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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D0C5D it is the complementary color #82F3A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D0C5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D0C5D shade: #820C58, #931E6B, #A4307E, #B54291 and #C654A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D0C5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D0C5D shade: #7D0C5D, #6C004A, #5B0037, #4A0024 and #390011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D0C5D shade: #7D0C5D, #7D0C3F, #7D0C20 and #7D0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D0C5D shade: #7D0C5D, #7D0C7C, #600C7D, #420C7D and #230C7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D0C5D shade matches the following richer shades: #7D0C5D and #880162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D0C5D shade: #7D0C5D, #721859, #672354, #5C2E4F and #51394A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D0C5D shade: #5F0C7D, #7D0C7D, #7D0C5F, #7D0C41 and #7D0C23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D0C5D shade: #320525, #580941, #7D0C5D, #A31079 and #C81495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D0C5D shade: #7D0C5D, #7D410C and #0C7D6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D0C5D shade: #7D0C5D, #5F7D0C and #0C5F7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D0C5D shade: #7D0C5D, #7D410C, #0C7D2B and #0C497D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D0C5D shade: #7D0C5D, #7D630C, #0C7D2B and #0C277D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

Complementary color

CMYK 47 / 0 / 33 / 5

HEX #82F3A2

RGB 130 243 162

HSL 136.99, 0.82%, 0.73%

LAB 87.71, -49.45, 29.33

 

CMYK 0 / 91 / 32 / 49

HEX #820C58

RGB 130 12 88

HSL 321.36, 0.83%, 0.28%

LAB 28.68, 51.81, -12.45

 

CMYK 0 / 80 / 27 / 42

HEX #931E6B

RGB 147 30 107

HSL 320.51, 0.66%, 0.35%

LAB 34.38, 53.94, -15.72

 

CMYK 0 / 71 / 23 / 36

HEX #A4307E

RGB 164 48 126

HSL 319.66, 0.55%, 0.42%

LAB 40.43, 54.81, -18.07

 

CMYK 0 / 64 / 20 / 29

HEX #B54291

RGB 181 66 145

HSL 318.78, 0.47%, 0.48%

LAB 46.66, 54.95, -19.83

 

CMYK 0 / 58 / 17 / 22

HEX #C654A4

RGB 198 84 164

HSL 317.89, 0.5%, 0.55%

LAB 52.98, 54.67, -21.18

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 100 / 31 / 58

HEX #6C004A

RGB 108 0 74

HSL 318.89, 1%, 0.21%

LAB 22.59, 47.35, -12.8

 

CMYK 0 / 100 / 40 / 64

HEX #5B0037

RGB 91 0 55

HSL 323.74, 1%, 0.18%

LAB 17.92, 41.2, -7.07

 

CMYK 0 / 100 / 51 / 71

HEX #4A0024

RGB 74 0 36

HSL 330.81, 1%, 0.15%

LAB 13.13, 34.93, -0.81

 

CMYK 0 / 100 / 70 / 78

HEX #390011

RGB 57 0 17

HSL 342.11, 1%, 0.11%

LAB 8.22, 28.59, 5.42

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 90 / 50 / 51

HEX #7D0C3F

RGB 125 12 63

HSL 332.92, 0.82%, 0.27%

LAB 26.68, 47.95, 1.2

 

CMYK 0 / 90 / 74 / 51

HEX #7D0C20

RGB 125 12 32

HSL 349.38, 0.82%, 0.27%

LAB 25.94, 45.83, 21.25

 

CMYK 0 / 90 / 90 / 51

HEX #7D0C0C

RGB 125 12 12

HSL 0, 0.82%, 0.27%

LAB 25.71, 45.16, 33.04

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 90 / 1 / 51

HEX #7D0C7C

RGB 125 12 124

HSL 300.53, 0.82%, 0.27%

LAB 29.61, 55.81, -34.29

 

CMYK 23 / 90 / 0 / 51

HEX #600C7D

RGB 96 12 125

HSL 284.6, 0.82%, 0.27%

LAB 24.42, 50.74, -43.55

 

CMYK 47 / 90 / 0 / 51

HEX #420C7D

RGB 66 12 125

HSL 268.67, 0.82%, 0.27%

LAB 19.65, 46.32, -51.55

 

CMYK 72 / 90 / 0 / 51

HEX #230C7D

RGB 35 12 125

HSL 252.21, 0.82%, 0.27%

LAB 16.01, 43.27, -57.68

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 99 / 28 / 47

HEX #880162

RGB 136 1 98

HSL 316.89, 0.99%, 0.27%

LAB 29.76, 56.15, -17.23

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 79 / 22 / 55

HEX #721859

RGB 114 24 89

HSL 316.67, 0.65%, 0.27%

LAB 26.6, 44.87, -16.58

 

CMYK 0 / 66 / 18 / 60

HEX #672354

RGB 103 35 84

HSL 316.76, 0.49%, 0.27%

LAB 25.94, 36.46, -14.45

 

CMYK 0 / 50 / 14 / 64

HEX #5C2E4F

RGB 92 46 79

HSL 316.96, 0.33%, 0.27%

LAB 26.14, 25.95, -10.99

 

CMYK 0 / 30 / 9 / 68

HEX #51394A

RGB 81 57 74

HSL 317.5, 0.17%, 0.27%

LAB 27.21, 13.84, -6.2

 

CMYK 24 / 90 / 0 / 51

HEX #5F0C7D

RGB 95 12 125

HSL 284.07, 0.82%, 0.27%

LAB 24.25, 50.58, -43.84

 

CMYK 0 / 90 / 0 / 51

HEX #7D0C7D

RGB 125 12 125

HSL 300, 0.82%, 0.27%

LAB 29.67, 55.98, -34.82

 

CMYK 0 / 90 / 24 / 51

HEX #7D0C5F

RGB 125 12 95

HSL 315.93, 0.82%, 0.27%

LAB 27.98, 51.52, -18.21

 

CMYK 0 / 90 / 48 / 51

HEX #7D0C41

RGB 125 12 65

HSL 331.86, 0.82%, 0.27%

LAB 26.75, 48.13, -0.07

 

CMYK 0 / 90 / 72 / 51

HEX #7D0C23

RGB 125 12 35

HSL 347.79, 0.82%, 0.27%

LAB 25.99, 45.98, 19.31

 

CMYK 0 / 90 / 26 / 80

HEX #320525

RGB 50 5 37

HSL 317.33, 0.82%, 0.11%

LAB 8.31, 26.07, -9.39

 

CMYK 0 / 90 / 26 / 65

HEX #580941

RGB 88 9 65

HSL 317.47, 0.81%, 0.19%

LAB 18.59, 39.19, -13.13

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 90 / 26 / 36

HEX #A31079

RGB 163 16 121

HSL 317.14, 0.82%, 0.35%

LAB 37, 62.57, -20.27

 

CMYK 0 / 90 / 26 / 22

HEX #C81495

RGB 200 20 149

HSL 317, 0.82%, 0.43%

LAB 45.57, 73.14, -23.65

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 48 / 90 / 51

HEX #7D410C

RGB 125 65 12

HSL 28.14, 0.82%, 0.27%

LAB 34.33, 22.32, 40.2

 

CMYK 90 / 0 / 12 / 51

HEX #0C7D6E

RGB 12 125 110

HSL 172.04, 0.82%, 0.27%

LAB 46.81, -32.33, 0.02

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 24 / 0 / 90 / 51

HEX #5F7D0C

RGB 95 125 12

HSL 75.93, 0.82%, 0.27%

LAB 48.42, -26.01, 50.56

 

CMYK 90 / 24 / 0 / 51

HEX #0C5F7D

RGB 12 95 125

HSL 195.93, 0.82%, 0.27%

LAB 37.38, -11.45, -23.27

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 48 / 90 / 51

HEX #7D410C

RGB 125 65 12

HSL 28.14, 0.82%, 0.27%

LAB 34.33, 22.32, 40.2

 

CMYK 90 / 0 / 66 / 51

HEX #0C7D2B

RGB 12 125 43

HSL 136.46, 0.82%, 0.27%

LAB 45.52, -46.79, 35.68

 

CMYK 90 / 42 / 0 / 51

HEX #0C497D

RGB 12 73 125

HSL 207.61, 0.82%, 0.27%

LAB 30.22, 2.46, -34.56

 

CMYK 0 / 90 / 26 / 51

HEX #7D0C5D

RGB 125 12 93

HSL 316.99, 0.82%, 0.27%

LAB 27.88, 51.26, -17.05

 

CMYK 0 / 21 / 90 / 51

HEX #7D630C

RGB 125 99 12

HSL 46.19, 0.82%, 0.27%

LAB 43.23, 2.23, 47.37

 

CMYK 90 / 0 / 66 / 51

HEX #0C7D2B

RGB 12 125 43

HSL 136.46, 0.82%, 0.27%

LAB 45.52, -46.79, 35.68

 

CMYK 90 / 69 / 0 / 51

HEX #0C277D

RGB 12 39 125

HSL 225.66, 0.82%, 0.27%

LAB 20.08, 26.4, -50.99

 

Description

Color code: HEX #7D0C5D | qconv.com Color code: HEX #7D0C5D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 12 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 12 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 26 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 26% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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