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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D46D6 it is the complementary color #82B929. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D46D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D46D6 shade: #8246D1, #9358E4, #A46AF7, #B57CFF and #C68EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D46D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D46D6 shade: #7D46D6, #6C34C3, #5B22B0, #4A109D and #39008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D46D6 shade: #7E47D7, #A547D7, #CB47D7, #D747BB and #D74794

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D46D6 shade: #7E47D7, #5747D7 and #4747D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D46D6 shade matches the following richer shades: #7E47D7, #7A35E9 and #7523FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D46D6 shade: #7E47D7, #8259C4, #866BB2, #8B7DA0 and #8F908E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D46D6 shade: #475FD7, #5547D7, #7C47D7, #A247D7 and #C847D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D46D6 shade: #5625A7, #682CC8, #7E47D7, #9669DE and #AD8BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D46D6 shade: #7D46D6, #D74785 and #4CD747

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D46D6 shade: #7D46D6, #D77C47 and #47D77C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D46D6 shade: #7D46D6, #D74785, #A2D747 and #47D798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D46D6 shade: #7D46D6, #D7475A, #A2D747 and #47D7C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 67 / 0 / 16

HEX #7D46D6

RGB 125 70 214

HSL 262.92, 0.64%, 0.56%

LAB 43.65, 53.51, -65.6

 

Complementary color

CMYK 30 / 0 / 78 / 27

HEX #82B929

RGB 130 185 41

HSL 82.92, 0.64%, 0.44%

LAB 69.19, -38.68, 62

 

CMYK 38 / 67 / 0 / 18

HEX #8246D1

RGB 130 70 209

HSL 265.9, 0.6%, 0.55%

LAB 43.84, 53.2, -62.38

 

CMYK 36 / 61 / 0 / 11

HEX #9358E4

RGB 147 88 228

HSL 265.29, 0.72%, 0.62%

LAB 50.43, 52.28, -62.46

 

CMYK 34 / 57 / 0 / 3

HEX #A46AF7

RGB 164 106 247

HSL 264.68, 0.9%, 0.69%

LAB 56.99, 51.28, -62.43

 

CMYK 29 / 51 / 0 / 0

HEX #B57CFF

RGB 181 124 255

HSL 266.11, 1%, 0.74%

LAB 62.89, 47.65, -57.3

 

CMYK 22 / 44 / 0 / 0

HEX #C68EFF

RGB 198 142 255

HSL 269.73, 1%, 0.78%

LAB 68.44, 42.37, -48.41

 

CMYK 42 / 67 / 0 / 16

HEX #7D46D6

RGB 125 70 214

HSL 262.92, 0.64%, 0.56%

LAB 43.65, 53.51, -65.6

 

CMYK 45 / 73 / 0 / 24

HEX #6C34C3

RGB 108 52 195

HSL 263.5, 0.58%, 0.48%

LAB 37.09, 54.34, -65.37

 

CMYK 48 / 81 / 0 / 31

HEX #5B22B0

RGB 91 34 176

HSL 264.08, 0.68%, 0.41%

LAB 30.65, 54.71, -64.77

 

CMYK 53 / 90 / 0 / 38

HEX #4A109D

RGB 74 16 157

HSL 264.68, 0.82%, 0.34%

LAB 24.52, 54.06, -63.45

 

CMYK 59 / 100 / 0 / 46

HEX #39008A

RGB 57 0 138

HSL 264.78, 1%, 0.27%

LAB 18.82, 51.99, -61.17

 

CMYK 41 / 67 / 0 / 16

HEX #7E47D7

RGB 126 71 215

HSL 262.92, 0.64%, 0.56%

LAB 44.01, 53.45, -65.57

 

CMYK 23 / 67 / 0 / 16

HEX #A547D7

RGB 165 71 215

HSL 279.17, 0.64%, 0.56%

LAB 48.78, 61.37, -57.64

 

CMYK 6 / 67 / 0 / 16

HEX #CB47D7

RGB 203 71 215

HSL 295, 0.64%, 0.56%

LAB 54.14, 69.67, -48.75

 

CMYK 0 / 67 / 13 / 16

HEX #D747BB

RGB 215 71 187

HSL 311.67, 0.64%, 0.56%

LAB 54.6, 68.03, -31.85

 

CMYK 0 / 67 / 31 / 16

HEX #D74794

RGB 215 71 148

HSL 327.92, 0.64%, 0.56%

LAB 53.05, 62.87, -11.39

 

CMYK 41 / 67 / 0 / 16

HEX #7E47D7

RGB 126 71 215

HSL 262.92, 0.64%, 0.56%

LAB 44.01, 53.45, -65.57

 

CMYK 60 / 67 / 0 / 16

HEX #5747D7

RGB 87 71 215

HSL 246.67, 0.64%, 0.56%

LAB 40.31, 46.79, -71.77

 

CMYK 67 / 67 / 0 / 16

HEX #4747D7

RGB 71 71 215

HSL 240, 0.64%, 0.56%

LAB 39.16, 44.6, -73.7

 

CMYK 41 / 67 / 0 / 16

HEX #7E47D7

RGB 126 71 215

HSL 262.92, 0.64%, 0.56%

LAB 44.01, 53.45, -65.57

 

CMYK 48 / 77 / 0 / 9

HEX #7A35E9

RGB 122 53 233

HSL 263, 0.8%, 0.56%

LAB 42.1, 65.62, -78.97

 

CMYK 53 / 86 / 0 / 2

HEX #7523FB

RGB 117 35 251

HSL 262.78, 0.96%, 0.56%

LAB 41.13, 75.57, -90.73

 

CMYK 41 / 67 / 0 / 16

HEX #7E47D7

RGB 126 71 215

HSL 262.92, 0.64%, 0.56%

LAB 44.01, 53.45, -65.57

 

CMYK 34 / 55 / 0 / 23

HEX #8259C4

RGB 130 89 196

HSL 262.99, 0.48%, 0.56%

LAB 46.81, 39.67, -50.1

 

CMYK 25 / 40 / 0 / 30

HEX #866BB2

RGB 134 107 178

HSL 262.82, 0.32%, 0.56%

LAB 50.45, 25.72, -33.88

 

CMYK 13 / 22 / 0 / 37

HEX #8B7DA0

RGB 139 125 160

HSL 264, 0.16%, 0.56%

LAB 54.76, 12.47, -16.76

 

CMYK 1 / 0 / 1 / 44

HEX #8F908E

RGB 143 144 142

HSL 90, 0.01%, 0.56%

LAB 59.65, -0.75, 0.92

 

CMYK 67 / 56 / 0 / 16

HEX #475FD7

RGB 71 95 215

HSL 230, 0.64%, 0.56%

LAB 44.84, 29.87, -64.42

 

CMYK 60 / 67 / 0 / 16

HEX #5547D7

RGB 85 71 215

HSL 245.83, 0.64%, 0.56%

LAB 40.15, 46.49, -72.03

 

CMYK 42 / 67 / 0 / 16

HEX #7C47D7

RGB 124 71 215

HSL 262.08, 0.64%, 0.56%

LAB 43.8, 53.07, -65.93

 

CMYK 25 / 67 / 0 / 16

HEX #A247D7

RGB 162 71 215

HSL 277.92, 0.64%, 0.56%

LAB 48.38, 60.73, -58.3

 

CMYK 7 / 67 / 0 / 16

HEX #C847D7

RGB 200 71 215

HSL 293.75, 0.64%, 0.56%

LAB 53.7, 69.01, -49.48

 

CMYK 49 / 78 / 0 / 35

HEX #5625A7

RGB 86 37 167

HSL 262.62, 0.64%, 0.4%

LAB 29.64, 50.38, -61.04

 

CMYK 48 / 78 / 0 / 22

HEX #682CC8

RGB 104 44 200

HSL 263.08, 0.64%, 0.48%

LAB 35.82, 58.55, -70.39

 

CMYK 41 / 67 / 0 / 16

HEX #7E47D7

RGB 126 71 215

HSL 262.92, 0.64%, 0.56%

LAB 44.01, 53.45, -65.57

 

CMYK 32 / 53 / 0 / 13

HEX #9669DE

RGB 150 105 222

HSL 263.08, 0.64%, 0.64%

LAB 53.88, 42.28, -53.52

 

CMYK 24 / 39 / 0 / 10

HEX #AD8BE5

RGB 173 139 229

HSL 262.67, 0.63%, 0.72%

LAB 64.17, 31.04, -41.01

 

CMYK 42 / 67 / 0 / 16

HEX #7D46D6

RGB 125 70 214

HSL 262.92, 0.64%, 0.56%

LAB 43.65, 53.51, -65.6

 

CMYK 0 / 67 / 38 / 16

HEX #D74785

RGB 215 71 133

HSL 334.17, 0.64%, 0.56%

LAB 52.56, 61.18, -3.2

 

CMYK 65 / 0 / 67 / 16

HEX #4CD747

RGB 76 215 71

HSL 117.92, 0.64%, 0.56%

LAB 76.43, -64.07, 57.87

 

CMYK 42 / 67 / 0 / 16

HEX #7D46D6

RGB 125 70 214

HSL 262.92, 0.64%, 0.56%

LAB 43.65, 53.51, -65.6

 

CMYK 0 / 42 / 67 / 16

HEX #D77C47

RGB 215 124 71

HSL 22.08, 0.64%, 0.56%

LAB 61.06, 30.84, 43.53

 

CMYK 67 / 0 / 42 / 16

HEX #47D77C

RGB 71 215 124

HSL 142.08, 0.64%, 0.56%

LAB 76.92, -58.06, 33.97

 

CMYK 42 / 67 / 0 / 16

HEX #7D46D6

RGB 125 70 214

HSL 262.92, 0.64%, 0.56%

LAB 43.65, 53.51, -65.6

 

CMYK 0 / 67 / 38 / 16

HEX #D74785

RGB 215 71 133

HSL 334.17, 0.64%, 0.56%

LAB 52.56, 61.18, -3.2

 

CMYK 25 / 0 / 67 / 16

HEX #A2D747

RGB 162 215 71

HSL 82.08, 0.64%, 0.56%

LAB 80.03, -38.18, 62.77

 

CMYK 67 / 0 / 29 / 16

HEX #47D798

RGB 71 215 152

HSL 153.75, 0.64%, 0.56%

LAB 77.4, -52.73, 20.15

 

CMYK 42 / 67 / 0 / 16

HEX #7D46D6

RGB 125 70 214

HSL 262.92, 0.64%, 0.56%

LAB 43.65, 53.51, -65.6

 

CMYK 0 / 67 / 58 / 16

HEX #D7475A

RGB 215 71 90

HSL 352.08, 0.64%, 0.56%

LAB 51.49, 57.39, 21.06

 

CMYK 25 / 0 / 67 / 16

HEX #A2D747

RGB 162 215 71

HSL 82.08, 0.64%, 0.56%

LAB 80.03, -38.18, 62.77

 

CMYK 67 / 0 / 9 / 16

HEX #47D7C3

RGB 71 215 195

HSL 171.67, 0.64%, 0.56%

LAB 78.39, -42.61, -1.31

 

Description

Color code: HEX #7D46D6 | qconv.com Color code: HEX #7D46D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 70 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 70 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 67 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 67% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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