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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D2843 it is the complementary color #82D7BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D2843. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D2843 shade: #82283E, #933A51, #A44C64, #B55E77 and #C6708A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D2843. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D2843 shade: #7D2843, #6C1630, #5B041D, #4A000A and #390000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D2843 shade: #7C2742, #7C272B and #7C2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D2843 shade: #7C2742, #7C2759, #7C2770, #71277C and #5A277C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D2843 shade matches the following richer shades: #7C2742, #891A3D and #960D38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D2843 shade: #7C2742, #6F3447, #62424C, #544F51 and #475C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D2843 shade: #7C2771, #7C275A, #7C2743, #7C272D and #7C3827

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D2843 shade: #3D1321, #5D1D31, #7C2742, #9B3153 and #BB3B64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D2843 shade: #7D2843, #7C7127 and #27657C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D2843 shade: #7D2843, #437C27 and #27437C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D2843 shade: #7D2843, #7C7127, #277C60 and #27327C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D2843 shade: #7D2843, #6E7C27, #277C60 and #35277C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 46 / 51

HEX #7D2843

RGB 125 40 67

HSL 340.94, 0.52%, 0.32%

LAB 30.12, 39.06, 3.47

 

Complementary color

CMYK 40 / 0 / 13 / 16

HEX #82D7BC

RGB 130 215 188

HSL 160.94, 0.52%, 0.68%

LAB 80.17, -31.92, 5.25

 

CMYK 0 / 69 / 52 / 49

HEX #82283E

RGB 130 40 62

HSL 345.33, 0.53%, 0.33%

LAB 30.9, 40.26, 8.02

 

CMYK 0 / 61 / 45 / 42

HEX #933A51

RGB 147 58 81

HSL 344.49, 0.43%, 0.4%

LAB 37.52, 39.68, 5.52

 

CMYK 0 / 54 / 39 / 36

HEX #A44C64

RGB 164 76 100

HSL 343.64, 0.37%, 0.47%

LAB 44.21, 38.85, 3.61

 

CMYK 0 / 48 / 34 / 29

HEX #B55E77

RGB 181 94 119

HSL 342.76, 0.37%, 0.54%

LAB 50.88, 37.93, 2.07

 

CMYK 0 / 43 / 30 / 22

HEX #C6708A

RGB 198 112 138

HSL 341.86, 0.43%, 0.61%

LAB 57.49, 37.01, 0.78

 

CMYK 0 / 68 / 46 / 51

HEX #7D2843

RGB 125 40 67

HSL 340.94, 0.52%, 0.32%

LAB 30.12, 39.06, 3.47

 

CMYK 0 / 80 / 56 / 58

HEX #6C1630

RGB 108 22 48

HSL 341.86, 0.66%, 0.25%

LAB 23.59, 38.98, 6.57

 

CMYK 0 / 96 / 68 / 64

HEX #5B041D

RGB 91 4 29

HSL 342.76, 0.92%, 0.19%

LAB 17.46, 37.72, 11.01

 

CMYK 0 / 100 / 86 / 71

HEX #4A000A

RGB 74 0 10

HSL 351.89, 1%, 0.15%

LAB 12.47, 33.16, 15.48

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 69 / 47 / 51

HEX #7C2742

RGB 124 39 66

HSL 340.94, 0.52%, 0.32%

LAB 29.74, 39.07, 3.56

 

CMYK 0 / 69 / 65 / 51

HEX #7C272B

RGB 124 39 43

HSL 357.18, 0.52%, 0.32%

LAB 29.19, 37.06, 17.99

 

CMYK 0 / 69 / 69 / 51

HEX #7C2727

RGB 124 39 39

HSL 0, 0.52%, 0.32%

LAB 29.11, 36.8, 20.49

 

CMYK 0 / 69 / 47 / 51

HEX #7C2742

RGB 124 39 66

HSL 340.94, 0.52%, 0.32%

LAB 29.74, 39.07, 3.56

 

CMYK 0 / 69 / 28 / 51

HEX #7C2759

RGB 124 39 89

HSL 324.71, 0.52%, 0.32%

LAB 30.54, 41.89, -10.37

 

CMYK 0 / 69 / 10 / 51

HEX #7C2770

RGB 124 39 112

HSL 308.47, 0.52%, 0.32%

LAB 31.59, 45.43, -23.55

 

CMYK 9 / 69 / 0 / 51

HEX #71277C

RGB 113 39 124

HSL 292.24, 0.52%, 0.32%

LAB 30.44, 44.76, -33.08

 

CMYK 27 / 69 / 0 / 51

HEX #5A277C

RGB 90 39 124

HSL 276, 0.52%, 0.32%

LAB 26.96, 39.12, -38.85

 

CMYK 0 / 69 / 47 / 51

HEX #7C2742

RGB 124 39 66

HSL 340.94, 0.52%, 0.32%

LAB 29.74, 39.07, 3.56

 

CMYK 0 / 81 / 55 / 46

HEX #891A3D

RGB 137 26 61

HSL 341.08, 0.68%, 0.32%

LAB 30.39, 47.56, 8.16

 

CMYK 0 / 91 / 63 / 41

HEX #960D38

RGB 150 13 56

HSL 341.17, 0.84%, 0.32%

LAB 31.94, 53.83, 14.04

 

CMYK 0 / 69 / 47 / 51

HEX #7C2742

RGB 124 39 66

HSL 340.94, 0.52%, 0.32%

LAB 29.74, 39.07, 3.56

 

CMYK 0 / 53 / 36 / 56

HEX #6F3447

RGB 111 52 71

HSL 340.68, 0.36%, 0.32%

LAB 30.13, 28.37, 0.56

 

CMYK 0 / 33 / 22 / 62

HEX #62424C

RGB 98 66 76

HSL 341.25, 0.2%, 0.32%

LAB 31.84, 15.53, -0.42

 

CMYK 0 / 6 / 4 / 67

HEX #544F51

RGB 84 79 81

HSL 336, 0.03%, 0.32%

LAB 34.13, 2.47, -0.44

 

CMYK 23 / 0 / 8 / 64

HEX #475C55

RGB 71 92 85

HSL 160, 0.13%, 0.32%

LAB 37.21, -9.62, 1.4

 

CMYK 0 / 69 / 9 / 51

HEX #7C2771

RGB 124 39 113

HSL 307.76, 0.52%, 0.32%

LAB 31.64, 45.6, -24.11

 

CMYK 0 / 69 / 27 / 51

HEX #7C275A

RGB 124 39 90

HSL 324, 0.52%, 0.32%

LAB 30.58, 42.03, -10.96

 

CMYK 0 / 69 / 46 / 51

HEX #7C2743

RGB 124 39 67

HSL 340.24, 0.52%, 0.32%

LAB 29.77, 39.17, 2.94

 

CMYK 0 / 69 / 64 / 51

HEX #7C272D

RGB 124 39 45

HSL 355.76, 0.52%, 0.32%

LAB 29.22, 37.2, 16.74

 

CMYK 0 / 55 / 69 / 51

HEX #7C3827

RGB 124 56 39

HSL 12, 0.52%, 0.32%

LAB 32.39, 28.18, 24.48

 

CMYK 0 / 69 / 46 / 76

HEX #3D1321

RGB 61 19 33

HSL 340, 0.53%, 0.16%

LAB 13.03, 22.2, 0.93

 

CMYK 0 / 69 / 47 / 64

HEX #5D1D31

RGB 93 29 49

HSL 341.25, 0.52%, 0.24%

LAB 21.68, 31.07, 2.76

 

CMYK 0 / 69 / 47 / 51

HEX #7C2742

RGB 124 39 66

HSL 340.94, 0.52%, 0.32%

LAB 29.74, 39.07, 3.56

 

CMYK 0 / 68 / 46 / 39

HEX #9B3153

RGB 155 49 83

HSL 340.75, 0.52%, 0.4%

LAB 37.46, 46.65, 4.35

 

CMYK 0 / 68 / 47 / 27

HEX #BB3B64

RGB 187 59 100

HSL 340.78, 0.52%, 0.48%

LAB 45.1, 54.23, 5.39

 

CMYK 0 / 68 / 46 / 51

HEX #7D2843

RGB 125 40 67

HSL 340.94, 0.52%, 0.32%

LAB 30.12, 39.06, 3.47

 

CMYK 0 / 9 / 69 / 51

HEX #7C7127

RGB 124 113 39

HSL 52.24, 0.52%, 0.32%

LAB 47.29, -5.13, 41.09

 

CMYK 69 / 19 / 0 / 51

HEX #27657C

RGB 39 101 124

HSL 196.24, 0.52%, 0.32%

LAB 39.91, -11.99, -18.7

 

CMYK 0 / 68 / 46 / 51

HEX #7D2843

RGB 125 40 67

HSL 340.94, 0.52%, 0.32%

LAB 30.12, 39.06, 3.47

 

CMYK 46 / 0 / 69 / 51

HEX #437C27

RGB 67 124 39

HSL 100.24, 0.52%, 0.32%

LAB 46.65, -34.89, 39.18

 

CMYK 69 / 46 / 0 / 51

HEX #27437C

RGB 39 67 124

HSL 220.24, 0.52%, 0.32%

LAB 29.16, 9.62, -35.57

 

CMYK 0 / 68 / 46 / 51

HEX #7D2843

RGB 125 40 67

HSL 340.94, 0.52%, 0.32%

LAB 30.12, 39.06, 3.47

 

CMYK 0 / 9 / 69 / 51

HEX #7C7127

RGB 124 113 39

HSL 52.24, 0.52%, 0.32%

LAB 47.29, -5.13, 41.09

 

CMYK 69 / 0 / 23 / 51

HEX #277C60

RGB 39 124 96

HSL 160.24, 0.52%, 0.32%

LAB 46.57, -32.42, 8

 

CMYK 69 / 60 / 0 / 51

HEX #27327C

RGB 39 50 124

HSL 232.24, 0.52%, 0.32%

LAB 24.22, 21.38, -43.54

 

CMYK 0 / 68 / 46 / 51

HEX #7D2843

RGB 125 40 67

HSL 340.94, 0.52%, 0.32%

LAB 30.12, 39.06, 3.47

 

CMYK 11 / 0 / 69 / 51

HEX #6E7C27

RGB 110 124 39

HSL 69.88, 0.52%, 0.32%

LAB 49.35, -17.58, 42.85

 

CMYK 69 / 0 / 23 / 51

HEX #277C60

RGB 39 124 96

HSL 160.24, 0.52%, 0.32%

LAB 46.57, -32.42, 8

 

CMYK 57 / 69 / 0 / 51

HEX #35277C

RGB 53 39 124

HSL 249.88, 0.52%, 0.32%

LAB 22.53, 31.15, -46.25

 

Description

Color code: HEX #7D2843 | qconv.com Color code: HEX #7D2843 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 40 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 40 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 46 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 46% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

59% - LearningWorld認定校ページ ...
Link: http://www.apricot-plaza.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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