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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CD40F it is the complementary color #832BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CD40F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CD40F shade: #81D40A, #92E61D, #A3F830, #B4FF43 and #C5FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CD40F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CD40F shade: #7CD40F, #6BC200, #5AB000, #499E00 and #388C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CD40F shade: #7DD70F, #B3D70F, #D7C40F, #D78E0F and #D7580F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CD40F shade: #7DD70F, #48D70F, #12D70F, #0FD742 and #0FD778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CD40F shade matches the following richer shades: #7DD70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CD40F shade: #7DD70F, #7BC421, #79B134, #779F47 and #758C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CD40F shade: #D7C30F, #B5D70F, #80D70F, #4BD70F and #16D70F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CD40F shade: #50890A, #67B00C, #7DD70F, #92EF1F and #A5F246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CD40F shade: #7CD40F, #0FD78D and #D70FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CD40F shade: #7CD40F, #0F80D7 and #D70F80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CD40F shade: #7CD40F, #0FD78D, #650FD7 and #D70F58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CD40F shade: #7CD40F, #0FD7C9, #650FD7 and #D70F1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 93 / 17

HEX #7CD40F

RGB 124 212 15

HSL 86.8, 0.87%, 0.45%

LAB 76.92, -52.91, 74.1

 

Complementary color

CMYK 45 / 82 / 0 / 6

HEX #832BF0

RGB 131 43 240

HSL 266.8, 0.87%, 0.55%

LAB 42.53, 72.1, -82.19

 

CMYK 39 / 0 / 95 / 17

HEX #81D40A

RGB 129 212 10

HSL 84.65, 0.91%, 0.44%

LAB 77.15, -51.31, 74.92

 

CMYK 37 / 0 / 87 / 10

HEX #92E61D

RGB 146 230 29

HSL 85.07, 0.8%, 0.51%

LAB 83.33, -52.31, 77.68

 

CMYK 34 / 0 / 81 / 3

HEX #A3F830

RGB 163 248 48

HSL 85.5, 0.93%, 0.58%

LAB 89.46, -53.07, 79.21

 

CMYK 29 / 0 / 74 / 0

HEX #B4FF43

RGB 180 255 67

HSL 83.94, 1%, 0.63%

LAB 92.41, -49.13, 76.87

 

CMYK 23 / 0 / 66 / 0

HEX #C5FF56

RGB 197 255 86

HSL 80.59, 1%, 0.67%

LAB 93.48, -41.86, 71.68

 

CMYK 42 / 0 / 93 / 17

HEX #7CD40F

RGB 124 212 15

HSL 86.8, 0.87%, 0.45%

LAB 76.92, -52.91, 74.1

 

CMYK 45 / 0 / 100 / 24

HEX #6BC200

RGB 107 194 0

HSL 86.91, 1%, 0.38%

LAB 70.67, -51.71, 70.42

 

CMYK 49 / 0 / 100 / 31

HEX #5AB000

RGB 90 176 0

HSL 89.32, 1%, 0.35%

LAB 64.34, -50.19, 65.17

 

CMYK 54 / 0 / 100 / 38

HEX #499E00

RGB 73 158 0

HSL 92.28, 1%, 0.31%

LAB 57.91, -48.54, 59.84

 

CMYK 60 / 0 / 100 / 45

HEX #388C00

RGB 56 140 0

HSL 96, 1%, 0.27%

LAB 51.38, -46.7, 54.43

 

CMYK 42 / 0 / 93 / 16

HEX #7DD70F

RGB 125 215 15

HSL 87, 0.87%, 0.45%

LAB 77.87, -53.75, 74.89

 

CMYK 17 / 0 / 93 / 16

HEX #B3D70F

RGB 179 215 15

HSL 70.8, 0.87%, 0.45%

LAB 80.86, -33.73, 78.53

 

CMYK 0 / 9 / 93 / 16

HEX #D7C40F

RGB 215 196 15

HSL 54.3, 0.87%, 0.45%

LAB 78.44, -9.31, 77.87

 

CMYK 0 / 34 / 93 / 16

HEX #D78E0F

RGB 215 142 15

HSL 38.1, 0.87%, 0.45%

LAB 64.83, 19.26, 67.78

 

CMYK 0 / 59 / 93 / 16

HEX #D7580F

RGB 215 88 15

HSL 21.9, 0.87%, 0.45%

LAB 53.45, 47.03, 59.82

 

CMYK 42 / 0 / 93 / 16

HEX #7DD70F

RGB 125 215 15

HSL 87, 0.87%, 0.45%

LAB 77.87, -53.75, 74.89

 

CMYK 67 / 0 / 93 / 16

HEX #48D70F

RGB 72 215 15

HSL 102.9, 0.87%, 0.45%

LAB 76.08, -67.96, 72.68

 

CMYK 92 / 0 / 93 / 16

HEX #12D70F

RGB 18 215 15

HSL 119.1, 0.87%, 0.45%

LAB 75.3, -74.76, 71.72

 

CMYK 93 / 0 / 69 / 16

HEX #0FD742

RGB 15 215 66

HSL 135.3, 0.87%, 0.45%

LAB 75.51, -72.04, 58.57

 

CMYK 93 / 0 / 44 / 16

HEX #0FD778

RGB 15 215 120

HSL 151.5, 0.87%, 0.45%

LAB 76.11, -64.76, 34.78

 

CMYK 42 / 0 / 93 / 16

HEX #7DD70F

RGB 125 215 15

HSL 87, 0.87%, 0.45%

LAB 77.87, -53.75, 74.89

 

CMYK 42 / 0 / 93 / 16

HEX #7DD70F

RGB 125 215 15

HSL 87, 0.87%, 0.45%

LAB 77.87, -53.75, 74.89

 

CMYK 37 / 0 / 83 / 23

HEX #7BC421

RGB 123 196 33

HSL 86.87, 0.71%, 0.45%

LAB 72.1, -46.3, 66.72

 

CMYK 32 / 0 / 71 / 31

HEX #79B134

RGB 121 177 52

HSL 86.88, 0.55%, 0.45%

LAB 66.33, -37.86, 55.24

 

CMYK 25 / 0 / 55 / 38

HEX #779F47

RGB 119 159 71

HSL 87.27, 0.38%, 0.45%

LAB 60.93, -28.66, 40.99

 

CMYK 16 / 0 / 36 / 45

HEX #758C59

RGB 117 140 89

HSL 87.06, 0.22%, 0.45%

LAB 55.34, -17.64, 24.6

 

CMYK 0 / 9 / 93 / 16

HEX #D7C30F

RGB 215 195 15

HSL 54, 0.87%, 0.45%

LAB 78.18, -8.8, 77.67

 

CMYK 16 / 0 / 93 / 16

HEX #B5D70F

RGB 181 215 15

HSL 70.2, 0.87%, 0.45%

LAB 80.99, -32.93, 78.69

 

CMYK 40 / 0 / 93 / 16

HEX #80D70F

RGB 128 215 15

HSL 86.1, 0.87%, 0.45%

LAB 78.01, -52.76, 75.05

 

CMYK 65 / 0 / 93 / 16

HEX #4BD70F

RGB 75 215 15

HSL 102, 0.87%, 0.45%

LAB 76.15, -67.35, 72.77

 

CMYK 90 / 0 / 93 / 16

HEX #16D70F

RGB 22 215 15

HSL 117.9, 0.87%, 0.45%

LAB 75.33, -74.52, 71.76

 

CMYK 42 / 0 / 93 / 46

HEX #50890A

RGB 80 137 10

HSL 86.93, 0.86%, 0.29%

LAB 51.4, -37.57, 53.08

 

CMYK 41 / 0 / 93 / 31

HEX #67B00C

RGB 103 176 12

HSL 86.71, 0.87%, 0.37%

LAB 64.93, -45.68, 64.34

 

CMYK 42 / 0 / 93 / 16

HEX #7DD70F

RGB 125 215 15

HSL 87, 0.87%, 0.45%

LAB 77.87, -53.75, 74.89

 

CMYK 39 / 0 / 87 / 6

HEX #92EF1F

RGB 146 239 31

HSL 86.83, 0.87%, 0.53%

LAB 85.98, -55.82, 79.55

 

CMYK 32 / 0 / 71 / 5

HEX #A5F246

RGB 165 242 70

HSL 86.86, 0.87%, 0.61%

LAB 87.94, -48.82, 71.24

 

CMYK 42 / 0 / 93 / 17

HEX #7CD40F

RGB 124 212 15

HSL 86.8, 0.87%, 0.45%

LAB 76.92, -52.91, 74.1

 

CMYK 93 / 0 / 34 / 16

HEX #0FD78D

RGB 15 215 141

HSL 157.8, 0.87%, 0.45%

LAB 76.45, -60.71, 24.48

 

CMYK 0 / 93 / 3 / 16

HEX #D70FD0

RGB 215 15 208

HSL 302.1, 0.87%, 0.45%

LAB 51.09, 84.22, -49.5

 

CMYK 42 / 0 / 93 / 17

HEX #7CD40F

RGB 124 212 15

HSL 86.8, 0.87%, 0.45%

LAB 76.92, -52.91, 74.1

 

CMYK 93 / 40 / 0 / 16

HEX #0F80D7

RGB 15 128 215

HSL 206.1, 0.87%, 0.45%

LAB 52.34, 3.73, -52.43

 

CMYK 0 / 93 / 40 / 16

HEX #D70F80

RGB 215 15 128

HSL 326.1, 0.87%, 0.45%

LAB 47.43, 74.78, -7.8

 

CMYK 42 / 0 / 93 / 17

HEX #7CD40F

RGB 124 212 15

HSL 86.8, 0.87%, 0.45%

LAB 76.92, -52.91, 74.1

 

CMYK 93 / 0 / 34 / 16

HEX #0FD78D

RGB 15 215 141

HSL 157.8, 0.87%, 0.45%

LAB 76.45, -60.71, 24.48

 

CMYK 53 / 93 / 0 / 16

HEX #650FD7

RGB 101 15 215

HSL 265.8, 0.87%, 0.45%

LAB 34.01, 70.51, -82.08

 

CMYK 0 / 93 / 59 / 16

HEX #D70F58

RGB 215 15 88

HSL 338.1, 0.87%, 0.45%

LAB 46.3, 71.72, 15.29

 

CMYK 42 / 0 / 93 / 17

HEX #7CD40F

RGB 124 212 15

HSL 86.8, 0.87%, 0.45%

LAB 76.92, -52.91, 74.1

 

CMYK 93 / 0 / 7 / 16

HEX #0FD7C9

RGB 15 215 201

HSL 175.8, 0.87%, 0.45%

LAB 77.83, -45.91, -5.44

 

CMYK 53 / 93 / 0 / 16

HEX #650FD7

RGB 101 15 215

HSL 265.8, 0.87%, 0.45%

LAB 34.01, 70.51, -82.08

 

CMYK 0 / 93 / 87 / 16

HEX #D70F1C

RGB 215 15 28

HSL 356.1, 0.87%, 0.45%

LAB 45.46, 69.38, 49.33

 

Description

Color code: HEX #7CD40F | qconv.com Color code: HEX #7CD40F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 212 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 212 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 93 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 93% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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