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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D3AEB it is the complementary color #82C514. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D3AEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D3AEB shade: #823AE6, #934CF9, #A45EFF, #B570FF and #C682FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D3AEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D3AEB shade: #7D3AEB, #6C28D8, #5B16C5, #4A04B2 and #39009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D3AEB shade: #7C37EB, #AC37EB, #DC37EB, #EB37CA and #EB3799

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D3AEB shade: #7C37EB, #4B37EB and #3737EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D3AEB shade matches the following richer shades: #7C37EB and #7726FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D3AEB shade: #7C37EB, #8049DA, #845BC8, #886DB6 and #8D7EA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D3AEB shade: #3755EB, #4937EB, #7937EB, #A937EB and #D937EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D3AEB shade: #5313BD, #6416E3, #7C37EB, #945DEF and #AD83F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D3AEB shade: #7D3AEB, #EB3785 and #3DEB37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D3AEB shade: #7D3AEB, #EB7937 and #37EB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D3AEB shade: #7D3AEB, #EB3785, #A9EB37 and #37EB9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D3AEB shade: #7D3AEB, #EB374F, #A9EB37 and #37EBD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 75 / 0 / 8

HEX #7D3AEB

RGB 125 58 235

HSL 262.71, 0.82%, 0.57%

LAB 43.34, 64.45, -78.06

 

Complementary color

CMYK 34 / 0 / 90 / 23

HEX #82C514

RGB 130 197 20

HSL 82.71, 0.82%, 0.43%

LAB 72.71, -44.63, 70.06

 

CMYK 43 / 75 / 0 / 10

HEX #823AE6

RGB 130 58 230

HSL 265.12, 0.77%, 0.56%

LAB 43.49, 63.97, -74.97

 

CMYK 41 / 69 / 0 / 2

HEX #934CF9

RGB 147 76 249

HSL 264.62, 0.94%, 0.64%

LAB 49.75, 63.39, -75.35

 

CMYK 36 / 63 / 0 / 0

HEX #A45EFF

RGB 164 94 255

HSL 266.09, 1%, 0.68%

LAB 55.19, 59.4, -69.76

 

CMYK 29 / 56 / 0 / 0

HEX #B570FF

RGB 181 112 255

HSL 268.95, 1%, 0.72%

LAB 60.46, 53.99, -61.2

 

CMYK 22 / 49 / 0 / 0

HEX #C682FF

RGB 198 130 255

HSL 272.64, 1%, 0.75%

LAB 65.9, 48.79, -52.42

 

CMYK 47 / 75 / 0 / 8

HEX #7D3AEB

RGB 125 58 235

HSL 262.71, 0.82%, 0.57%

LAB 43.34, 64.45, -78.06

 

CMYK 50 / 81 / 0 / 15

HEX #6C28D8

RGB 108 40 216

HSL 263.18, 0.69%, 0.5%

LAB 37.23, 64.63, -77.32

 

CMYK 54 / 89 / 0 / 23

HEX #5B16C5

RGB 91 22 197

HSL 263.66, 0.8%, 0.43%

LAB 31.41, 63.89, -75.94

 

CMYK 58 / 98 / 0 / 30

HEX #4A04B2

RGB 74 4 178

HSL 264.14, 0.96%, 0.36%

LAB 26.03, 61.78, -73.65

 

CMYK 64 / 100 / 0 / 38

HEX #39009F

RGB 57 0 159

HSL 261.51, 1%, 0.31%

LAB 21.48, 57.07, -69.77

 

CMYK 47 / 77 / 0 / 8

HEX #7C37EB

RGB 124 55 235

HSL 263, 0.82%, 0.57%

LAB 42.79, 65.57, -78.97

 

CMYK 27 / 77 / 0 / 8

HEX #AC37EB

RGB 172 55 235

HSL 279, 0.82%, 0.57%

LAB 48.89, 73.07, -68.76

 

CMYK 6 / 77 / 0 / 8

HEX #DC37EB

RGB 220 55 235

HSL 295, 0.82%, 0.57%

LAB 56.03, 81.72, -56.87

 

CMYK 0 / 77 / 14 / 8

HEX #EB37CA

RGB 235 55 202

HSL 311, 0.82%, 0.57%

LAB 56.74, 79.84, -36.89

 

CMYK 0 / 77 / 35 / 8

HEX #EB3799

RGB 235 55 153

HSL 327.33, 0.82%, 0.57%

LAB 54.76, 73.96, -11.44

 

CMYK 47 / 77 / 0 / 8

HEX #7C37EB

RGB 124 55 235

HSL 263, 0.82%, 0.57%

LAB 42.79, 65.57, -78.97

 

CMYK 68 / 77 / 0 / 8

HEX #4B37EB

RGB 75 55 235

HSL 246.67, 0.82%, 0.57%

LAB 38.25, 59.88, -86.61

 

CMYK 77 / 77 / 0 / 8

HEX #3737EB

RGB 55 55 235

HSL 240, 0.82%, 0.57%

LAB 37.01, 58.31, -88.69

 

CMYK 47 / 77 / 0 / 8

HEX #7C37EB

RGB 124 55 235

HSL 263, 0.82%, 0.57%

LAB 42.79, 65.57, -78.97

 

CMYK 53 / 85 / 0 / 1

HEX #7726FD

RGB 119 38 253

HSL 262.6, 0.98%, 0.57%

LAB 41.84, 75.37, -90.67

 

CMYK 47 / 77 / 0 / 8

HEX #7C37EB

RGB 124 55 235

HSL 263, 0.82%, 0.57%

LAB 42.79, 65.57, -78.97

 

CMYK 41 / 67 / 0 / 15

HEX #8049DA

RGB 128 73 218

HSL 262.76, 0.66%, 0.57%

LAB 44.82, 53.59, -65.96

 

CMYK 34 / 55 / 0 / 22

HEX #845BC8

RGB 132 91 200

HSL 262.57, 0.5%, 0.57%

LAB 47.7, 40.07, -50.98

 

CMYK 25 / 40 / 0 / 29

HEX #886DB6

RGB 136 109 182

HSL 262.19, 0.33%, 0.57%

LAB 51.32, 26.13, -34.82

 

CMYK 14 / 23 / 0 / 36

HEX #8D7EA4

RGB 141 126 164

HSL 263.68, 0.17%, 0.57%

LAB 55.34, 13.47, -18.16

 

CMYK 77 / 64 / 0 / 8

HEX #3755EB

RGB 55 85 235

HSL 230, 0.82%, 0.57%

LAB 43.22, 41.23, -78.45

 

CMYK 69 / 77 / 0 / 8

HEX #4937EB

RGB 73 55 235

HSL 246, 0.82%, 0.57%

LAB 38.1, 59.7, -86.85

 

CMYK 49 / 77 / 0 / 8

HEX #7937EB

RGB 121 55 235

HSL 262, 0.82%, 0.57%

LAB 42.45, 65.15, -79.53

 

CMYK 28 / 77 / 0 / 8

HEX #A937EB

RGB 169 55 235

HSL 278, 0.82%, 0.57%

LAB 48.47, 72.56, -69.46

 

CMYK 8 / 77 / 0 / 8

HEX #D937EB

RGB 217 55 235

HSL 294, 0.82%, 0.57%

LAB 55.57, 81.16, -57.65

 

CMYK 56 / 90 / 0 / 26

HEX #5313BD

RGB 83 19 189

HSL 262.59, 0.82%, 0.41%

LAB 29.36, 62.01, -74.66

 

CMYK 56 / 90 / 0 / 11

HEX #6416E3

RGB 100 22 227

HSL 262.83, 0.82%, 0.49%

LAB 35.65, 71.79, -86.27

 

CMYK 47 / 77 / 0 / 8

HEX #7C37EB

RGB 124 55 235

HSL 263, 0.82%, 0.57%

LAB 42.79, 65.57, -78.97

 

CMYK 38 / 61 / 0 / 6

HEX #945DEF

RGB 148 93 239

HSL 262.6, 0.82%, 0.65%

LAB 52.24, 52.64, -65.72

 

CMYK 29 / 46 / 0 / 5

HEX #AD83F3

RGB 173 131 243

HSL 262.5, 0.82%, 0.73%

LAB 63, 38.88, -50.58

 

CMYK 47 / 75 / 0 / 8

HEX #7D3AEB

RGB 125 58 235

HSL 262.71, 0.82%, 0.57%

LAB 43.34, 64.45, -78.06

 

CMYK 0 / 77 / 43 / 8

HEX #EB3785

RGB 235 55 133

HSL 334, 0.82%, 0.57%

LAB 54.12, 72.02, -0.51

 

CMYK 74 / 0 / 77 / 8

HEX #3DEB37

RGB 61 235 55

HSL 118, 0.82%, 0.57%

LAB 82.21, -74.31, 69.29

 

CMYK 47 / 75 / 0 / 8

HEX #7D3AEB

RGB 125 58 235

HSL 262.71, 0.82%, 0.57%

LAB 43.34, 64.45, -78.06

 

CMYK 0 / 49 / 77 / 8

HEX #EB7937

RGB 235 121 55

HSL 22, 0.82%, 0.57%

LAB 63.02, 39.59, 54.21

 

CMYK 77 / 0 / 49 / 8

HEX #37EB79

RGB 55 235 121

HSL 142, 0.82%, 0.57%

LAB 82.71, -67.98, 42.77

 

CMYK 47 / 75 / 0 / 8

HEX #7D3AEB

RGB 125 58 235

HSL 262.71, 0.82%, 0.57%

LAB 43.34, 64.45, -78.06

 

CMYK 0 / 77 / 43 / 8

HEX #EB3785

RGB 235 55 133

HSL 334, 0.82%, 0.57%

LAB 54.12, 72.02, -0.51

 

CMYK 28 / 0 / 77 / 8

HEX #A9EB37

RGB 169 235 55

HSL 82, 0.82%, 0.57%

LAB 86.07, -45.24, 74.32

 

CMYK 77 / 0 / 33 / 8

HEX #37EB9D

RGB 55 235 157

HSL 154, 0.82%, 0.57%

LAB 83.26, -61.57, 25.53

 

CMYK 47 / 75 / 0 / 8

HEX #7D3AEB

RGB 125 58 235

HSL 262.71, 0.82%, 0.57%

LAB 43.34, 64.45, -78.06

 

CMYK 0 / 77 / 66 / 8

HEX #EB374F

RGB 235 55 79

HSL 352, 0.82%, 0.57%

LAB 52.9, 68.21, 30.13

 

CMYK 28 / 0 / 77 / 8

HEX #A9EB37

RGB 169 235 55

HSL 82, 0.82%, 0.57%

LAB 86.07, -45.24, 74.32

 

CMYK 77 / 0 / 10 / 8

HEX #37EBD3

RGB 55 235 211

HSL 172, 0.82%, 0.57%

LAB 84.45, -49.01, -0.97

 

Description

Color code: HEX #7D3AEB | qconv.com Color code: HEX #7D3AEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 58 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 58 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 75 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 75% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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