650, #7C7250, #7B7C50 and #6F7C50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5A5000 shade matches the following richer shades: #7C5A50, #8D503F, #9D472F, #AE3E1E and #BE350E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5A5000 shade: #7C5A50, #6C6360, #5B6C71, #4B7581 and #3A7E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5A5000 shade: #7C505E, #7C5052, #7C5950, #7C6550 and #7C7150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5A5000 shade: #4A352F, #63473F, #7C5A50, #966C60 and #A88277

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5A5000 shade: #7D5A50, #6A7C50 and #50587C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5A5000 shade: #7D5A50, #507C59 and #59507C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5A5000 shade: #7D5A50, #6A7C50, #50737C and #62507C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5A5000 shade: #7D5A50, #5C7C50, #50737C and #70507C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #7D5A5000

RGBA 125 90 80 0

HSLA 13.33, 0.22%, 0.4%, 0

LABA 41.61, 12.94, 11.45, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #82A5AF00

RGBA 130 165 175 0

HSLA 193.33, 0.22%, 0.6%, 0

LABA 65.55, -9.59, -9.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #825A4B00

RGBA 130 90 75 0

HSLA 16.36, 0.27%, 0.4%, 0

LABA 42.1, 14.45, 15.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #936C5E00

RGBA 147 108 94 0

HSLA 15.85, 0.22%, 0.47%, 0

LABA 49.17, 13.54, 13.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A47E7100

RGBA 164 126 113 0

HSLA 15.29, 0.22%, 0.54%, 0

LABA 56.09, 12.79, 12.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B5908400

RGBA 181 144 132 0

HSLA 14.69, 0.25%, 0.61%, 0

LABA 62.87, 12.13, 11.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C6A29700

RGBA 198 162 151 0

HSLA 14.04, 0.29%, 0.68%, 0

LABA 69.53, 11.57, 10.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7D5A5000

RGBA 125 90 80 0

HSLA 13.33, 0.22%, 0.4%, 0

LABA 41.61, 12.94, 11.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6C483D00

RGBA 108 72 61 0

HSLA 14.04, 0.28%, 0.33%, 0

LABA 34.31, 13.9, 12.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5B362A00

RGBA 91 54 42 0

HSLA 14.69, 0.37%, 0.26%, 0

LABA 26.82, 15.09, 14.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4A241700

RGBA 74 36 23 0

HSLA 15.29, 0.53%, 0.19%, 0

LABA 19.14, 16.61, 16.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #39120400

RGBA 57 18 4 0

HSLA 15.85, 0.87%, 0.12%, 0

LABA 11.35, 18.4, 15.76, 0

 

CMYK 0 / 27 / 35 / 51

HEX #7C5A50

RGB 124 90 80

HSL 13.64, 0.22%, 0.4%

LAB 41.5, 12.51, 11.26

 

CMYK 0 / 35 / 35 / 51

HEX #7C5050

RGB 124 80 80

HSL 0, 0.22%, 0.4%

LAB 38.9, 18.5, 7.63

 

CMYK 0 / 27 / 35 / 51

HEX #7C5A50

RGB 124 90 80

HSL 13.64, 0.22%, 0.4%

LAB 41.5, 12.51, 11.26

 

CMYK 0 / 18 / 35 / 51

HEX #7C6650

RGB 124 102 80

HSL 30, 0.22%, 0.4%

LAB 44.75, 5.36, 15.74

 

CMYK 0 / 8 / 35 / 51

HEX #7C7250

RGB 124 114 80

HSL 46.36, 0.22%, 0.4%

LAB 48.13, -1.64, 20.28

 

CMYK 1 / 0 / 35 / 51

HEX #7B7C50

RGB 123 124 80

HSL 61.36, 0.22%, 0.4%

LAB 50.93, -7.74, 23.94

 

CMYK 10 / 0 / 35 / 51

HEX #6F7C50

RGB 111 124 80

HSL 77.73, 0.22%, 0.4%

LAB 49.95, -12.79, 22.47

 

CMYK 0 / 27 / 35 / 51

HEX #7C5A50

RGB 124 90 80

HSL 13.64, 0.22%, 0.4%

LAB 41.5, 12.51, 11.26

 

CMYK 0 / 43 / 55 / 45

HEX #8D503F

RGB 141 80 63

HSL 13.08, 0.38%, 0.4%

LAB 40.83, 23.74, 21.06

 

CMYK 0 / 55 / 70 / 38

HEX #9D472F

RGB 157 71 47

HSL 13.09, 0.54%, 0.4%

LAB 41.02, 34.09, 31.26

 

CMYK 0 / 64 / 83 / 32

HEX #AE3E1E

RGB 174 62 30

HSL 13.33, 0.71%, 0.4%

LAB 42.06, 44.2, 42.32

 

CMYK 0 / 72 / 93 / 25

HEX #BE350E

RGB 190 53 14

HSL 13.3, 0.86%, 0.4%

LAB 43.54, 53.05, 51.38

 

CMYK 0 / 27 / 35 / 51

HEX #7C5A50

RGB 124 90 80

HSL 13.64, 0.22%, 0.4%

LAB 41.5, 12.51, 11.26

 

CMYK 0 / 8 / 11 / 58

HEX #6C6360

RGB 108 99 96

HSL 15, 0.06%, 0.4%

LAB 42.7, 3, 2.99

 

CMYK 19 / 4 / 0 / 56

HEX #5B6C71

RGB 91 108 113

HSL 193.64, 0.11%, 0.4%

LAB 44.44, -5.16, -4.92

 

CMYK 42 / 9 / 0 / 49

HEX #4B7581

RGB 75 117 129

HSL 193.33, 0.26%, 0.4%

LAB 46.72, -11.23, -11.19

 

CMYK 60 / 14 / 0 / 43

HEX #3A7E92

RGB 58 126 146

HSL 193.64, 0.43%, 0.4%

LAB 49.37, -15.26, -17.27

 

CMYK 0 / 35 / 24 / 51

HEX #7C505E

RGB 124 80 94

HSL 340.91, 0.22%, 0.4%

LAB 39.29, 20.6, -0.51

 

CMYK 0 / 35 / 34 / 51

HEX #7C5052

RGB 124 80 82

HSL 357.27, 0.22%, 0.4%

LAB 38.95, 18.78, 6.46

 

CMYK 0 / 28 / 35 / 51

HEX #7C5950

RGB 124 89 80

HSL 12.27, 0.22%, 0.4%

LAB 41.23, 13.11, 10.9

 

CMYK 0 / 19 / 35 / 51

HEX #7C6550

RGB 124 101 80

HSL 28.64, 0.22%, 0.4%

LAB 44.48, 5.95, 15.36

 

CMYK 0 / 9 / 35 / 51

HEX #7C7150

RGB 124 113 80

HSL 45, 0.22%, 0.4%

LAB 47.85, -1.07, 19.9

 

CMYK 0 / 28 / 36 / 71

HEX #4A352F

RGB 74 53 47

HSL 13.33, 0.22%, 0.24%

LAB 24.35, 8.44, 7.47

 

CMYK 0 / 28 / 36 / 61

HEX #63473F

RGB 99 71 63

HSL 13.33, 0.22%, 0.32%

LAB 32.96, 10.77, 9.52

 

CMYK 0 / 27 / 35 / 51

HEX #7C5A50

RGB 124 90 80

HSL 13.64, 0.22%, 0.4%

LAB 41.5, 12.51, 11.26

 

CMYK 0 / 28 / 36 / 41

HEX #966C60

RGB 150 108 96

HSL 13.33, 0.22%, 0.48%

LAB 49.56, 15.06, 13.32

 

CMYK 0 / 23 / 29 / 34

HEX #A88277

RGB 168 130 119

HSL 13.47, 0.22%, 0.56%

LAB 57.68, 12.97, 11.56

 

CMYK 0 / 28 / 36 / 51

HEX #7D5A50

RGB 125 90 80

HSL 13.33, 0.22%, 0.4%

LAB 41.61, 12.94, 11.45

 

CMYK 15 / 0 / 35 / 51

HEX #6A7C50

RGB 106 124 80

HSL 84.55, 0.22%, 0.4%

LAB 49.57, -14.84, 21.9

 

CMYK 35 / 29 / 0 / 51

HEX #50587C

RGB 80 88 124

HSL 229.09, 0.22%, 0.4%

LAB 38.09, 6.27, -21.32

 

CMYK 0 / 28 / 36 / 51

HEX #7D5A50

RGB 125 90 80

HSL 13.33, 0.22%, 0.4%

LAB 41.61, 12.94, 11.45

 

CMYK 35 / 0 / 28 / 51

HEX #507C59

RGB 80 124 89

HSL 132.27, 0.22%, 0.4%

LAB 48.06, -23.09, 14.42

 

CMYK 28 / 35 / 0 / 51

HEX #59507C

RGB 89 80 124

HSL 252.27, 0.22%, 0.4%

LAB 36.59, 14.21, -23.6

 

CMYK 0 / 28 / 36 / 51

HEX #7D5A50

RGB 125 90 80

HSL 13.33, 0.22%, 0.4%

LAB 41.61, 12.94, 11.45

 

CMYK 15 / 0 / 35 / 51

HEX #6A7C50

RGB 106 124 80

HSL 84.55, 0.22%, 0.4%

LAB 49.57, -14.84, 21.9

 

CMYK 35 / 7 / 0 / 51

HEX #50737C

RGB 80 115 124

HSL 192.27, 0.22%, 0.4%

LAB 46.21, -10.01, -8.95

 

CMYK 21 / 35 / 0 / 51

HEX #62507C

RGB 98 80 124

HSL 264.55, 0.22%, 0.4%

LAB 37.46, 17.18, -22.17

 

CMYK 0 / 28 / 36 / 51

HEX #7D5A50

RGB 125 90 80

HSL 13.33, 0.22%, 0.4%

LAB 41.61, 12.94, 11.45

 

CMYK 26 / 0 / 35 / 51

HEX #5C7C50

RGB 92 124 80

HSL 103.64, 0.22%, 0.4%

LAB 48.6, -20.37, 20.44

 

CMYK 35 / 7 / 0 / 51

HEX #50737C

RGB 80 115 124

HSL 192.27, 0.22%, 0.4%

LAB 46.21, -10.01, -8.95

 

CMYK 10 / 35 / 0 / 51

HEX #70507C

RGB 112 80 124

HSL 283.64, 0.22%, 0.4%

LAB 38.96, 21.95, -19.73

 

Description

Color code: HEX #7D5A5000 | qconv.com Color code: HEX #7D5A5000 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 90 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 90 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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