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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D2595 it is the complementary color #82DA6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D2595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D2595 shade: #822590, #9337A3, #A449B6, #B55BC9 and #C66DDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D2595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D2595 shade: #7D2595, #6C1382, #5B016F, #4A005C and #390049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D2595 shade: #7B2593, #93258D, #93256F, #932551 and #932534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D2595 shade: #7B2593, #5E2593, #402593 and #252593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D2595 shade matches the following richer shades: #7B2593, #8416A2 and #8C07B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D2595 shade: #7B2593, #733484, #6A4275, #625166 and #596057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D2595 shade: #402593, #5E2593, #7B2593, #93258D and #932570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D2595 shade: #441451, #601C72, #7B2593, #972DB4 and #AF3CCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D2595 shade: #7D2595, #932527 and #25934F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D2595 shade: #7D2595, #937B25 and #25937B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D2595 shade: #7D2595, #932527, #3D9325 and #259391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D2595 shade: #7D2595, #934425, #3D9325 and #257493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 75 / 0 / 42

HEX #7D2595

RGB 125 37 149

HSL 287.14, 0.6%, 0.36%

LAB 33.67, 53.32, -43.3

 

Complementary color

CMYK 40 / 0 / 51 / 15

HEX #82DA6A

RGB 130 218 106

HSL 107.14, 0.6%, 0.64%

LAB 79.57, -47.27, 46.56

 

CMYK 10 / 74 / 0 / 44

HEX #822590

RGB 130 37 144

HSL 292.15, 0.59%, 0.35%

LAB 34.15, 53.43, -39.43

 

CMYK 10 / 66 / 0 / 36

HEX #9337A3

RGB 147 55 163

HSL 291.11, 0.5%, 0.43%

LAB 40.54, 53.73, -40.6

 

CMYK 10 / 60 / 0 / 29

HEX #A449B6

RGB 164 73 182

HSL 290.09, 0.43%, 0.5%

LAB 47.02, 53.5, -41.39

 

CMYK 10 / 55 / 0 / 21

HEX #B55BC9

RGB 181 91 201

HSL 289.09, 0.5%, 0.57%

LAB 53.52, 52.98, -41.95

 

CMYK 10 / 50 / 0 / 14

HEX #C66DDC

RGB 198 109 220

HSL 288.11, 0.61%, 0.65%

LAB 59.99, 52.32, -42.37

 

CMYK 16 / 75 / 0 / 42

HEX #7D2595

RGB 125 37 149

HSL 287.14, 0.6%, 0.36%

LAB 33.67, 53.32, -43.3

 

CMYK 17 / 85 / 0 / 49

HEX #6C1382

RGB 108 19 130

HSL 288.11, 0.74%, 0.29%

LAB 27.48, 52.1, -41.65

 

CMYK 18 / 99 / 0 / 56

HEX #5B016F

RGB 91 1 111

HSL 289.09, 0.98%, 0.22%

LAB 21.56, 49.63, -39.26

 

CMYK 20 / 100 / 0 / 64

HEX #4A005C

RGB 74 0 92

HSL 288.26, 1%, 0.18%

LAB 16.64, 43.54, -34.86

 

CMYK 22 / 100 / 0 / 71

HEX #390049

RGB 57 0 73

HSL 286.85, 1%, 0.14%

LAB 11.63, 36.98, -30.18

 

CMYK 16 / 75 / 0 / 42

HEX #7B2593

RGB 123 37 147

HSL 286.91, 0.6%, 0.36%

LAB 33.22, 52.49, -42.82

 

CMYK 0 / 75 / 4 / 42

HEX #93258D

RGB 147 37 141

HSL 303.27, 0.6%, 0.36%

LAB 36.84, 56.72, -33.14

 

CMYK 0 / 75 / 24 / 42

HEX #93256F

RGB 147 37 111

HSL 319.64, 0.6%, 0.36%

LAB 35.35, 52.21, -16.77

 

CMYK 0 / 75 / 45 / 42

HEX #932551

RGB 147 37 81

HSL 336, 0.6%, 0.36%

LAB 34.23, 48.66, 0.78

 

CMYK 0 / 75 / 65 / 42

HEX #932534

RGB 147 37 52

HSL 351.82, 0.6%, 0.36%

LAB 33.51, 46.28, 18.61

 

CMYK 16 / 75 / 0 / 42

HEX #7B2593

RGB 123 37 147

HSL 286.91, 0.6%, 0.36%

LAB 33.22, 52.49, -42.82

 

CMYK 36 / 75 / 0 / 42

HEX #5E2593

RGB 94 37 147

HSL 271.09, 0.6%, 0.36%

LAB 28.93, 46.6, -49.98

 

CMYK 56 / 75 / 0 / 42

HEX #402593

RGB 64 37 147

HSL 254.73, 0.6%, 0.36%

LAB 25.32, 41.4, -56.02

 

CMYK 75 / 75 / 0 / 42

HEX #252593

RGB 37 37 147

HSL 240, 0.6%, 0.36%

LAB 23.08, 38.01, -59.79

 

CMYK 16 / 75 / 0 / 42

HEX #7B2593

RGB 123 37 147

HSL 286.91, 0.6%, 0.36%

LAB 33.22, 52.49, -42.82

 

CMYK 19 / 86 / 0 / 36

HEX #8416A2

RGB 132 22 162

HSL 287.14, 0.76%, 0.36%

LAB 34.17, 61.7, -50.36

 

CMYK 21 / 96 / 0 / 31

HEX #8C07B1

RGB 140 7 177

HSL 286.94, 0.92%, 0.36%

LAB 35.79, 68.21, -56.66

 

CMYK 16 / 75 / 0 / 42

HEX #7B2593

RGB 123 37 147

HSL 286.91, 0.6%, 0.36%

LAB 33.22, 52.49, -42.82

 

CMYK 13 / 61 / 0 / 48

HEX #733484

RGB 115 52 132

HSL 287.25, 0.43%, 0.36%

LAB 33.49, 40.69, -33.21

 

CMYK 9 / 44 / 0 / 54

HEX #6A4275

RGB 106 66 117

HSL 287.06, 0.28%, 0.36%

LAB 34.49, 26.8, -22.38

 

CMYK 4 / 21 / 0 / 60

HEX #625166

RGB 98 81 102

HSL 288.57, 0.11%, 0.36%

LAB 36.82, 11.31, -9.5

 

CMYK 7 / 0 / 9 / 62

HEX #596057

RGB 89 96 87

HSL 106.67, 0.05%, 0.36%

LAB 39.88, -4.63, 4.2

 

CMYK 56 / 75 / 0 / 42

HEX #402593

RGB 64 37 147

HSL 254.73, 0.6%, 0.36%

LAB 25.32, 41.4, -56.02

 

CMYK 36 / 75 / 0 / 42

HEX #5E2593

RGB 94 37 147

HSL 271.09, 0.6%, 0.36%

LAB 28.93, 46.6, -49.98

 

CMYK 16 / 75 / 0 / 42

HEX #7B2593

RGB 123 37 147

HSL 286.91, 0.6%, 0.36%

LAB 33.22, 52.49, -42.82

 

CMYK 0 / 75 / 4 / 42

HEX #93258D

RGB 147 37 141

HSL 303.27, 0.6%, 0.36%

LAB 36.84, 56.72, -33.14

 

CMYK 0 / 75 / 24 / 42

HEX #932570

RGB 147 37 112

HSL 319.09, 0.6%, 0.36%

LAB 35.39, 52.35, -17.34

 

CMYK 16 / 75 / 0 / 68

HEX #441451

RGB 68 20 81

HSL 287.21, 0.6%, 0.2%

LAB 17.1, 32.96, -26.75

 

CMYK 16 / 75 / 0 / 55

HEX #601C72

RGB 96 28 114

HSL 287.44, 0.61%, 0.28%

LAB 25.36, 43.35, -35.01

 

CMYK 16 / 75 / 0 / 42

HEX #7B2593

RGB 123 37 147

HSL 286.91, 0.6%, 0.36%

LAB 33.22, 52.49, -42.82

 

CMYK 16 / 75 / 0 / 29

HEX #972DB4

RGB 151 45 180

HSL 287.11, 0.6%, 0.44%

LAB 40.82, 61.81, -50.23

 

CMYK 15 / 71 / 0 / 19

HEX #AF3CCE

RGB 175 60 206

HSL 287.26, 0.6%, 0.52%

LAB 48.01, 66.17, -53.64

 

CMYK 16 / 75 / 0 / 42

HEX #7D2595

RGB 125 37 149

HSL 287.14, 0.6%, 0.36%

LAB 33.67, 53.32, -43.3

 

CMYK 0 / 75 / 73 / 42

HEX #932527

RGB 147 37 39

HSL 358.91, 0.6%, 0.36%

LAB 33.29, 45.55, 26.58

 

CMYK 75 / 0 / 46 / 42

HEX #25934F

RGB 37 147 79

HSL 142.91, 0.6%, 0.36%

LAB 53.84, -46.04, 27.42

 

CMYK 16 / 75 / 0 / 42

HEX #7D2595

RGB 125 37 149

HSL 287.14, 0.6%, 0.36%

LAB 33.67, 53.32, -43.3

 

CMYK 0 / 16 / 75 / 42

HEX #937B25

RGB 147 123 37

HSL 46.91, 0.6%, 0.36%

LAB 52.4, -0.19, 47.86

 

CMYK 75 / 0 / 16 / 42

HEX #25937B

RGB 37 147 123

HSL 166.91, 0.6%, 0.36%

LAB 54.75, -36.14, 4.03

 

CMYK 16 / 75 / 0 / 42

HEX #7D2595

RGB 125 37 149

HSL 287.14, 0.6%, 0.36%

LAB 33.67, 53.32, -43.3

 

CMYK 0 / 75 / 73 / 42

HEX #932527

RGB 147 37 39

HSL 358.91, 0.6%, 0.36%

LAB 33.29, 45.55, 26.58

 

CMYK 59 / 0 / 75 / 42

HEX #3D9325

RGB 61 147 37

HSL 106.91, 0.6%, 0.36%

LAB 54.02, -46.24, 47.58

 

CMYK 75 / 0 / 1 / 42

HEX #259391

RGB 37 147 145

HSL 178.91, 0.6%, 0.36%

LAB 55.39, -29.86, -7.68

 

CMYK 16 / 75 / 0 / 42

HEX #7D2595

RGB 125 37 149

HSL 287.14, 0.6%, 0.36%

LAB 33.67, 53.32, -43.3

 

CMYK 0 / 54 / 75 / 42

HEX #934425

RGB 147 68 37

HSL 16.91, 0.6%, 0.36%

LAB 38.67, 31.09, 33.79

 

CMYK 59 / 0 / 75 / 42

HEX #3D9325

RGB 61 147 37

HSL 106.91, 0.6%, 0.36%

LAB 54.02, -46.24, 47.58

 

CMYK 75 / 21 / 0 / 42

HEX #257493

RGB 37 116 147

HSL 196.91, 0.6%, 0.36%

LAB 45.62, -12.88, -23.68

 

Description

Color code: HEX #7D2595 | qconv.com Color code: HEX #7D2595 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 37 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 37 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 75 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 75% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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