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Color name
HEX #7D4B2ACE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D4B2ACE it is the complementary color #82B4D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D4B2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D4B2ACE shade: #824B25CE, #935D38CE, #A46F4BCE, #B5815ECE and #C69371CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D4B2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D4B2ACE shade: #7D4B2ACE, #6C3917CE, #5B2704CE, #4A1500CE and #390300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D4B2ACE shade: #7E4C2A, #7E352A and #7E2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D4B2ACE shade: #7E4C2A, #7E622A, #7E792A, #6D7E2A and #567E2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D4B2ACE shade matches the following richer shades: #7E4C2A, #8C491C, #99460F and #A74301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D4B2ACE shade: #7E4C2A, #714E38, #635145, #555453 and #485761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D4B2ACE shade: #7E2A37, #7E342A, #7E4A2A, #7E612A and #7E772A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D4B2ACE shade: #402715, #5F3920, #7E4C2A, #9D5E34 and #BC713F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D4B2ACE shade: #7D4B2A, #4D7E2A and #2A2B7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D4B2ACE shade: #7D4B2A, #2A7E4A and #4A2A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D4B2ACE shade: #7D4B2A, #4D7E2A, #2A5E7E and #5B2A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D4B2ACE shade: #7D4B2A, #347E2A, #2A5E7E and #742A7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 54 / 41

HEX #7D4B2ACE

RGBA 125 75 42 0.81

HSLA 23.86, 0.5%, 0.33%, 0.81

LABA 37.04, 17.9, 28.25, 0.81

 

Complementary color

CMYK 32 / 13 / 0 / 13

HEX #82B4D5CE

RGBA 130 180 213 0.81

HSLA 203.86, 0.5%, 0.67%, 0.81

LABA 71, -8.17, -21.88, 0.81

 

CMYK 0 / 34 / 58 / 40

HEX #824B25CE

RGBA 130 75 37 0.81

HSLA 24.52, 0.56%, 0.33%, 0.81

LABA 37.68, 19.83, 31.96, 0.81

 

CMYK 0 / 30 / 50 / 34

HEX #935D38CE

RGBA 147 93 56 0.81

HSLA 24.4, 0.45%, 0.4%, 0.81

LABA 44.68, 18.26, 30.13, 0.81

 

CMYK 0 / 26 / 44 / 29

HEX #A46F4BCE

RGBA 164 111 75 0.81

HSLA 24.27, 0.37%, 0.47%, 0.81

LABA 51.58, 16.95, 28.43, 0.81

 

CMYK 0 / 23 / 39 / 24

HEX #B5815ECE

RGBA 181 129 94 0.81

HSLA 24.14, 0.37%, 0.54%, 0.81

LABA 58.35, 15.84, 26.89, 0.81

 

CMYK 0 / 21 / 35 / 18

HEX #C69371CE

RGBA 198 147 113 0.81

HSLA 24, 0.43%, 0.61%, 0.81

LABA 65.01, 14.9, 25.49, 0.81

 

CMYK 0 / 32 / 54 / 41

HEX #7D4B2ACE

RGBA 125 75 42 0.81

HSLA 23.86, 0.5%, 0.33%, 0.81

LABA 37.04, 17.9, 28.25, 0.81

 

CMYK 0 / 38 / 64 / 47

HEX #6C3917CE

RGBA 108 57 23 0.81

HSLA 24, 0.65%, 0.26%, 0.81

LABA 29.85, 19.66, 30.16, 0.81

 

CMYK 0 / 46 / 77 / 52

HEX #5B2704CE

RGBA 91 39 4 0.81

HSLA 24.14, 0.92%, 0.19%, 0.81

LABA 22.6, 21.75, 30.96, 0.81

 

CMYK 0 / 58 / 81 / 57

HEX #4A1500CE

RGBA 74 21 0 0.81

HSLA 17.03, 1%, 0.15%, 0.81

LABA 15.45, 24.07, 23.46, 0.81

 

CMYK 0 / 77 / 81 / 63

HEX #390300CE

RGBA 57 3 0 0.81

HSLA 3.16, 1%, 0.11%, 0.81

LABA 8.44, 25.93, 13.26, 0.81

 

CMYK 0 / 40 / 67 / 51

HEX #7E4C2A

RGB 126 76 42

HSL 24.29, 0.5%, 0.33%

LAB 37.43, 17.76, 28.74

 

CMYK 0 / 58 / 67 / 51

HEX #7E352A

RGB 126 53 42

HSL 7.86, 0.5%, 0.33%

LAB 32.14, 30.83, 22.41

 

CMYK 0 / 67 / 67 / 51

HEX #7E2A2A

RGB 126 42 42

HSL 0, 0.5%, 0.33%

LAB 30.06, 36.34, 19.82

 

CMYK 0 / 40 / 67 / 51

HEX #7E4C2A

RGB 126 76 42

HSL 24.29, 0.5%, 0.33%

LAB 37.43, 17.76, 28.74

 

CMYK 0 / 22 / 67 / 51

HEX #7E622A

RGB 126 98 42

HSL 40, 0.5%, 0.33%

LAB 43.27, 4.7, 35.37

 

CMYK 0 / 4 / 67 / 51

HEX #7E792A

RGB 126 121 42

HSL 56.43, 0.5%, 0.33%

LAB 49.83, -8.49, 42.45

 

CMYK 13 / 0 / 67 / 51

HEX #6D7E2A

RGB 109 126 42

HSL 72.14, 0.5%, 0.33%

LAB 49.91, -18.86, 42.09

 

CMYK 32 / 0 / 67 / 51

HEX #567E2A

RGB 86 126 42

HSL 88.57, 0.5%, 0.33%

LAB 48.34, -28.51, 39.96

 

CMYK 0 / 40 / 67 / 51

HEX #7E4C2A

RGB 126 76 42

HSL 24.29, 0.5%, 0.33%

LAB 37.43, 17.76, 28.74

 

CMYK 0 / 48 / 80 / 45

HEX #8C491C

RGB 140 73 28

HSL 24.11, 0.67%, 0.33%

LAB 38.59, 24.96, 38.02

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 60 / 99 / 35

HEX #A74301

RGB 167 67 1

HSL 23.86, 0.99%, 0.33%

LAB 41.58, 38.66, 51.94

 

CMYK 0 / 40 / 67 / 51

HEX #7E4C2A

RGB 126 76 42

HSL 24.29, 0.5%, 0.33%

LAB 37.43, 17.76, 28.74

 

CMYK 0 / 31 / 50 / 56

HEX #714E38

RGB 113 78 56

HSL 23.16, 0.34%, 0.33%

LAB 36.45, 11.89, 18.88

 

CMYK 0 / 18 / 30 / 61

HEX #635145

RGB 99 81 69

HSL 24, 0.18%, 0.33%

LAB 35.92, 5.46, 9.87

 

CMYK 0 / 1 / 2 / 67

HEX #555453

RGB 85 84 83

HSL 30, 0.01%, 0.33%

LAB 35.78, 0.19, 0.72

 

CMYK 26 / 10 / 0 / 62

HEX #485761

RGB 72 87 97

HSL 204, 0.15%, 0.33%

LAB 36.09, -3.27, -7.7

 

CMYK 0 / 67 / 56 / 51

HEX #7E2A37

RGB 126 42 55

HSL 350.71, 0.5%, 0.33%

LAB 30.32, 37.34, 11.7

 

CMYK 0 / 59 / 67 / 51

HEX #7E342A

RGB 126 52 42

HSL 7.14, 0.5%, 0.33%

LAB 31.94, 31.35, 22.16

 

CMYK 0 / 41 / 67 / 51

HEX #7E4A2A

RGB 126 74 42

HSL 22.86, 0.5%, 0.33%

LAB 36.93, 18.94, 28.16

 

CMYK 0 / 23 / 67 / 51

HEX #7E612A

RGB 126 97 42

HSL 39.29, 0.5%, 0.33%

LAB 42.99, 5.29, 35.07

 

CMYK 0 / 6 / 67 / 51

HEX #7E772A

RGB 126 119 42

HSL 55, 0.5%, 0.33%

LAB 49.25, -7.37, 41.83

 

CMYK 0 / 39 / 67 / 75

HEX #402715

RGB 64 39 21

HSL 25.12, 0.51%, 0.17%

LAB 18.34, 9.55, 16.59

 

CMYK 0 / 40 / 66 / 63

HEX #5F3920

RGB 95 57 32

HSL 23.81, 0.5%, 0.25%

LAB 28.02, 14.15, 22.41

 

CMYK 0 / 40 / 67 / 51

HEX #7E4C2A

RGB 126 76 42

HSL 24.29, 0.5%, 0.33%

LAB 37.43, 17.76, 28.74

 

CMYK 0 / 40 / 67 / 38

HEX #9D5E34

RGB 157 94 52

HSL 24, 0.5%, 0.41%

LAB 46.21, 21.78, 34.46

 

CMYK 0 / 40 / 66 / 26

HEX #BC713F

RGB 188 113 63

HSL 24, 0.5%, 0.49%

LAB 54.93, 25.14, 39.71

 

CMYK 0 / 40 / 66 / 51

HEX #7D4B2A

RGB 125 75 42

HSL 23.86, 0.5%, 0.33%

LAB 37.04, 17.9, 28.25

 

CMYK 39 / 0 / 67 / 51

HEX #4D7E2A

RGB 77 126 42

HSL 95, 0.5%, 0.33%

LAB 47.84, -31.95, 39.26

 

CMYK 67 / 66 / 0 / 51

HEX #2A2B7E

RGB 42 43 126

HSL 239.29, 0.5%, 0.33%

LAB 22.75, 27.38, -47.2

 

CMYK 0 / 40 / 66 / 51

HEX #7D4B2A

RGB 125 75 42

HSL 23.86, 0.5%, 0.33%

LAB 37.04, 17.9, 28.25

 

CMYK 67 / 0 / 41 / 51

HEX #2A7E4A

RGB 42 126 74

HSL 142.86, 0.5%, 0.33%

LAB 46.85, -37.65, 21.12

 

CMYK 41 / 67 / 0 / 51

HEX #4A2A7E

RGB 74 42 126

HSL 262.86, 0.5%, 0.33%

LAB 25.62, 34.29, -42.39

 

CMYK 0 / 40 / 66 / 51

HEX #7D4B2A

RGB 125 75 42

HSL 23.86, 0.5%, 0.33%

LAB 37.04, 17.9, 28.25

 

CMYK 39 / 0 / 67 / 51

HEX #4D7E2A

RGB 77 126 42

HSL 95, 0.5%, 0.33%

LAB 47.84, -31.95, 39.26

 

CMYK 67 / 25 / 0 / 51

HEX #2A5E7E

RGB 42 94 126

HSL 202.86, 0.5%, 0.33%

LAB 37.85, -6.57, -23.09

 

CMYK 28 / 67 / 0 / 51

HEX #5B2A7E

RGB 91 42 126

HSL 275, 0.5%, 0.33%

LAB 27.81, 38.29, -38.74

 

CMYK 0 / 40 / 66 / 51

HEX #7D4B2A

RGB 125 75 42

HSL 23.86, 0.5%, 0.33%

LAB 37.04, 17.9, 28.25

 

CMYK 59 / 0 / 67 / 51

HEX #347E2A

RGB 52 126 42

HSL 112.86, 0.5%, 0.33%

LAB 46.74, -40.05, 37.74

 

CMYK 67 / 25 / 0 / 51

HEX #2A5E7E

RGB 42 94 126

HSL 202.86, 0.5%, 0.33%

LAB 37.85, -6.57, -23.09

 

CMYK 8 / 67 / 0 / 51

HEX #742A7E

RGB 116 42 126

HSL 292.86, 0.5%, 0.33%

LAB 31.52, 44.57, -32.59

 

Description

Color code: HEX #7D4B2ACE | qconv.com Color code: HEX #7D4B2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 75 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 75 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 54% 41% C M Y K

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Provide designers and agencies with accurate color values.

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