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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D1280 it is the complementary color #82ED7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D1280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D1280 shade: #82127B, #93248E, #A436A1, #B548B4 and #C65AC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D1280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D1280 shade: #7D1280, #6C006D, #5B005A, #4A0047 and #390034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D1280 shade: #7E1281, #811267, #811249, #81122B and #811212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D1280 shade: #7E1281, #601281, #431281, #251281 and #121281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D1280 shade matches the following richer shades: #7E1281 and #8A078D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D1280 shade: #7E1281, #731E75, #682A69, #5C365E and #514252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D1280 shade: #431281, #601281, #7E1281, #811268 and #81124A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D1280 shade: #380839, #5B0D5D, #7E1281, #A218A6 and #C51DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D1280 shade: #7D1280, #812512 and #128151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D1280 shade: #7D1280, #817E12 and #12817E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D1280 shade: #7D1280, #812512, #168112 and #126F81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D1280 shade: #7D1280, #814612, #168112 and #124E81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 86 / 0 / 50

HEX #7D1280

RGB 125 18 128

HSL 298.36, 0.75%, 0.29%

LAB 30.28, 55.25, -35.73

 

Complementary color

CMYK 45 / 0 / 46 / 7

HEX #82ED7F

RGB 130 237 127

HSL 118.36, 0.75%, 0.71%

LAB 85.43, -52.39, 43.73

 

CMYK 0 / 86 / 5 / 49

HEX #82127B

RGB 130 18 123

HSL 303.75, 0.76%, 0.29%

LAB 30.9, 55.45, -31.54

 

CMYK 0 / 76 / 3 / 42

HEX #93248E

RGB 147 36 142

HSL 302.7, 0.61%, 0.36%

LAB 36.78, 57.21, -33.85

 

CMYK 0 / 67 / 2 / 36

HEX #A436A1

RGB 164 54 161

HSL 301.64, 0.5%, 0.43%

LAB 42.92, 57.89, -35.46

 

CMYK 0 / 60 / 1 / 29

HEX #B548B4

RGB 181 72 180

HSL 300.55, 0.43%, 0.5%

LAB 49.2, 57.94, -36.62

 

CMYK 1 / 55 / 0 / 22

HEX #C65AC7

RGB 198 90 199

HSL 299.45, 0.49%, 0.57%

LAB 55.52, 57.62, -37.49

 

CMYK 2 / 86 / 0 / 50

HEX #7D1280

RGB 125 18 128

HSL 298.36, 0.75%, 0.29%

LAB 30.28, 55.25, -35.73

 

CMYK 1 / 100 / 0 / 57

HEX #6C006D

RGB 108 0 109

HSL 299.45, 1%, 0.21%

LAB 24.62, 52.36, -32.86

 

CMYK 0 / 100 / 1 / 64

HEX #5B005A

RGB 91 0 90

HSL 300.66, 1%, 0.18%

LAB 19.89, 46.13, -28.11

 

CMYK 0 / 100 / 4 / 71

HEX #4A0047

RGB 74 0 71

HSL 302.43, 1%, 0.15%

LAB 15.01, 39.68, -23.15

 

CMYK 0 / 100 / 9 / 78

HEX #390034

RGB 57 0 52

HSL 305.26, 1%, 0.11%

LAB 9.94, 32.98, -17.91

 

CMYK 2 / 86 / 0 / 49

HEX #7E1281

RGB 126 18 129

HSL 298.38, 0.76%, 0.29%

LAB 30.53, 55.62, -35.95

 

CMYK 0 / 86 / 20 / 49

HEX #811267

RGB 129 18 103

HSL 314.05, 0.76%, 0.29%

LAB 29.61, 52.25, -20.81

 

CMYK 0 / 86 / 43 / 49

HEX #811249

RGB 129 18 73

HSL 330.27, 0.76%, 0.29%

LAB 28.33, 48.63, -3.03

 

CMYK 0 / 86 / 67 / 49

HEX #81122B

RGB 129 18 43

HSL 346.49, 0.76%, 0.29%

LAB 27.5, 46.19, 16.03

 

CMYK 0 / 86 / 86 / 49

HEX #811212

RGB 129 18 18

HSL 0, 0.76%, 0.29%

LAB 27.14, 45.1, 31.53

 

CMYK 2 / 86 / 0 / 49

HEX #7E1281

RGB 126 18 129

HSL 298.38, 0.76%, 0.29%

LAB 30.53, 55.62, -35.95

 

CMYK 26 / 86 / 0 / 49

HEX #601281

RGB 96 18 129

HSL 282.16, 0.76%, 0.29%

LAB 25.27, 50.02, -44.69

 

CMYK 48 / 86 / 0 / 49

HEX #431281

RGB 67 18 129

HSL 266.49, 0.76%, 0.29%

LAB 20.87, 45.48, -52.07

 

CMYK 71 / 86 / 0 / 49

HEX #251281

RGB 37 18 129

HSL 250.27, 0.76%, 0.29%

LAB 17.51, 42.17, -57.73

 

CMYK 86 / 86 / 0 / 49

HEX #121281

RGB 18 18 129

HSL 240, 0.76%, 0.29%

LAB 16.24, 40.96, -59.88

 

CMYK 2 / 86 / 0 / 49

HEX #7E1281

RGB 126 18 129

HSL 298.38, 0.76%, 0.29%

LAB 30.53, 55.62, -35.95

 

CMYK 2 / 95 / 0 / 45

HEX #8A078D

RGB 138 7 141

HSL 298.66, 0.91%, 0.29%

LAB 32.87, 61.72, -39.55

 

CMYK 2 / 86 / 0 / 49

HEX #7E1281

RGB 126 18 129

HSL 298.38, 0.76%, 0.29%

LAB 30.53, 55.62, -35.95

 

CMYK 2 / 74 / 0 / 54

HEX #731E75

RGB 115 30 117

HSL 298.62, 0.59%, 0.29%

LAB 29.05, 47.58, -30.85

 

CMYK 1 / 60 / 0 / 59

HEX #682A69

RGB 104 42 105

HSL 299.05, 0.43%, 0.29%

LAB 28.43, 37.12, -24.27

 

CMYK 2 / 43 / 0 / 63

HEX #5C365E

RGB 92 54 94

HSL 297, 0.27%, 0.29%

LAB 28.7, 24.18, -16.88

 

CMYK 1 / 20 / 0 / 68

HEX #514252

RGB 81 66 82

HSL 296.25, 0.11%, 0.29%

LAB 30.05, 9.74, -7.17

 

CMYK 48 / 86 / 0 / 49

HEX #431281

RGB 67 18 129

HSL 266.49, 0.76%, 0.29%

LAB 20.87, 45.48, -52.07

 

CMYK 26 / 86 / 0 / 49

HEX #601281

RGB 96 18 129

HSL 282.16, 0.76%, 0.29%

LAB 25.27, 50.02, -44.69

 

CMYK 2 / 86 / 0 / 49

HEX #7E1281

RGB 126 18 129

HSL 298.38, 0.76%, 0.29%

LAB 30.53, 55.62, -35.95

 

CMYK 0 / 86 / 19 / 49

HEX #811268

RGB 129 18 104

HSL 313.51, 0.76%, 0.29%

LAB 29.66, 52.39, -21.38

 

CMYK 0 / 86 / 43 / 49

HEX #81124A

RGB 129 18 74

HSL 329.73, 0.76%, 0.29%

LAB 28.36, 48.73, -3.65

 

CMYK 2 / 86 / 0 / 78

HEX #380839

RGB 56 8 57

HSL 298.78, 0.75%, 0.13%

LAB 11.34, 29.96, -19.31

 

CMYK 2 / 86 / 0 / 64

HEX #5B0D5D

RGB 91 13 93

HSL 298.5, 0.75%, 0.21%

LAB 21.22, 43.36, -28

 

CMYK 2 / 86 / 0 / 49

HEX #7E1281

RGB 126 18 129

HSL 298.38, 0.76%, 0.29%

LAB 30.53, 55.62, -35.95

 

CMYK 2 / 86 / 0 / 35

HEX #A218A6

RGB 162 24 166

HSL 298.31, 0.75%, 0.37%

LAB 39.73, 67.3, -43.55

 

CMYK 2 / 86 / 0 / 21

HEX #C51DCA

RGB 197 29 202

HSL 298.27, 0.75%, 0.45%

LAB 48.28, 78.32, -50.71

 

CMYK 2 / 86 / 0 / 50

HEX #7D1280

RGB 125 18 128

HSL 298.36, 0.75%, 0.29%

LAB 30.28, 55.25, -35.73

 

CMYK 0 / 71 / 86 / 49

HEX #812512

RGB 129 37 18

HSL 10.27, 0.76%, 0.29%

LAB 29.5, 38.54, 33.7

 

CMYK 86 / 0 / 37 / 49

HEX #128151

RGB 18 129 81

HSL 154.05, 0.76%, 0.29%

LAB 47.52, -41.08, 17.96

 

CMYK 2 / 86 / 0 / 50

HEX #7D1280

RGB 125 18 128

HSL 298.36, 0.75%, 0.29%

LAB 30.28, 55.25, -35.73

 

CMYK 0 / 2 / 86 / 49

HEX #817E12

RGB 129 126 18

HSL 58.38, 0.76%, 0.29%

LAB 51.42, -10.98, 52.74

 

CMYK 86 / 0 / 2 / 49

HEX #12817E

RGB 18 129 126

HSL 178.38, 0.76%, 0.29%

LAB 48.68, -28.9, -6.65

 

CMYK 2 / 86 / 0 / 50

HEX #7D1280

RGB 125 18 128

HSL 298.36, 0.75%, 0.29%

LAB 30.28, 55.25, -35.73

 

CMYK 0 / 71 / 86 / 49

HEX #812512

RGB 129 37 18

HSL 10.27, 0.76%, 0.29%

LAB 29.5, 38.54, 33.7

 

CMYK 83 / 0 / 86 / 49

HEX #168112

RGB 22 129 18

HSL 117.84, 0.76%, 0.29%

LAB 46.86, -49.22, 46.62

 

CMYK 86 / 14 / 0 / 49

HEX #126F81

RGB 18 111 129

HSL 189.73, 0.76%, 0.29%

LAB 42.89, -18.6, -17.19

 

CMYK 2 / 86 / 0 / 50

HEX #7D1280

RGB 125 18 128

HSL 298.36, 0.75%, 0.29%

LAB 30.28, 55.25, -35.73

 

CMYK 0 / 46 / 86 / 49

HEX #814612

RGB 129 70 18

HSL 28.11, 0.76%, 0.29%

LAB 36.16, 21.41, 39.66

 

CMYK 83 / 0 / 86 / 49

HEX #168112

RGB 22 129 18

HSL 117.84, 0.76%, 0.29%

LAB 46.86, -49.22, 46.62

 

CMYK 86 / 40 / 0 / 49

HEX #124E81

RGB 18 78 129

HSL 207.57, 0.76%, 0.29%

LAB 32.17, 1.3, -33.92

 

Description

Color code: HEX #7D1280 | qconv.com Color code: HEX #7D1280 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 18 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 18 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 86 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 86% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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