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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D1F70 it is the complementary color #82E08F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D1F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D1F70 shade: #821F6B, #93317E, #A44391, #B555A4 and #C667B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D1F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D1F70 shade: #7D1F70, #6C0D5D, #5B004A, #4A0037 and #390024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D1F70 shade: #7E2071, #7E2058, #7E203E, #7E2025 and #7E2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D1F70 shade: #7E2071, #72207E, #58207E, #3F207E and #25207E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D1F70 shade matches the following richer shades: #7E2071, #8B137B and #980684

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D1F70 shade: #7E2071, #722C68, #65395F, #584656 and #4B534C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D1F70 shade: #59207E, #72207E, #7E2072, #7E2059 and #7E203F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D1F70 shade: #3C0F36, #5D1754, #7E2071, #9F288F and #C030AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D1F70 shade: #7D1F70, #7E3F20 and #207E65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D1F70 shade: #7D1F70, #727E20 and #20727E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D1F70 shade: #7D1F70, #7E3F20, #207E2C and #205F7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D1F70 shade: #7D1F70, #7E5C20, #207E2C and #20427E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 10 / 51

HEX #7D1F70

RGB 125 31 112

HSL 308.3, 0.6%, 0.31%

LAB 30.66, 48.8, -25

 

Complementary color

CMYK 42 / 0 / 36 / 12

HEX #82E08F

RGB 130 224 143

HSL 128.3, 0.6%, 0.69%

LAB 81.86, -44.57, 31.17

 

CMYK 0 / 76 / 18 / 49

HEX #821F6B

RGB 130 31 107

HSL 313.94, 0.61%, 0.32%

LAB 31.32, 49.29, -20.71

 

CMYK 0 / 67 / 14 / 42

HEX #93317E

RGB 147 49 126

HSL 312.86, 0.5%, 0.38%

LAB 37.67, 49.79, -22.57

 

CMYK 0 / 59 / 12 / 36

HEX #A44391

RGB 164 67 145

HSL 311.75, 0.42%, 0.45%

LAB 44.16, 49.65, -23.9

 

CMYK 0 / 53 / 9 / 29

HEX #B555A4

RGB 181 85 164

HSL 310.63, 0.39%, 0.52%

LAB 50.69, 49.18, -24.91

 

CMYK 0 / 48 / 8 / 22

HEX #C667B7

RGB 198 103 183

HSL 309.47, 0.45%, 0.59%

LAB 57.2, 48.54, -25.71

 

CMYK 0 / 75 / 10 / 51

HEX #7D1F70

RGB 125 31 112

HSL 308.3, 0.6%, 0.31%

LAB 30.66, 48.8, -25

 

CMYK 0 / 88 / 14 / 58

HEX #6C0D5D

RGB 108 13 93

HSL 309.47, 0.79%, 0.24%

LAB 24.53, 47.15, -22.53

 

CMYK 0 / 100 / 19 / 64

HEX #5B004A

RGB 91 0 74

HSL 311.21, 1%, 0.18%

LAB 18.88, 43.64, -18.86

 

CMYK 0 / 100 / 26 / 71

HEX #4A0037

RGB 74 0 55

HSL 315.41, 1%, 0.15%

LAB 14.01, 37.2, -13.41

 

CMYK 0 / 100 / 37 / 78

HEX #390024

RGB 57 0 36

HSL 322.11, 1%, 0.11%

LAB 8.97, 30.55, -7.48

 

CMYK 0 / 75 / 10 / 51

HEX #7E2071

RGB 126 32 113

HSL 308.3, 0.59%, 0.31%

LAB 31.02, 48.86, -25.06

 

CMYK 0 / 75 / 30 / 51

HEX #7E2058

RGB 126 32 88

HSL 324.26, 0.59%, 0.31%

LAB 29.85, 45.18, -10.74

 

CMYK 0 / 75 / 51 / 51

HEX #7E203E

RGB 126 32 62

HSL 340.85, 0.59%, 0.31%

LAB 28.94, 42.24, 5.14

 

CMYK 0 / 75 / 71 / 51

HEX #7E2025

RGB 126 32 37

HSL 356.81, 0.59%, 0.31%

LAB 28.39, 40.35, 20.98

 

CMYK 0 / 75 / 75 / 51

HEX #7E2020

RGB 126 32 32

HSL 0, 0.59%, 0.31%

LAB 28.31, 40.09, 24.09

 

CMYK 0 / 75 / 10 / 51

HEX #7E2071

RGB 126 32 113

HSL 308.3, 0.59%, 0.31%

LAB 31.02, 48.86, -25.06

 

CMYK 10 / 75 / 0 / 51

HEX #72207E

RGB 114 32 126

HSL 292.34, 0.59%, 0.31%

LAB 29.71, 48.28, -35.51

 

CMYK 30 / 75 / 0 / 51

HEX #58207E

RGB 88 32 126

HSL 275.74, 0.59%, 0.31%

LAB 25.61, 42.55, -42.32

 

CMYK 50 / 75 / 0 / 51

HEX #3F207E

RGB 63 32 126

HSL 259.79, 0.59%, 0.31%

LAB 22.29, 37.66, -47.86

 

CMYK 71 / 75 / 0 / 51

HEX #25207E

RGB 37 32 126

HSL 243.19, 0.59%, 0.31%

LAB 19.77, 33.72, -52.09

 

CMYK 0 / 75 / 10 / 51

HEX #7E2071

RGB 126 32 113

HSL 308.3, 0.59%, 0.31%

LAB 31.02, 48.86, -25.06

 

CMYK 0 / 86 / 12 / 45

HEX #8B137B

RGB 139 19 123

HSL 308, 0.76%, 0.31%

LAB 32.67, 57.12, -28.64

 

CMYK 0 / 96 / 13 / 40

HEX #980684

RGB 152 6 132

HSL 308.22, 0.92%, 0.31%

LAB 34.95, 63.1, -30.51

 

CMYK 0 / 75 / 10 / 51

HEX #7E2071

RGB 126 32 113

HSL 308.3, 0.59%, 0.31%

LAB 31.02, 48.86, -25.06

 

CMYK 0 / 61 / 9 / 55

HEX #722C68

RGB 114 44 104

HSL 308.57, 0.44%, 0.31%

LAB 30.35, 38.91, -20.51

 

CMYK 0 / 44 / 6 / 60

HEX #65395F

RGB 101 57 95

HSL 308.18, 0.28%, 0.31%

LAB 30.69, 25.78, -14.36

 

CMYK 0 / 20 / 2 / 65

HEX #584656

RGB 88 70 86

HSL 306.67, 0.11%, 0.31%

LAB 32.09, 10.85, -6.6

 

CMYK 10 / 0 / 8 / 67

HEX #4B534C

RGB 75 83 76

HSL 127.5, 0.05%, 0.31%

LAB 34.4, -4.73, 3.01

 

CMYK 29 / 75 / 0 / 51

HEX #59207E

RGB 89 32 126

HSL 276.38, 0.59%, 0.31%

LAB 25.75, 42.77, -42.07

 

CMYK 10 / 75 / 0 / 51

HEX #72207E

RGB 114 32 126

HSL 292.34, 0.59%, 0.31%

LAB 29.71, 48.28, -35.51

 

CMYK 0 / 75 / 10 / 51

HEX #7E2072

RGB 126 32 114

HSL 307.66, 0.59%, 0.31%

LAB 31.08, 49.02, -25.61

 

CMYK 0 / 75 / 29 / 51

HEX #7E2059

RGB 126 32 89

HSL 323.62, 0.59%, 0.31%

LAB 29.89, 45.31, -11.33

 

CMYK 0 / 75 / 50 / 51

HEX #7E203F

RGB 126 32 63

HSL 340.21, 0.59%, 0.31%

LAB 28.97, 42.33, 4.52

 

CMYK 0 / 75 / 10 / 76

HEX #3C0F36

RGB 60 15 54

HSL 308, 0.6%, 0.15%

LAB 13.04, 27.4, -14.42

 

CMYK 0 / 75 / 10 / 64

HEX #5D1754

RGB 93 23 84

HSL 307.71, 0.6%, 0.23%

LAB 22.23, 38.85, -20.36

 

CMYK 0 / 75 / 10 / 51

HEX #7E2071

RGB 126 32 113

HSL 308.3, 0.59%, 0.31%

LAB 31.02, 48.86, -25.06

 

CMYK 0 / 75 / 10 / 38

HEX #9F288F

RGB 159 40 143

HSL 308.07, 0.6%, 0.39%

LAB 39.36, 58.83, -30.24

 

CMYK 0 / 75 / 10 / 25

HEX #C030AD

RGB 192 48 173

HSL 307.92, 0.6%, 0.47%

LAB 47.41, 68.37, -35.19

 

CMYK 0 / 75 / 10 / 51

HEX #7D1F70

RGB 125 31 112

HSL 308.3, 0.6%, 0.31%

LAB 30.66, 48.8, -25

 

CMYK 0 / 50 / 75 / 51

HEX #7E3F20

RGB 126 63 32

HSL 19.79, 0.59%, 0.31%

LAB 34.18, 24.7, 30.69

 

CMYK 75 / 0 / 20 / 51

HEX #207E65

RGB 32 126 101

HSL 164.04, 0.59%, 0.31%

LAB 47.19, -33.2, 5.93

 

CMYK 0 / 75 / 10 / 51

HEX #7D1F70

RGB 125 31 112

HSL 308.3, 0.6%, 0.31%

LAB 30.66, 48.8, -25

 

CMYK 10 / 0 / 75 / 51

HEX #727E20

RGB 114 126 32

HSL 67.66, 0.59%, 0.31%

LAB 50.22, -17.28, 46.68

 

CMYK 75 / 10 / 0 / 51

HEX #20727E

RGB 32 114 126

HSL 187.66, 0.59%, 0.31%

LAB 44.01, -19.7, -13.65

 

CMYK 0 / 75 / 10 / 51

HEX #7D1F70

RGB 125 31 112

HSL 308.3, 0.6%, 0.31%

LAB 30.66, 48.8, -25

 

CMYK 0 / 50 / 75 / 51

HEX #7E3F20

RGB 126 63 32

HSL 19.79, 0.59%, 0.31%

LAB 34.18, 24.7, 30.69

 

CMYK 75 / 0 / 65 / 51

HEX #207E2C

RGB 32 126 44

HSL 127.66, 0.59%, 0.31%

LAB 46.19, -44.37, 36.04

 

CMYK 75 / 25 / 0 / 51

HEX #205F7E

RGB 32 95 126

HSL 199.79, 0.59%, 0.31%

LAB 37.84, -8.87, -23.14

 

CMYK 0 / 75 / 10 / 51

HEX #7D1F70

RGB 125 31 112

HSL 308.3, 0.6%, 0.31%

LAB 30.66, 48.8, -25

 

CMYK 0 / 27 / 75 / 51

HEX #7E5C20

RGB 126 92 32

HSL 38.3, 0.59%, 0.31%

LAB 41.52, 7.62, 38.43

 

CMYK 75 / 0 / 65 / 51

HEX #207E2C

RGB 32 126 44

HSL 127.66, 0.59%, 0.31%

LAB 46.19, -44.37, 36.04

 

CMYK 75 / 48 / 0 / 51

HEX #20427E

RGB 32 66 126

HSL 218.3, 0.59%, 0.31%

LAB 28.67, 9.92, -37.63

 

Description

Color code: HEX #7D1F70 | qconv.com Color code: HEX #7D1F70 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 31 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 31 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 10 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 10% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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