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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D3FA1 it is the complementary color #82C05E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D3FA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D3FA1 shade: #823F9C, #9351AF, #A463C2, #B575D5 and #C687E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D3FA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D3FA1 shade: #7D3FA1, #6C2D8E, #5B1B7B, #4A0968 and #390055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D3FA1 shade: #7D3FA2, #983FA2, #A23F91, #A23F76 and #A23F5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D3FA1 shade: #7D3FA2, #633FA2, #483FA2 and #3F3FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D3FA1 shade matches the following richer shades: #7D3FA2, #822DB4, #871BC6 and #8C08D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D3FA1 shade: #7D3FA2, #78518F, #74637D, #6F756B and #6A8759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D3FA1 shade: #473FA2, #613FA2, #7C3FA2, #963FA2 and #A23F93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D3FA1 shade: #4F2866, #663384, #7D3FA2, #934FBB and #A56DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D3FA1 shade: #7D3FA1, #A23F51 and #3FA254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D3FA1 shade: #7D3FA1, #A27C3F and #3FA27C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D3FA1 shade: #7D3FA1, #A23F51, #65A23F and #3FA28F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D3FA1 shade: #7D3FA1, #A24A3F, #65A23F and #3F96A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 61 / 0 / 37

HEX #7D3FA1

RGB 125 63 161

HSL 277.96, 0.44%, 0.44%

LAB 38.7, 44.07, -42.51

 

Complementary color

CMYK 32 / 0 / 51 / 25

HEX #82C05E

RGB 130 192 94

HSL 97.96, 0.44%, 0.56%

LAB 71.73, -37.41, 42.82

 

CMYK 17 / 60 / 0 / 39

HEX #823F9C

RGB 130 63 156

HSL 283.23, 0.42%, 0.43%

LAB 39.07, 44.24, -38.88

 

CMYK 16 / 54 / 0 / 31

HEX #9351AF

RGB 147 81 175

HSL 282.13, 0.37%, 0.5%

LAB 45.88, 43.54, -39.23

 

CMYK 15 / 49 / 0 / 24

HEX #A463C2

RGB 164 99 194

HSL 281.05, 0.44%, 0.57%

LAB 52.63, 42.74, -39.47

 

CMYK 15 / 45 / 0 / 16

HEX #B575D5

RGB 181 117 213

HSL 280, 0.53%, 0.65%

LAB 59.3, 41.93, -39.66

 

CMYK 15 / 42 / 0 / 9

HEX #C687E8

RGB 198 135 232

HSL 278.97, 0.68%, 0.72%

LAB 65.87, 41.13, -39.82

 

CMYK 22 / 61 / 0 / 37

HEX #7D3FA1

RGB 125 63 161

HSL 277.96, 0.44%, 0.44%

LAB 38.7, 44.07, -42.51

 

CMYK 24 / 68 / 0 / 44

HEX #6C2D8E

RGB 108 45 142

HSL 278.97, 0.52%, 0.37%

LAB 31.85, 44.63, -42.08

 

CMYK 26 / 78 / 0 / 52

HEX #5B1B7B

RGB 91 27 123

HSL 280, 0.64%, 0.29%

LAB 25.07, 44.64, -41.26

 

CMYK 29 / 91 / 0 / 59

HEX #4A0968

RGB 74 9 104

HSL 281.05, 0.84%, 0.22%

LAB 18.59, 43.38, -39.66

 

CMYK 33 / 100 / 0 / 67

HEX #390055

RGB 57 0 85

HSL 280.24, 1%, 0.17%

LAB 12.77, 39.55, -36.58

 

CMYK 23 / 61 / 0 / 36

HEX #7D3FA2

RGB 125 63 162

HSL 277.58, 0.44%, 0.44%

LAB 38.77, 44.3, -43.01

 

CMYK 6 / 61 / 0 / 36

HEX #983FA2

RGB 152 63 162

HSL 293.94, 0.44%, 0.44%

LAB 42.52, 51.22, -36.81

 

CMYK 0 / 61 / 10 / 36

HEX #A23F91

RGB 162 63 145

HSL 310.3, 0.44%, 0.44%

LAB 43.18, 50.91, -25.45

 

CMYK 0 / 61 / 27 / 36

HEX #A23F76

RGB 162 63 118

HSL 326.67, 0.44%, 0.44%

LAB 42.07, 46.84, -10.67

 

CMYK 0 / 61 / 44 / 36

HEX #A23F5B

RGB 162 63 91

HSL 343.03, 0.44%, 0.44%

LAB 41.2, 43.55, 4.82

 

CMYK 23 / 61 / 0 / 36

HEX #7D3FA2

RGB 125 63 162

HSL 277.58, 0.44%, 0.44%

LAB 38.77, 44.3, -43.01

 

CMYK 39 / 61 / 0 / 36

HEX #633FA2

RGB 99 63 162

HSL 261.82, 0.44%, 0.44%

LAB 35.63, 37.98, -48.22

 

CMYK 56 / 61 / 0 / 36

HEX #483FA2

RGB 72 63 162

HSL 245.45, 0.44%, 0.44%

LAB 33.01, 32.21, -52.58

 

CMYK 61 / 61 / 0 / 36

HEX #3F3FA2

RGB 63 63 162

HSL 240, 0.44%, 0.44%

LAB 32.3, 30.55, -53.76

 

CMYK 23 / 61 / 0 / 36

HEX #7D3FA2

RGB 125 63 162

HSL 277.58, 0.44%, 0.44%

LAB 38.77, 44.3, -43.01

 

CMYK 28 / 75 / 0 / 29

HEX #822DB4

RGB 130 45 180

HSL 277.78, 0.6%, 0.44%

LAB 37.69, 57.71, -55.43

 

CMYK 32 / 86 / 0 / 22

HEX #871BC6

RGB 135 27 198

HSL 277.89, 0.76%, 0.44%

LAB 37.86, 68.05, -65.71

 

CMYK 35 / 96 / 0 / 15

HEX #8C08D8

RGB 140 8 216

HSL 278.08, 0.93%, 0.44%

LAB 39.08, 75.49, -74.12

 

CMYK 23 / 61 / 0 / 36

HEX #7D3FA2

RGB 125 63 162

HSL 277.58, 0.44%, 0.44%

LAB 38.77, 44.3, -43.01

 

CMYK 16 / 43 / 0 / 44

HEX #78518F

RGB 120 81 143

HSL 277.74, 0.28%, 0.44%

LAB 40.99, 28.36, -28.08

 

CMYK 7 / 21 / 0 / 51

HEX #74637D

RGB 116 99 125

HSL 279.23, 0.12%, 0.44%

LAB 44.4, 12.03, -11.99

 

CMYK 5 / 0 / 9 / 54

HEX #6F756B

RGB 111 117 107

HSL 96, 0.04%, 0.44%

LAB 48.47, -4.28, 4.73

 

CMYK 21 / 0 / 34 / 47

HEX #6A8759

RGB 106 135 89

HSL 97.83, 0.21%, 0.44%

LAB 53.07, -19.31, 21.47

 

CMYK 56 / 61 / 0 / 36

HEX #473FA2

RGB 71 63 162

HSL 244.85, 0.44%, 0.44%

LAB 32.93, 32.02, -52.72

 

CMYK 40 / 61 / 0 / 36

HEX #613FA2

RGB 97 63 162

HSL 260.61, 0.44%, 0.44%

LAB 35.41, 37.52, -48.58

 

CMYK 23 / 61 / 0 / 36

HEX #7C3FA2

RGB 124 63 162

HSL 276.97, 0.44%, 0.44%

LAB 38.64, 44.05, -43.22

 

CMYK 7 / 61 / 0 / 36

HEX #963FA2

RGB 150 63 162

HSL 292.73, 0.44%, 0.44%

LAB 42.23, 50.7, -37.29

 

CMYK 0 / 61 / 9 / 36

HEX #A23F93

RGB 162 63 147

HSL 309.09, 0.44%, 0.44%

LAB 43.28, 51.24, -26.51

 

CMYK 23 / 61 / 0 / 60

HEX #4F2866

RGB 79 40 102

HSL 277.74, 0.44%, 0.28%

LAB 24.13, 30.26, -29.38

 

CMYK 23 / 61 / 0 / 48

HEX #663384

RGB 102 51 132

HSL 277.78, 0.44%, 0.36%

LAB 31.48, 37.72, -36.52

 

CMYK 23 / 61 / 0 / 36

HEX #7D3FA2

RGB 125 63 162

HSL 277.58, 0.44%, 0.44%

LAB 38.77, 44.3, -43.01

 

CMYK 21 / 58 / 0 / 27

HEX #934FBB

RGB 147 79 187

HSL 277.78, 0.44%, 0.52%

LAB 46.15, 47.24, -45.82

 

CMYK 17 / 45 / 0 / 22

HEX #A56DC6

RGB 165 109 198

HSL 277.75, 0.44%, 0.6%

LAB 55.09, 38.43, -37.89

 

CMYK 22 / 61 / 0 / 37

HEX #7D3FA1

RGB 125 63 161

HSL 277.96, 0.44%, 0.44%

LAB 38.7, 44.07, -42.51

 

CMYK 0 / 61 / 50 / 36

HEX #A23F51

RGB 162 63 81

HSL 349.09, 0.44%, 0.44%

LAB 40.95, 42.54, 10.7

 

CMYK 61 / 0 / 48 / 36

HEX #3FA254

RGB 63 162 84

HSL 132.73, 0.44%, 0.44%

LAB 59.47, -45.98, 32.07

 

CMYK 22 / 61 / 0 / 37

HEX #7D3FA1

RGB 125 63 161

HSL 277.96, 0.44%, 0.44%

LAB 38.7, 44.07, -42.51

 

CMYK 0 / 23 / 61 / 36

HEX #A27C3F

RGB 162 124 63

HSL 36.97, 0.44%, 0.44%

LAB 54.51, 7.69, 38.41

 

CMYK 61 / 0 / 23 / 36

HEX #3FA27C

RGB 63 162 124

HSL 156.97, 0.44%, 0.44%

LAB 60.21, -38.14, 11.32

 

CMYK 22 / 61 / 0 / 37

HEX #7D3FA1

RGB 125 63 161

HSL 277.96, 0.44%, 0.44%

LAB 38.7, 44.07, -42.51

 

CMYK 0 / 61 / 50 / 36

HEX #A23F51

RGB 162 63 81

HSL 349.09, 0.44%, 0.44%

LAB 40.95, 42.54, 10.7

 

CMYK 38 / 0 / 61 / 36

HEX #65A23F

RGB 101 162 63

HSL 96.97, 0.44%, 0.44%

LAB 60.75, -37.53, 44.31

 

CMYK 61 / 0 / 12 / 36

HEX #3FA28F

RGB 63 162 143

HSL 168.48, 0.44%, 0.44%

LAB 60.68, -33.46, 1.32

 

CMYK 22 / 61 / 0 / 37

HEX #7D3FA1

RGB 125 63 161

HSL 277.96, 0.44%, 0.44%

LAB 38.7, 44.07, -42.51

 

CMYK 0 / 54 / 61 / 36

HEX #A24A3F

RGB 162 74 63

HSL 6.67, 0.44%, 0.44%

LAB 42.67, 35.55, 24.05

 

CMYK 38 / 0 / 61 / 36

HEX #65A23F

RGB 101 162 63

HSL 96.97, 0.44%, 0.44%

LAB 60.75, -37.53, 44.31

 

CMYK 61 / 7 / 0 / 36

HEX #3F96A2

RGB 63 150 162

HSL 187.27, 0.44%, 0.44%

LAB 57.54, -22.19, -14.11

 

Description

Color code: HEX #7D3FA1 | qconv.com Color code: HEX #7D3FA1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 63 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 63 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 61 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 61% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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