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Color name
HEX #7CF57C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CF57C it is the complementary color #830A83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CF57C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CF57C shade: #81F577, #92FF8A, #A3FF9D, #B4FFB0 and #C5FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CF57C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CF57C shade: #7CF57C, #6BE369, #5AD156, #49BF43 and #38AD30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CF57C shade: #7AF57A, #9BF57A, #BCF57A, #DEF57A and #F5EB7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CF57C shade: #7AF57A, #7AF59B, #7AF5BC, #7AF5DE and #7AEBF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CF57C shade matches the following richer shades: #7AF57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CF57C shade: #7AF57A, #86E986, #91DE91, #9DD29D and #A8C7A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CF57C shade: #BCF57A, #9BF57A, #7AF57A, #7AF59B and #7AF5BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CF57C shade: #2DEF2D, #54F254, #7AF57A, #A1F8A1 and #C7FBC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CF57C shade: #7CF57C, #7ADCF5 and #F57AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CF57C shade: #7CF57C, #7A7AF5 and #F57A7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CF57C shade: #7CF57C, #7ADCF5, #F57AF5 and #F5937A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CF57C shade: #7CF57C, #7AB8F5, #F57AF5 and #F5B87A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 49 / 4

HEX #7CF57C

RGB 124 245 124

HSL 120, 0.86%, 0.72%

LAB 87.51, -57.6, 47.7

 

Complementary color

CMYK 0 / 92 / 0 / 49

HEX #830A83

RGB 131 10 131

HSL 300, 0.86%, 0.28%

LAB 31.07, 58.41, -36.29

 

CMYK 47 / 0 / 51 / 4

HEX #81F577

RGB 129 245 119

HSL 115.24, 0.86%, 0.71%

LAB 87.63, -56.89, 50.23

 

CMYK 43 / 0 / 46 / 0

HEX #92FF8A

RGB 146 255 138

HSL 115.9, 1%, 0.77%

LAB 91.44, -53.66, 46.15

 

CMYK 36 / 0 / 38 / 0

HEX #A3FF9D

RGB 163 255 157

HSL 116.33, 1%, 0.81%

LAB 92.46, -45.98, 38.39

 

CMYK 29 / 0 / 31 / 0

HEX #B4FFB0

RGB 180 255 176

HSL 116.96, 1%, 0.85%

LAB 93.61, -37.83, 30.6

 

CMYK 23 / 0 / 24 / 0

HEX #C5FFC3

RGB 197 255 195

HSL 118, 1%, 0.88%

LAB 94.88, -29.34, 22.88

 

CMYK 49 / 0 / 49 / 4

HEX #7CF57C

RGB 124 245 124

HSL 120, 0.86%, 0.72%

LAB 87.51, -57.6, 47.7

 

CMYK 53 / 0 / 54 / 11

HEX #6BE369

RGB 107 227 105

HSL 119.02, 0.69%, 0.65%

LAB 81.34, -57.52, 48.94

 

CMYK 57 / 0 / 59 / 18

HEX #5AD156

RGB 90 209 86

HSL 118.05, 0.57%, 0.58%

LAB 75.11, -57.27, 50.14

 

CMYK 62 / 0 / 65 / 25

HEX #49BF43

RGB 73 191 67

HSL 117.1, 0.49%, 0.51%

LAB 68.81, -56.76, 51.21

 

CMYK 68 / 0 / 72 / 32

HEX #38AD30

RGB 56 173 48

HSL 116.16, 0.57%, 0.43%

LAB 62.46, -55.87, 51.97

 

CMYK 50 / 0 / 50 / 4

HEX #7AF57A

RGB 122 245 122

HSL 120, 0.86%, 0.72%

LAB 87.41, -58.39, 48.5

 

CMYK 37 / 0 / 50 / 4

HEX #9BF57A

RGB 155 245 122

HSL 103.9, 0.86%, 0.72%

LAB 88.77, -48.82, 50.47

 

CMYK 23 / 0 / 50 / 4

HEX #BCF57A

RGB 188 245 122

HSL 87.8, 0.86%, 0.72%

LAB 90.51, -37.67, 52.98

 

CMYK 9 / 0 / 50 / 4

HEX #DEF57A

RGB 222 245 122

HSL 71.22, 0.86%, 0.72%

LAB 92.68, -25.04, 56.1

 

CMYK 0 / 4 / 50 / 4

HEX #F5EB7A

RGB 245 235 122

HSL 55.12, 0.86%, 0.72%

LAB 91.79, -11.2, 55.47

 

CMYK 50 / 0 / 50 / 4

HEX #7AF57A

RGB 122 245 122

HSL 120, 0.86%, 0.72%

LAB 87.41, -58.39, 48.5

 

CMYK 50 / 0 / 37 / 4

HEX #7AF59B

RGB 122 245 155

HSL 136.1, 0.86%, 0.72%

LAB 87.88, -53.5, 33.03

 

CMYK 50 / 0 / 23 / 4

HEX #7AF5BC

RGB 122 245 188

HSL 152.2, 0.86%, 0.72%

LAB 88.48, -47.39, 17.04

 

CMYK 50 / 0 / 9 / 4

HEX #7AF5DE

RGB 122 245 222

HSL 168.78, 0.86%, 0.72%

LAB 89.26, -39.94, 0.49

 

CMYK 50 / 4 / 0 / 4

HEX #7AEBF5

RGB 122 235 245

HSL 184.88, 0.86%, 0.72%

LAB 87.07, -29.6, -14.78

 

CMYK 50 / 0 / 50 / 4

HEX #7AF57A

RGB 122 245 122

HSL 120, 0.86%, 0.72%

LAB 87.41, -58.39, 48.5

 

CMYK 50 / 0 / 50 / 4

HEX #7AF57A

RGB 122 245 122

HSL 120, 0.86%, 0.72%

LAB 87.41, -58.39, 48.5

 

CMYK 42 / 0 / 42 / 9

HEX #86E986

RGB 134 233 134

HSL 120, 0.69%, 0.72%

LAB 84.52, -48.62, 39.19

 

CMYK 35 / 0 / 35 / 13

HEX #91DE91

RGB 145 222 145

HSL 120, 0.54%, 0.72%

LAB 82, -38.87, 30.46

 

CMYK 25 / 0 / 25 / 18

HEX #9DD29D

RGB 157 210 157

HSL 120, 0.37%, 0.72%

LAB 79.44, -27.43, 20.86

 

CMYK 16 / 0 / 16 / 22

HEX #A8C7A8

RGB 168 199 168

HSL 120, 0.22%, 0.72%

LAB 77.28, -16.34, 12.09

 

CMYK 23 / 0 / 50 / 4

HEX #BCF57A

RGB 188 245 122

HSL 87.8, 0.86%, 0.72%

LAB 90.51, -37.67, 52.98

 

CMYK 37 / 0 / 50 / 4

HEX #9BF57A

RGB 155 245 122

HSL 103.9, 0.86%, 0.72%

LAB 88.77, -48.82, 50.47

 

CMYK 50 / 0 / 50 / 4

HEX #7AF57A

RGB 122 245 122

HSL 120, 0.86%, 0.72%

LAB 87.41, -58.39, 48.5

 

CMYK 50 / 0 / 37 / 4

HEX #7AF59B

RGB 122 245 155

HSL 136.1, 0.86%, 0.72%

LAB 87.88, -53.5, 33.03

 

CMYK 50 / 0 / 23 / 4

HEX #7AF5BC

RGB 122 245 188

HSL 152.2, 0.86%, 0.72%

LAB 88.48, -47.39, 17.04

 

CMYK 81 / 0 / 81 / 6

HEX #2DEF2D

RGB 45 239 45

HSL 120, 0.86%, 0.56%

LAB 83.17, -78.09, 72.92

 

CMYK 65 / 0 / 65 / 5

HEX #54F254

RGB 84 242 84

HSL 120, 0.86%, 0.64%

LAB 85.01, -70.28, 62.04

 

CMYK 50 / 0 / 50 / 4

HEX #7AF57A

RGB 122 245 122

HSL 120, 0.86%, 0.72%

LAB 87.41, -58.39, 48.5

 

CMYK 35 / 0 / 35 / 3

HEX #A1F8A1

RGB 161 248 161

HSL 120, 0.86%, 0.8%

LAB 90.45, -42.95, 33.74

 

CMYK 21 / 0 / 21 / 2

HEX #C7FBC7

RGB 199 251 199

HSL 120, 0.87%, 0.88%

LAB 94, -26.14, 19.63

 

CMYK 49 / 0 / 49 / 4

HEX #7CF57C

RGB 124 245 124

HSL 120, 0.86%, 0.72%

LAB 87.51, -57.6, 47.7

 

CMYK 50 / 10 / 0 / 4

HEX #7ADCF5

RGB 122 220 245

HSL 192.2, 0.86%, 0.72%

LAB 82.87, -22.26, -21.11

 

CMYK 0 / 50 / 30 / 4

HEX #F57AAB

RGB 245 122 171

HSL 336.1, 0.86%, 0.72%

LAB 66.73, 52.27, -3.86

 

CMYK 49 / 0 / 49 / 4

HEX #7CF57C

RGB 124 245 124

HSL 120, 0.86%, 0.72%

LAB 87.51, -57.6, 47.7

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF5

RGB 122 122 245

HSL 240, 0.86%, 0.72%

LAB 56.73, 32.39, -61.94

 

CMYK 0 / 50 / 50 / 4

HEX #F57A7A

RGB 245 122 122

HSL 0, 0.86%, 0.72%

LAB 65.54, 47.05, 22.21

 

CMYK 49 / 0 / 49 / 4

HEX #7CF57C

RGB 124 245 124

HSL 120, 0.86%, 0.72%

LAB 87.51, -57.6, 47.7

 

CMYK 50 / 10 / 0 / 4

HEX #7ADCF5

RGB 122 220 245

HSL 192.2, 0.86%, 0.72%

LAB 82.87, -22.26, -21.11

 

CMYK 0 / 50 / 0 / 4

HEX #F57AF5

RGB 245 122 245

HSL 300, 0.86%, 0.72%

LAB 69.42, 63.35, -41.03

 

CMYK 0 / 40 / 50 / 4

HEX #F5937A

RGB 245 147 122

HSL 12.2, 0.86%, 0.72%

LAB 70.65, 34.39, 29.03

 

CMYK 49 / 0 / 49 / 4

HEX #7CF57C

RGB 124 245 124

HSL 120, 0.86%, 0.72%

LAB 87.51, -57.6, 47.7

 

CMYK 50 / 25 / 0 / 4

HEX #7AB8F5

RGB 122 184 245

HSL 209.76, 0.86%, 0.72%

LAB 72.9, -3.42, -36.4

 

CMYK 0 / 50 / 0 / 4

HEX #F57AF5

RGB 245 122 245

HSL 300, 0.86%, 0.72%

LAB 69.42, 63.35, -41.03

 

CMYK 0 / 25 / 50 / 4

HEX #F5B87A

RGB 245 184 122

HSL 30.24, 0.86%, 0.72%

LAB 79.1, 14.95, 39.92

 

Description

Color code: HEX #7CF57C | qconv.com Color code: HEX #7CF57C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 245 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 245 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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