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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE457 it is the complementary color #831BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7CE457: #81E452, #92F665, #A3FF78, #B4FF8B and #C5FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7CE457: #7CE457, #6BD244, #5AC031, #49AE1E and #389C0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

Complementary color

CMYK 22 / 84 / 0 / 34

HEX #831BA8

RGB 131 27 168

HSL 284.26, 0.72%, 0.38%

LAB 34.88, 61.42, -52.83

 

CMYK 43 / 0 / 64 / 11

HEX #81E452

RGB 129 228 82

HSL 100.68, 0.73%, 0.61%

LAB 82.25, -54.12, 60.26

 

CMYK 41 / 0 / 59 / 4

HEX #92F665

RGB 146 246 101

HSL 101.38, 0.89%, 0.68%

LAB 88.43, -54.3, 59.39

 

CMYK 36 / 0 / 53 / 0

HEX #A3FF78

RGB 163 255 120

HSL 100.89, 1%, 0.74%

LAB 91.98, -50.67, 55.34

 

CMYK 29 / 0 / 45 / 0

HEX #B4FF8B

RGB 180 255 139

HSL 98.79, 1%, 0.77%

LAB 93.05, -42.95, 48.03

 

CMYK 23 / 0 / 38 / 0

HEX #C5FF9E

RGB 197 255 158

HSL 95.88, 1%, 0.81%

LAB 94.25, -34.8, 40.57

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 49 / 0 / 68 / 18

HEX #6BD244

RGB 107 210 68

HSL 103.52, 0.61%, 0.55%

LAB 75.85, -54.87, 58.72

 

CMYK 53 / 0 / 74 / 25

HEX #5AC031

RGB 90 192 49

HSL 102.8, 0.59%, 0.47%

LAB 69.54, -54.34, 59.08

 

CMYK 58 / 0 / 83 / 32

HEX #49AE1E

RGB 73 174 30

HSL 102.08, 0.71%, 0.4%

LAB 63.16, -53.46, 58.69

 

CMYK 64 / 0 / 93 / 39

HEX #389C0B

RGB 56 156 11

HSL 101.38, 0.87%, 0.33%

LAB 56.72, -52.08, 56.98

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 55 / 0 / 61 / 11

HEX #66E358

RGB 102 227 88

HSL 113.96, 0.71%, 0.62%

LAB 81, -60.71, 56.09

 

CMYK 61 / 0 / 57 / 11

HEX #58E361

RGB 88 227 97

HSL 123.88, 0.71%, 0.62%

LAB 80.67, -62.96, 51.66

 

CMYK 61 / 0 / 47 / 11

HEX #58E378

RGB 88 227 120

HSL 133.81, 0.71%, 0.62%

LAB 80.94, -59.87, 41.19

 

CMYK 61 / 0 / 37 / 11

HEX #58E390

RGB 88 227 144

HSL 144.17, 0.71%, 0.62%

LAB 81.31, -55.9, 29.66

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 46 / 0 / 63 / 91

HEX #0D1809

RGB 13 24 9

HSL 104, 0.45%, 0.06%

LAB 6.85, -7.34, 6.43

 

CMYK 45 / 0 / 61 / 71

HEX #294B1D

RGB 41 75 29

HSL 104.35, 0.44%, 0.2%

LAB 28.36, -22.48, 23.28

 

CMYK 45 / 0 / 62 / 51

HEX #457E30

RGB 69 126 48

HSL 103.85, 0.45%, 0.34%

LAB 47.5, -34.17, 35.94

 

CMYK 46 / 0 / 62 / 31

HEX #60B144

RGB 96 177 68

HSL 104.59, 0.44%, 0.48%

LAB 65.24, -45.09, 47.03

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 61 / 0 / 4 / 11

HEX #58E3DA

RGB 88 227 218

HSL 176.12, 0.71%, 0.62%

LAB 82.95, -39.3, -6.79

 

CMYK 0 / 61 / 20 / 11

HEX #E358B5

RGB 227 88 181

HSL 319.86, 0.71%, 0.62%

LAB 58.65, 63.6, -21.98

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 61 / 45 / 0 / 11

HEX #587DE3

RGB 88 125 227

HSL 224.03, 0.71%, 0.62%

LAB 54.33, 18.16, -55.87

 

CMYK 0 / 61 / 45 / 11

HEX #E3587D

RGB 227 88 125

HSL 344.03, 0.71%, 0.62%

LAB 56.87, 57.03, 8.03

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 61 / 0 / 4 / 11

HEX #58E3DA

RGB 88 227 218

HSL 176.12, 0.71%, 0.62%

LAB 82.95, -39.3, -6.79

 

CMYK 16 / 61 / 0 / 11

HEX #BE58E3

RGB 190 88 227

HSL 284.03, 0.71%, 0.62%

LAB 55.56, 61.81, -53.39

 

CMYK 0 / 61 / 57 / 11

HEX #E35861

RGB 227 88 97

HSL 356.12, 0.71%, 0.62%

LAB 56.26, 54.68, 23.62

 

CMYK 46 / 0 / 62 / 11

HEX #7CE457

RGB 124 228 87

HSL 104.26, 0.72%, 0.62%

LAB 82.09, -55.17, 57.95

 

CMYK 61 / 14 / 0 / 11

HEX #58C3E3

RGB 88 195 227

HSL 193.81, 0.71%, 0.62%

LAB 73.97, -21.38, -25.14

 

CMYK 16 / 61 / 0 / 11

HEX #BE58E3

RGB 190 88 227

HSL 284.03, 0.71%, 0.62%

LAB 55.56, 61.81, -53.39

 

CMYK 0 / 47 / 61 / 11

HEX #E37858

RGB 227 120 88

HSL 13.81, 0.71%, 0.62%

LAB 62.06, 38.73, 36.11

 

Description

Color code: HEX #7CE457 | qconv.com Color code: HEX #7CE457 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 228 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 228 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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