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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CF059 it is the complementary color #830FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CF059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CF059 shade: #81F054, #92FF67, #A3FF7A, #B4FF8D and #C5FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CF059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CF059 shade: #7CF059, #6BDE46, #5ACC33, #49BA20 and #38A80D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CF059 shade: #7EF05C, #A6F05C, #CEF05C, #F0EA5C and #F0C25C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CF059 shade: #7EF05C, #5CF061, #5CF089, #5CF0B1 and #5CF0D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CF059 shade matches the following richer shades: #7EF05C and #76FE4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CF059 shade: #7EF05C, #86E16A, #8ED379, #95C587 and #9DB695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CF059 shade: #CDF05C, #A6F05C, #7EF05C, #5CF061 and #5CF088

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CF059 shade: #45E415, #60EC36, #7EF05C, #9CF381 and #BAF7A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CF059 shade: #7CF059, #5CF0EB and #F05CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CF059 shade: #7CF059, #5C7EF0 and #F05C7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CF059 shade: #7CF059, #5CF0EB, #CD5CF0 and #F05C61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CF059 shade: #7CF059, #5CC8F0, #CD5CF0 and #F0835C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 63 / 6

HEX #7CF059

RGB 124 240 89

HSL 106.09, 0.83%, 0.65%

LAB 85.67, -59.59, 61.09

 

Complementary color

CMYK 21 / 91 / 0 / 35

HEX #830FA6

RGB 131 15 166

HSL 286.09, 0.83%, 0.35%

LAB 33.82, 63.71, -53.35

 

CMYK 46 / 0 / 65 / 6

HEX #81F054

RGB 129 240 84

HSL 102.69, 0.84%, 0.64%

LAB 85.82, -58.6, 63.33

 

CMYK 43 / 0 / 60 / 0

HEX #92FF67

RGB 146 255 103

HSL 103.03, 1%, 0.7%

LAB 91.06, -57.66, 61.52

 

CMYK 36 / 0 / 52 / 0

HEX #A3FF7A

RGB 163 255 122

HSL 101.5, 1%, 0.74%

LAB 92, -50.45, 54.46

 

CMYK 29 / 0 / 45 / 0

HEX #B4FF8D

RGB 180 255 141

HSL 99.47, 1%, 0.78%

LAB 93.08, -42.71, 47.11

 

CMYK 23 / 0 / 37 / 0

HEX #C5FFA0

RGB 197 255 160

HSL 96.63, 1%, 0.81%

LAB 94.28, -34.54, 39.62

 

CMYK 48 / 0 / 63 / 6

HEX #7CF059

RGB 124 240 89

HSL 106.09, 0.83%, 0.65%

LAB 85.67, -59.59, 61.09

 

CMYK 52 / 0 / 68 / 13

HEX #6BDE46

RGB 107 222 70

HSL 105.39, 0.7%, 0.57%

LAB 79.51, -59.21, 61.8

 

CMYK 56 / 0 / 75 / 20

HEX #5ACC33

RGB 90 204 51

HSL 104.71, 0.6%, 0.5%

LAB 73.28, -58.59, 62.1

 

CMYK 61 / 0 / 83 / 27

HEX #49BA20

RGB 73 186 32

HSL 104.03, 0.71%, 0.43%

LAB 67, -57.6, 61.66

 

CMYK 67 / 0 / 92 / 34

HEX #38A80D

RGB 56 168 13

HSL 103.35, 0.86%, 0.35%

LAB 60.67, -56.1, 59.97

 

CMYK 48 / 0 / 62 / 6

HEX #7EF05C

RGB 126 240 92

HSL 106.22, 0.83%, 0.65%

LAB 85.77, -58.75, 59.98

 

CMYK 31 / 0 / 62 / 6

HEX #A6F05C

RGB 166 240 92

HSL 90, 0.83%, 0.65%

LAB 87.58, -46.05, 62.5

 

CMYK 14 / 0 / 62 / 6

HEX #CEF05C

RGB 206 240 92

HSL 73.78, 0.83%, 0.65%

LAB 89.96, -31.3, 65.77

 

CMYK 0 / 3 / 62 / 6

HEX #F0EA5C

RGB 240 234 92

HSL 57.57, 0.83%, 0.65%

LAB 90.85, -14.91, 67.46

 

CMYK 0 / 19 / 62 / 6

HEX #F0C25C

RGB 240 194 92

HSL 41.35, 0.83%, 0.65%

LAB 80.67, 5.34, 56.34

 

CMYK 48 / 0 / 62 / 6

HEX #7EF05C

RGB 126 240 92

HSL 106.22, 0.83%, 0.65%

LAB 85.77, -58.75, 59.98

 

CMYK 62 / 0 / 60 / 6

HEX #5CF061

RGB 92 240 97

HSL 122.03, 0.83%, 0.65%

LAB 84.72, -66.66, 56.37

 

CMYK 62 / 0 / 43 / 6

HEX #5CF089

RGB 92 240 137

HSL 138.24, 0.83%, 0.65%

LAB 85.2, -61.24, 38.31

 

CMYK 62 / 0 / 26 / 6

HEX #5CF0B1

RGB 92 240 177

HSL 154.46, 0.83%, 0.65%

LAB 85.89, -53.84, 18.96

 

CMYK 62 / 0 / 10 / 6

HEX #5CF0D9

RGB 92 240 217

HSL 170.68, 0.83%, 0.65%

LAB 86.8, -44.67, -0.59

 

CMYK 48 / 0 / 62 / 6

HEX #7EF05C

RGB 126 240 92

HSL 106.22, 0.83%, 0.65%

LAB 85.77, -58.75, 59.98

 

CMYK 54 / 0 / 70 / 0

HEX #76FE4D

RGB 118 254 77

HSL 106.1, 0.99%, 0.65%

LAB 89.52, -67.3, 69.74

 

CMYK 48 / 0 / 62 / 6

HEX #7EF05C

RGB 126 240 92

HSL 106.22, 0.83%, 0.65%

LAB 85.77, -58.75, 59.98

 

CMYK 40 / 0 / 53 / 12

HEX #86E16A

RGB 134 225 106

HSL 105.88, 0.66%, 0.65%

LAB 81.82, -48.94, 49.31

 

CMYK 33 / 0 / 43 / 17

HEX #8ED379

RGB 142 211 121

HSL 106, 0.51%, 0.65%

LAB 78.3, -38.44, 37.77

 

CMYK 24 / 0 / 31 / 23

HEX #95C587

RGB 149 197 135

HSL 106.45, 0.35%, 0.65%

LAB 74.87, -27.48, 26.15

 

CMYK 14 / 0 / 18 / 29

HEX #9DB695

RGB 157 182 149

HSL 105.45, 0.18%, 0.65%

LAB 71.41, -14.83, 13.98

 

CMYK 15 / 0 / 62 / 6

HEX #CDF05C

RGB 205 240 92

HSL 74.19, 0.83%, 0.65%

LAB 89.89, -31.68, 65.68

 

CMYK 31 / 0 / 62 / 6

HEX #A6F05C

RGB 166 240 92

HSL 90, 0.83%, 0.65%

LAB 87.58, -46.05, 62.5

 

CMYK 48 / 0 / 62 / 6

HEX #7EF05C

RGB 126 240 92

HSL 106.22, 0.83%, 0.65%

LAB 85.77, -58.75, 59.98

 

CMYK 62 / 0 / 60 / 6

HEX #5CF061

RGB 92 240 97

HSL 122.03, 0.83%, 0.65%

LAB 84.72, -66.66, 56.37

 

CMYK 62 / 0 / 43 / 6

HEX #5CF088

RGB 92 240 136

HSL 137.84, 0.83%, 0.65%

LAB 85.19, -61.4, 38.78

 

CMYK 70 / 0 / 91 / 11

HEX #45E415

RGB 69 228 21

HSL 106.09, 0.83%, 0.49%

LAB 80.07, -72.41, 75.18

 

CMYK 59 / 0 / 77 / 7

HEX #60EC36

RGB 96 236 54

HSL 106.15, 0.83%, 0.57%

LAB 83.31, -68.02, 70.93

 

CMYK 48 / 0 / 62 / 6

HEX #7EF05C

RGB 126 240 92

HSL 106.22, 0.83%, 0.65%

LAB 85.77, -58.75, 59.98

 

CMYK 36 / 0 / 47 / 5

HEX #9CF381

RGB 156 243 129

HSL 105.79, 0.83%, 0.73%

LAB 88.33, -46.82, 46.64

 

CMYK 25 / 0 / 32 / 3

HEX #BAF7A7

RGB 186 247 167

HSL 105.75, 0.83%, 0.81%

LAB 91.57, -33.6, 32.45

 

CMYK 48 / 0 / 63 / 6

HEX #7CF059

RGB 124 240 89

HSL 106.09, 0.83%, 0.65%

LAB 85.67, -59.59, 61.09

 

CMYK 62 / 0 / 2 / 6

HEX #5CF0EB

RGB 92 240 235

HSL 177.97, 0.83%, 0.65%

LAB 87.29, -40.05, -9.31

 

CMYK 0 / 62 / 23 / 6

HEX #F05CBA

RGB 240 92 186

HSL 321.89, 0.83%, 0.65%

LAB 61.42, 66.2, -20.44

 

CMYK 48 / 0 / 63 / 6

HEX #7CF059

RGB 124 240 89

HSL 106.09, 0.83%, 0.65%

LAB 85.67, -59.59, 61.09

 

CMYK 62 / 48 / 0 / 6

HEX #5C7EF0

RGB 92 126 240

HSL 226.22, 0.83%, 0.65%

LAB 55.57, 22.61, -61.13

 

CMYK 0 / 62 / 48 / 6

HEX #F05C7E

RGB 240 92 126

HSL 346.22, 0.83%, 0.65%

LAB 59.6, 59.52, 11.61

 

CMYK 48 / 0 / 63 / 6

HEX #7CF059

RGB 124 240 89

HSL 106.09, 0.83%, 0.65%

LAB 85.67, -59.59, 61.09

 

CMYK 62 / 0 / 2 / 6

HEX #5CF0EB

RGB 92 240 235

HSL 177.97, 0.83%, 0.65%

LAB 87.29, -40.05, -9.31

 

CMYK 15 / 62 / 0 / 6

HEX #CD5CF0

RGB 205 92 240

HSL 285.81, 0.83%, 0.65%

LAB 58.9, 66.06, -55.21

 

CMYK 0 / 62 / 60 / 6

HEX #F05C61

RGB 240 92 97

HSL 357.97, 0.83%, 0.65%

LAB 59.01, 57.26, 27.63

 

CMYK 48 / 0 / 63 / 6

HEX #7CF059

RGB 124 240 89

HSL 106.09, 0.83%, 0.65%

LAB 85.67, -59.59, 61.09

 

CMYK 62 / 17 / 0 / 6

HEX #5CC8F0

RGB 92 200 240

HSL 196.22, 0.83%, 0.65%

LAB 75.99, -19.36, -29.03

 

CMYK 15 / 62 / 0 / 6

HEX #CD5CF0

RGB 205 92 240

HSL 285.81, 0.83%, 0.65%

LAB 58.9, 66.06, -55.21

 

CMYK 0 / 45 / 62 / 6

HEX #F0835C

RGB 240 131 92

HSL 15.81, 0.83%, 0.65%

LAB 66.16, 38.38, 39.38

 

Description

Color code: HEX #7CF059 | qconv.com Color code: HEX #7CF059 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 240 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 240 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 63 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 63% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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