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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D3019 it is the complementary color #82CFE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D3019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D3019 shade: #823014, #934227, #A4543A, #B5664D and #C67860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D3019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D3019 shade: #7D3019, #6C1E06, #5B0C00, #4A0000 and #390000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D3019 shade: #7B2F18 and #7B1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D3019 shade: #7B2F18, #7B4A18, #7B6518, #787B18 and #5D7B18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D3019 shade matches the following richer shades: #7B2F18, #87290C and #932200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D3019 shade: #7B2F18, #703624, #643C30, #58433C and #4C4948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D3019 shade: #7B1838, #7B181D, #7B2E18, #7B4818 and #7B6318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D3019 shade: #37150B, #592212, #7B2F18, #9E3C1F and #C04A26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D3019 shade: #7D3019, #527B18 and #182B7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D3019 shade: #7D3019, #187B2E and #2E187B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D3019 shade: #7D3019, #527B18, #18667B and #42187B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D3019 shade: #7D3019, #347B18, #18667B and #5F187B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 80 / 51

HEX #7D3019

RGB 125 48 25

HSL 13.8, 0.67%, 0.29%

LAB 30.75, 32.09, 30.88

 

Complementary color

CMYK 43 / 10 / 0 / 10

HEX #82CFE6

RGB 130 207 230

HSL 193.8, 0.67%, 0.71%

LAB 79.09, -17.87, -18.81

 

CMYK 0 / 63 / 85 / 49

HEX #823014

RGB 130 48 20

HSL 15.27, 0.73%, 0.29%

LAB 31.6, 33.89, 34.69

 

CMYK 0 / 55 / 73 / 42

HEX #934227

RGB 147 66 39

HSL 15, 0.58%, 0.36%

LAB 38.28, 32.26, 32.25

 

CMYK 0 / 49 / 65 / 36

HEX #A4543A

RGB 164 84 58

HSL 14.72, 0.48%, 0.44%

LAB 45, 30.69, 29.93

 

CMYK 0 / 44 / 57 / 29

HEX #B5664D

RGB 181 102 77

HSL 14.42, 0.41%, 0.51%

LAB 51.68, 29.26, 27.89

 

CMYK 0 / 39 / 52 / 22

HEX #C67860

RGB 198 120 96

HSL 14.12, 0.47%, 0.58%

LAB 58.3, 27.98, 26.1

 

CMYK 0 / 62 / 80 / 51

HEX #7D3019

RGB 125 48 25

HSL 13.8, 0.67%, 0.29%

LAB 30.75, 32.09, 30.88

 

CMYK 0 / 72 / 94 / 58

HEX #6C1E06

RGB 108 30 6

HSL 14.12, 0.89%, 0.22%

LAB 24.1, 33.53, 32.72

 

CMYK 0 / 87 / 100 / 64

HEX #5B0C00

RGB 91 12 0

HSL 7.91, 1%, 0.18%

LAB 17.86, 34.2, 27.28

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 62 / 80 / 52

HEX #7B2F18

RGB 123 47 24

HSL 13.94, 0.67%, 0.29%

LAB 30.18, 31.75, 30.75

 

CMYK 0 / 80 / 80 / 52

HEX #7B1818

RGB 123 24 24

HSL 0, 0.67%, 0.29%

LAB 26.53, 41.65, 26.94

 

CMYK 0 / 62 / 80 / 52

HEX #7B2F18

RGB 123 47 24

HSL 13.94, 0.67%, 0.29%

LAB 30.18, 31.75, 30.75

 

CMYK 0 / 40 / 80 / 52

HEX #7B4A18

RGB 123 74 24

HSL 30.3, 0.67%, 0.29%

LAB 36.32, 16.53, 36.85

 

CMYK 0 / 18 / 80 / 52

HEX #7B6518

RGB 123 101 24

HSL 46.67, 0.67%, 0.29%

LAB 43.63, 0.5, 43.77

 

CMYK 2 / 0 / 80 / 52

HEX #787B18

RGB 120 123 24

HSL 61.82, 0.67%, 0.29%

LAB 49.77, -13.32, 49.25

 

CMYK 24 / 0 / 80 / 52

HEX #5D7B18

RGB 93 123 24

HSL 78.18, 0.67%, 0.29%

LAB 47.7, -25.4, 46.6

 

CMYK 0 / 62 / 80 / 52

HEX #7B2F18

RGB 123 47 24

HSL 13.94, 0.67%, 0.29%

LAB 30.18, 31.75, 30.75

 

CMYK 0 / 70 / 91 / 47

HEX #87290C

RGB 135 41 12

HSL 14.15, 0.84%, 0.29%

LAB 31.26, 38.84, 38.5

 

CMYK 0 / 77 / 100 / 42

HEX #932200

RGB 147 34 0

HSL 13.88, 1%, 0.29%

LAB 32.58, 45.56, 45.4

 

CMYK 0 / 62 / 80 / 52

HEX #7B2F18

RGB 123 47 24

HSL 13.94, 0.67%, 0.29%

LAB 30.18, 31.75, 30.75

 

CMYK 0 / 52 / 68 / 56

HEX #703624

RGB 112 54 36

HSL 14.21, 0.51%, 0.29%

LAB 29.94, 24, 22.9

 

CMYK 0 / 40 / 52 / 61

HEX #643C30

RGB 100 60 48

HSL 13.85, 0.35%, 0.29%

LAB 29.8, 16.14, 14.81

 

CMYK 0 / 24 / 32 / 65

HEX #58433C

RGB 88 67 60

HSL 15, 0.19%, 0.29%

LAB 30.44, 7.89, 7.72

 

CMYK 0 / 4 / 5 / 70

HEX #4C4948

RGB 76 73 72

HSL 15, 0.03%, 0.29%

LAB 31.28, 1.04, 1.04

 

CMYK 0 / 80 / 54 / 52

HEX #7B1838

RGB 123 24 56

HSL 340.61, 0.67%, 0.29%

LAB 27.16, 43.62, 6.57

 

CMYK 0 / 80 / 76 / 52

HEX #7B181D

RGB 123 24 29

HSL 356.97, 0.67%, 0.29%

LAB 26.6, 41.86, 23.87

 

CMYK 0 / 63 / 80 / 52

HEX #7B2E18

RGB 123 46 24

HSL 13.33, 0.67%, 0.29%

LAB 29.99, 32.26, 30.55

 

CMYK 0 / 41 / 80 / 52

HEX #7B4818

RGB 123 72 24

HSL 29.09, 0.67%, 0.29%

LAB 35.81, 17.72, 36.36

 

CMYK 0 / 20 / 80 / 52

HEX #7B6318

RGB 123 99 24

HSL 45.45, 0.67%, 0.29%

LAB 43.06, 1.67, 43.24

 

CMYK 0 / 62 / 80 / 78

HEX #37150B

RGB 55 21 11

HSL 13.64, 0.67%, 0.13%

LAB 11.77, 16.08, 13.42

 

CMYK 0 / 62 / 80 / 65

HEX #592212

RGB 89 34 18

HSL 13.52, 0.66%, 0.21%

LAB 21.25, 24.26, 22.93

 

CMYK 0 / 62 / 80 / 52

HEX #7B2F18

RGB 123 47 24

HSL 13.94, 0.67%, 0.29%

LAB 30.18, 31.75, 30.75

 

CMYK 0 / 62 / 80 / 38

HEX #9E3C1F

RGB 158 60 31

HSL 13.7, 0.67%, 0.37%

LAB 38.9, 39.24, 37.8

 

CMYK 0 / 61 / 80 / 25

HEX #C04A26

RGB 192 74 38

HSL 14.03, 0.67%, 0.45%

LAB 47.29, 45.55, 44.49

 

CMYK 0 / 62 / 80 / 51

HEX #7D3019

RGB 125 48 25

HSL 13.8, 0.67%, 0.29%

LAB 30.75, 32.09, 30.88

 

CMYK 33 / 0 / 80 / 52

HEX #527B18

RGB 82 123 24

HSL 84.85, 0.67%, 0.29%

LAB 47.01, -29.95, 45.7

 

CMYK 80 / 65 / 0 / 52

HEX #182B7B

RGB 24 43 123

HSL 228.48, 0.67%, 0.29%

LAB 21.4, 23.8, -47.53

 

CMYK 0 / 62 / 80 / 51

HEX #7D3019

RGB 125 48 25

HSL 13.8, 0.67%, 0.29%

LAB 30.75, 32.09, 30.88

 

CMYK 80 / 0 / 63 / 52

HEX #187B2E

RGB 24 123 46

HSL 133.33, 0.67%, 0.29%

LAB 45.02, -44.33, 33.71

 

CMYK 63 / 80 / 0 / 52

HEX #2E187B

RGB 46 24 123

HSL 253.33, 0.67%, 0.29%

LAB 18.65, 38.37, -52.01

 

CMYK 0 / 62 / 80 / 51

HEX #7D3019

RGB 125 48 25

HSL 13.8, 0.67%, 0.29%

LAB 30.75, 32.09, 30.88

 

CMYK 33 / 0 / 80 / 52

HEX #527B18

RGB 82 123 24

HSL 84.85, 0.67%, 0.29%

LAB 47.01, -29.95, 45.7

 

CMYK 80 / 17 / 0 / 52

HEX #18667B

RGB 24 102 123

HSL 192.73, 0.67%, 0.29%

LAB 39.79, -15.13, -18.3

 

CMYK 46 / 80 / 0 / 52

HEX #42187B

RGB 66 24 123

HSL 265.45, 0.67%, 0.29%

LAB 20.99, 41.29, -48.07

 

CMYK 0 / 62 / 80 / 51

HEX #7D3019

RGB 125 48 25

HSL 13.8, 0.67%, 0.29%

LAB 30.75, 32.09, 30.88

 

CMYK 58 / 0 / 80 / 52

HEX #347B18

RGB 52 123 24

HSL 103.03, 0.67%, 0.29%

LAB 45.58, -40.42, 43.85

 

CMYK 80 / 17 / 0 / 52

HEX #18667B

RGB 24 102 123

HSL 192.73, 0.67%, 0.29%

LAB 39.79, -15.13, -18.3

 

CMYK 23 / 80 / 0 / 52

HEX #5F187B

RGB 95 24 123

HSL 283.03, 0.67%, 0.29%

LAB 25.31, 46.59, -40.84

 

Description

Color code: HEX #7D3019 | qconv.com Color code: HEX #7D3019 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 48 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 48 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 80 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 80% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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