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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D3ECD it is the complementary color #82C132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D3ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D3ECD shade: #823EC8, #9350DB, #A462EE, #B574FF and #C686FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D3ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D3ECD shade: #7D3ECD, #6C2CBA, #5B1AA7, #4A0894 and #390081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D3ECD shade: #7C3CCD, #A33CCD, #CA3CCD, #CD3CA9 and #CD3C82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D3ECD shade: #7C3CCD, #553CCD and #3C3CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D3ECD shade matches the following richer shades: #7C3CCD, #7A29E1 and #7715F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D3ECD shade: #7C3CCD, #7E50B9, #8164A5, #837891 and #858C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D3ECD shade: #3C4BCD, #543CCD, #7B3CCD, #A13CCD and #C83CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D3ECD shade: #552591, #682EB2, #7C3CCD, #925DD5 and #A87EDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D3ECD shade: #7D3ECD, #CD3C71 and #3CCD41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D3ECD shade: #7D3ECD, #CD7B3C and #3CCD7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D3ECD shade: #7D3ECD, #CD3C71, #8ECD3C and #3CCD98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D3ECD shade: #7D3ECD, #CD3C46, #8ECD3C and #3CCDC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 70 / 0 / 20

HEX #7D3ECD

RGB 125 62 205

HSL 266.43, 0.59%, 0.52%

LAB 41.55, 55.15, -63.82

 

Complementary color

CMYK 33 / 0 / 74 / 24

HEX #82C132

RGB 130 193 50

HSL 86.43, 0.59%, 0.48%

LAB 71.63, -41.7, 61.4

 

CMYK 35 / 69 / 0 / 22

HEX #823EC8

RGB 130 62 200

HSL 269.57, 0.56%, 0.51%

LAB 41.78, 54.89, -60.52

 

CMYK 33 / 63 / 0 / 14

HEX #9350DB

RGB 147 80 219

HSL 268.92, 0.66%, 0.59%

LAB 48.33, 54.17, -60.75

 

CMYK 31 / 59 / 0 / 7

HEX #A462EE

RGB 164 98 238

HSL 268.29, 0.8%, 0.66%

LAB 54.87, 53.3, -60.84

 

CMYK 29 / 55 / 0 / 0

HEX #B574FF

RGB 181 116 255

HSL 268.06, 1%, 0.73%

LAB 61.25, 51.9, -59.93

 

CMYK 22 / 47 / 0 / 0

HEX #C686FF

RGB 198 134 255

HSL 271.74, 1%, 0.76%

LAB 66.73, 46.66, -51.11

 

CMYK 39 / 70 / 0 / 20

HEX #7D3ECD

RGB 125 62 205

HSL 266.43, 0.59%, 0.52%

LAB 41.55, 55.15, -63.82

 

CMYK 42 / 76 / 0 / 27

HEX #6C2CBA

RGB 108 44 186

HSL 267.04, 0.62%, 0.45%

LAB 35.07, 55.64, -63.37

 

CMYK 46 / 84 / 0 / 35

HEX #5B1AA7

RGB 91 26 167

HSL 267.66, 0.73%, 0.38%

LAB 28.78, 55.41, -62.43

 

CMYK 50 / 95 / 0 / 42

HEX #4A0894

RGB 74 8 148

HSL 268.29, 0.9%, 0.31%

LAB 22.89, 53.82, -60.6

 

CMYK 56 / 100 / 0 / 49

HEX #390081

RGB 57 0 129

HSL 266.51, 1%, 0.25%

LAB 17.71, 49.82, -57.33

 

CMYK 40 / 71 / 0 / 20

HEX #7C3CCD

RGB 124 60 205

HSL 266.48, 0.59%, 0.52%

LAB 41.1, 55.92, -64.57

 

CMYK 20 / 71 / 0 / 20

HEX #A33CCD

RGB 163 60 205

HSL 282.62, 0.59%, 0.52%

LAB 46.21, 63.5, -56.04

 

CMYK 1 / 71 / 0 / 20

HEX #CA3CCD

RGB 202 60 205

HSL 298.76, 0.59%, 0.52%

LAB 52.06, 71.7, -46.36

 

CMYK 0 / 71 / 18 / 20

HEX #CD3CA9

RGB 205 60 169

HSL 314.9, 0.59%, 0.52%

LAB 50.78, 66.95, -27.42

 

CMYK 0 / 71 / 37 / 20

HEX #CD3C82

RGB 205 60 130

HSL 331.03, 0.59%, 0.52%

LAB 49.28, 62.13, -6.45

 

CMYK 40 / 71 / 0 / 20

HEX #7C3CCD

RGB 124 60 205

HSL 266.48, 0.59%, 0.52%

LAB 41.1, 55.92, -64.57

 

CMYK 59 / 71 / 0 / 20

HEX #553CCD

RGB 85 60 205

HSL 250.34, 0.59%, 0.52%

LAB 37.06, 49.54, -71.33

 

CMYK 71 / 71 / 0 / 20

HEX #3C3CCD

RGB 60 60 205

HSL 240, 0.59%, 0.52%

LAB 35.2, 46.46, -74.45

 

CMYK 40 / 71 / 0 / 20

HEX #7C3CCD

RGB 124 60 205

HSL 266.48, 0.59%, 0.52%

LAB 41.1, 55.92, -64.57

 

CMYK 46 / 82 / 0 / 12

HEX #7A29E1

RGB 122 41 225

HSL 266.41, 0.75%, 0.52%

LAB 39.85, 68.16, -78.12

 

CMYK 51 / 91 / 0 / 4

HEX #7715F4

RGB 119 21 244

HSL 266.37, 0.91%, 0.52%

LAB 39.56, 77.43, -89.39

 

CMYK 40 / 71 / 0 / 20

HEX #7C3CCD

RGB 124 60 205

HSL 266.48, 0.59%, 0.52%

LAB 41.1, 55.92, -64.57

 

CMYK 32 / 57 / 0 / 27

HEX #7E50B9

RGB 126 80 185

HSL 266.29, 0.43%, 0.52%

LAB 43.76, 40.93, -48.61

 

CMYK 22 / 39 / 0 / 35

HEX #8164A5

RGB 129 100 165

HSL 266.77, 0.27%, 0.52%

LAB 47.62, 25.14, -30.76

 

CMYK 10 / 17 / 0 / 43

HEX #837891

RGB 131 120 145

HSL 266.4, 0.1%, 0.52%

LAB 52.18, 9.3, -12

 

CMYK 5 / 0 / 10 / 45

HEX #858C7E

RGB 133 140 126

HSL 90, 0.06%, 0.52%

LAB 57.32, -5.27, 6.59

 

CMYK 71 / 63 / 0 / 20

HEX #3C4BCD

RGB 60 75 205

HSL 233.79, 0.59%, 0.52%

LAB 38.55, 37.44, -68.95

 

CMYK 59 / 71 / 0 / 20

HEX #543CCD

RGB 84 60 205

HSL 249.93, 0.59%, 0.52%

LAB 36.97, 49.4, -71.47

 

CMYK 40 / 71 / 0 / 20

HEX #7B3CCD

RGB 123 60 205

HSL 266.07, 0.59%, 0.52%

LAB 40.98, 55.73, -64.77

 

CMYK 21 / 71 / 0 / 20

HEX #A13CCD

RGB 161 60 205

HSL 281.79, 0.59%, 0.52%

LAB 45.93, 63.09, -56.51

 

CMYK 2 / 71 / 0 / 20

HEX #C83CCD

RGB 200 60 205

HSL 297.93, 0.59%, 0.52%

LAB 51.75, 71.27, -46.88

 

CMYK 41 / 74 / 0 / 43

HEX #552591

RGB 85 37 145

HSL 266.67, 0.59%, 0.36%

LAB 27.57, 44.39, -51.01

 

CMYK 42 / 74 / 0 / 30

HEX #682EB2

RGB 104 46 178

HSL 266.36, 0.59%, 0.44%

LAB 34.21, 52.08, -60.06

 

CMYK 40 / 71 / 0 / 20

HEX #7C3CCD

RGB 124 60 205

HSL 266.48, 0.59%, 0.52%

LAB 41.1, 55.92, -64.57

 

CMYK 31 / 56 / 0 / 16

HEX #925DD5

RGB 146 93 213

HSL 266.5, 0.59%, 0.6%

LAB 50.39, 45.67, -54.03

 

CMYK 24 / 43 / 0 / 13

HEX #A87EDE

RGB 168 126 222

HSL 266.25, 0.59%, 0.68%

LAB 60.36, 35.28, -43.14

 

CMYK 39 / 70 / 0 / 20

HEX #7D3ECD

RGB 125 62 205

HSL 266.43, 0.59%, 0.52%

LAB 41.55, 55.15, -63.82

 

CMYK 0 / 71 / 45 / 20

HEX #CD3C71

RGB 205 60 113

HSL 338.07, 0.59%, 0.52%

LAB 48.76, 60.42, 3.1

 

CMYK 71 / 0 / 68 / 20

HEX #3CCD41

RGB 60 205 65

HSL 122.07, 0.59%, 0.52%

LAB 72.9, -64.32, 56.35

 

CMYK 39 / 70 / 0 / 20

HEX #7D3ECD

RGB 125 62 205

HSL 266.43, 0.59%, 0.52%

LAB 41.55, 55.15, -63.82

 

CMYK 0 / 40 / 71 / 20

HEX #CD7B3C

RGB 205 123 60

HSL 26.07, 0.59%, 0.52%

LAB 59.41, 26.65, 46.83

 

CMYK 71 / 0 / 40 / 20

HEX #3CCD7B

RGB 60 205 123

HSL 146.07, 0.59%, 0.52%

LAB 73.58, -56.35, 30.07

 

CMYK 39 / 70 / 0 / 20

HEX #7D3ECD

RGB 125 62 205

HSL 266.43, 0.59%, 0.52%

LAB 41.55, 55.15, -63.82

 

CMYK 0 / 71 / 45 / 20

HEX #CD3C71

RGB 205 60 113

HSL 338.07, 0.59%, 0.52%

LAB 48.76, 60.42, 3.1

 

CMYK 31 / 0 / 71 / 20

HEX #8ECD3C

RGB 142 205 60

HSL 86.07, 0.59%, 0.52%

LAB 75.91, -41.91, 62.32

 

CMYK 71 / 0 / 26 / 20

HEX #3CCD98

RGB 60 205 152

HSL 158.07, 0.59%, 0.52%

LAB 74.12, -50.44, 15.55

 

CMYK 39 / 70 / 0 / 20

HEX #7D3ECD

RGB 125 62 205

HSL 266.43, 0.59%, 0.52%

LAB 41.55, 55.15, -63.82

 

CMYK 0 / 71 / 66 / 20

HEX #CD3C46

RGB 205 60 70

HSL 355.86, 0.59%, 0.52%

LAB 47.82, 57.2, 27.91

 

CMYK 31 / 0 / 71 / 20

HEX #8ECD3C

RGB 142 205 60

HSL 86.07, 0.59%, 0.52%

LAB 75.91, -41.91, 62.32

 

CMYK 71 / 0 / 5 / 20

HEX #3CCDC3

RGB 60 205 195

HSL 175.86, 0.59%, 0.52%

LAB 75.18, -39.67, -6.06

 

Description

Color code: HEX #7D3ECD | qconv.com Color code: HEX #7D3ECD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 62 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 62 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 70 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 70% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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