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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CEE56 it is the complementary color #8311A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CEE56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CEE56 shade: #81EE51, #92FF64, #A3FF77, #B4FF8A and #C5FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CEE56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CEE56 shade: #7CEE56, #6BDC43, #5ACA30, #49B81D and #38A60A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CEE56 shade: #7EEE58, #A6EE58, #CFEE58, #EEE658 and #EEBD58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CEE56 shade: #7EEE58, #58EE5B, #58EE83, #58EEAC and #58EED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CEE56 shade matches the following richer shades: #7EEE58 and #76FD49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CEE56 shade: #7EEE58, #85E067, #8CD176, #94C284 and #9BB393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CEE56 shade: #CEEE58, #A6EE58, #7EEE58, #58EE5A and #58EE83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CEE56 shade: #48DE16, #60EB32, #7EEE58, #9BF27D and #B8F6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CEE56 shade: #7CEE56, #58EEE7 and #EE58BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CEE56 shade: #7CEE56, #587EEE and #EE587E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CEE56 shade: #7CEE56, #58EEE7, #C958EE and #EE585F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CEE56 shade: #7CEE56, #58C9EE, #C958EE and #EE7E58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 64 / 7

HEX #7CEE56

RGB 124 238 86

HSL 105, 0.82%, 0.64%

LAB 85.05, -59.11, 61.63

 

Complementary color

CMYK 22 / 90 / 0 / 34

HEX #8311A9

RGB 131 17 169

HSL 285, 0.82%, 0.36%

LAB 34.17, 63.91, -54.58

 

CMYK 46 / 0 / 66 / 7

HEX #81EE51

RGB 129 238 81

HSL 101.66, 0.82%, 0.63%

LAB 85.21, -58.09, 63.85

 

CMYK 43 / 0 / 61 / 0

HEX #92FF64

RGB 146 255 100

HSL 102.19, 1%, 0.7%

LAB 91.03, -57.94, 62.74

 

CMYK 36 / 0 / 53 / 0

HEX #A3FF77

RGB 163 255 119

HSL 100.59, 1%, 0.73%

LAB 91.97, -50.78, 55.78

 

CMYK 29 / 0 / 46 / 0

HEX #B4FF8A

RGB 180 255 138

HSL 98.46, 1%, 0.77%

LAB 93.04, -43.07, 48.49

 

CMYK 23 / 0 / 38 / 0

HEX #C5FF9D

RGB 197 255 157

HSL 95.51, 1%, 0.81%

LAB 94.24, -34.93, 41.04

 

CMYK 48 / 0 / 64 / 7

HEX #7CEE56

RGB 124 238 86

HSL 105, 0.82%, 0.64%

LAB 85.05, -59.11, 61.63

 

CMYK 51 / 0 / 70 / 14

HEX #6BDC43

RGB 107 220 67

HSL 104.31, 0.69%, 0.56%

LAB 78.88, -58.71, 62.28

 

CMYK 55 / 0 / 76 / 21

HEX #5ACA30

RGB 90 202 48

HSL 103.64, 0.62%, 0.49%

LAB 72.65, -58.06, 62.46

 

CMYK 60 / 0 / 84 / 28

HEX #49B81D

RGB 73 184 29

HSL 102.97, 0.73%, 0.42%

LAB 66.36, -57.04, 61.84

 

CMYK 66 / 0 / 94 / 35

HEX #38A60A

RGB 56 166 10

HSL 102.31, 0.89%, 0.35%

LAB 60.01, -55.51, 59.86

 

CMYK 47 / 0 / 63 / 7

HEX #7EEE58

RGB 126 238 88

HSL 104.8, 0.82%, 0.64%

LAB 85.14, -58.36, 60.94

 

CMYK 30 / 0 / 63 / 7

HEX #A6EE58

RGB 166 238 88

HSL 88.8, 0.82%, 0.64%

LAB 86.98, -45.53, 63.47

 

CMYK 13 / 0 / 63 / 7

HEX #CFEE58

RGB 207 238 88

HSL 72.4, 0.82%, 0.64%

LAB 89.45, -30.26, 66.86

 

CMYK 0 / 3 / 63 / 7

HEX #EEE658

RGB 238 230 88

HSL 56.8, 0.82%, 0.64%

LAB 89.62, -14, 67.73

 

CMYK 0 / 21 / 63 / 7

HEX #EEBD58

RGB 238 189 88

HSL 40.4, 0.82%, 0.64%

LAB 79.2, 6.86, 56.46

 

CMYK 47 / 0 / 63 / 7

HEX #7EEE58

RGB 126 238 88

HSL 104.8, 0.82%, 0.64%

LAB 85.14, -58.36, 60.94

 

CMYK 63 / 0 / 62 / 7

HEX #58EE5B

RGB 88 238 91

HSL 121.2, 0.82%, 0.64%

LAB 83.95, -67.45, 58.04

 

CMYK 63 / 0 / 45 / 7

HEX #58EE83

RGB 88 238 131

HSL 137.2, 0.82%, 0.64%

LAB 84.41, -62.24, 40.22

 

CMYK 63 / 0 / 28 / 7

HEX #58EEAC

RGB 88 238 172

HSL 153.6, 0.82%, 0.64%

LAB 85.1, -54.8, 20.43

 

CMYK 63 / 0 / 11 / 7

HEX #58EED5

RGB 88 238 213

HSL 170, 0.82%, 0.64%

LAB 86.02, -45.45, 0.35

 

CMYK 47 / 0 / 63 / 7

HEX #7EEE58

RGB 126 238 88

HSL 104.8, 0.82%, 0.64%

LAB 85.14, -58.36, 60.94

 

CMYK 53 / 0 / 71 / 1

HEX #76FD49

RGB 118 253 73

HSL 105, 0.98%, 0.64%

LAB 89.2, -67.24, 70.82

 

CMYK 47 / 0 / 63 / 7

HEX #7EEE58

RGB 126 238 88

HSL 104.8, 0.82%, 0.64%

LAB 85.14, -58.36, 60.94

 

CMYK 41 / 0 / 54 / 12

HEX #85E067

RGB 133 224 103

HSL 105.12, 0.66%, 0.64%

LAB 81.44, -49.18, 50.24

 

CMYK 33 / 0 / 44 / 18

HEX #8CD176

RGB 140 209 118

HSL 105.49, 0.5%, 0.64%

LAB 77.57, -38.61, 38.33

 

CMYK 24 / 0 / 32 / 24

HEX #94C284

RGB 148 194 132

HSL 104.52, 0.34%, 0.64%

LAB 73.9, -26.84, 26.41

 

CMYK 13 / 0 / 18 / 30

HEX #9BB393

RGB 155 179 147

HSL 105, 0.17%, 0.64%

LAB 70.4, -14.34, 13.62

 

CMYK 13 / 0 / 63 / 7

HEX #CEEE58

RGB 206 238 88

HSL 72.8, 0.82%, 0.64%

LAB 89.38, -30.65, 66.77

 

CMYK 30 / 0 / 63 / 7

HEX #A6EE58

RGB 166 238 88

HSL 88.8, 0.82%, 0.64%

LAB 86.98, -45.53, 63.47

 

CMYK 47 / 0 / 63 / 7

HEX #7EEE58

RGB 126 238 88

HSL 104.8, 0.82%, 0.64%

LAB 85.14, -58.36, 60.94

 

CMYK 63 / 0 / 62 / 7

HEX #58EE5A

RGB 88 238 90

HSL 120.8, 0.82%, 0.64%

LAB 83.95, -67.56, 58.45

 

CMYK 63 / 0 / 45 / 7

HEX #58EE83

RGB 88 238 131

HSL 137.2, 0.82%, 0.64%

LAB 84.41, -62.24, 40.22

 

CMYK 68 / 0 / 90 / 13

HEX #48DE16

RGB 72 222 22

HSL 105, 0.82%, 0.48%

LAB 78.27, -69.98, 73.54

 

CMYK 59 / 0 / 79 / 8

HEX #60EB32

RGB 96 235 50

HSL 105.08, 0.82%, 0.56%

LAB 82.98, -67.91, 71.78

 

CMYK 47 / 0 / 63 / 7

HEX #7EEE58

RGB 126 238 88

HSL 104.8, 0.82%, 0.64%

LAB 85.14, -58.36, 60.94

 

CMYK 36 / 0 / 48 / 5

HEX #9BF27D

RGB 155 242 125

HSL 104.62, 0.82%, 0.72%

LAB 87.95, -47.2, 48.06

 

CMYK 25 / 0 / 34 / 4

HEX #B8F6A3

RGB 184 246 163

HSL 104.82, 0.82%, 0.8%

LAB 91.12, -34.4, 33.84

 

CMYK 48 / 0 / 64 / 7

HEX #7CEE56

RGB 124 238 86

HSL 105, 0.82%, 0.64%

LAB 85.05, -59.11, 61.63

 

CMYK 63 / 0 / 3 / 7

HEX #58EEE7

RGB 88 238 231

HSL 177.2, 0.82%, 0.64%

LAB 86.5, -40.83, -8.39

 

CMYK 0 / 63 / 22 / 7

HEX #EE58BA

RGB 238 88 186

HSL 320.8, 0.82%, 0.64%

LAB 60.52, 67.28, -21.84

 

CMYK 48 / 0 / 64 / 7

HEX #7CEE56

RGB 124 238 86

HSL 105, 0.82%, 0.64%

LAB 85.05, -59.11, 61.63

 

CMYK 63 / 47 / 0 / 7

HEX #587EEE

RGB 88 126 238

HSL 224.8, 0.82%, 0.64%

LAB 55.25, 21.25, -60.55

 

CMYK 0 / 63 / 47 / 7

HEX #EE587E

RGB 238 88 126

HSL 344.8, 0.82%, 0.64%

LAB 58.66, 60.58, 10.23

 

CMYK 48 / 0 / 64 / 7

HEX #7CEE56

RGB 124 238 86

HSL 105, 0.82%, 0.64%

LAB 85.05, -59.11, 61.63

 

CMYK 63 / 0 / 3 / 7

HEX #58EEE7

RGB 88 238 231

HSL 177.2, 0.82%, 0.64%

LAB 86.5, -40.83, -8.39

 

CMYK 16 / 63 / 0 / 7

HEX #C958EE

RGB 201 88 238

HSL 285.2, 0.82%, 0.64%

LAB 57.63, 66.51, -56.16

 

CMYK 0 / 63 / 60 / 7

HEX #EE585F

RGB 238 88 95

HSL 357.2, 0.82%, 0.64%

LAB 58.02, 58.17, 27.43

 

CMYK 48 / 0 / 64 / 7

HEX #7CEE56

RGB 124 238 86

HSL 105, 0.82%, 0.64%

LAB 85.05, -59.11, 61.63

 

CMYK 63 / 16 / 0 / 7

HEX #58C9EE

RGB 88 201 238

HSL 194.8, 0.82%, 0.64%

LAB 76.08, -21.14, -27.83

 

CMYK 16 / 63 / 0 / 7

HEX #C958EE

RGB 201 88 238

HSL 285.2, 0.82%, 0.64%

LAB 57.63, 66.51, -56.16

 

CMYK 0 / 47 / 63 / 7

HEX #EE7E58

RGB 238 126 88

HSL 15.2, 0.82%, 0.64%

LAB 64.81, 39.89, 39.81

 

Description

Color code: HEX #7CEE56 | qconv.com Color code: HEX #7CEE56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 238 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 238 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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