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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE128 it is the complementary color #831ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CE128 shade: #81E123, #92F336, #A3FF49, #B4FF5C and #C5FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CE128 shade: #7CE128, #6BCF15, #5ABD02, #49AB00 and #389900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CE128 shade: #7CE228, #AEE228, #E0E228, #E2B128 and #E27F28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CE128 shade: #7CE228, #4AE228, #28E237, #28E26A and #28E29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CE128 shade matches the following richer shades: #7CE228 and #7AF514

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CE128 shade: #7CE228, #7ECE3B, #80BA4F, #82A663 and #839277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CE128 shade: #E2E228, #B0E228, #7EE228, #4DE228 and #28E234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CE128 shade: #55A116, #68C51B, #7CE228, #92E74C and #A8EC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CE128 shade: #7CE128, #28E2B0 and #E228C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CE128 shade: #7CE128, #287EE2 and #E2287E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CE128 shade: #7CE128, #28E2B0, #8B28E2 and #E22859

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CE128 shade: #7CE128, #28DBE2, #8B28E2 and #E22E28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 82 / 12

HEX #7CE128

RGB 124 225 40

HSL 92.76, 0.76%, 0.52%

LAB 80.9, -57.18, 72.86

 

Complementary color

CMYK 39 / 86 / 0 / 16

HEX #831ED7

RGB 131 30 215

HSL 272.76, 0.76%, 0.48%

LAB 39, 70.34, -73.73

 

CMYK 43 / 0 / 84 / 12

HEX #81E123

RGB 129 225 35

HSL 90.32, 0.76%, 0.51%

LAB 81.09, -55.8, 74.26

 

CMYK 40 / 0 / 78 / 5

HEX #92F336

RGB 146 243 54

HSL 90.79, 0.89%, 0.58%

LAB 87.23, -56.51, 75.28

 

CMYK 36 / 0 / 71 / 0

HEX #A3FF49

RGB 163 255 73

HSL 90.33, 1%, 0.64%

LAB 91.59, -54.63, 73.82

 

CMYK 29 / 0 / 64 / 0

HEX #B4FF5C

RGB 180 255 92

HSL 87.61, 1%, 0.68%

LAB 92.57, -47.54, 68.13

 

CMYK 23 / 0 / 56 / 0

HEX #C5FF6F

RGB 197 255 111

HSL 84.17, 1%, 0.72%

LAB 93.68, -39.95, 61.77

 

CMYK 45 / 0 / 82 / 12

HEX #7CE128

RGB 124 225 40

HSL 92.76, 0.76%, 0.52%

LAB 80.9, -57.18, 72.86

 

CMYK 48 / 0 / 90 / 19

HEX #6BCF15

RGB 107 207 21

HSL 92.26, 0.82%, 0.45%

LAB 74.7, -56.25, 71.13

 

CMYK 52 / 0 / 99 / 26

HEX #5ABD02

RGB 90 189 2

HSL 91.76, 0.98%, 0.37%

LAB 68.44, -55.01, 68.15

 

CMYK 57 / 0 / 100 / 33

HEX #49AB00

RGB 73 171 0

HSL 94.39, 1%, 0.34%

LAB 62.12, -53.3, 63.15

 

CMYK 63 / 0 / 100 / 40

HEX #389900

RGB 56 153 0

HSL 98.04, 1%, 0.3%

LAB 55.71, -51.33, 57.86

 

CMYK 45 / 0 / 82 / 11

HEX #7CE228

RGB 124 226 40

HSL 92.9, 0.76%, 0.52%

LAB 81.2, -57.56, 73.12

 

CMYK 23 / 0 / 82 / 11

HEX #AEE228

RGB 174 226 40

HSL 76.77, 0.76%, 0.52%

LAB 83.73, -40.06, 76.32

 

CMYK 1 / 0 / 82 / 11

HEX #E0E228

RGB 224 226 40

HSL 60.65, 0.76%, 0.52%

LAB 87.19, -19.91, 80.66

 

CMYK 0 / 22 / 82 / 11

HEX #E2B128

RGB 226 177 40

HSL 44.19, 0.76%, 0.52%

LAB 74.68, 5.85, 70.11

 

CMYK 0 / 44 / 82 / 11

HEX #E27F28

RGB 226 127 40

HSL 28.06, 0.76%, 0.52%

LAB 62.93, 32.4, 59.91

 

CMYK 45 / 0 / 82 / 11

HEX #7CE228

RGB 124 226 40

HSL 92.9, 0.76%, 0.52%

LAB 81.2, -57.56, 73.12

 

CMYK 67 / 0 / 82 / 11

HEX #4AE228

RGB 74 226 40

HSL 109.03, 0.76%, 0.52%

LAB 79.61, -70.18, 71.1

 

CMYK 82 / 0 / 76 / 11

HEX #28E237

RGB 40 226 55

HSL 124.84, 0.76%, 0.52%

LAB 79.11, -74.28, 66.17

 

CMYK 82 / 0 / 53 / 11

HEX #28E26A

RGB 40 226 106

HSL 141.29, 0.76%, 0.52%

LAB 79.55, -68.89, 45.96

 

CMYK 82 / 0 / 31 / 11

HEX #28E29C

RGB 40 226 156

HSL 157.42, 0.76%, 0.52%

LAB 80.32, -59.97, 21.99

 

CMYK 45 / 0 / 82 / 11

HEX #7CE228

RGB 124 226 40

HSL 92.9, 0.76%, 0.52%

LAB 81.2, -57.56, 73.12

 

CMYK 50 / 0 / 92 / 4

HEX #7AF514

RGB 122 245 20

HSL 92.8, 0.92%, 0.52%

LAB 86.75, -65.69, 81.46

 

CMYK 45 / 0 / 82 / 11

HEX #7CE228

RGB 124 226 40

HSL 92.9, 0.76%, 0.52%

LAB 81.2, -57.56, 73.12

 

CMYK 39 / 0 / 71 / 19

HEX #7ECE3B

RGB 126 206 59

HSL 92.65, 0.6%, 0.52%

LAB 75.39, -48.02, 61.89

 

CMYK 31 / 0 / 58 / 27

HEX #80BA4F

RGB 128 186 79

HSL 92.52, 0.44%, 0.52%

LAB 69.66, -37.05, 47.47

 

CMYK 22 / 0 / 40 / 35

HEX #82A663

RGB 130 166 99

HSL 92.24, 0.27%, 0.52%

LAB 64.1, -24.48, 30.75

 

CMYK 10 / 0 / 18 / 43

HEX #839277

RGB 131 146 119

HSL 93.33, 0.11%, 0.52%

LAB 58.71, -10.59, 12.53

 

CMYK 0 / 0 / 82 / 11

HEX #E2E228

RGB 226 226 40

HSL 60, 0.76%, 0.52%

LAB 87.35, -19.07, 80.85

 

CMYK 22 / 0 / 82 / 11

HEX #B0E228

RGB 176 226 40

HSL 76.13, 0.76%, 0.52%

LAB 83.85, -39.29, 76.48

 

CMYK 44 / 0 / 82 / 11

HEX #7EE228

RGB 126 226 40

HSL 92.26, 0.76%, 0.52%

LAB 81.28, -56.94, 73.23

 

CMYK 66 / 0 / 82 / 11

HEX #4DE228

RGB 77 226 40

HSL 108.06, 0.76%, 0.52%

LAB 79.68, -69.6, 71.19

 

CMYK 82 / 0 / 77 / 11

HEX #28E234

RGB 40 226 52

HSL 123.87, 0.76%, 0.52%

LAB 79.09, -74.48, 67.09

 

CMYK 47 / 0 / 86 / 37

HEX #55A116

RGB 85 161 22

HSL 92.81, 0.76%, 0.36%

LAB 59.42, -45.38, 57.53

 

CMYK 47 / 0 / 86 / 23

HEX #68C51B

RGB 104 197 27

HSL 92.82, 0.76%, 0.44%

LAB 71.52, -53.21, 67.26

 

CMYK 45 / 0 / 82 / 11

HEX #7CE228

RGB 124 226 40

HSL 92.9, 0.76%, 0.52%

LAB 81.2, -57.56, 73.12

 

CMYK 37 / 0 / 67 / 9

HEX #92E74C

RGB 146 231 76

HSL 92.9, 0.76%, 0.6%

LAB 83.85, -50.37, 64.57

 

CMYK 29 / 0 / 53 / 7

HEX #A8EC70

RGB 168 236 112

HSL 92.9, 0.77%, 0.68%

LAB 86.74, -41.76, 52.82

 

CMYK 45 / 0 / 82 / 12

HEX #7CE128

RGB 124 225 40

HSL 92.76, 0.76%, 0.52%

LAB 80.9, -57.18, 72.86

 

CMYK 82 / 0 / 22 / 11

HEX #28E2B0

RGB 40 226 176

HSL 163.87, 0.76%, 0.52%

LAB 80.73, -55.47, 12.09

 

CMYK 0 / 82 / 11 / 11

HEX #E228C9

RGB 226 40 201

HSL 308.06, 0.76%, 0.52%

LAB 53.92, 81.44, -40.85

 

CMYK 45 / 0 / 82 / 12

HEX #7CE128

RGB 124 225 40

HSL 92.76, 0.76%, 0.52%

LAB 80.9, -57.18, 72.86

 

CMYK 82 / 44 / 0 / 11

HEX #287EE2

RGB 40 126 226

HSL 212.26, 0.76%, 0.52%

LAB 52.8, 10.74, -57.86

 

CMYK 0 / 82 / 44 / 11

HEX #E2287E

RGB 226 40 126

HSL 332.26, 0.76%, 0.52%

LAB 50.91, 72.98, -1.19

 

CMYK 45 / 0 / 82 / 12

HEX #7CE128

RGB 124 225 40

HSL 92.76, 0.76%, 0.52%

LAB 80.9, -57.18, 72.86

 

CMYK 82 / 0 / 22 / 11

HEX #28E2B0

RGB 40 226 176

HSL 163.87, 0.76%, 0.52%

LAB 80.73, -55.47, 12.09

 

CMYK 38 / 82 / 0 / 11

HEX #8B28E2

RGB 139 40 226

HSL 271.94, 0.76%, 0.52%

LAB 42, 70.95, -75.08

 

CMYK 0 / 82 / 61 / 11

HEX #E22859

RGB 226 40 89

HSL 344.19, 0.76%, 0.52%

LAB 49.99, 70.25, 20.02

 

CMYK 45 / 0 / 82 / 12

HEX #7CE128

RGB 124 225 40

HSL 92.76, 0.76%, 0.52%

LAB 80.9, -57.18, 72.86

 

CMYK 82 / 3 / 0 / 11

HEX #28DBE2

RGB 40 219 226

HSL 182.26, 0.76%, 0.52%

LAB 79.96, -39.12, -15.61

 

CMYK 38 / 82 / 0 / 11

HEX #8B28E2

RGB 139 40 226

HSL 271.94, 0.76%, 0.52%

LAB 42, 70.95, -75.08

 

CMYK 0 / 80 / 82 / 11

HEX #E22E28

RGB 226 46 40

HSL 1.94, 0.76%, 0.52%

LAB 49.83, 66.69, 48.08

 

Description

Color code: HEX #7CE128 | qconv.com Color code: HEX #7CE128 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 225 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 225 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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