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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CCD28 it is the complementary color #8332D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CCD28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CCD28 shade: #81CD23, #92DF36, #A3F149, #B4FF5C and #C5FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CCD28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CCD28 shade: #7CCD28, #6BBB15, #5AA902, #499700 and #388500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CCD28 shade: #7CCC28, #A8CC28, #CCC428, #CC9828 and #CC6C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CCD28 shade: #7CCC28, #50CC28, #28CC2D, #28CC5A and #28CC86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CCD28 shade matches the following richer shades: #7CCC28, #7CE015 and #7DF401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CCD28 shade: #7CCC28, #7CB93C, #7BA550, #7B9164 and #7A7D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CCD28 shade: #CCC428, #A9CC28, #7DCC28, #51CC28 and #28CC2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CCD28 shade: #52881B, #67AA22, #7CCC28, #90DA44 and #A5E166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CCD28 shade: #7CCD28, #28CC98 and #CC28BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CCD28 shade: #7CCD28, #287DCC and #CC287D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CCD28 shade: #7CCD28, #28CC98, #7828CC and #CC285C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CCD28 shade: #7CCD28, #28CCCA, #7828CC and #CC282B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 80 / 20

HEX #7CCD28

RGB 124 205 40

HSL 89.45, 0.67%, 0.48%

LAB 74.89, -49.35, 67.43

 

Complementary color

CMYK 39 / 77 / 0 / 16

HEX #8332D7

RGB 131 50 215

HSL 269.45, 0.67%, 0.52%

LAB 41.24, 63.81, -70.07

 

CMYK 37 / 0 / 83 / 20

HEX #81CD23

RGB 129 205 35

HSL 86.82, 0.71%, 0.47%

LAB 75.11, -47.84, 69.01

 

CMYK 35 / 0 / 76 / 13

HEX #92DF36

RGB 146 223 54

HSL 87.34, 0.73%, 0.54%

LAB 81.38, -48.47, 69.77

 

CMYK 32 / 0 / 70 / 5

HEX #A3F149

RGB 163 241 73

HSL 87.86, 0.86%, 0.62%

LAB 87.57, -48.92, 69.78

 

CMYK 29 / 0 / 64 / 0

HEX #B4FF5C

RGB 180 255 92

HSL 87.61, 1%, 0.68%

LAB 92.57, -47.54, 68.13

 

CMYK 23 / 0 / 56 / 0

HEX #C5FF6F

RGB 197 255 111

HSL 84.17, 1%, 0.72%

LAB 93.68, -39.95, 61.77

 

CMYK 40 / 0 / 80 / 20

HEX #7CCD28

RGB 124 205 40

HSL 89.45, 0.67%, 0.48%

LAB 74.89, -49.35, 67.43

 

CMYK 43 / 0 / 89 / 27

HEX #6BBB15

RGB 107 187 21

HSL 88.92, 0.8%, 0.41%

LAB 68.55, -48.54, 65.96

 

CMYK 47 / 0 / 99 / 34

HEX #5AA902

RGB 90 169 2

HSL 88.38, 0.98%, 0.34%

LAB 62.13, -47.44, 63.16

 

CMYK 52 / 0 / 100 / 41

HEX #499700

RGB 73 151 0

HSL 90.99, 1%, 0.3%

LAB 55.63, -45.88, 58.05

 

CMYK 58 / 0 / 100 / 48

HEX #388500

RGB 56 133 0

HSL 94.74, 1%, 0.26%

LAB 49.03, -44.1, 52.58

 

CMYK 39 / 0 / 80 / 20

HEX #7CCC28

RGB 124 204 40

HSL 89.27, 0.67%, 0.48%

LAB 74.59, -48.94, 67.16

 

CMYK 18 / 0 / 80 / 20

HEX #A8CC28

RGB 168 204 40

HSL 73.17, 0.67%, 0.48%

LAB 77.08, -32.46, 70.34

 

CMYK 0 / 4 / 80 / 20

HEX #CCC428

RGB 204 196 40

HSL 57.07, 0.67%, 0.48%

LAB 77.56, -13.51, 71.8

 

CMYK 0 / 25 / 80 / 20

HEX #CC9828

RGB 204 152 40

HSL 40.98, 0.67%, 0.48%

LAB 66.1, 9.62, 61.71

 

CMYK 0 / 47 / 80 / 20

HEX #CC6C28

RGB 204 108 40

HSL 24.88, 0.67%, 0.48%

LAB 55.8, 33.37, 52.32

 

CMYK 39 / 0 / 80 / 20

HEX #7CCC28

RGB 124 204 40

HSL 89.27, 0.67%, 0.48%

LAB 74.59, -48.94, 67.16

 

CMYK 61 / 0 / 80 / 20

HEX #50CC28

RGB 80 204 40

HSL 105.37, 0.67%, 0.48%

LAB 72.92, -61.71, 65.02

 

CMYK 80 / 0 / 78 / 20

HEX #28CC2D

RGB 40 204 45

HSL 121.83, 0.67%, 0.48%

LAB 72.11, -68.48, 62.49

 

CMYK 80 / 0 / 56 / 20

HEX #28CC5A

RGB 40 204 90

HSL 138.29, 0.67%, 0.48%

LAB 72.48, -63.97, 44.95

 

CMYK 80 / 0 / 34 / 20

HEX #28CC86

RGB 40 204 134

HSL 154.39, 0.67%, 0.48%

LAB 73.13, -56.42, 23.67

 

CMYK 39 / 0 / 80 / 20

HEX #7CCC28

RGB 124 204 40

HSL 89.27, 0.67%, 0.48%

LAB 74.59, -48.94, 67.16

 

CMYK 45 / 0 / 91 / 12

HEX #7CE015

RGB 124 224 21

HSL 89.56, 0.83%, 0.48%

LAB 80.54, -57.4, 76.26

 

CMYK 49 / 0 / 100 / 4

HEX #7DF401

RGB 125 244 1

HSL 89.38, 0.99%, 0.48%

LAB 86.54, -64.75, 83.05

 

CMYK 39 / 0 / 80 / 20

HEX #7CCC28

RGB 124 204 40

HSL 89.27, 0.67%, 0.48%

LAB 74.59, -48.94, 67.16

 

CMYK 33 / 0 / 68 / 27

HEX #7CB93C

RGB 124 185 60

HSL 89.28, 0.51%, 0.48%

LAB 68.97, -39.72, 54.89

 

CMYK 25 / 0 / 52 / 35

HEX #7BA550

RGB 123 165 80

HSL 89.65, 0.35%, 0.48%

LAB 63.09, -29.02, 39.19

 

CMYK 15 / 0 / 31 / 43

HEX #7B9164

RGB 123 145 100

HSL 89.33, 0.18%, 0.48%

LAB 57.45, -16.27, 21.38

 

CMYK 2 / 0 / 4 / 51

HEX #7A7D78

RGB 122 125 120

HSL 96, 0.02%, 0.48%

LAB 52.02, -2.12, 2.32

HEX #7A7D78

CMYK 0 / 4 / 80 / 20

HEX #CCC428

RGB 204 196 40

HSL 57.07, 0.67%, 0.48%

LAB 77.56, -13.51, 71.8

 

CMYK 17 / 0 / 80 / 20

HEX #A9CC28

RGB 169 204 40

HSL 72.8, 0.67%, 0.48%

LAB 77.15, -32.06, 70.42

 

CMYK 39 / 0 / 80 / 20

HEX #7DCC28

RGB 125 204 40

HSL 88.9, 0.67%, 0.48%

LAB 74.63, -48.6, 67.22

 

CMYK 60 / 0 / 80 / 20

HEX #51CC28

RGB 81 204 40

HSL 105, 0.67%, 0.48%

LAB 72.95, -61.48, 65.05

 

CMYK 80 / 0 / 79 / 20

HEX #28CC2B

RGB 40 204 43

HSL 121.1, 0.67%, 0.48%

LAB 72.1, -68.61, 63.09

 

CMYK 40 / 0 / 80 / 47

HEX #52881B

RGB 82 136 27

HSL 89.72, 0.67%, 0.32%

LAB 51.25, -35.71, 48.69

 

CMYK 39 / 0 / 80 / 33

HEX #67AA22

RGB 103 170 34

HSL 89.56, 0.67%, 0.4%

LAB 63.13, -42.43, 57.98

 

CMYK 39 / 0 / 80 / 20

HEX #7CCC28

RGB 124 204 40

HSL 89.27, 0.67%, 0.48%

LAB 74.59, -48.94, 67.16

 

CMYK 34 / 0 / 69 / 15

HEX #90DA44

RGB 144 218 68

HSL 89.6, 0.67%, 0.56%

LAB 79.89, -46.23, 63.46

 

CMYK 27 / 0 / 55 / 12

HEX #A5E166

RGB 165 225 102

HSL 89.27, 0.67%, 0.64%

LAB 83.34, -38.96, 53.34

 

CMYK 40 / 0 / 80 / 20

HEX #7CCD28

RGB 124 205 40

HSL 89.45, 0.67%, 0.48%

LAB 74.89, -49.35, 67.43

 

CMYK 80 / 0 / 25 / 20

HEX #28CC98

RGB 40 204 152

HSL 160.98, 0.67%, 0.48%

LAB 73.48, -52.47, 14.61

 

CMYK 0 / 80 / 6 / 20

HEX #CC28BF

RGB 204 40 191

HSL 304.76, 0.67%, 0.48%

LAB 49.64, 75.68, -42.09

 

CMYK 40 / 0 / 80 / 20

HEX #7CCD28

RGB 124 205 40

HSL 89.45, 0.67%, 0.48%

LAB 74.89, -49.35, 67.43

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 0 / 80 / 39 / 20

HEX #CC287D

RGB 204 40 125

HSL 328.9, 0.67%, 0.48%

LAB 46.76, 67.49, -7.19

 

CMYK 40 / 0 / 80 / 20

HEX #7CCD28

RGB 124 205 40

HSL 89.45, 0.67%, 0.48%

LAB 74.89, -49.35, 67.43

 

CMYK 80 / 0 / 25 / 20

HEX #28CC98

RGB 40 204 152

HSL 160.98, 0.67%, 0.48%

LAB 73.48, -52.47, 14.61

 

CMYK 41 / 80 / 0 / 20

HEX #7828CC

RGB 120 40 204

HSL 269.27, 0.67%, 0.48%

LAB 37.61, 63.34, -69.71

 

CMYK 0 / 80 / 55 / 20

HEX #CC285C

RGB 204 40 92

HSL 340.98, 0.67%, 0.48%

LAB 45.81, 64.65, 11.78

 

CMYK 40 / 0 / 80 / 20

HEX #7CCD28

RGB 124 205 40

HSL 89.45, 0.67%, 0.48%

LAB 74.89, -49.35, 67.43

 

CMYK 80 / 0 / 1 / 20

HEX #28CCCA

RGB 40 204 202

HSL 179.27, 0.67%, 0.48%

LAB 74.76, -39.34, -10.5

 

CMYK 41 / 80 / 0 / 20

HEX #7828CC

RGB 120 40 204

HSL 269.27, 0.67%, 0.48%

LAB 37.61, 63.34, -69.71

 

CMYK 0 / 80 / 79 / 20

HEX #CC282B

RGB 204 40 43

HSL 358.9, 0.67%, 0.48%

LAB 44.98, 62.12, 40.28

 

Description

Color code: HEX #7CCD28 | qconv.com Color code: HEX #7CCD28 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 205 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 205 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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