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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CCD18 it is the complementary color #8332E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CCD18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CCD18 shade: #81CD13, #92DF26, #A3F139, #B4FF4C and #C5FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CCD18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CCD18 shade: #7CCD18, #6BBB05, #5AA900, #499700 and #388500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CCD18 shade: #7CCD18, #ADCD18, #CDBD18, #CD8C18 and #CD5B18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CCD18 shade: #7CCD18, #4BCD18, #1ACD18, #18CD47 and #18CD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CCD18 shade matches the following richer shades: #7CCD18 and #7EE006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CCD18 shade: #7CCD18, #7ABB2B, #78A83D, #769650 and #748362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CCD18 shade: #CDBB18, #AFCD18, #7FCD18, #4ECD18 and #1ECD18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CCD18 shade: #50840F, #66A814, #7CCD18, #91E629 and #A4EA4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CCD18 shade: #7CCD18, #18CD8B and #CD18C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CCD18 shade: #7CCD18, #187FCD and #CD187F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CCD18 shade: #7CCD18, #18CD8B, #6718CD and #CD185B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CCD18 shade: #7CCD18, #18CDC1, #6718CD and #CD1824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

Complementary color

CMYK 43 / 78 / 0 / 9

HEX #8332E7

RGB 131 50 231

HSL 266.85, 0.79%, 0.55%

LAB 42.58, 67.55, -77.02

 

CMYK 37 / 0 / 91 / 20

HEX #81CD13

RGB 129 205 19

HSL 84.52, 0.83%, 0.44%

LAB 75.06, -48.33, 72.13

 

CMYK 35 / 0 / 83 / 13

HEX #92DF26

RGB 146 223 38

HSL 84.97, 0.74%, 0.51%

LAB 81.31, -49.18, 74.08

 

CMYK 32 / 0 / 76 / 5

HEX #A3F139

RGB 163 241 57

HSL 85.43, 0.87%, 0.58%

LAB 87.48, -49.82, 74.94

 

CMYK 29 / 0 / 70 / 0

HEX #B4FF4C

RGB 180 255 76

HSL 85.14, 1%, 0.65%

LAB 92.46, -48.63, 73.94

 

CMYK 23 / 0 / 63 / 0

HEX #C5FF5F

RGB 197 255 95

HSL 81.75, 1%, 0.69%

LAB 93.54, -41.24, 68.27

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 43 / 0 / 97 / 27

HEX #6BBB05

RGB 107 187 5

HSL 86.37, 0.95%, 0.38%

LAB 68.52, -48.88, 68.15

 

CMYK 47 / 0 / 100 / 34

HEX #5AA900

RGB 90 169 0

HSL 88.05, 1%, 0.33%

LAB 62.13, -47.48, 63.43

 

CMYK 52 / 0 / 100 / 41

HEX #499700

RGB 73 151 0

HSL 90.99, 1%, 0.3%

LAB 55.63, -45.88, 58.05

 

CMYK 58 / 0 / 100 / 48

HEX #388500

RGB 56 133 0

HSL 94.74, 1%, 0.26%

LAB 49.03, -44.1, 52.58

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 16 / 0 / 88 / 20

HEX #ADCD18

RGB 173 205 24

HSL 70.61, 0.79%, 0.45%

LAB 77.65, -31.37, 74.49

 

CMYK 0 / 8 / 88 / 20

HEX #CDBD18

RGB 205 189 24

HSL 54.7, 0.79%, 0.45%

LAB 75.72, -9.93, 73.99

 

CMYK 0 / 32 / 88 / 20

HEX #CD8C18

RGB 205 140 24

HSL 38.45, 0.79%, 0.45%

LAB 63.18, 16.14, 64.08

 

CMYK 0 / 56 / 88 / 20

HEX #CD5B18

RGB 205 91 24

HSL 22.21, 0.79%, 0.45%

LAB 52.43, 41.98, 55.66

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 63 / 0 / 88 / 20

HEX #4BCD18

RGB 75 205 24

HSL 103.09, 0.79%, 0.45%

LAB 73.04, -63.87, 68.78

 

CMYK 87 / 0 / 88 / 20

HEX #1ACD18

RGB 26 205 24

HSL 119.34, 0.79%, 0.45%

LAB 72.19, -71.2, 67.72

 

CMYK 88 / 0 / 65 / 20

HEX #18CD47

RGB 24 205 71

HSL 135.58, 0.79%, 0.45%

LAB 72.44, -68.06, 53.28

 

CMYK 88 / 0 / 42 / 20

HEX #18CD77

RGB 24 205 119

HSL 151.49, 0.79%, 0.45%

LAB 73.02, -61.05, 31.29

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 44 / 0 / 97 / 12

HEX #7EE006

RGB 126 224 6

HSL 86.97, 0.95%, 0.45%

LAB 80.61, -57.02, 77.98

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 35 / 0 / 77 / 27

HEX #7ABB2B

RGB 122 187 43

HSL 87.08, 0.63%, 0.45%

LAB 69.36, -42.41, 61.38

 

CMYK 29 / 0 / 64 / 34

HEX #78A83D

RGB 120 168 61

HSL 86.92, 0.47%, 0.45%

LAB 63.62, -33.47, 48.68

 

CMYK 21 / 0 / 47 / 41

HEX #769650

RGB 118 150 80

HSL 87.43, 0.3%, 0.45%

LAB 58.27, -23.59, 33.21

 

CMYK 11 / 0 / 25 / 49

HEX #748362

RGB 116 131 98

HSL 87.27, 0.14%, 0.45%

LAB 52.76, -11.81, 16.06

 

CMYK 0 / 9 / 88 / 20

HEX #CDBB18

RGB 205 187 24

HSL 54.03, 0.79%, 0.45%

LAB 75.19, -8.9, 73.57

 

CMYK 15 / 0 / 88 / 20

HEX #AFCD18

RGB 175 205 24

HSL 69.94, 0.79%, 0.45%

LAB 77.78, -30.55, 74.66

 

CMYK 38 / 0 / 88 / 20

HEX #7FCD18

RGB 127 205 24

HSL 85.86, 0.79%, 0.45%

LAB 74.98, -48.9, 71.2

 

CMYK 62 / 0 / 88 / 20

HEX #4ECD18

RGB 78 205 24

HSL 102.1, 0.79%, 0.45%

LAB 73.12, -63.19, 68.88

 

CMYK 85 / 0 / 88 / 20

HEX #1ECD18

RGB 30 205 24

HSL 118.01, 0.79%, 0.45%

LAB 72.23, -70.86, 67.77

 

CMYK 39 / 0 / 89 / 48

HEX #50840F

RGB 80 132 15

HSL 86.67, 0.8%, 0.29%

LAB 49.79, -35.23, 50.7

 

CMYK 39 / 0 / 88 / 34

HEX #66A814

RGB 102 168 20

HSL 86.76, 0.79%, 0.37%

LAB 62.41, -42.52, 60.86

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 37 / 0 / 82 / 10

HEX #91E629

RGB 145 230 41

HSL 86.98, 0.79%, 0.53%

LAB 83.32, -52.26, 75.13

 

CMYK 30 / 0 / 67 / 8

HEX #A4EA4E

RGB 164 234 78

HSL 86.92, 0.79%, 0.61%

LAB 85.65, -45.27, 65.97

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 88 / 0 / 32 / 20

HEX #18CD8B

RGB 24 205 139

HSL 158.12, 0.79%, 0.45%

LAB 73.36, -57.04, 21.33

 

CMYK 0 / 88 / 3 / 20

HEX #CD18C7

RGB 205 24 199

HSL 301.99, 0.79%, 0.45%

LAB 49.2, 80.1, -47.42

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 88 / 38 / 0 / 20

HEX #187FCD

RGB 24 127 205

HSL 205.86, 0.79%, 0.45%

LAB 51.59, 0.95, -47.96

 

CMYK 0 / 88 / 38 / 20

HEX #CD187F

RGB 205 24 127

HSL 325.86, 0.79%, 0.45%

LAB 45.86, 71.26, -9.74

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 88 / 0 / 32 / 20

HEX #18CD8B

RGB 24 205 139

HSL 158.12, 0.79%, 0.45%

LAB 73.36, -57.04, 21.33

 

CMYK 50 / 88 / 0 / 20

HEX #6718CD

RGB 103 24 205

HSL 266.19, 0.79%, 0.45%

LAB 33.87, 66.43, -76.52

 

CMYK 0 / 88 / 56 / 20

HEX #CD185B

RGB 205 24 91

HSL 337.79, 0.79%, 0.45%

LAB 44.78, 68.27, 11

 

CMYK 40 / 0 / 88 / 20

HEX #7CCD18

RGB 124 205 24

HSL 86.85, 0.79%, 0.45%

LAB 74.83, -49.93, 71.02

 

CMYK 88 / 0 / 6 / 20

HEX #18CDC1

RGB 24 205 193

HSL 176.02, 0.79%, 0.45%

LAB 74.64, -43.46, -5.83

 

CMYK 50 / 88 / 0 / 20

HEX #6718CD

RGB 103 24 205

HSL 266.19, 0.79%, 0.45%

LAB 33.87, 66.43, -76.52

 

CMYK 0 / 88 / 82 / 20

HEX #CD1824

RGB 205 24 36

HSL 356.02, 0.79%, 0.45%

LAB 43.89, 65.7, 43.09

 

Description

Color code: HEX #7CCD18 | qconv.com Color code: HEX #7CCD18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 205 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 205 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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