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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D525B it is the complementary color #82ADA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D525B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D525B shade: #825256, #936469, #A4767C, #B5888F and #C69AA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D525B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D525B shade: #7D525B, #6C4048, #5B2E35, #4A1C22 and #390A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D525B shade: #7F535C and #7F5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D525B shade: #7F535C, #7F5368, #7F5373, #7E537F and #72537F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D525B shade matches the following richer shades: #7F535C, #8F4252, #A03148, #B1203E and #C20F34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D525B shade: #7F535C, #6E6466, #5D746F, #4C8579 and #3B9683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D525B shade: #7F5374, #7F5368, #7F535C, #7F5553 and #7F6053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D525B shade: #4D3238, #66424A, #7F535C, #97636E and #A97B84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D525B shade: #7D525B, #7F7E53 and #536E7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D525B shade: #7D525B, #5C7F53 and #535C7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D525B shade: #7D525B, #7F7E53, #537F75 and #53537F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D525B shade: #7D525B, #727F53, #537F75 and #5F537F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 27 / 51

HEX #7D525B

RGB 125 82 91

HSL 347.44, 0.21%, 0.41%

LAB 39.83, 19.34, 2.15

 

Complementary color

CMYK 25 / 0 / 5 / 32

HEX #82ADA4

RGB 130 173 164

HSL 167.44, 0.21%, 0.59%

LAB 67.51, -16.34, -0.08

 

CMYK 0 / 37 / 34 / 49

HEX #825256

RGB 130 82 86

HSL 355, 0.23%, 0.42%

LAB 40.33, 20.64, 6.05

 

CMYK 0 / 32 / 29 / 42

HEX #936469

RGB 147 100 105

HSL 353.62, 0.19%, 0.48%

LAB 47.41, 19.73, 4.88

 

CMYK 0 / 28 / 24 / 36

HEX #A4767C

RGB 164 118 124

HSL 352.17, 0.2%, 0.55%

LAB 54.35, 18.94, 3.87

 

CMYK 0 / 25 / 21 / 29

HEX #B5888F

RGB 181 136 143

HSL 350.67, 0.23%, 0.62%

LAB 61.15, 18.25, 2.96

 

CMYK 0 / 22 / 18 / 22

HEX #C69AA2

RGB 198 154 162

HSL 349.09, 0.28%, 0.69%

LAB 67.82, 17.63, 2.13

 

CMYK 0 / 34 / 27 / 51

HEX #7D525B

RGB 125 82 91

HSL 347.44, 0.21%, 0.41%

LAB 39.83, 19.34, 2.15

 

CMYK 0 / 41 / 33 / 58

HEX #6C4048

RGB 108 64 72

HSL 349.09, 0.26%, 0.34%

LAB 32.53, 20.28, 3.32

 

CMYK 0 / 49 / 42 / 64

HEX #5B2E35

RGB 91 46 53

HSL 350.67, 0.33%, 0.27%

LAB 25.06, 21.37, 4.8

 

CMYK 0 / 62 / 54 / 71

HEX #4A1C22

RGB 74 28 34

HSL 352.17, 0.45%, 0.2%

LAB 17.47, 22.53, 6.84

 

CMYK 0 / 82 / 74 / 78

HEX #390A0F

RGB 57 10 15

HSL 353.62, 0.7%, 0.13%

LAB 9.96, 23.35, 9.04

 

CMYK 0 / 35 / 28 / 50

HEX #7F535C

RGB 127 83 92

HSL 347.73, 0.21%, 0.41%

LAB 40.36, 19.71, 2.33

 

CMYK 0 / 35 / 35 / 50

HEX #7F5353

RGB 127 83 83

HSL 0, 0.21%, 0.41%

LAB 40.12, 18.38, 7.55

 

CMYK 0 / 35 / 28 / 50

HEX #7F535C

RGB 127 83 92

HSL 347.73, 0.21%, 0.41%

LAB 40.36, 19.71, 2.33

 

CMYK 0 / 35 / 18 / 50

HEX #7F5368

RGB 127 83 104

HSL 331.36, 0.21%, 0.41%

LAB 40.73, 21.67, -4.55

 

CMYK 0 / 35 / 9 / 50

HEX #7F5373

RGB 127 83 115

HSL 316.36, 0.21%, 0.41%

LAB 41.11, 23.66, -10.75

 

CMYK 1 / 35 / 0 / 50

HEX #7E537F

RGB 126 83 127

HSL 298.64, 0.21%, 0.41%

LAB 41.46, 25.66, -17.59

 

CMYK 10 / 35 / 0 / 50

HEX #72537F

RGB 114 83 127

HSL 282.27, 0.21%, 0.41%

LAB 40.07, 21.49, -19.83

 

CMYK 0 / 35 / 28 / 50

HEX #7F535C

RGB 127 83 92

HSL 347.73, 0.21%, 0.41%

LAB 40.36, 19.71, 2.33

 

CMYK 0 / 54 / 43 / 44

HEX #8F4252

RGB 143 66 82

HSL 347.53, 0.37%, 0.41%

LAB 38.46, 34.27, 6.13

 

CMYK 0 / 69 / 55 / 37

HEX #A03148

RGB 160 49 72

HSL 347.57, 0.53%, 0.41%

LAB 38.09, 47.27, 12.37

 

CMYK 0 / 82 / 65 / 31

HEX #B1203E

RGB 177 32 62

HSL 347.59, 0.69%, 0.41%

LAB 39.12, 57.4, 20.66

 

CMYK 0 / 92 / 73 / 24

HEX #C20F34

RGB 194 15 52

HSL 347.6, 0.86%, 0.41%

LAB 41.31, 64.73, 30.37

 

CMYK 0 / 35 / 28 / 50

HEX #7F535C

RGB 127 83 92

HSL 347.73, 0.21%, 0.41%

LAB 40.36, 19.71, 2.33

 

CMYK 0 / 9 / 7 / 57

HEX #6E6466

RGB 110 100 102

HSL 348, 0.05%, 0.41%

LAB 43.34, 4.35, 0.3

 

CMYK 20 / 0 / 4 / 55

HEX #5D746F

RGB 93 116 111

HSL 166.96, 0.11%, 0.41%

LAB 46.93, -9.54, -0.04

 

CMYK 43 / 0 / 9 / 48

HEX #4C8579

RGB 76 133 121

HSL 167.37, 0.27%, 0.41%

LAB 51.49, -21.78, 0.6

 

CMYK 61 / 0 / 13 / 41

HEX #3B9683

RGB 59 150 131

HSL 167.47, 0.44%, 0.41%

LAB 56.47, -31.72, 2

 

CMYK 0 / 35 / 9 / 50

HEX #7F5374

RGB 127 83 116

HSL 315, 0.21%, 0.41%

LAB 41.15, 23.85, -11.31

 

CMYK 0 / 35 / 18 / 50

HEX #7F5368

RGB 127 83 104

HSL 331.36, 0.21%, 0.41%

LAB 40.73, 21.67, -4.55

 

CMYK 0 / 35 / 28 / 50

HEX #7F535C

RGB 127 83 92

HSL 347.73, 0.21%, 0.41%

LAB 40.36, 19.71, 2.33

 

CMYK 0 / 33 / 35 / 50

HEX #7F5553

RGB 127 85 83

HSL 2.73, 0.21%, 0.41%

LAB 40.63, 17.19, 8.27

 

CMYK 0 / 24 / 35 / 50

HEX #7F6053

RGB 127 96 83

HSL 17.73, 0.21%, 0.41%

LAB 43.51, 10.63, 12.29

 

CMYK 0 / 35 / 27 / 70

HEX #4D3238

RGB 77 50 56

HSL 346.67, 0.21%, 0.25%

LAB 24.14, 13.25, 1.2

 

CMYK 0 / 35 / 27 / 60

HEX #66424A

RGB 102 66 74

HSL 346.67, 0.21%, 0.33%

LAB 32.29, 16.86, 1.59

 

CMYK 0 / 35 / 28 / 50

HEX #7F535C

RGB 127 83 92

HSL 347.73, 0.21%, 0.41%

LAB 40.36, 19.71, 2.33

 

CMYK 0 / 34 / 27 / 41

HEX #97636E

RGB 151 99 110

HSL 347.31, 0.21%, 0.49%

LAB 47.79, 22.64, 2.49

 

CMYK 0 / 27 / 22 / 34

HEX #A97B84

RGB 169 123 132

HSL 348.26, 0.21%, 0.57%

LAB 56.35, 19.27, 2.18

 

CMYK 0 / 34 / 27 / 51

HEX #7D525B

RGB 125 82 91

HSL 347.44, 0.21%, 0.41%

LAB 39.83, 19.34, 2.15

 

CMYK 0 / 1 / 35 / 50

HEX #7F7E53

RGB 127 126 83

HSL 58.64, 0.21%, 0.41%

LAB 51.9, -6.76, 23.59

 

CMYK 35 / 13 / 0 / 50

HEX #536E7F

RGB 83 110 127

HSL 203.18, 0.21%, 0.41%

LAB 44.97, -5.38, -12.58

 

CMYK 0 / 34 / 27 / 51

HEX #7D525B

RGB 125 82 91

HSL 347.44, 0.21%, 0.41%

LAB 39.83, 19.34, 2.15

 

CMYK 28 / 0 / 35 / 50

HEX #5C7F53

RGB 92 127 83

HSL 107.73, 0.21%, 0.41%

LAB 49.59, -21.43, 20.06

 

CMYK 35 / 28 / 0 / 50

HEX #535C7F

RGB 83 92 127

HSL 227.73, 0.21%, 0.41%

LAB 39.62, 5.56, -20.77

 

CMYK 0 / 34 / 27 / 51

HEX #7D525B

RGB 125 82 91

HSL 347.44, 0.21%, 0.41%

LAB 39.83, 19.34, 2.15

 

CMYK 0 / 1 / 35 / 50

HEX #7F7E53

RGB 127 126 83

HSL 58.64, 0.21%, 0.41%

LAB 51.9, -6.76, 23.59

 

CMYK 35 / 0 / 8 / 50

HEX #537F75

RGB 83 127 117

HSL 166.36, 0.21%, 0.41%

LAB 49.86, -17.53, 0.62

 

CMYK 35 / 35 / 0 / 50

HEX #53537F

RGB 83 83 127

HSL 240, 0.21%, 0.41%

LAB 37.04, 11.24, -24.79

 

CMYK 0 / 34 / 27 / 51

HEX #7D525B

RGB 125 82 91

HSL 347.44, 0.21%, 0.41%

LAB 39.83, 19.34, 2.15

 

CMYK 10 / 0 / 35 / 50

HEX #727F53

RGB 114 127 83

HSL 77.73, 0.21%, 0.41%

LAB 51.13, -12.76, 22.38

 

CMYK 35 / 0 / 8 / 50

HEX #537F75

RGB 83 127 117

HSL 166.36, 0.21%, 0.41%

LAB 49.86, -17.53, 0.62

 

CMYK 25 / 35 / 0 / 50

HEX #5F537F

RGB 95 83 127

HSL 256.36, 0.21%, 0.41%

LAB 38.11, 15.08, -23.03

 

Description

Color code: HEX #7D525B | qconv.com Color code: HEX #7D525B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 82 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 82 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 27 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 27% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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