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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CFE79 it is the complementary color #830186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CFE79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CFE79 shade: #81FE74, #92FF87, #A3FF9A, #B4FFAD and #C5FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CFE79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CFE79 shade: #7CFE79, #6BEC66, #5ADA53, #49C840 and #38B62D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CFE79 shade: #7EFE7B, #A1FE7B, #C5FE7B, #E8FE7B and #FEF17B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CFE79 shade: #7EFE7B, #7BFE9C, #7BFEBF, #7BFEE2 and #7BF7FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CFE79 shade matches the following richer shades: #7EFE7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CFE79 shade: #7EFE7B, #88F486, #93E991, #9DDE9B and #A7D3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CFE79 shade: #C5FE7B, #A2FE7B, #7FFE7B, #7BFE9A and #7BFEBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CFE79 shade: #2EFE29, #56FE52, #7EFE7B, #A6FFA4 and #CEFFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CFE79 shade: #7CFE79, #7BE8FE and #FE7BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CFE79 shade: #7CFE79, #7B7FFE and #FE7B7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CFE79 shade: #7CFE79, #7BE8FE, #FA7BFE and #FE917B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CFE79 shade: #7CFE79, #7BC1FE, #FA7BFE and #FEB87B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 52 / 0

HEX #7CFE79

RGB 124 254 121

HSL 118.65, 0.99%, 0.74%

LAB 90.11, -61.42, 52.27

 

Complementary color

CMYK 2 / 99 / 0 / 47

HEX #830186

RGB 131 1 134

HSL 298.65, 0.99%, 0.26%

LAB 30.8, 60.26, -38.59

 

CMYK 49 / 0 / 54 / 0

HEX #81FE74

RGB 129 254 116

HSL 114.35, 0.99%, 0.73%

LAB 90.23, -60.71, 54.72

 

CMYK 43 / 0 / 47 / 0

HEX #92FF87

RGB 146 255 135

HSL 114.5, 1%, 0.76%

LAB 91.41, -54.05, 47.53

 

CMYK 36 / 0 / 40 / 0

HEX #A3FF9A

RGB 163 255 154

HSL 114.65, 1%, 0.8%

LAB 92.42, -46.41, 39.8

 

CMYK 29 / 0 / 32 / 0

HEX #B4FFAD

RGB 180 255 173

HSL 114.88, 1%, 0.84%

LAB 93.55, -38.3, 32.04

 

CMYK 23 / 0 / 25 / 0

HEX #C5FFC0

RGB 197 255 192

HSL 115.24, 1%, 0.88%

LAB 94.82, -29.83, 24.33

 

CMYK 51 / 0 / 52 / 0

HEX #7CFE79

RGB 124 254 121

HSL 118.65, 0.99%, 0.74%

LAB 90.11, -61.42, 52.27

 

CMYK 55 / 0 / 57 / 7

HEX #6BEC66

RGB 107 236 102

HSL 117.76, 0.78%, 0.66%

LAB 84.01, -61.24, 53.46

 

CMYK 59 / 0 / 62 / 15

HEX #5ADA53

RGB 90 218 83

HSL 116.89, 0.65%, 0.59%

LAB 77.84, -60.87, 54.57

 

CMYK 64 / 0 / 68 / 22

HEX #49C840

RGB 73 200 64

HSL 116.03, 0.55%, 0.52%

LAB 71.62, -60.21, 55.48

 

CMYK 69 / 0 / 75 / 29

HEX #38B62D

RGB 56 182 45

HSL 115.18, 0.6%, 0.45%

LAB 65.35, -59.14, 55.98

 

CMYK 50 / 0 / 52 / 0

HEX #7EFE7B

RGB 126 254 123

HSL 118.63, 0.98%, 0.74%

LAB 90.21, -60.66, 51.48

 

CMYK 37 / 0 / 52 / 0

HEX #A1FE7B

RGB 161 254 123

HSL 102.6, 0.98%, 0.74%

LAB 91.64, -50.56, 53.54

 

CMYK 22 / 0 / 52 / 0

HEX #C5FE7B

RGB 197 254 123

HSL 86.11, 0.98%, 0.74%

LAB 93.53, -38.38, 56.27

 

CMYK 9 / 0 / 52 / 0

HEX #E8FE7B

RGB 232 254 123

HSL 70.08, 0.98%, 0.74%

LAB 95.78, -25.38, 59.47

 

CMYK 0 / 5 / 52 / 0

HEX #FEF17B

RGB 254 241 123

HSL 54.05, 0.98%, 0.74%

LAB 94.06, -10.51, 57.87

 

CMYK 50 / 0 / 52 / 0

HEX #7EFE7B

RGB 126 254 123

HSL 118.63, 0.98%, 0.74%

LAB 90.21, -60.66, 51.48

 

CMYK 52 / 0 / 39 / 0

HEX #7BFE9C

RGB 123 254 156

HSL 135.11, 0.98%, 0.74%

LAB 90.55, -56.68, 36.07

 

CMYK 52 / 0 / 25 / 0

HEX #7BFEBF

RGB 123 254 191

HSL 151.15, 0.98%, 0.74%

LAB 91.17, -50.36, 19.26

 

CMYK 52 / 0 / 11 / 0

HEX #7BFEE2

RGB 123 254 226

HSL 167.18, 0.98%, 0.74%

LAB 91.95, -42.81, 2.33

 

CMYK 52 / 3 / 0 / 0

HEX #7BF7FE

RGB 123 247 254

HSL 183.21, 0.98%, 0.74%

LAB 90.73, -32.75, -14

 

CMYK 50 / 0 / 52 / 0

HEX #7EFE7B

RGB 126 254 123

HSL 118.63, 0.98%, 0.74%

LAB 90.21, -60.66, 51.48

 

CMYK 50 / 0 / 52 / 0

HEX #7EFE7B

RGB 126 254 123

HSL 118.63, 0.98%, 0.74%

LAB 90.21, -60.66, 51.48

 

CMYK 44 / 0 / 45 / 4

HEX #88F486

RGB 136 244 134

HSL 118.91, 0.83%, 0.74%

LAB 87.8, -52.58, 43.39

 

CMYK 37 / 0 / 38 / 9

HEX #93E991

RGB 147 233 145

HSL 118.64, 0.67%, 0.74%

LAB 85.26, -43.12, 34.79

 

CMYK 29 / 0 / 30 / 13

HEX #9DDE9B

RGB 157 222 155

HSL 118.21, 0.5%, 0.74%

LAB 82.79, -33.44, 26.49

 

CMYK 21 / 0 / 21 / 17

HEX #A7D3A6

RGB 167 211 166

HSL 118.67, 0.34%, 0.74%

LAB 80.49, -23.03, 17.66

 

CMYK 22 / 0 / 52 / 0

HEX #C5FE7B

RGB 197 254 123

HSL 86.11, 0.98%, 0.74%

LAB 93.53, -38.38, 56.27

 

CMYK 36 / 0 / 52 / 0

HEX #A2FE7B

RGB 162 254 123

HSL 102.14, 0.98%, 0.74%

LAB 91.68, -50.25, 53.61

 

CMYK 50 / 0 / 52 / 0

HEX #7FFE7B

RGB 127 254 123

HSL 118.17, 0.98%, 0.74%

LAB 90.24, -60.4, 51.53

 

CMYK 52 / 0 / 39 / 0

HEX #7BFE9A

RGB 123 254 154

HSL 134.2, 0.98%, 0.74%

LAB 90.52, -57.01, 37.02

 

CMYK 52 / 0 / 26 / 0

HEX #7BFEBD

RGB 123 254 189

HSL 150.23, 0.98%, 0.74%

LAB 91.13, -50.75, 20.22

 

CMYK 82 / 0 / 84 / 0

HEX #2EFE29

RGB 46 254 41

HSL 118.59, 0.99%, 0.58%

LAB 87.79, -82.38, 78.06

 

CMYK 66 / 0 / 68 / 0

HEX #56FE52

RGB 86 254 82

HSL 118.6, 0.99%, 0.66%

LAB 88.67, -73.99, 66.75

 

CMYK 50 / 0 / 52 / 0

HEX #7EFE7B

RGB 126 254 123

HSL 118.63, 0.98%, 0.74%

LAB 90.21, -60.66, 51.48

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA4

RGB 166 255 164

HSL 118.68, 1%, 0.82%

LAB 92.71, -44.03, 35.28

 

CMYK 19 / 0 / 20 / 0

HEX #CEFFCD

RGB 206 255 205

HSL 118.8, 1%, 0.9%

LAB 95.6, -24.75, 18.87

 

CMYK 51 / 0 / 52 / 0

HEX #7CFE79

RGB 124 254 121

HSL 118.65, 0.99%, 0.74%

LAB 90.11, -61.42, 52.27

 

CMYK 52 / 9 / 0 / 0

HEX #7BE8FE

RGB 123 232 254

HSL 190.08, 0.98%, 0.74%

LAB 86.54, -25.56, -20.29

 

CMYK 0 / 52 / 29 / 0

HEX #FE7BB4

RGB 254 123 180

HSL 333.89, 0.98%, 0.74%

LAB 68.41, 55.81, -6.31

 

CMYK 51 / 0 / 52 / 0

HEX #7CFE79

RGB 124 254 121

HSL 118.65, 0.99%, 0.74%

LAB 90.11, -61.42, 52.27

 

CMYK 52 / 50 / 0 / 0

HEX #7B7FFE

RGB 123 127 254

HSL 238.17, 0.98%, 0.74%

LAB 58.55, 32.36, -63.98

 

CMYK 0 / 52 / 50 / 0

HEX #FE7B7F

RGB 254 123 127

HSL 358.17, 0.98%, 0.74%

LAB 67.1, 50.17, 21.72

 

CMYK 51 / 0 / 52 / 0

HEX #7CFE79

RGB 124 254 121

HSL 118.65, 0.99%, 0.74%

LAB 90.11, -61.42, 52.27

 

CMYK 52 / 9 / 0 / 0

HEX #7BE8FE

RGB 123 232 254

HSL 190.08, 0.98%, 0.74%

LAB 86.54, -25.56, -20.29

 

CMYK 2 / 52 / 0 / 0

HEX #FA7BFE

RGB 250 123 254

HSL 298.17, 0.98%, 0.74%

LAB 70.63, 65.76, -44.02

 

CMYK 0 / 43 / 52 / 0

HEX #FE917B

RGB 254 145 123

HSL 10.08, 0.98%, 0.74%

LAB 71.39, 38.91, 29.66

 

CMYK 51 / 0 / 52 / 0

HEX #7CFE79

RGB 124 254 121

HSL 118.65, 0.99%, 0.74%

LAB 90.11, -61.42, 52.27

 

CMYK 52 / 24 / 0 / 0

HEX #7BC1FE

RGB 123 193 254

HSL 207.94, 0.98%, 0.74%

LAB 75.77, -5.47, -36.8

 

CMYK 2 / 52 / 0 / 0

HEX #FA7BFE

RGB 250 123 254

HSL 298.17, 0.98%, 0.74%

LAB 70.63, 65.76, -44.02

 

CMYK 0 / 28 / 52 / 0

HEX #FEB87B

RGB 254 184 123

HSL 27.94, 0.98%, 0.74%

LAB 80.06, 18.63, 40.82

 

Description

Color code: HEX #7CFE79 | qconv.com Color code: HEX #7CFE79 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 254 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 254 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 52 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 52% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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