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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D209F it is the complementary color #82DF60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D209F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D209F shade: #82209A, #9332AD, #A444C0, #B556D3 and #C668E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D209F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D209F shade: #7D209F, #6C0E8C, #5B0079, #4A0066 and #390053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D209F shade: #7B209D, #9D209C, #9D207B, #9D2059 and #9D2038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D209F shade: #7B209D, #5A209D, #38209D and #20209D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D209F shade matches the following richer shades: #7B209D, #8211AC and #8902BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D209F shade: #7B209D, #742F8D, #6D3F7E, #664E6F and #5F5D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D209F shade: #37209D, #58209D, #79209D, #9B209D and #9D207D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D209F shade: #451258, #60197A, #7B209D, #9627BF and #AC39D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D209F shade: #7D209F, #9D202A and #209D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D209F shade: #7D209F, #9D7920 and #209D79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D209F shade: #7D209F, #9D202A, #439D20 and #209D92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D209F shade: #7D209F, #9D3B20, #439D20 and #20829D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 80 / 0 / 38

HEX #7D209F

RGB 125 32 159

HSL 283.94, 0.66%, 0.37%

LAB 33.77, 57.08, -49.24

 

Complementary color

CMYK 42 / 0 / 57 / 13

HEX #82DF60

RGB 130 223 96

HSL 103.94, 0.66%, 0.63%

LAB 80.94, -50.47, 52.8

 

CMYK 16 / 79 / 0 / 40

HEX #82209A

RGB 130 32 154

HSL 288.2, 0.66%, 0.36%

LAB 34.21, 57.05, -45.44

 

CMYK 15 / 71 / 0 / 32

HEX #9332AD

RGB 147 50 173

HSL 287.32, 0.55%, 0.44%

LAB 40.41, 57.75, -46.76

 

CMYK 15 / 65 / 0 / 25

HEX #A444C0

RGB 164 68 192

HSL 286.45, 0.5%, 0.51%

LAB 46.75, 57.75, -47.64

 

CMYK 14 / 59 / 0 / 17

HEX #B556D3

RGB 181 86 211

HSL 285.6, 0.59%, 0.58%

LAB 53.15, 57.37, -48.24

 

CMYK 14 / 55 / 0 / 10

HEX #C668E6

RGB 198 104 230

HSL 284.76, 0.72%, 0.65%

LAB 59.54, 56.79, -48.67

 

CMYK 21 / 80 / 0 / 38

HEX #7D209F

RGB 125 32 159

HSL 283.94, 0.66%, 0.37%

LAB 33.77, 57.08, -49.24

 

CMYK 23 / 90 / 0 / 45

HEX #6C0E8C

RGB 108 14 140

HSL 284.76, 0.82%, 0.3%

LAB 27.83, 55.28, -47.33

 

CMYK 25 / 100 / 0 / 53

HEX #5B0079

RGB 91 0 121

HSL 285.12, 1%, 0.24%

LAB 22.32, 51.79, -44.46

 

CMYK 27 / 100 / 0 / 60

HEX #4A0066

RGB 74 0 102

HSL 283.53, 1%, 0.2%

LAB 17.53, 45.56, -40.06

 

CMYK 31 / 100 / 0 / 67

HEX #390053

RGB 57 0 83

HSL 281.2, 1%, 0.16%

LAB 12.57, 39.11, -35.54

 

CMYK 22 / 80 / 0 / 38

HEX #7B209D

RGB 123 32 157

HSL 283.68, 0.66%, 0.37%

LAB 33.3, 56.3, -48.79

 

CMYK 0 / 80 / 1 / 38

HEX #9D209C

RGB 157 32 156

HSL 300.48, 0.66%, 0.37%

LAB 38.9, 62.83, -38.9

 

CMYK 0 / 80 / 22 / 38

HEX #9D207B

RGB 157 32 123

HSL 316.32, 0.66%, 0.37%

LAB 37.17, 57.92, -21.34

 

CMYK 0 / 80 / 43 / 38

HEX #9D2059

RGB 157 32 89

HSL 332.64, 0.66%, 0.37%

LAB 35.83, 53.94, -1.81

 

CMYK 0 / 80 / 64 / 38

HEX #9D2038

RGB 157 32 56

HSL 348.48, 0.66%, 0.37%

LAB 34.98, 51.28, 18.33

 

CMYK 22 / 80 / 0 / 38

HEX #7B209D

RGB 123 32 157

HSL 283.68, 0.66%, 0.37%

LAB 33.3, 56.3, -48.79

 

CMYK 43 / 80 / 0 / 38

HEX #5A209D

RGB 90 32 157

HSL 267.84, 0.66%, 0.37%

LAB 28.49, 50.56, -56.84

 

CMYK 64 / 80 / 0 / 38

HEX #38209D

RGB 56 32 157

HSL 251.52, 0.66%, 0.37%

LAB 24.66, 45.95, -63.27

 

CMYK 80 / 80 / 0 / 38

HEX #20209D

RGB 32 32 157

HSL 240, 0.66%, 0.37%

LAB 22.91, 43.82, -66.23

 

CMYK 22 / 80 / 0 / 38

HEX #7B209D

RGB 123 32 157

HSL 283.68, 0.66%, 0.37%

LAB 33.3, 56.3, -48.79

 

CMYK 24 / 90 / 0 / 33

HEX #8211AC

RGB 130 17 172

HSL 283.74, 0.82%, 0.37%

LAB 34.24, 64.34, -56.27

 

CMYK 27 / 99 / 0 / 27

HEX #8902BB

RGB 137 2 187

HSL 283.78, 0.98%, 0.37%

LAB 35.89, 70.27, -62.46

 

CMYK 22 / 80 / 0 / 38

HEX #7B209D

RGB 123 32 157

HSL 283.68, 0.66%, 0.37%

LAB 33.3, 56.3, -48.79

 

CMYK 18 / 67 / 0 / 45

HEX #742F8D

RGB 116 47 141

HSL 284.04, 0.5%, 0.37%

LAB 33.28, 45.36, -39.1

 

CMYK 13 / 50 / 0 / 51

HEX #6D3F7E

RGB 109 63 126

HSL 283.81, 0.33%, 0.37%

LAB 34.63, 31.57, -27.75

 

CMYK 8 / 30 / 0 / 56

HEX #664E6F

RGB 102 78 111

HSL 283.64, 0.17%, 0.37%

LAB 36.78, 16.69, -15.13

 

CMYK 1 / 3 / 0 / 62

HEX #5F5D60

RGB 95 93 96

HSL 280, 0.02%, 0.37%

LAB 39.76, 1.43, -1.44

 

CMYK 65 / 80 / 0 / 38

HEX #37209D

RGB 55 32 157

HSL 251.04, 0.66%, 0.37%

LAB 24.57, 45.84, -63.42

 

CMYK 44 / 80 / 0 / 38

HEX #58209D

RGB 88 32 157

HSL 266.88, 0.66%, 0.37%

LAB 28.23, 50.24, -57.28

 

CMYK 23 / 80 / 0 / 38

HEX #79209D

RGB 121 32 157

HSL 282.72, 0.66%, 0.37%

LAB 32.99, 55.93, -49.32

 

CMYK 1 / 80 / 0 / 38

HEX #9B209D

RGB 155 32 157

HSL 299.04, 0.66%, 0.37%

LAB 38.61, 62.58, -39.98

 

CMYK 0 / 80 / 20 / 38

HEX #9D207D

RGB 157 32 125

HSL 315.36, 0.66%, 0.37%

LAB 37.27, 58.19, -22.45

 

CMYK 22 / 80 / 0 / 65

HEX #451258

RGB 69 18 88

HSL 283.71, 0.66%, 0.21%

LAB 17.47, 35.69, -30.88

 

CMYK 21 / 80 / 0 / 52

HEX #60197A

RGB 96 25 122

HSL 283.92, 0.66%, 0.29%

LAB 25.52, 46.21, -39.85

 

CMYK 22 / 80 / 0 / 38

HEX #7B209D

RGB 123 32 157

HSL 283.68, 0.66%, 0.37%

LAB 33.3, 56.3, -48.79

 

CMYK 21 / 80 / 0 / 25

HEX #9627BF

RGB 150 39 191

HSL 283.82, 0.66%, 0.45%

LAB 40.73, 65.72, -56.85

 

CMYK 20 / 73 / 0 / 16

HEX #AC39D6

RGB 172 57 214

HSL 283.95, 0.66%, 0.53%

LAB 47.69, 68.21, -58.76

 

CMYK 21 / 80 / 0 / 38

HEX #7D209F

RGB 125 32 159

HSL 283.94, 0.66%, 0.37%

LAB 33.77, 57.08, -49.24

 

CMYK 0 / 80 / 73 / 38

HEX #9D202A

RGB 157 32 42

HSL 355.2, 0.66%, 0.37%

LAB 34.74, 50.53, 26.92

 

CMYK 80 / 0 / 54 / 38

HEX #209D48

RGB 32 157 72

HSL 139.2, 0.66%, 0.37%

LAB 56.97, -51.58, 34.95

 

CMYK 21 / 80 / 0 / 38

HEX #7D209F

RGB 125 32 159

HSL 283.94, 0.66%, 0.37%

LAB 33.77, 57.08, -49.24

 

CMYK 0 / 23 / 80 / 38

HEX #9D7920

RGB 157 121 32

HSL 42.72, 0.66%, 0.37%

LAB 52.89, 5.34, 50.66

 

CMYK 80 / 0 / 23 / 38

HEX #209D79

RGB 32 157 121

HSL 162.72, 0.66%, 0.37%

LAB 57.85, -41.64, 9.57

 

CMYK 21 / 80 / 0 / 38

HEX #7D209F

RGB 125 32 159

HSL 283.94, 0.66%, 0.37%

LAB 33.77, 57.08, -49.24

 

CMYK 0 / 80 / 73 / 38

HEX #9D202A

RGB 157 32 42

HSL 355.2, 0.66%, 0.37%

LAB 34.74, 50.53, 26.92

 

CMYK 57 / 0 / 80 / 38

HEX #439D20

RGB 67 157 32

HSL 103.2, 0.66%, 0.37%

LAB 57.47, -48.72, 52.75

 

CMYK 80 / 0 / 7 / 38

HEX #209D92

RGB 32 157 146

HSL 174.72, 0.66%, 0.37%

LAB 58.51, -34.86, -3.63

 

CMYK 21 / 80 / 0 / 38

HEX #7D209F

RGB 125 32 159

HSL 283.94, 0.66%, 0.37%

LAB 33.77, 57.08, -49.24

 

CMYK 0 / 62 / 80 / 38

HEX #9D3B20

RGB 157 59 32

HSL 12.96, 0.66%, 0.37%

LAB 38.55, 39.38, 36.87

 

CMYK 57 / 0 / 80 / 38

HEX #439D20

RGB 67 157 32

HSL 103.2, 0.66%, 0.37%

LAB 57.47, -48.72, 52.75

 

CMYK 80 / 17 / 0 / 38

HEX #20829D

RGB 32 130 157

HSL 192.96, 0.66%, 0.37%

LAB 50.34, -17.79, -22.28

 

Description

Color code: HEX #7D209F | qconv.com Color code: HEX #7D209F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 32 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 32 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 80 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 80% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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