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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D1382 it is the complementary color #82EC7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D1382. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D1382 shade: #82137D, #932590, #A437A3, #B549B6 and #C65BC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D1382. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D1382 shade: #7D1382, #6C016F, #5B005C, #4A0049 and #390036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D1382 shade: #7C1381, #811368, #81134B, #81132D and #811313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D1382 shade: #7C1381, #5E1381, #411381, #231381 and #131381

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D1382 shade matches the following richer shades: #7C1381 and #87078D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D1382 shade: #7C1381, #711F75, #662B69, #5B375D and #504351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D1382 shade: #411381, #5E1381, #7B1381, #811369 and #81134C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D1382 shade: #370839, #590E5D, #7C1381, #9E19A5 and #C11EC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D1382 shade: #7D1382, #812413 and #13814F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D1382 shade: #7D1382, #817B13 and #13817B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D1382 shade: #7D1382, #812413, #198113 and #137081

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D1382 shade: #7D1382, #814413, #198113 and #134F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 85 / 0 / 49

HEX #7D1382

RGB 125 19 130

HSL 297.3, 0.74%, 0.29%

LAB 30.49, 55.36, -36.65

 

Complementary color

CMYK 45 / 0 / 47 / 7

HEX #82EC7D

RGB 130 236 125

HSL 117.3, 0.74%, 0.71%

LAB 85.11, -52.26, 44.29

 

CMYK 0 / 85 / 4 / 49

HEX #82137D

RGB 130 19 125

HSL 302.7, 0.74%, 0.29%

LAB 31.1, 55.54, -32.49

 

CMYK 0 / 75 / 2 / 42

HEX #932590

RGB 147 37 144

HSL 301.64, 0.6%, 0.36%

LAB 37, 57.22, -34.72

 

CMYK 0 / 66 / 1 / 36

HEX #A437A3

RGB 164 55 163

HSL 300.55, 0.5%, 0.43%

LAB 43.17, 57.84, -36.27

 

CMYK 1 / 60 / 0 / 29

HEX #B549B6

RGB 181 73 182

HSL 299.45, 0.43%, 0.5%

LAB 49.46, 57.85, -37.38

 

CMYK 1 / 55 / 0 / 21

HEX #C65BC9

RGB 198 91 201

HSL 298.36, 0.5%, 0.57%

LAB 55.79, 57.51, -38.21

 

CMYK 4 / 85 / 0 / 49

HEX #7D1382

RGB 125 19 130

HSL 297.3, 0.74%, 0.29%

LAB 30.49, 55.36, -36.65

 

CMYK 3 / 99 / 0 / 56

HEX #6C016F

RGB 108 1 111

HSL 298.36, 0.98%, 0.22%

LAB 24.82, 52.49, -33.83

 

CMYK 1 / 100 / 0 / 64

HEX #5B005C

RGB 91 0 92

HSL 299.35, 1%, 0.18%

LAB 20.03, 46.46, -29.22

 

CMYK 0 / 100 / 1 / 71

HEX #4A0049

RGB 74 0 73

HSL 300.81, 1%, 0.15%

LAB 15.15, 40.03, -24.31

 

CMYK 0 / 100 / 5 / 78

HEX #390036

RGB 57 0 54

HSL 303.16, 1%, 0.11%

LAB 10.08, 33.32, -19.14

 

CMYK 4 / 85 / 0 / 49

HEX #7C1381

RGB 124 19 129

HSL 297.27, 0.74%, 0.29%

LAB 30.24, 54.99, -36.43

 

CMYK 0 / 85 / 19 / 49

HEX #811368

RGB 129 19 104

HSL 313.64, 0.74%, 0.29%

LAB 29.74, 52.15, -21.25

 

CMYK 0 / 85 / 42 / 49

HEX #81134B

RGB 129 19 75

HSL 329.45, 0.74%, 0.29%

LAB 28.49, 48.58, -4.13

 

CMYK 0 / 85 / 65 / 49

HEX #81132D

RGB 129 19 45

HSL 345.82, 0.74%, 0.29%

LAB 27.63, 46.06, 14.85

 

CMYK 0 / 85 / 85 / 49

HEX #811313

RGB 129 19 19

HSL 0, 0.74%, 0.29%

LAB 27.24, 44.87, 31.05

 

CMYK 4 / 85 / 0 / 49

HEX #7C1381

RGB 124 19 129

HSL 297.27, 0.74%, 0.29%

LAB 30.24, 54.99, -36.43

 

CMYK 27 / 85 / 0 / 49

HEX #5E1381

RGB 94 19 129

HSL 280.91, 0.74%, 0.29%

LAB 25.05, 49.37, -45.08

 

CMYK 50 / 85 / 0 / 49

HEX #411381

RGB 65 19 129

HSL 265.09, 0.74%, 0.29%

LAB 20.73, 44.84, -52.31

 

CMYK 73 / 85 / 0 / 49

HEX #231381

RGB 35 19 129

HSL 248.73, 0.74%, 0.29%

LAB 17.5, 41.56, -57.76

 

CMYK 85 / 85 / 0 / 49

HEX #131381

RGB 19 19 129

HSL 240, 0.74%, 0.29%

LAB 16.45, 40.52, -59.52

 

CMYK 4 / 85 / 0 / 49

HEX #7C1381

RGB 124 19 129

HSL 297.27, 0.74%, 0.29%

LAB 30.24, 54.99, -36.43

 

CMYK 4 / 95 / 0 / 45

HEX #87078D

RGB 135 7 141

HSL 297.31, 0.91%, 0.29%

LAB 32.32, 61.19, -40.47

 

CMYK 4 / 85 / 0 / 49

HEX #7C1381

RGB 124 19 129

HSL 297.27, 0.74%, 0.29%

LAB 30.24, 54.99, -36.43

 

CMYK 3 / 74 / 0 / 54

HEX #711F75

RGB 113 31 117

HSL 297.21, 0.58%, 0.29%

LAB 28.84, 46.73, -31.21

 

CMYK 3 / 59 / 0 / 59

HEX #662B69

RGB 102 43 105

HSL 297.1, 0.42%, 0.29%

LAB 28.31, 36.01, -24.49

 

CMYK 2 / 41 / 0 / 64

HEX #5B375D

RGB 91 55 93

HSL 296.84, 0.26%, 0.29%

LAB 28.76, 22.99, -16.14

 

CMYK 1 / 17 / 0 / 68

HEX #504351

RGB 80 67 81

HSL 295.71, 0.09%, 0.29%

LAB 30.19, 8.48, -6.32

 

CMYK 50 / 85 / 0 / 49

HEX #411381

RGB 65 19 129

HSL 265.09, 0.74%, 0.29%

LAB 20.73, 44.84, -52.31

 

CMYK 27 / 85 / 0 / 49

HEX #5E1381

RGB 94 19 129

HSL 280.91, 0.74%, 0.29%

LAB 25.05, 49.37, -45.08

 

CMYK 5 / 85 / 0 / 49

HEX #7B1381

RGB 123 19 129

HSL 296.73, 0.74%, 0.29%

LAB 30.06, 54.79, -36.73

 

CMYK 0 / 85 / 19 / 49

HEX #811369

RGB 129 19 105

HSL 313.09, 0.74%, 0.29%

LAB 29.79, 52.29, -21.82

 

CMYK 0 / 85 / 41 / 49

HEX #81134C

RGB 129 19 76

HSL 328.91, 0.74%, 0.29%

LAB 28.52, 48.69, -4.75

 

CMYK 4 / 86 / 0 / 78

HEX #370839

RGB 55 8 57

HSL 297.55, 0.75%, 0.13%

LAB 11.14, 29.71, -19.64

 

CMYK 4 / 85 / 0 / 64

HEX #590E5D

RGB 89 14 93

HSL 296.96, 0.74%, 0.21%

LAB 20.94, 42.64, -28.47

 

CMYK 4 / 85 / 0 / 49

HEX #7C1381

RGB 124 19 129

HSL 297.27, 0.74%, 0.29%

LAB 30.24, 54.99, -36.43

 

CMYK 4 / 85 / 0 / 35

HEX #9E19A5

RGB 158 25 165

HSL 297, 0.74%, 0.37%

LAB 39.04, 66.18, -44.09

 

CMYK 4 / 85 / 0 / 22

HEX #C11EC8

RGB 193 30 200

HSL 297.53, 0.74%, 0.45%

LAB 47.54, 77.12, -50.77

 

CMYK 4 / 85 / 0 / 49

HEX #7D1382

RGB 125 19 130

HSL 297.3, 0.74%, 0.29%

LAB 30.49, 55.36, -36.65

 

CMYK 0 / 72 / 85 / 49

HEX #812413

RGB 129 36 19

HSL 9.27, 0.74%, 0.29%

LAB 29.35, 38.99, 33.04

 

CMYK 85 / 0 / 39 / 49

HEX #13814F

RGB 19 129 79

HSL 152.73, 0.74%, 0.29%

LAB 47.5, -41.42, 19.06

 

CMYK 4 / 85 / 0 / 49

HEX #7D1382

RGB 125 19 130

HSL 297.3, 0.74%, 0.29%

LAB 30.49, 55.36, -36.65

 

CMYK 0 / 5 / 85 / 49

HEX #817B13

RGB 129 123 19

HSL 56.73, 0.74%, 0.29%

LAB 50.55, -9.31, 51.73

 

CMYK 85 / 0 / 5 / 49

HEX #13817B

RGB 19 129 123

HSL 176.73, 0.74%, 0.29%

LAB 48.6, -29.75, -5.01

 

CMYK 4 / 85 / 0 / 49

HEX #7D1382

RGB 125 19 130

HSL 297.3, 0.74%, 0.29%

LAB 30.49, 55.36, -36.65

 

CMYK 0 / 72 / 85 / 49

HEX #812413

RGB 129 36 19

HSL 9.27, 0.74%, 0.29%

LAB 29.35, 38.99, 33.04

 

CMYK 81 / 0 / 85 / 49

HEX #198113

RGB 25 129 19

HSL 116.73, 0.74%, 0.29%

LAB 46.91, -48.74, 46.4

 

CMYK 85 / 13 / 0 / 49

HEX #137081

RGB 19 112 129

HSL 189.27, 0.74%, 0.29%

LAB 43.23, -19.06, -16.66

 

CMYK 4 / 85 / 0 / 49

HEX #7D1382

RGB 125 19 130

HSL 297.3, 0.74%, 0.29%

LAB 30.49, 55.36, -36.65

 

CMYK 0 / 47 / 85 / 49

HEX #814413

RGB 129 68 19

HSL 26.73, 0.74%, 0.29%

LAB 35.69, 22.6, 38.83

 

CMYK 81 / 0 / 85 / 49

HEX #198113

RGB 25 129 19

HSL 116.73, 0.74%, 0.29%

LAB 46.91, -48.74, 46.4

 

CMYK 85 / 39 / 0 / 49

HEX #134F81

RGB 19 79 129

HSL 207.27, 0.74%, 0.29%

LAB 32.51, 0.74, -33.38

 

Description

Color code: HEX #7D1382 | qconv.com Color code: HEX #7D1382 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 19 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 19 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 85 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 85% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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