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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CF941 it is the complementary color #8306BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CF941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CF941 shade: #81F93C, #92FF4F, #A3FF62, #B4FF75 and #C5FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CF941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CF941 shade: #7CF941, #6BE72E, #5AD51B, #49C308 and #38B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CF941 shade: #7DF943, #AFF943, #E0F943, #F9E243 and #F9B043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CF941 shade: #7DF943, #4CF943, #43F96B, #43F99C and #43F9CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CF941 shade matches the following richer shades: #7DF943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CF941 shade: #7DF943, #83EA53, #89DA62, #8ECA72 and #94BA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CF941 shade: #E1F943, #B0F943, #80F943, #4FF943 and #43F967

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CF941 shade: #4DE307, #62F81B, #7DF943, #99FA6B and #B5FC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CF941 shade: #7CF941, #43F9E1 and #F943C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CF941 shade: #7CF941, #4380F9 and #F94380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CF941 shade: #7CF941, #43F9E1, #BC43F9 and #F9435B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CF941 shade: #7CF941, #43DBF9, #BC43F9 and #F96143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 74 / 2

HEX #7CF941

RGB 124 249 65

HSL 100.76, 0.94%, 0.62%

LAB 88.17, -64.75, 72.53

 

Complementary color

CMYK 31 / 97 / 0 / 25

HEX #8306BE

RGB 131 6 190

HSL 280.76, 0.94%, 0.38%

LAB 35.35, 69.58, -65.15

 

CMYK 48 / 0 / 76 / 2

HEX #81F93C

RGB 129 249 60

HSL 98.1, 0.94%, 0.61%

LAB 88.33, -63.64, 74.31

 

CMYK 43 / 0 / 69 / 0

HEX #92FF4F

RGB 146 255 79

HSL 97.16, 1%, 0.65%

LAB 90.87, -59.66, 70.75

 

CMYK 36 / 0 / 62 / 0

HEX #A3FF62

RGB 163 255 98

HSL 95.16, 1%, 0.69%

LAB 91.77, -52.8, 64.6

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 23 / 0 / 47 / 0

HEX #C5FF88

RGB 197 255 136

HSL 89.24, 1%, 0.77%

LAB 93.96, -37.47, 50.77

 

CMYK 50 / 0 / 74 / 2

HEX #7CF941

RGB 124 249 65

HSL 100.76, 0.94%, 0.62%

LAB 88.17, -64.75, 72.53

 

CMYK 54 / 0 / 80 / 9

HEX #6BE72E

RGB 107 231 46

HSL 100.22, 0.79%, 0.54%

LAB 82.1, -63.99, 72.17

 

CMYK 58 / 0 / 87 / 16

HEX #5AD51B

RGB 90 213 27

HSL 99.68, 0.78%, 0.47%

LAB 75.97, -62.91, 70.9

 

CMYK 63 / 0 / 96 / 24

HEX #49C308

RGB 73 195 8

HSL 99.14, 0.92%, 0.4%

LAB 69.8, -61.41, 68.33

 

CMYK 68 / 0 / 100 / 31

HEX #38B100

RGB 56 177 0

HSL 101.02, 1%, 0.35%

LAB 63.58, -59.36, 64.1

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 30 / 0 / 73 / 2

HEX #AFF943

RGB 175 249 67

HSL 84.4, 0.94%, 0.62%

LAB 90.45, -48.4, 74.88

 

CMYK 10 / 0 / 73 / 2

HEX #E0F943

RGB 224 249 67

HSL 68.24, 0.94%, 0.62%

LAB 93.45, -29.84, 78.81

 

CMYK 0 / 9 / 73 / 2

HEX #F9E243

RGB 249 226 67

HSL 52.42, 0.94%, 0.62%

LAB 89.36, -8.55, 75.62

 

CMYK 0 / 29 / 73 / 2

HEX #F9B043

RGB 249 176 67

HSL 35.93, 0.94%, 0.62%

LAB 77.04, 17.15, 63.63

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 69 / 0 / 73 / 2

HEX #4CF943

RGB 76 249 67

HSL 117.03, 0.94%, 0.62%

LAB 86.85, -75.38, 70.12

 

CMYK 73 / 0 / 57 / 2

HEX #43F96B

RGB 67 249 107

HSL 133.19, 0.94%, 0.62%

LAB 87, -72.91, 54.51

 

CMYK 73 / 0 / 37 / 2

HEX #43F99C

RGB 67 249 156

HSL 149.34, 0.94%, 0.62%

LAB 87.65, -65.36, 31.98

 

CMYK 73 / 0 / 18 / 2

HEX #43F9CD

RGB 67 249 205

HSL 165.49, 0.94%, 0.62%

LAB 88.62, -54.95, 8.23

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 44 / 0 / 65 / 8

HEX #83EA53

RGB 131 234 83

HSL 100.93, 0.78%, 0.62%

LAB 84.12, -55.78, 61.91

 

CMYK 37 / 0 / 55 / 15

HEX #89DA62

RGB 137 218 98

HSL 100.5, 0.62%, 0.62%

LAB 79.81, -45.95, 50.65

 

CMYK 30 / 0 / 44 / 21

HEX #8ECA72

RGB 142 202 114

HSL 100.91, 0.45%, 0.62%

LAB 75.58, -35.29, 37.83

 

CMYK 20 / 0 / 30 / 27

HEX #94BA82

RGB 148 186 130

HSL 100.71, 0.29%, 0.62%

LAB 71.57, -23.22, 24.35

 

CMYK 10 / 0 / 73 / 2

HEX #E1F943

RGB 225 249 67

HSL 67.91, 0.94%, 0.62%

LAB 93.52, -29.45, 78.9

 

CMYK 29 / 0 / 73 / 2

HEX #B0F943

RGB 176 249 67

HSL 84.07, 0.94%, 0.62%

LAB 90.5, -48.04, 74.95

 

CMYK 49 / 0 / 73 / 2

HEX #80F943

RGB 128 249 67

HSL 99.89, 0.94%, 0.62%

LAB 88.33, -63.51, 72.09

 

CMYK 68 / 0 / 73 / 2

HEX #4FF943

RGB 79 249 67

HSL 116.04, 0.94%, 0.62%

LAB 86.91, -74.86, 70.2

 

CMYK 73 / 0 / 59 / 2

HEX #43F967

RGB 67 249 103

HSL 131.87, 0.94%, 0.62%

LAB 86.96, -73.4, 56.22

 

CMYK 66 / 0 / 97 / 11

HEX #4DE307

RGB 77 227 7

HSL 100.91, 0.94%, 0.46%

LAB 79.92, -70.86, 76.66

 

CMYK 60 / 0 / 89 / 3

HEX #62F81B

RGB 98 248 27

HSL 100.72, 0.94%, 0.54%

LAB 86.9, -72.63, 80.3

 

CMYK 50 / 0 / 73 / 2

HEX #7DF943

RGB 125 249 67

HSL 100.88, 0.94%, 0.62%

LAB 88.22, -64.35, 71.94

 

CMYK 39 / 0 / 57 / 2

HEX #99FA6B

RGB 153 250 107

HSL 100.7, 0.93%, 0.7%

LAB 89.95, -53.14, 58.62

 

CMYK 28 / 0 / 42 / 1

HEX #B5FC93

RGB 181 252 147

HSL 100.57, 0.95%, 0.78%

LAB 92.38, -40.3, 43.34

 

CMYK 50 / 0 / 74 / 2

HEX #7CF941

RGB 124 249 65

HSL 100.76, 0.94%, 0.62%

LAB 88.17, -64.75, 72.53

 

CMYK 73 / 0 / 10 / 2

HEX #43F9E1

RGB 67 249 225

HSL 172.09, 0.94%, 0.62%

LAB 89.1, -49.99, -1.46

 

CMYK 0 / 73 / 19 / 2

HEX #F943C9

RGB 249 67 201

HSL 315.82, 0.94%, 0.62%

LAB 60.22, 79.39, -30.72

 

CMYK 50 / 0 / 74 / 2

HEX #7CF941

RGB 124 249 65

HSL 100.76, 0.94%, 0.62%

LAB 88.17, -64.75, 72.53

 

CMYK 73 / 49 / 0 / 2

HEX #4380F9

RGB 67 128 249

HSL 219.89, 0.94%, 0.62%

LAB 55.55, 20.8, -66.2

 

CMYK 0 / 73 / 49 / 2

HEX #F94380

RGB 249 67 128

HSL 339.89, 0.94%, 0.62%

LAB 57.76, 71.67, 8.04

 

CMYK 50 / 0 / 74 / 2

HEX #7CF941

RGB 124 249 65

HSL 100.76, 0.94%, 0.62%

LAB 88.17, -64.75, 72.53

 

CMYK 73 / 0 / 10 / 2

HEX #43F9E1

RGB 67 249 225

HSL 172.09, 0.94%, 0.62%

LAB 89.1, -49.99, -1.46

 

CMYK 24 / 73 / 0 / 2

HEX #BC43F9

RGB 188 67 249

HSL 279.89, 0.94%, 0.62%

LAB 53.54, 74.46, -68.96

 

CMYK 0 / 73 / 63 / 2

HEX #F9435B

RGB 249 67 91

HSL 352.09, 0.94%, 0.62%

LAB 56.99, 69.13, 28.79

 

CMYK 50 / 0 / 74 / 2

HEX #7CF941

RGB 124 249 65

HSL 100.76, 0.94%, 0.62%

LAB 88.17, -64.75, 72.53

 

CMYK 73 / 12 / 0 / 2

HEX #43DBF9

RGB 67 219 249

HSL 189.89, 0.94%, 0.62%

LAB 81.12, -29.68, -26.04

 

CMYK 24 / 73 / 0 / 2

HEX #BC43F9

RGB 188 67 249

HSL 279.89, 0.94%, 0.62%

LAB 53.54, 74.46, -68.96

 

CMYK 0 / 61 / 73 / 2

HEX #F96143

RGB 249 97 67

HSL 9.89, 0.94%, 0.62%

LAB 60.86, 56.51, 46.75

 

Description

Color code: HEX #7CF941 | qconv.com Color code: HEX #7CF941 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 249 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 249 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 74 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 74% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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