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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D44C1 it is the complementary color #82BB3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D44C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D44C1 shade: #8244BC, #9356CF, #A468E2, #B57AF5 and #C68CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D44C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D44C1 shade: #7D44C1, #6C32AE, #5B209B, #4A0E88 and #390075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D44C1 shade: #7D44C1, #9E44C1, #C044C1, #C1449F and #C1447E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D44C1 shade: #7D44C1, #5B44C1 and #4444C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D44C1 shade matches the following richer shades: #7D44C1, #7B2FD5, #791BE9 and #7707FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D44C1 shade: #7D44C1, #7E58AC, #806C98, #828084 and #849470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D44C1 shade: #444EC1, #5A44C1, #7C44C1, #9D44C1 and #BE44C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D44C1 shade: #552C85, #6937A4, #7D44C1, #9263CB and #A881D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D44C1 shade: #7D44C1, #C1446F and #44C14A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D44C1 shade: #7D44C1, #C17C44 and #44C17C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D44C1 shade: #7D44C1, #C1446F, #88C144 and #44C195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D44C1 shade: #7D44C1, #C1444A, #88C144 and #44C1BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

Complementary color

CMYK 30 / 0 / 67 / 27

HEX #82BB3E

RGB 130 187 62

HSL 87.36, 0.5%, 0.49%

LAB 69.92, -38.26, 55.18

 

CMYK 31 / 64 / 0 / 26

HEX #8244BC

RGB 130 68 188

HSL 271, 0.47%, 0.5%

LAB 42.02, 49.05, -53.15

 

CMYK 29 / 58 / 0 / 19

HEX #9356CF

RGB 147 86 207

HSL 270.25, 0.56%, 0.57%

LAB 48.71, 48.2, -53.28

 

CMYK 27 / 54 / 0 / 11

HEX #A468E2

RGB 164 104 226

HSL 269.51, 0.68%, 0.65%

LAB 55.36, 47.29, -53.32

 

CMYK 26 / 50 / 0 / 4

HEX #B57AF5

RGB 181 122 245

HSL 268.78, 0.86%, 0.72%

LAB 61.94, 46.38, -53.31

 

CMYK 22 / 45 / 0 / 0

HEX #C68CFF

RGB 198 140 255

HSL 270.26, 1%, 0.77%

LAB 68.01, 43.45, -49.09

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 38 / 71 / 0 / 32

HEX #6C32AE

RGB 108 50 174

HSL 268.06, 0.55%, 0.44%

LAB 35.05, 49.93, -56.28

 

CMYK 41 / 79 / 0 / 39

HEX #5B209B

RGB 91 32 155

HSL 268.78, 0.66%, 0.37%

LAB 28.44, 50.22, -55.69

 

CMYK 46 / 90 / 0 / 47

HEX #4A0E88

RGB 74 14 136

HSL 269.51, 0.81%, 0.29%

LAB 22.12, 49.45, -54.4

 

CMYK 51 / 100 / 0 / 54

HEX #390075

RGB 57 0 117

HSL 269.23, 1%, 0.23%

LAB 16.28, 46.94, -52.02

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 18 / 65 / 0 / 24

HEX #9E44C1

RGB 158 68 193

HSL 283.2, 0.5%, 0.51%

LAB 45.98, 56.56, -49.51

 

CMYK 1 / 65 / 0 / 24

HEX #C044C1

RGB 192 68 193

HSL 299.52, 0.5%, 0.51%

LAB 50.91, 64.54, -41.36

 

CMYK 0 / 65 / 18 / 24

HEX #C1449F

RGB 193 68 159

HSL 316.32, 0.5%, 0.51%

LAB 49.47, 59.45, -23.7

 

CMYK 0 / 65 / 35 / 24

HEX #C1447E

RGB 193 68 126

HSL 332.16, 0.5%, 0.51%

LAB 48.23, 55.14, -5.81

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 53 / 65 / 0 / 24

HEX #5B44C1

RGB 91 68 193

HSL 251.04, 0.5%, 0.51%

LAB 38.21, 42.44, -62.43

 

CMYK 65 / 65 / 0 / 24

HEX #4444C1

RGB 68 68 193

HSL 240, 0.5%, 0.51%

LAB 36.39, 38.71, -65.49

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 42 / 78 / 0 / 16

HEX #7B2FD5

RGB 123 47 213

HSL 267.47, 0.66%, 0.51%

LAB 39.66, 63.29, -71.54

 

CMYK 48 / 88 / 0 / 9

HEX #791BE9

RGB 121 27 233

HSL 267.38, 0.82%, 0.51%

LAB 39.13, 73.9, -83.87

 

CMYK 53 / 97 / 0 / 1

HEX #7707FD

RGB 119 7 253

HSL 267.32, 0.98%, 0.51%

LAB 39.86, 81.35, -93.96

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 27 / 49 / 0 / 33

HEX #7E58AC

RGB 126 88 172

HSL 267.14, 0.34%, 0.51%

LAB 44.79, 33.06, -39.35

 

CMYK 16 / 29 / 0 / 40

HEX #806C98

RGB 128 108 152

HSL 267.27, 0.18%, 0.51%

LAB 48.98, 16.95, -21

 

CMYK 2 / 3 / 0 / 48

HEX #828084

RGB 130 128 132

HSL 270, 0.02%, 0.51%

LAB 53.87, 1.55, -1.9

 

CMYK 11 / 0 / 24 / 42

HEX #849470

RGB 132 148 112

HSL 86.67, 0.14%, 0.51%

LAB 59.21, -12.47, 17.18

 

CMYK 65 / 60 / 0 / 24

HEX #444EC1

RGB 68 78 193

HSL 235.2, 0.5%, 0.51%

LAB 38.77, 32.5, -61.6

 

CMYK 53 / 65 / 0 / 24

HEX #5A44C1

RGB 90 68 193

HSL 250.56, 0.5%, 0.51%

LAB 38.12, 42.26, -62.58

 

CMYK 36 / 65 / 0 / 24

HEX #7C44C1

RGB 124 68 193

HSL 266.88, 0.5%, 0.51%

LAB 41.64, 48.97, -56.71

 

CMYK 19 / 65 / 0 / 24

HEX #9D44C1

RGB 157 68 193

HSL 282.72, 0.5%, 0.51%

LAB 45.84, 56.33, -49.73

 

CMYK 2 / 65 / 0 / 24

HEX #BE44C1

RGB 190 68 193

HSL 298.56, 0.5%, 0.51%

LAB 50.61, 64.07, -41.86

 

CMYK 36 / 67 / 0 / 48

HEX #552C85

RGB 85 44 133

HSL 267.64, 0.5%, 0.35%

LAB 27.92, 37.59, -43

 

CMYK 36 / 66 / 0 / 36

HEX #6937A4

RGB 105 55 164

HSL 267.52, 0.5%, 0.43%

LAB 34.83, 44.27, -50.67

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 28 / 51 / 0 / 20

HEX #9263CB

RGB 146 99 203

HSL 267.12, 0.5%, 0.59%

LAB 51.09, 39.89, -47.2

 

CMYK 21 / 39 / 0 / 16

HEX #A881D5

RGB 168 129 213

HSL 267.86, 0.5%, 0.67%

LAB 60.63, 31.49, -37.67

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 0 / 65 / 42 / 24

HEX #C1446F

RGB 193 68 111

HSL 339.36, 0.5%, 0.51%

LAB 47.78, 53.49, 2.63

 

CMYK 65 / 0 / 62 / 24

HEX #44C14A

RGB 68 193 74

HSL 122.88, 0.5%, 0.51%

LAB 69.37, -57.81, 48.77

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 0 / 36 / 65 / 24

HEX #C17C44

RGB 193 124 68

HSL 26.88, 0.5%, 0.51%

LAB 58.2, 21.53, 41.05

 

CMYK 65 / 0 / 36 / 24

HEX #44C17C

RGB 68 193 124

HSL 146.88, 0.5%, 0.51%

LAB 70.05, -50.16, 24.88

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 0 / 65 / 42 / 24

HEX #C1446F

RGB 193 68 111

HSL 339.36, 0.5%, 0.51%

LAB 47.78, 53.49, 2.63

 

CMYK 30 / 0 / 65 / 24

HEX #88C144

RGB 136 193 68

HSL 87.36, 0.5%, 0.51%

LAB 72.09, -38.26, 55.13

 

CMYK 65 / 0 / 23 / 24

HEX #44C195

RGB 68 193 149

HSL 158.88, 0.5%, 0.51%

LAB 70.55, -44.88, 12.18

 

CMYK 35 / 65 / 0 / 24

HEX #7D44C1

RGB 125 68 193

HSL 267.36, 0.5%, 0.51%

LAB 41.76, 49.18, -56.52

 

CMYK 0 / 65 / 62 / 24

HEX #C1444A

RGB 193 68 74

HSL 357.12, 0.5%, 0.51%

LAB 46.93, 50.37, 23.95

 

CMYK 30 / 0 / 65 / 24

HEX #88C144

RGB 136 193 68

HSL 87.36, 0.5%, 0.51%

LAB 72.09, -38.26, 55.13

 

CMYK 65 / 0 / 4 / 24

HEX #44C1BA

RGB 68 193 186

HSL 176.64, 0.5%, 0.51%

LAB 71.5, -35.51, -6.61

 

Description

Color code: HEX #7D44C1 | qconv.com Color code: HEX #7D44C1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 68 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 68 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 65 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 65% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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