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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CDD29 it is the complementary color #8322D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CDD29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CDD29 shade: #81DD24, #92EF37, #A3FF4A, #B4FF5D and #C5FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CDD29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CDD29 shade: #7CDD29, #6BCB16, #5AB903, #49A700 and #389500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CDD29 shade: #7BDD27, #ACDD27, #DDDD27, #DDAC27 and #DD7B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CDD29 shade: #7BDD27, #4ADD27, #27DD35, #27DD66 and #27DD97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CDD29 shade matches the following richer shades: #7BDD27 and #79F113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CDD29 shade: #7BDD27, #7DC93B, #7EB54F, #80A163 and #818C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CDD29 shade: #DDDD27, #ADDD27, #7CDD27, #4BDD27 and #27DD33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CDD29 shade: #549A18, #67BD1E, #7BDD27, #91E34B and #A7E86E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CDD29 shade: #7CDD29, #27DDAD and #DD27C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CDD29 shade: #7CDD29, #277CDD and #DD277C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CDD29 shade: #7CDD29, #27DDAD, #8827DD and #DD2757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CDD29 shade: #7CDD29, #27D7DD, #8827DD and #DD2D27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 81 / 13

HEX #7CDD29

RGB 124 221 41

HSL 92.33, 0.73%, 0.51%

LAB 79.7, -55.61, 71.53

 

Complementary color

CMYK 39 / 84 / 0 / 16

HEX #8322D6

RGB 131 34 214

HSL 272.33, 0.73%, 0.49%

LAB 39.28, 69.03, -72.69

 

CMYK 42 / 0 / 84 / 13

HEX #81DD24

RGB 129 221 36

HSL 89.84, 0.73%, 0.5%

LAB 79.9, -54.21, 73

 

CMYK 39 / 0 / 77 / 6

HEX #92EF37

RGB 146 239 55

HSL 90.33, 0.85%, 0.58%

LAB 86.07, -54.89, 73.9

 

CMYK 36 / 0 / 71 / 0

HEX #A3FF4A

RGB 163 255 74

HSL 90.5, 1%, 0.65%

LAB 91.6, -54.57, 73.48

 

CMYK 29 / 0 / 64 / 0

HEX #B4FF5D

RGB 180 255 93

HSL 87.78, 1%, 0.68%

LAB 92.58, -47.47, 67.74

 

CMYK 23 / 0 / 56 / 0

HEX #C5FF70

RGB 197 255 112

HSL 84.34, 1%, 0.72%

LAB 93.69, -39.86, 61.34

 

CMYK 44 / 0 / 81 / 13

HEX #7CDD29

RGB 124 221 41

HSL 92.33, 0.73%, 0.51%

LAB 79.7, -55.61, 71.53

 

CMYK 47 / 0 / 89 / 20

HEX #6BCB16

RGB 107 203 22

HSL 91.82, 0.8%, 0.44%

LAB 73.48, -54.72, 69.93

 

CMYK 51 / 0 / 98 / 27

HEX #5AB903

RGB 90 185 3

HSL 91.32, 0.97%, 0.37%

LAB 67.19, -53.52, 67.03

 

CMYK 56 / 0 / 100 / 35

HEX #49A700

RGB 73 167 0

HSL 93.77, 1%, 0.33%

LAB 60.83, -51.86, 62.13

 

CMYK 62 / 0 / 100 / 42

HEX #389500

RGB 56 149 0

HSL 97.45, 1%, 0.29%

LAB 54.38, -49.93, 56.81

 

CMYK 44 / 0 / 82 / 13

HEX #7BDD27

RGB 123 221 39

HSL 92.31, 0.73%, 0.51%

LAB 79.65, -56.01, 71.97

 

CMYK 22 / 0 / 82 / 13

HEX #ACDD27

RGB 172 221 39

HSL 76.15, 0.73%, 0.51%

LAB 82.18, -38.65, 75.17

 

CMYK 0 / 0 / 82 / 13

HEX #DDDD27

RGB 221 221 39

HSL 60, 0.73%, 0.51%

LAB 85.62, -18.75, 79.47

 

CMYK 0 / 22 / 82 / 13

HEX #DDAC27

RGB 221 172 39

HSL 43.85, 0.73%, 0.51%

LAB 72.91, 6.3, 68.69

 

CMYK 0 / 44 / 82 / 13

HEX #DD7B27

RGB 221 123 39

HSL 27.69, 0.73%, 0.51%

LAB 61.38, 32.42, 58.66

 

CMYK 44 / 0 / 82 / 13

HEX #7BDD27

RGB 123 221 39

HSL 92.31, 0.73%, 0.51%

LAB 79.65, -56.01, 71.97

 

CMYK 67 / 0 / 82 / 13

HEX #4ADD27

RGB 74 221 39

HSL 108.46, 0.73%, 0.51%

LAB 78.06, -68.65, 69.94

 

CMYK 82 / 0 / 76 / 13

HEX #27DD35

RGB 39 221 53

HSL 124.62, 0.73%, 0.51%

LAB 77.52, -73.06, 65.24

 

CMYK 82 / 0 / 54 / 13

HEX #27DD66

RGB 39 221 102

HSL 140.77, 0.73%, 0.51%

LAB 77.94, -67.94, 45.88

 

CMYK 82 / 0 / 32 / 13

HEX #27DD97

RGB 39 221 151

HSL 156.92, 0.73%, 0.51%

LAB 78.68, -59.27, 22.34

 

CMYK 44 / 0 / 82 / 13

HEX #7BDD27

RGB 123 221 39

HSL 92.31, 0.73%, 0.51%

LAB 79.65, -56.01, 71.97

 

CMYK 50 / 0 / 92 / 5

HEX #79F113

RGB 121 241 19

HSL 92.43, 0.89%, 0.51%

LAB 85.52, -64.57, 80.56

 

CMYK 44 / 0 / 82 / 13

HEX #7BDD27

RGB 123 221 39

HSL 92.31, 0.73%, 0.51%

LAB 79.65, -56.01, 71.97

 

CMYK 38 / 0 / 71 / 21

HEX #7DC93B

RGB 125 201 59

HSL 92.11, 0.57%, 0.51%

LAB 73.84, -46.29, 60.31

 

CMYK 30 / 0 / 56 / 29

HEX #7EB54F

RGB 126 181 79

HSL 92.35, 0.41%, 0.51%

LAB 68.06, -35.51, 45.58

 

CMYK 20 / 0 / 39 / 37

HEX #80A163

RGB 128 161 99

HSL 91.94, 0.25%, 0.51%

LAB 62.49, -22.74, 28.65

 

CMYK 8 / 0 / 14 / 45

HEX #818C78

RGB 129 140 120

HSL 93, 0.08%, 0.51%

LAB 56.86, -7.89, 9.33

 

CMYK 0 / 0 / 82 / 13

HEX #DDDD27

RGB 221 221 39

HSL 60, 0.73%, 0.51%

LAB 85.62, -18.75, 79.47

 

CMYK 22 / 0 / 82 / 13

HEX #ADDD27

RGB 173 221 39

HSL 75.82, 0.73%, 0.51%

LAB 82.24, -38.26, 75.24

 

CMYK 44 / 0 / 82 / 13

HEX #7CDD27

RGB 124 221 39

HSL 91.98, 0.73%, 0.51%

LAB 79.7, -55.7, 72.03

 

CMYK 66 / 0 / 82 / 13

HEX #4BDD27

RGB 75 221 39

HSL 108.13, 0.73%, 0.51%

LAB 78.08, -68.45, 69.97

 

CMYK 82 / 0 / 77 / 13

HEX #27DD33

RGB 39 221 51

HSL 123.96, 0.73%, 0.51%

LAB 77.51, -73.2, 65.86

 

CMYK 45 / 0 / 84 / 40

HEX #549A18

RGB 84 154 24

HSL 92.31, 0.73%, 0.35%

LAB 57.14, -42.8, 55

 

CMYK 46 / 0 / 84 / 26

HEX #67BD1E

RGB 103 189 30

HSL 92.45, 0.73%, 0.43%

LAB 69.02, -50.33, 64.38

 

CMYK 44 / 0 / 82 / 13

HEX #7BDD27

RGB 123 221 39

HSL 92.31, 0.73%, 0.51%

LAB 79.65, -56.01, 71.97

 

CMYK 36 / 0 / 67 / 11

HEX #91E34B

RGB 145 227 75

HSL 92.37, 0.73%, 0.59%

LAB 82.63, -49.13, 63.66

 

CMYK 28 / 0 / 53 / 9

HEX #A7E86E

RGB 167 232 110

HSL 91.97, 0.73%, 0.67%

LAB 85.53, -40.55, 52.28

 

CMYK 44 / 0 / 81 / 13

HEX #7CDD29

RGB 124 221 41

HSL 92.33, 0.73%, 0.51%

LAB 79.7, -55.61, 71.53

 

CMYK 82 / 0 / 22 / 13

HEX #27DDAD

RGB 39 221 173

HSL 164.18, 0.73%, 0.51%

LAB 79.13, -54.31, 11.41

 

CMYK 0 / 82 / 11 / 13

HEX #DD27C5

RGB 221 39 197

HSL 307.91, 0.73%, 0.51%

LAB 52.79, 80.12, -40.4

 

CMYK 44 / 0 / 81 / 13

HEX #7CDD29

RGB 124 221 41

HSL 92.33, 0.73%, 0.51%

LAB 79.7, -55.61, 71.53

 

CMYK 82 / 44 / 0 / 13

HEX #277CDD

RGB 39 124 221

HSL 211.98, 0.73%, 0.51%

LAB 51.91, 10, -56.48

 

CMYK 0 / 82 / 44 / 13

HEX #DD277C

RGB 221 39 124

HSL 331.98, 0.73%, 0.51%

LAB 49.83, 71.81, -1.67

 

CMYK 44 / 0 / 81 / 13

HEX #7CDD29

RGB 124 221 41

HSL 92.33, 0.73%, 0.51%

LAB 79.7, -55.61, 71.53

 

CMYK 82 / 0 / 22 / 13

HEX #27DDAD

RGB 39 221 173

HSL 164.18, 0.73%, 0.51%

LAB 79.13, -54.31, 11.41

 

CMYK 38 / 82 / 0 / 13

HEX #8827DD

RGB 136 39 221

HSL 271.98, 0.73%, 0.51%

LAB 41.07, 69.75, -73.77

 

CMYK 0 / 82 / 61 / 13

HEX #DD2757

RGB 221 39 87

HSL 344.18, 0.73%, 0.51%

LAB 48.9, 69.06, 19.61

 

CMYK 44 / 0 / 81 / 13

HEX #7CDD29

RGB 124 221 41

HSL 92.33, 0.73%, 0.51%

LAB 79.7, -55.61, 71.53

 

CMYK 82 / 3 / 0 / 13

HEX #27D7DD

RGB 39 215 221

HSL 181.98, 0.73%, 0.51%

LAB 78.61, -38.85, -14.96

 

CMYK 38 / 82 / 0 / 13

HEX #8827DD

RGB 136 39 221

HSL 271.98, 0.73%, 0.51%

LAB 41.07, 69.75, -73.77

 

CMYK 0 / 80 / 82 / 13

HEX #DD2D27

RGB 221 45 39

HSL 1.98, 0.73%, 0.51%

LAB 48.75, 65.52, 47.24

 

Description

Color code: HEX #7CDD29 | qconv.com Color code: HEX #7CDD29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 221 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 221 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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