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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D1578 it is the complementary color #82EA87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D1578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D1578 shade: #821573, #932786, #A43999, #B54BAC and #C65DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D1578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D1578 shade: #7D1578, #6C0365, #5B0052, #4A003F and #39002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D1578 shade: #7E1579, #7E155D, #7E1541, #7E1524 and #7E1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D1578 shade: #7E1579, #67157E, #4B157E, #2F157E and #15157E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D1578 shade matches the following richer shades: #7E1579 and #8A0984

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D1578 shade: #7E1579, #72216F, #672D64, #5B3959 and #4F454E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D1578 shade: #4A157E, #66157E, #7E157B, #7E155F and #7E1543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D1578 shade: #380936, #5B0F58, #7E1579, #A21B9B and #C521BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D1578 shade: #7D1578, #7E2E15 and #157E58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D1578 shade: #7D1578, #7B7E15 and #157B7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D1578 shade: #7D1578, #7E2E15, #157E19 and #15667E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D1578 shade: #7D1578, #7E4D15, #157E19 and #15467E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 4 / 51

HEX #7D1578

RGB 125 21 120

HSL 302.88, 0.71%, 0.29%

LAB 30.04, 53.19, -31.07

 

Complementary color

CMYK 44 / 0 / 42 / 8

HEX #82EA87

RGB 130 234 135

HSL 122.88, 0.71%, 0.71%

LAB 84.66, -50.03, 38.85

 

CMYK 0 / 84 / 12 / 49

HEX #821573

RGB 130 21 115

HSL 308.26, 0.72%, 0.3%

LAB 30.69, 53.49, -26.81

 

CMYK 0 / 73 / 9 / 42

HEX #932786

RGB 147 39 134

HSL 307.22, 0.58%, 0.36%

LAB 36.7, 54.91, -29.05

 

CMYK 0 / 65 / 7 / 36

HEX #A43999

RGB 164 57 153

HSL 306.17, 0.48%, 0.43%

LAB 42.94, 55.35, -30.63

 

CMYK 0 / 59 / 5 / 29

HEX #B54BAC

RGB 181 75 172

HSL 305.09, 0.42%, 0.5%

LAB 49.29, 55.24, -31.78

 

CMYK 0 / 53 / 4 / 22

HEX #C65DBF

RGB 198 93 191

HSL 304, 0.48%, 0.57%

LAB 55.68, 54.82, -32.66

 

CMYK 0 / 83 / 4 / 51

HEX #7D1578

RGB 125 21 120

HSL 302.88, 0.71%, 0.29%

LAB 30.04, 53.19, -31.07

 

CMYK 0 / 97 / 6 / 58

HEX #6C0365

RGB 108 3 101

HSL 304, 0.95%, 0.22%

LAB 24.3, 50.47, -28.16

 

CMYK 0 / 100 / 10 / 64

HEX #5B0052

RGB 91 0 82

HSL 305.93, 1%, 0.18%

LAB 19.36, 44.84, -23.56

 

CMYK 0 / 100 / 15 / 71

HEX #4A003F

RGB 74 0 63

HSL 308.92, 1%, 0.15%

LAB 14.48, 38.39, -18.37

 

CMYK 0 / 100 / 23 / 78

HEX #39002C

RGB 57 0 44

HSL 313.68, 1%, 0.11%

LAB 9.41, 31.68, -12.82

 

CMYK 0 / 83 / 4 / 51

HEX #7E1579

RGB 126 21 121

HSL 302.86, 0.71%, 0.29%

LAB 30.28, 53.56, -31.3

 

CMYK 0 / 83 / 26 / 51

HEX #7E155D

RGB 126 21 93

HSL 318.86, 0.71%, 0.29%

LAB 28.8, 49.41, -15.61

 

CMYK 0 / 83 / 48 / 51

HEX #7E1541

RGB 126 21 65

HSL 334.86, 0.71%, 0.29%

LAB 27.72, 46.22, 1.37

 

CMYK 0 / 83 / 71 / 51

HEX #7E1524

RGB 126 21 36

HSL 351.43, 0.71%, 0.29%

LAB 27.02, 44.08, 19.95

 

CMYK 0 / 83 / 83 / 51

HEX #7E1515

RGB 126 21 21

HSL 0, 0.71%, 0.29%

LAB 26.81, 43.44, 29.24

 

CMYK 0 / 83 / 4 / 51

HEX #7E1579

RGB 126 21 121

HSL 302.86, 0.71%, 0.29%

LAB 30.28, 53.56, -31.3

 

CMYK 18 / 83 / 0 / 51

HEX #67157E

RGB 103 21 126

HSL 286.86, 0.71%, 0.29%

LAB 26.52, 49.78, -40.72

 

CMYK 40 / 83 / 0 / 51

HEX #4B157E

RGB 75 21 126

HSL 270.86, 0.71%, 0.29%

LAB 22.08, 44.79, -48.14

 

CMYK 63 / 83 / 0 / 51

HEX #2F157E

RGB 47 21 126

HSL 254.86, 0.71%, 0.29%

LAB 18.57, 40.88, -54.04

 

CMYK 83 / 83 / 0 / 51

HEX #15157E

RGB 21 21 126

HSL 240, 0.71%, 0.29%

LAB 16.51, 38.61, -57.51

 

CMYK 0 / 83 / 4 / 51

HEX #7E1579

RGB 126 21 121

HSL 302.86, 0.71%, 0.29%

LAB 30.28, 53.56, -31.3

 

CMYK 0 / 93 / 4 / 46

HEX #8A0984

RGB 138 9 132

HSL 302.79, 0.88%, 0.29%

LAB 32.4, 60.03, -34.71

 

CMYK 0 / 83 / 4 / 51

HEX #7E1579

RGB 126 21 121

HSL 302.86, 0.71%, 0.29%

LAB 30.28, 53.56, -31.3

 

CMYK 0 / 71 / 3 / 55

HEX #72216F

RGB 114 33 111

HSL 302.22, 0.55%, 0.29%

LAB 28.94, 45.1, -27.21

 

CMYK 0 / 56 / 3 / 60

HEX #672D64

RGB 103 45 100

HSL 303.1, 0.39%, 0.29%

LAB 28.59, 34.27, -20.8

 

CMYK 0 / 37 / 2 / 64

HEX #5B3959

RGB 91 57 89

HSL 303.53, 0.23%, 0.29%

LAB 29.09, 20.89, -13.05

 

CMYK 0 / 13 / 1 / 69

HEX #4F454E

RGB 79 69 78

HSL 306, 0.07%, 0.29%

LAB 30.57, 6.12, -3.84

 

CMYK 41 / 83 / 0 / 51

HEX #4A157E

RGB 74 21 126

HSL 270.29, 0.71%, 0.29%

LAB 21.94, 44.63, -48.38

 

CMYK 19 / 83 / 0 / 51

HEX #66157E

RGB 102 21 126

HSL 286.29, 0.71%, 0.29%

LAB 26.35, 49.59, -41

 

CMYK 0 / 83 / 2 / 51

HEX #7E157B

RGB 126 21 123

HSL 301.71, 0.71%, 0.29%

LAB 30.4, 53.89, -32.37

 

CMYK 0 / 83 / 25 / 51

HEX #7E155F

RGB 126 21 95

HSL 317.71, 0.71%, 0.29%

LAB 28.9, 49.68, -16.77

 

CMYK 0 / 83 / 47 / 51

HEX #7E1543

RGB 126 21 67

HSL 333.71, 0.71%, 0.29%

LAB 27.78, 46.42, 0.12

 

CMYK 0 / 84 / 4 / 78

HEX #380936

RGB 56 9 54

HSL 302.55, 0.72%, 0.13%

LAB 11.29, 28.93, -17.23

 

CMYK 0 / 84 / 3 / 64

HEX #5B0F58

RGB 91 15 88

HSL 302.37, 0.72%, 0.21%

LAB 21.1, 41.88, -24.85

 

CMYK 0 / 83 / 4 / 51

HEX #7E1579

RGB 126 21 121

HSL 302.86, 0.71%, 0.29%

LAB 30.28, 53.56, -31.3

 

CMYK 0 / 83 / 4 / 36

HEX #A21B9B

RGB 162 27 155

HSL 303.11, 0.71%, 0.37%

LAB 39.3, 64.93, -37.61

 

CMYK 0 / 83 / 4 / 23

HEX #C521BD

RGB 197 33 189

HSL 302.93, 0.71%, 0.45%

LAB 47.79, 75.58, -43.93

 

CMYK 0 / 83 / 4 / 51

HEX #7D1578

RGB 125 21 120

HSL 302.88, 0.71%, 0.29%

LAB 30.04, 53.19, -31.07

 

CMYK 0 / 63 / 83 / 51

HEX #7E2E15

RGB 126 46 21

HSL 14.29, 0.71%, 0.29%

LAB 30.51, 33.34, 32.87

 

CMYK 83 / 0 / 30 / 51

HEX #157E58

RGB 21 126 88

HSL 158.29, 0.71%, 0.29%

LAB 46.69, -37.93, 12.8

 

CMYK 0 / 83 / 4 / 51

HEX #7D1578

RGB 125 21 120

HSL 302.88, 0.71%, 0.29%

LAB 30.04, 53.19, -31.07

 

CMYK 2 / 0 / 83 / 51

HEX #7B7E15

RGB 123 126 21

HSL 61.71, 0.71%, 0.29%

LAB 50.91, -13.67, 51.27

 

CMYK 83 / 2 / 0 / 51

HEX #157B7E

RGB 21 123 126

HSL 181.71, 0.71%, 0.29%

LAB 46.75, -25.66, -9.53

 

CMYK 0 / 83 / 4 / 51

HEX #7D1578

RGB 125 21 120

HSL 302.88, 0.71%, 0.29%

LAB 30.04, 53.19, -31.07

 

CMYK 0 / 63 / 83 / 51

HEX #7E2E15

RGB 126 46 21

HSL 14.29, 0.71%, 0.29%

LAB 30.51, 33.34, 32.87

 

CMYK 83 / 0 / 80 / 51

HEX #157E19

RGB 21 126 25

HSL 122.29, 0.71%, 0.29%

LAB 45.84, -47.93, 43.49

 

CMYK 83 / 19 / 0 / 51

HEX #15667E

RGB 21 102 126

HSL 193.71, 0.71%, 0.29%

LAB 39.86, -14.37, -20.02

 

CMYK 0 / 83 / 4 / 51

HEX #7D1578

RGB 125 21 120

HSL 302.88, 0.71%, 0.29%

LAB 30.04, 53.19, -31.07

 

CMYK 0 / 39 / 83 / 51

HEX #7E4D15

RGB 126 77 21

HSL 32, 0.71%, 0.29%

LAB 37.48, 16.03, 39.43

 

CMYK 83 / 0 / 80 / 51

HEX #157E19

RGB 21 126 25

HSL 122.29, 0.71%, 0.29%

LAB 45.84, -47.93, 43.49

 

CMYK 83 / 44 / 0 / 51

HEX #15467E

RGB 21 70 126

HSL 212, 0.71%, 0.29%

LAB 29.53, 5.73, -36.27

 

Description

Color code: HEX #7D1578 | qconv.com Color code: HEX #7D1578 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 21 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 21 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 4 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 4% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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