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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D334D it is the complementary color #82CCB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D334D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D334D shade: #823348, #93455B, #A4576E, #B56981 and #C67B94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D334D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D334D shade: #7D334D, #6C213A, #5B0F27, #4A0014 and #390001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D334D shade: #7F344E, #7F343A and #7F3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D334D shade: #7F344E, #7F3462, #7F3477, #73347F and #5E347F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D334D shade matches the following richer shades: #7F344E, #8D254A, #9C1746 and #AA0841

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D334D shade: #7F344E, #704252, #625157, #535F5B and #456E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D334D shade: #7F3477, #7F3463, #7F344F, #7F343B and #7F4034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D334D shade: #441C2A, #61283C, #7F344E, #9C4060 and #B74E73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D334D shade: #7D334D, #7F7234 and #346D7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D334D shade: #7D334D, #4F7F34 and #344F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D334D shade: #7D334D, #7F7234, #347F63 and #34407F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D334D shade: #7D334D, #757F34, #347F63 and #3E347F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 38 / 51

HEX #7D334D

RGB 125 51 77

HSL 338.92, 0.42%, 0.35%

LAB 32.4, 34.9, 0.23

 

Complementary color

CMYK 36 / 0 / 13 / 20

HEX #82CCB2

RGB 130 204 178

HSL 158.92, 0.42%, 0.65%

LAB 76.77, -28.84, 5.7

 

CMYK 0 / 61 / 45 / 49

HEX #823348

RGB 130 51 72

HSL 344.05, 0.44%, 0.35%

LAB 33.1, 36.11, 4.58

 

CMYK 0 / 53 / 38 / 42

HEX #93455B

RGB 147 69 91

HSL 343.08, 0.36%, 0.42%

LAB 39.94, 35.24, 2.69

 

CMYK 0 / 47 / 33 / 36

HEX #A4576E

RGB 164 87 110

HSL 342.08, 0.31%, 0.49%

LAB 46.76, 34.3, 1.2

 

CMYK 0 / 42 / 29 / 29

HEX #B56981

RGB 181 105 129

HSL 341.05, 0.34%, 0.56%

LAB 53.51, 33.38, -0.03

 

CMYK 0 / 38 / 25 / 22

HEX #C67B94

RGB 198 123 148

HSL 340, 0.4%, 0.63%

LAB 60.17, 32.5, -1.09

 

CMYK 0 / 59 / 38 / 51

HEX #7D334D

RGB 125 51 77

HSL 338.92, 0.42%, 0.35%

LAB 32.4, 34.9, 0.23

 

CMYK 0 / 69 / 46 / 58

HEX #6C213A

RGB 108 33 58

HSL 340, 0.53%, 0.28%

LAB 25.51, 35.47, 2.45

 

CMYK 0 / 84 / 57 / 64

HEX #5B0F27

RGB 91 15 39

HSL 341.05, 0.72%, 0.21%

LAB 18.85, 35.25, 5.72

 

CMYK 0 / 100 / 73 / 71

HEX #4A0014

RGB 74 0 20

HSL 343.78, 1%, 0.15%

LAB 12.65, 33.65, 10.41

 

CMYK 0 / 100 / 98 / 78

HEX #390001

RGB 57 0 1

HSL 358.95, 1%, 0.11%

LAB 7.88, 27.66, 12.04

 

CMYK 0 / 59 / 39 / 50

HEX #7F344E

RGB 127 52 78

HSL 339.2, 0.42%, 0.35%

LAB 32.96, 35.23, 0.43

 

CMYK 0 / 59 / 54 / 50

HEX #7F343A

RGB 127 52 58

HSL 355.2, 0.42%, 0.35%

LAB 32.42, 33.04, 12.63

 

CMYK 0 / 59 / 59 / 50

HEX #7F3434

RGB 127 52 52

HSL 0, 0.42%, 0.35%

LAB 32.29, 32.51, 16.32

 

CMYK 0 / 59 / 39 / 50

HEX #7F344E

RGB 127 52 78

HSL 339.2, 0.42%, 0.35%

LAB 32.96, 35.23, 0.43

 

CMYK 0 / 59 / 23 / 50

HEX #7F3462

RGB 127 52 98

HSL 323.2, 0.42%, 0.35%

LAB 33.67, 38.03, -11.38

 

CMYK 0 / 59 / 6 / 50

HEX #7F3477

RGB 127 52 119

HSL 306.4, 0.42%, 0.35%

LAB 34.6, 41.55, -23.24

 

CMYK 9 / 59 / 0 / 50

HEX #73347F

RGB 115 52 127

HSL 290.4, 0.42%, 0.35%

LAB 33.21, 39.63, -30.55

 

CMYK 26 / 59 / 0 / 50

HEX #5E347F

RGB 94 52 127

HSL 273.6, 0.42%, 0.35%

LAB 30.32, 33.79, -35.32

 

CMYK 0 / 59 / 39 / 50

HEX #7F344E

RGB 127 52 78

HSL 339.2, 0.42%, 0.35%

LAB 32.96, 35.23, 0.43

 

CMYK 0 / 74 / 48 / 45

HEX #8D254A

RGB 141 37 74

HSL 338.65, 0.58%, 0.35%

LAB 32.88, 46.16, 3.23

 

CMYK 0 / 85 / 55 / 39

HEX #9C1746

RGB 156 23 70

HSL 338.8, 0.74%, 0.35%

LAB 34.24, 54.39, 8.19

 

CMYK 0 / 95 / 62 / 33

HEX #AA0841

RGB 170 8 65

HSL 338.89, 0.91%, 0.35%

LAB 36.18, 60.18, 14.59

 

CMYK 0 / 59 / 39 / 50

HEX #7F344E

RGB 127 52 78

HSL 339.2, 0.42%, 0.35%

LAB 32.96, 35.23, 0.43

 

CMYK 0 / 41 / 27 / 56

HEX #704252

RGB 112 66 82

HSL 339.13, 0.26%, 0.35%

LAB 33.88, 22.25, -1.06

 

CMYK 0 / 17 / 11 / 62

HEX #625157

RGB 98 81 87

HSL 338.82, 0.09%, 0.35%

LAB 36.31, 8.19, -0.87

 

CMYK 13 / 0 / 4 / 63

HEX #535F5B

RGB 83 95 91

HSL 160, 0.07%, 0.35%

LAB 39.21, -5.52, 0.71

 

CMYK 37 / 0 / 14 / 57

HEX #456E5F

RGB 69 110 95

HSL 158.05, 0.23%, 0.35%

LAB 43.13, -18.07, 3.84

 

CMYK 0 / 59 / 6 / 50

HEX #7F3477

RGB 127 52 119

HSL 306.4, 0.42%, 0.35%

LAB 34.6, 41.55, -23.24

 

CMYK 0 / 59 / 22 / 50

HEX #7F3463

RGB 127 52 99

HSL 322.4, 0.42%, 0.35%

LAB 33.71, 38.18, -11.96

 

CMYK 0 / 59 / 38 / 50

HEX #7F344F

RGB 127 52 79

HSL 338.4, 0.42%, 0.35%

LAB 32.99, 35.36, -0.17

 

CMYK 0 / 59 / 54 / 50

HEX #7F343B

RGB 127 52 59

HSL 354.4, 0.42%, 0.35%

LAB 32.44, 33.14, 12.02

 

CMYK 0 / 50 / 59 / 50

HEX #7F4034

RGB 127 64 52

HSL 9.6, 0.42%, 0.35%

LAB 34.86, 25.96, 19.66

 

CMYK 0 / 59 / 38 / 73

HEX #441C2A

RGB 68 28 42

HSL 339, 0.42%, 0.19%

LAB 16.63, 21.07, -0.2

 

CMYK 0 / 59 / 38 / 62

HEX #61283C

RGB 97 40 60

HSL 338.95, 0.42%, 0.27%

LAB 24.91, 28.19, -0.02

 

CMYK 0 / 59 / 39 / 50

HEX #7F344E

RGB 127 52 78

HSL 339.2, 0.42%, 0.35%

LAB 32.96, 35.23, 0.43

 

CMYK 0 / 59 / 38 / 39

HEX #9C4060

RGB 156 64 96

HSL 339.13, 0.42%, 0.43%

LAB 40.54, 41.58, 0.61

 

CMYK 0 / 57 / 37 / 28

HEX #B74E73

RGB 183 78 115

HSL 338.86, 0.42%, 0.51%

LAB 47.95, 46.2, 0.25

 

CMYK 0 / 59 / 38 / 51

HEX #7D334D

RGB 125 51 77

HSL 338.92, 0.42%, 0.35%

LAB 32.4, 34.9, 0.23

 

CMYK 0 / 10 / 59 / 50

HEX #7F7234

RGB 127 114 52

HSL 49.6, 0.42%, 0.35%

LAB 48, -3.34, 35.62

 

CMYK 59 / 14 / 0 / 50

HEX #346D7F

RGB 52 109 127

HSL 194.4, 0.42%, 0.35%

LAB 43.06, -13.04, -15.64

 

CMYK 0 / 59 / 38 / 51

HEX #7D334D

RGB 125 51 77

HSL 338.92, 0.42%, 0.35%

LAB 32.4, 34.9, 0.23

 

CMYK 38 / 0 / 59 / 50

HEX #4F7F34

RGB 79 127 52

HSL 98.4, 0.42%, 0.35%

LAB 48.37, -30.64, 35.11

 

CMYK 59 / 38 / 0 / 50

HEX #344F7F

RGB 52 79 127

HSL 218.4, 0.42%, 0.35%

LAB 33.68, 5.39, -30.21

 

CMYK 0 / 59 / 38 / 51

HEX #7D334D

RGB 125 51 77

HSL 338.92, 0.42%, 0.35%

LAB 32.4, 34.9, 0.23

 

CMYK 0 / 10 / 59 / 50

HEX #7F7234

RGB 127 114 52

HSL 49.6, 0.42%, 0.35%

LAB 48, -3.34, 35.62

 

CMYK 59 / 0 / 22 / 50

HEX #347F63

RGB 52 127 99

HSL 157.6, 0.42%, 0.35%

LAB 48.02, -30.4, 8.35

 

CMYK 59 / 50 / 0 / 50

HEX #34407F

RGB 52 64 127

HSL 230.4, 0.42%, 0.35%

LAB 29.23, 15.41, -37.29

 

CMYK 0 / 59 / 38 / 51

HEX #7D334D

RGB 125 51 77

HSL 338.92, 0.42%, 0.35%

LAB 32.4, 34.9, 0.23

 

CMYK 8 / 0 / 59 / 50

HEX #757F34

RGB 117 127 52

HSL 68, 0.42%, 0.35%

LAB 50.93, -15.06, 38.71

 

CMYK 59 / 0 / 22 / 50

HEX #347F63

RGB 52 127 99

HSL 157.6, 0.42%, 0.35%

LAB 48.02, -30.4, 8.35

 

CMYK 51 / 59 / 0 / 50

HEX #3E347F

RGB 62 52 127

HSL 248, 0.42%, 0.35%

LAB 26.77, 25.68, -41.21

 

Description

Color code: HEX #7D334D | qconv.com Color code: HEX #7D334D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 51 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 51 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 38 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 38% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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